Archive for KISS

Graspop and Sweden Rock announce 2015 line-ups

Posted in Festival News, Gig Listing, Music, News with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on November 20, 2014 by Tickets There

10686728_10152508908419077_2140990077237567170_nOh it’s getting serious now folks, First Download and Hellfest and now Graspop and Sweden Rock have unleashed the beasts for next year’s festivities. Both have fairly enticing attractions so the pressure is now on for decision making.

10686728_10152508908419077_2140990077237567170_nGraspop: 19,20,21 JUNE 15
Graspop is coming out mighty strong this year. As one of Europe’s most scared festivals, the chances of a good line-up are always pretty decent and 2015 will be no different. They’ve managed to capture most of the mouth watering touring line-up’s this year.

KISS, Slipknot and Scorpions will headline the event with serious support coming from Judas Priest, Motorhead, Alice Cooper, Exodus, KoRn, Body Count, In Flames, Lamb of God, Cradle of Filth, Arch Enemy, Cannibal Corpse, PRIMORDIAL and many, many more. Full line-up details and ticket info available here.

CA65FA5ECB43A44ASweden Rock Festival: 3,4,5,6 JUNE 15
One thing – Headliners are the best I’ve seen yet. Def Leppard, Motley Crue, Judas Priest and …ahem, ToTo will headline this four day extravaganza. That’s not all though.

Five Finger Death Punch, Backyard Babies, Opeth, Meshuggah, Hammerfall, D-A-D, Airbourne, Nuclear Assault, Exodus, H.E.A.T., The Quireboys, Exciter, Delan and again, lots more. Sweden Rock have confirmed they still have roughly 50 more bands to be announced so keep an eye on their official site for details as they unfold.

So, what are folks thinking so far?

Download 2015: Day 1 and 2 confirmed. 3rd leaked?

Posted in Festival News, Gig Listing, Music, News with tags , , , , , , , , , , , , , , , , on November 18, 2014 by Tickets There

Download
Well festival season is off to an early start this year. Yesterday the mighty Hellfest released info on over 120 bands that are set to perform at next year’s event and this week Download have been teasing out the first two days of next year’s event with the third and final day set to be confirmed tomorrow, Nov. 19th.

So far, Download have confirmed Slipknot, Judas Priest, Five Finger Death Punch and Black Stone Cherry will be the major names for Day one of the festival (June 12th 2015) followed by MUSE, Faith No More, A Day to Remember and Marilyn Manson on Saturday the 13th of June.

In a TBC post, it seems Gene Simmons, legendary bassist and singer with KISS, Gene Simmons, may have ‘accidently’ leaked the Day 03 line-up. According to his pretty genuine looking poster, the bands set to appear are KISS themselves, Motley Crue, Slash and Enter Shikari. However this hasn’t been confirmed and all will be revealed tomorrow morning at 08:00 am so stay tuned to the official website.

Over a hundred or so more bands will be announced over the coming months. Basic weekend tickets (3 nights camping) will set you back about £205. Check Ticketmaster for more options and prices. They go on sale this Thursday, Nov. 20th.

HELLFEST: 1 DAY LEFT BEFORE ANNOUNCEMENT & TICKETS

Posted in Gig Listing, News with tags , , , , , , , , , , , , , on November 16, 2014 by Tickets There

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That’s right folks, just one day left before Hellfest officially announce the line-up for HELLFEST X or HELLFEST 2015. Several names have been tipped including SLASH, KISS, JUDAS PRIEST, RAMMSTEIN, CANNIBAL CORPSE, MOTLEY CRÜE, MAYHEM, TESTAMENT, NAPALM DEATH but none are 100%. Just one day and we’ll know all.

Also tickets will be going on sale tomorrow, Nov 17th. Only three day tickets will be on sale at first with single day tickets going on sale at a later date. Also capacity will e reduced next year to make things a little more comfortable so beware there will be less tickets available.

With that said, let’s roll on the excitement!

HELLFEST X announcement in SIX days

Posted in Gig Listing, Music, News with tags , , , , , , , , , , , , , , , on November 11, 2014 by Tickets There

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The tenth instalment of everyone’s favourite heavy metal festival is set to be announced in six days time. Fans (me) have been panicked that this year’s usual September announcement had been delayed but organizers have now confirmed they will not announce a small portion of the bill this side of Christmas, but instead will announce the entire program for HELLFEST X.

Last year Hellfest IX displayed one of the greatest line-ups in heavy metal history so there’s a lot to live up to. Rumours on possible bands have been circulating since this years festival ended and they’ve only gotten more intense with announcements that Metallica, KISS, AC/DC, Slipknot, Judas Priest, Marilyn Manson, Motley Crue, Def Leppard and many, many more are all touring Europe this summer.Who will land on the mighty Hellfest bill? Keep your eyes peeled to Hellfest.fr next Monday for the official unveiling.

..or you could be lazy and just wait for us to tell you. I mean, it’s not like the official Hellfest page needs to the views to keep them in business. Yes, watch Tickets There and nothing else. In fact, forget the internet. Set up a Facebook/twitter account – subscribe to tickets there and never again worry about other pages.

Related

Review: Hellfest 2014 June 20th – 22nd (Clisson, France)

The Treatment | Talk 2 Tickets

Posted in Interview, Music, News with tags , , , , , , , , , , , , , , on June 16, 2014 by Tickets There

Described as one of the most exciting bands to emerge from England in years, The Treatment are five guys who love rock ‘n’ roll. They released their debut album, This Might Hurt, in 2011 and its follow up, Running with the Dogs, earlier this year to massive critical acclaim. They’ve supported some of the biggest names in music and every year that passes brings nothing but new success. If you haven’t heard them yet, now is your chance to make amends as they’re coming to Dublin this week to play their first Irish headlining show and you don’t want to miss out.

Tickets There was fortunate enough to speak with The Treatment’s guitarist, Tag Grey and find out a little about the origins of the band, their touring experiences over the past few years and what it means to have Tommy Lee coordinate your birthday celebrations backstage.

Tickets There: Hi Tag, how are things going in the Treatment camp at the moment?

TG: It’s going great man. All the fans and all the press as well. And since Kerrang started picking up the last one, things have just been brilliant. It’s done a lot more than we dreamed it could have done. Really happy about it.

Tickets There: Running with the Dogs seems to be picking up a lot of new fans with previous critics highlighting it sounds far more accomplished than your debut, This Might Hurt. Do you feel this album is a stronger representation of the band?

TG: Ah yeah. I think Dhan (Mansworth – drums) was around fifteen or sixteen when he started writing and recording This Might Hurt. We’ve all grown so much as players and musicians that there’s no way you could compare the two.  We were so proud with what we did with the first one but by the second one it was even better, you know? We changed loads of things during the recording – the guitars, the amps and the way we were recording. We were really happy with how it came out. It definitely captured another side of the band.

1606221_759009914126507_1314872328_oTickets There: A lot of bands have great difficulty writing and recording their second albums. Did you feel any pressure after the success of This Might Hurt?

TG: We didn’t really think, but looking back we were so happy with the way it came out. There’s no comparison between the two and it’s all just gone in the direction we wanted it to. I don’t think we ever thought about having a problem with the second one, we just got on really. I mean we constantly toured since This Might Hurt came out so we were always recording and writing little bits and bobs.

Tickets There: That’s probably the best way to avoid the pressure.

TG: It’s brilliant actually, we all live with Dhan and our manager Laurie (Mansworth) has his own studio so we could just record whenever which was a massive help for the band.

Tickets There: Were you worried at all that the delay between Running with the Dogs and This Might Hurt might risk losing some of the momentum you’d created?

TG: This Might Hurt came out twice actually. It came out originally on Powerage and when we were picked up by Universal we re-released it with a bonus track so although it was released a long time ago, since the re-release it hasn’t been that long and we’ve just been on the road constantly. We wanted to make sure we had the album completely right. It wasn’t an intentional thing. We weren’t looking to get it out asap, we just wanted to stay on the road touring really. We’re definitely more of a live band.

Tickets There: Since the release of Running with the Dogs, have you noticed an increase in interest in the band?

TG: Oh massive. The first major tour we had was with Alice Cooper, which was a great tour to start with, but everything since just seems to take a step up. Lamb of God in America was the last big tour we did before recording the new album which was just insane. With this tour the first one we did was our own headlining tour which is just incredible. We went out and hundreds of people were turning up to see us which, for us is just an amazing feeling. We did the Islington in London, which has been a venue where we’ve seen so many of our favourite bands and you don’t realize what you’re doing until you’re standing on stage and all these people turn up. It’s just been amazing.

Tickets There: It sounds like things are really starting to get going for ye.

TG: (laughs) yeah, it’s been great. And now we’re going out and doing all the European festivals – it just keeps getting bigger and better. I can’t wait.

1510552_741165082577657_2039737956_nTickets There: So let’s go back a little. How did the band get together?

TG: It was Dhan basically. He wanted to put a band together and his dad Laurie, he’s been in the music business and was in a couple of bands in the eighties so he knows everything. So they started looking around the country for musicians and that’s how we got the line-up.

We all moved in to Laurie’s house so it became a pretty wild one. Myself and Rick Newman (aka Swoggle) were living in a tent down the end and Dhan was still going to school every day. We started jamming in the shed and it’s just grown since then. We recorded the album and started touring.

Tickets There: It couldn’t have just happened that easily, right?

TG: Well, in the beginning it was quite hard as we couldn’t get into any venues. We were all under eighteen and they’d always kick us out. That’s how young we were when we started.

Tickets There: So none of you were close friends when you started the band?

TG: Me and Rick were the only ones, we went to school together. Dan found Rick and Rick knew me from School and that’s how I got the part. Matt (Jones, vocals) was on MySpace, do you remember? He found him and the original guitar player was from a music college and now we have Fabien who’s over from Germany.

Tickets There: It must have been strange all of ye moving in together at the time. Did ye drive each other crazy?

TG: Oh no, we’ve lived together for seven years so there’s no way we could do it if we didn’t get along. Of course it’s beyond argument; you can’t stick six guys together without the odd one. But as friends we’re as close as it gets. We don’t let anyone fuck with us man.

Tickets There: When you came together, did you know the type of band you wanted to be or did the style fall into place when ye met?

TG: It came together really as a group. We’d all grown up on similar styles of music so it just happened really. We didn’t decide on it, it just came together.

Tickets There: Would you credit Def Leppard or AC/DC more as the influence for the band? Be warned, I’m a Leppard fan…

TG: (laughs) Both of them I’d say. If there’s one band we all have total love for it’s the DC. I remember one year we all went to see them play Download and sitting there, watching a band you all completely fucking love was just amazing. But Def Leppard as well, they are a great, great band.

Tickets There: Hmmm, ok I’ll accept that. So how long did you stay practicing for before you started doing shows?

TG: For the first year of the band Dan was still going to school every day so the idea of touring was impossible. We spent the first year or two in the garage rehearsing, playing a few local shows. The first big one we got was opening for Black Stone Cherry and pretty much straight from that was Sonisphere and then straight onto Alice Cooper and Steel Panther after that. Then we played with Thin Lizzy, Slash and Status Quo, the list goes on man.

Tickets There: It certainly does. In your time together you’ve also supported Lamb of God, Motley Crue, KISS and many others. In fact, isn’t it true that Nikki Sixx personally got you onto their tour with KISS?

TG: Yeah, he did. He asked us to do it. That was three or four amazing months across America.

10291702_814791535215011_2317816580079786614_nTickets There: Nikki Sixx asking your band to open for them and KISS is pretty much a dream come true for any rocker. Can I ask how that came about?

TG: He’s just into young bands and listens out. We were on the Steel Panther tour and it was about 2 in the morning and a friend asked us if we’d twitter and none of us had. So we checked it and he had announced us for the whole tour.

Tickets There: And what’s it like, as a young band to go out there and play side by side with your heroes like that? Did you find yourself learning from them at all?

TG: Oh of course. We’ve learnt so much about how to work a crowd, how to play – how to do everything. You learn from your heroes don’t you, so to be able to support ‘em was such an experience and not only for ourselves, but the live experience as well is fucking great. You also learn from the best when it comes to partying as well (laughs).

Tickets There: Now that’s one, I heard a rumour that in your early years together you had a strict no partying rule on tour. How’s that holding up these days?

TG: (laughs) Yeah, when we first started we had a no drinking rule on tour. It was right place, right time but as we’ve gotten older… Number one is the gig, that’s all we care about. So long as that’s good, we’re good. But, I mean drinking-wise we have more of a laugh now. We’re always up and ready for a show and that’s what matters to us but I think it’s best to say we’ve gotten a little more relaxed (laughs.. Ed. – Laughs because he’s partied with bands like Motley Crue, KISS, Alice Cooper, Lamb of God and many others! – Legend!)

Tickets There: Phew, I was worried there you might shatter my dreams of the rock ‘n’ roll touring life.

TG: Well that was the problem for us as well (laughs)

Tickets There: Do you think allowing yourselves to relax more on the road helped fuel material for Running with the Dogs at all?

TG: Ah yeah, that comes from all the experiences we’ve had. It was Matt’s 21st when we toured with KISS and Motley Crue and Tommy Lee had him backstage and strippers were whipping him, he had a bottle of vodka poured all over his head – I mean how can you have a normal sensible lifestyle while those sorts of things are going on. It definitely helped come up with a few of the ideas.

Tickets There: And what’s it like touring with bands on the level of Motley Crue and KISS? You hear some awful things about support bands can be treated. Did you have any negative experiences?

TG: Everyone, not just Motley Crue, every single person I have toured with has gone beyond what they should have done to help us. The crews as well, every single person and every single band members just made a giant effort to make us feel welcome. Even small things like just someone like that saying hi to you – it makes you feel like it’s worth being on tour just for that.

Tickets There: So, you’re on the road again. Have you got many headlining shows on this leg or are you mostly playing festivals for the summer?

TG: We’ve got the two in Ireland – our first heading shows there actually and then our first headline show in Paris. They’re all going to be wicked. The rest are all festivals and then we have quite a few support slots in between. We’re opening for ZZ Top, Buckcherry and Alterbridge so it’s going to be pretty cool. We have a massive mixture of different places and hopefully later in the year there’ll be lots more coming on.

Tickets There: Is there anywhere in Europe you’re really looking forward to?

TG: Well the last time we went to Dublin we had the wildest time ever. It was great because we did two shows there so we had a night off and had a wild time. Also Italy, for me I love Italy and it’s going to right in the middle of summer so it’ll be buzzing. Everywhere though brings something new.

Tickets There: From the list of festivals you have, you play to a lot of different crowds. How are the reactions when you to play, say Graspop compared to supporting Status Quo?

TG: We’ve done Hammerfest a few times when we’re on with Feed the Rhino – really heavy band and we go down incredibly. I think we have an energy where we just want to go out there and cause absolute chaos by playing classic rock tunes. So we can fit in on any bill.

The response we’ve had from different bands has been incredible. Like recently we went out and support Airbourne and their crowd was just up for it, they wanted to cause a riot. Then we can go on with Quo who are older and more musical and we can go out and have a great show as well.

Tickets There: Is there anyone left that you’d love to go out and support on tour (Apart from Def Leppard and AC/DC of course)?

TG: If Guns N’ Roses get back together (laughs). Could be waiting a bit though.

Tickets There: I better let you head off and get ready for the tour. Just before I do, do you have any plans to tour outside of Europe this year? Just in case your friends on other continents are reading.

TG: It’s something that hasn’t been planned yet, but if something came up we definitely would. We haven’t toured Europe in such a long time and we want to get something big across here. With the record being out here we want to get on the road and support it. If something came up tomorrow, we wouldn’t complain though. Sit around and do nothing or tour? It’s not a question is it (laughs)

The Treatment play Dublin’s Academy 2 this Wednesday, June 18th. Tickets are on sale now from ticketmaster.ie priced €15. Stone Trigger will support on the night.

Or, you could try and win your tickets by clicking here 🙂

 

Vivian Campbell | Talks 2Tickets

Posted in Interview, Music with tags , , , , , , , , , , , , , , , , on March 7, 2014 by Tickets There

vivianInterview

Copyright Defleppard.com

Copyright Defleppard.com

For more than thirty years, Vivian Campbell has been a well-established figure in the world of heavy metal and hard rock. Since cutting his teeth with the influential Sweet Savage in the late seventies, Vivian has continuously worked with some of the genre’s finest artists. Firstly with the iconic DIO, where he wrote and contributed to the band’s first three solo albums, before a falling out with Ronnie led to his departure from the group. However, Vivian quickly landed on his feet when he joined Whitesnake to play on their 1987/88 ‘Whitesnake tour. But it wasn’t until 1992 that he finally found his home with eighties goliaths, Def Leppard and for the past twenty two years he has enjoyed every, high, low, success and challenge that the music world and life can possibly dish out – and he still goes back asking for more. Aside from Def Leppard, Vivian has also found time to release a solo album, play in various side projects, reunite with the original DIO line-up and spend a year with his all-time heroes, Thin Lizzy.

Last year, Vivian was diagnosed with Hodgkin’s lymphoma but still continued to play with Last In Line and tour with Leppard around the US and Europe without ever missing a show, despite having to travel back and forth between tour dates to Los Angeles for treatment.

With Def Leppard currently camped in Dublin to work on new material, Vivian was good enough to take time out of the studio to talk with Tickets There about their new material, the recent re-issue of their Slang album, ballads, touring, Last In Line and enjoying the experience of short hair for the first time in his life.

Tickets There: Vivian, let’s start with the most recent Leppard release. What made you decide to release Slang ahead of some of the band’s better received albums?

VC: We released Slang firstly because we were able to and more importantly perhaps, because we really didn’t feel it got a fair shake when it came out in 1996. In the middle of the grunge era, it was a really difficult time for bands that represented the eighties, like Def Leppard. So even though we made a record in Slang that sounded of the times, it still really fell on deaf ears (no pun intended). So we decided to re-master and repackage it with all the material from around those times, all the bonus tracks and demo versions..etc. and put it out there in the hope that people will give it a more objective hearing in 2014 than it got in 1996.

Tickets There: At the time Slang was extremely well received by critics, but that still didn’t help it repeat the success of it’s immediate predecessors with the general public. Why do you think that was?

VC: Well, a good example of that was the first single in America, a song called ‘Work It Out’ which was actually my first writing contribution with the band I remember I was very excited about that prospect that my first song with the band would be the leadoff single then. That enthusiasm was very quickly dampened a few weeks after, when someone from our management called me to say the radio stations, like rock stations in America had loved the track and said it would totally fit their format but they just can’t play it because they can’t go on air and announce that was Def Leppard. You know they were playing The Stone Temple Pilots and Soundgarden, Nirvana, Pearl Jam and stuff like that – you know and they just couldn’t fit Def Leppard into that format – regardless of how good or how bad the music sounded.

So we were between a rock and a hard place you know, it was really a lose-lose situation for us so we really don’t feel that people outside of the really hard-core Leppard fans got a chance to hear this record the first time around.

38223Tickets There: The re-issue has been out now for a few weeks, have you seen much feedback from fans who’ve turned around on their original opinion?

VC: A little bit. It did tend to polarize our traditional fan base and we kind of knew that going into it and that was the chance we took at the time. You know we knew there were people that just hated the sound of the nineties and just wanted Def Leppard to be Def Leppard, but we felt that the onus was on us more to respond to the musical movements of the time and to be influenced more by that than our traditional sound. The most traditional sounding Leppard we’ve made since then was the one that immediately followed Slang, Euphoria – the title of the record has an ‘IA’ like Pyromania and Hysteria. Even the cover and the art-work – everything about it yells a traditional Leppard record. That came out in 1999 when we felt it was ok to be ourselves again. We really were a band in crisis in 1996.

Tickets There: When you started making Slang, what was the goal of the band?

VC: We didn’t really know what we were doing but we knew what we couldn’t do. So we collectively decided that it was best for us not to make a record that sounded too much like Def Leppard and we had to deal with the lyrical content of rock music at the time was very dark and that’s obviously a 180 from songs like ‘Let’s Get Rocked’ and ‘Pour Some Sugar On Me’ and stuff like that. So we knew we had to adapt to that and write darker lyrical themes and stylistically make a record that sonically sounded of the times. We knew we’d step on somebody’s toes by doing it, but it just felt right at the time.

Tickets There: And when you listen back on it now 18 years later, how do you think it’s held up over these two decades?

VC: To be honest I haven’t listened to it yet – well not the repackaged version. I have a tendency not to listen to Def Leppard music..

Tickets There: (Laughs) I don’t think I’ll print that

VC: Well you know whatever anyone does for a living, I doubt they go home and do it again. For me it’s the same with Leppard. I actually don’t listen to a lot of music in general.

What I remember about the original recording of Slang was that it always had a vibrancy about it. I do think it’s one of Leppard’s better sounding records, to use a word not commonly associated with Leppard, but it’s a more organic sounding record. Just in the way we recorded the drums, Rick (Allen) played acoustic drums and for the guitars we went old school – putting mics in front of cabinets instead of taking directs, which is mostly the way Leppard records. It does have a bit more air in the sonics which gives it a bit more depth as a result. I always remember it being my favourite record sonically from the band.

1992%20-%20Have%20You%20Ever%20back%20cover%20picTickets There: Looking back to those times, what was it like coming from bands like Whitesnake and DIO and coming into Leppard, one of the biggest bands of the nineteen eighties just at the beginning of this big change. Was it what you expected when you joined the band or were things very different than you’d imagined?

VC: Certainly by the time we got to Slang it was all off kilter. At the time, when I joined my biggest concern wasn’t the changing musical trends, because I don’t think any of us had registered that by early 92. My bigger concern was whether I really wanted to join another band and it didn’t matter who it was. I’d been in and out of so many bands at that stage and I didn’t have a good track record. So I’d basically given up on bands at that time and I was under contract to Sony records and I was writing with co-writers and cutting demos with an eye to make a solo record. So I was searching for a music direction of my own at the time and basically given up on trying to make a band, but obviously when the opportunity came to join Def Leppard it was different. I mean, there’s bands and then there’s bands and Leppard are a massive, massive band and a group that I’d always been a fan off. Furthermore I knew Joe (Elliott) socially and I knew the kind of guy he was and even if I didn’t know the other guys in the band, I kind of figured if they’re anything like Joe its probably a different kind of proposition to DIO or Whitesnake.

So both parties had to think long and hard whether it was the right arrangement. Joe felt I was perfect for the band but the guys in Leppard, who didn’t know me [personally] only knew me by reputation and that I could play guitar. The things they didn’t know was A, I could actually sing a bit too and B, that I’m actually not the guy who can’t keep a job (laughs). It’s possible they probably thought that, given my reputation of being hired and fired x2 in DIO and Whitesnake. So we basically went through a courtship that lasted a couple of months over this. It was nothing really to do with the music, it was all about the personalities and whether or not we can make it work. It’s been twenty two years so its definitely working out.

Tickets There: Yes, I don’t think you’re in much danger of losing this gig.

VC: No (laughs), you know people think ‘He must be an asshole to work with because he keeps getting fired’, but there’s a lot more to it than that. DIO and Whitesnake were never real bands and that’s the big difference between them and Leppard. I mean Leppard really is a democratic band. It’s five guys and creatively it is very open. And it’s not sunshine and roses all the time, but we respect each other and we do get along. Whereas DIO, no matter how Ronnie tried to portray it and despite the fact that Jimmy Bain wrote most of the music it was never a real band, it was always Ronnie’s call at the end of the day. Whitesnake as well, history has spoken on behalf of that. There’s been dozens of, and I’m not kidding, that’s not an exaggeration; different musicians through the doors of Whitesnake over the years and the only constant has been Coverdale, so it’s obviously his band you know.

VivianwTickets There: So you’re currently in Dublin with the rest of the band working on new material. How have things been going?

VC: It’s actually going very well. We’ve got about nine things on the go currently, although most of them aren’t finished as, there’s a load of top melodies and lyrics to be written yet. The way the band works is very bizarre and I won’t even begin to try and explain that to you now, but for us this is great progress. especially considering we only started three weeks ago.

Tickets There: These sessions took everyone a little by surprise. Did you intend on coming out with a new album?

VC: When we came here we weren’t sure if we were going to make a full album or try and get a few songs to put out this year, but as things progressed, and they progressed rapidly and very well so we decided to do a full length album. Our goal is to have it done by this time next year and get it released by spring 2015 and to tour extensively on that next year. This year we will be doing a summer tour but it’ll only be the states most likely. We’ll also be coming back to Dublin in May, I wouldn’t say to finish up the record but to do a second instalment. There will need to be a third, possibly fourth instalment to get it finished, but it is progressing very well.

Tickets There: And has the re-issue of Slang changed the way the band is setting up this time at all?

VC: We did set up for the first time since the Slang record to record together, the five of us in real time because we don’t normally do that. We generally build a track up bit by bit and it’s always one guy working and its thoroughly, thoroughly tedious. So it was exciting to actually get in there and play and try to capture some of the dynamics we have as a live band. In the first week we actually got four rock tracks together and that was also  a concern of ours coming into this. We wanted to make sure, even though we want to make a very comprehensive, modern Leppard sounding record, we did want to make sure we had the rock element covered and we actually  for that out of the way like it was no-one’s business in the first week. This is what happens when you play together as a band, you tend to write rock songs as opposed to when you do it individually and you tend to get drawn into doing mid-tempo, little dirgy ballady type stuff. So it’s good that we got to play together and somewhat collaborate with each other on the stuff. Still a lot of it has to be determined, but so far we’ve got the rock element covered and we’re getting into some more studio crafted songs here at the moment and we’ll be wrapping up here in the next couple of days and pick it up again in May.

Tickets There: You’ve made references in the past to your lack of enthusiasm towards ballads. Would you prefer to make an all rock Leppard album?

VC:I’m not against the ballad side of it, but I’ve seen how we get drawn into that a little bit too much at the expense of our rock tracks. If you think that first and foremost the band was a rock band we all come from that rock element and it’s something we needed to address. I don’t think it would be right for the band to go out and make a High ‘N’ Dry style album where every song is pretty much hard rock. I don’t think that’s where we are and I don’t think that’s representative of us as fifty year old men. Having said that, we’re a great, great live band and we can certainly still rock so it was important that a considerable percentage of any album we’re doing is leaning towards rock.

Tickets There: Def Leppard is sometimes seen by fans as a band that’s split on the issue of social media. How do you feel about the changes in the music over the past few years and the move towards releasing music online and moving away from traditional formats?

VC:I personally have done that 100% and have felt that way for several years, but that’s just my personal opinion, that’s not the opinion of the band necessarily. Again it depends who you ask in the band. I think a couple of the guys would be with me on that and a couple of others might be vehemently against it. It is what it is. I’m not saying I embrace it because I think it’s the better thing, but you can’t ignore the facts when they’re staring you in the face. We live in a very rapidly changing world. I’m not personally a fan of social media, I don’t use it for my personal life, but I do enjoy the ability it’s given me to connect to Def Leppard fans and I found it a useful tool to gauge what people are thinking and what [Def Leppard] fans are thinking with regard to us. Like I say  I don’t have a personal Facebook page where I go back and forth with my family, I still believe in more traditional means of communication, but the record business and the whole music business has changed dramatically and anyone who denies it is beyond a  luddite (laughs). Its Darwin’s theory, you evolve or you die.

viv2

Copyright – Sexy Tickets There

Tickets There: You mentioned Leppard are going to tour this year and there’s a tasty rumour going around that it may involve KISS and Poison. Can you shed any light on what’s going to be announced?

VC: I’d say you’d be half right there, but only half right and half wrong (laughs). There will be an announcement of our tour imminently, we’re talking a matter of days. It has to be announced  because we’re almost at summertime.

Tickets There: Do you think fans outside America will see you in 2014?

VC: Not at this point, but never say never. Something might come up at the last moment where we get a great offer to do a European show and upon that we could add a few others, but I would be very surprised. Most likely if we get this record finished for next spring that would see us doing a world tour of sorts, whatever that means nowadays. Certainty Europe, Australia and Japan would be our hope.

Tickets There: Last year, Def Leppard played a massive successful residency in Las Vegas that focused on the Hysteria Album. Does it look likely we’ll see a Viva Pyromania residency soon?

VC: We have a standing invitation to do that again whenever it suits us. It’s just a question of how long we end up touring this summer versus our desire to get this record finished. Personally I’d be surprised if that happened in 2014, but I wouldn’t be shocked it happened in early 2015.

Tickets There: That sounds better, I think I could afford it by then.

VC:  (Laughs)

Tickets There: I just want to talk a little bit, if you have time about your work with Last In Line

VC: Absolutely, I’ve always got time to talk about that (laughs). I’m really passionate about (L.I.L.). I really enjoy playing with Vinny Appice and Jimmy Bain again.

Tickets There: Can you tell us how you started playing with the guys after so many years apart?

VC: I blame Thin Lizzy for it. That’s where it happened again that I got a few months touring Europe and the States with Lizzy in 2011 as a stunt guitar player and that really reignited my passion for the instrument. Thin Lizzy were such an influential band to me growing up and playing those songs, playing ‘Black Rose’, ‘Jailbreak’ and ‘Emerald’ and ‘Don’t Believe a Word’, playing all those great songs that I knew inside out onstage with Brian Downey and Scott Gorham, it brought me back to being fifteen again and reminded me of why it is I love playing Guitar.

1004657_497593280335574_1518072312_nAs soon as I came of that tour I called Vinny and I called Jimmy and we just got together, into a rehearsal room and that’s all it was. I just wanted to play with them again, play some rock and it just sounded so great. We hadn’t played together in twenty seven years and it literally sounded like it had only been twenty seven minutes. The chemistry was just there, it had never gone away and it’s so tight just to play with those guys.

Then one thing led to another. Vinny said he knew this singer called Andrew Freeman so he invited Andy down that day. Andy came down and knew the songs so started singing. Then we talked, jokingly that we should do a gig or two. One thing led to another and we ended up doing a handful of shows last year despite a lot of setbacks and we managed to get the ball rolling on it. We started with a few local shows in Southern California, Las Vegas and what not. Now we’re actually going in to record some new music, even though that was never our intention. It just seemed the next logical step after we’d done some shows, it just seemed right to take it a stage further and try to create a sound that’s ours, not just trying to recreate the DIO sound.

Tickets There: You mentioned earlier that the DIO was such a major factor of the original band, how is the new music sounding and how can you avoid DIO’s legacy hanging over it?

VC: It’s obviously always going to sound a bit like DIO, We’re playing those songs that we wrote and recorded. The difference is that Andy doesn’t sound anything like Ronnie and that’s actually what motivated me to go out and do some gigs. If he’d come in there being a Ronnie clone I’d have been very disinclined to go any further with it because I don’t want it to just be a tribute to Ronnie’s voice. Furthermore I think that Ronnie is a really, really tough act to try and duplicate. He had such a unique sounding voice. So the fact that Andy didn’t sound anything like him really appealed to me. The reason for that was that it put the focus on the songs and the original band. The focus goes to the guitar, the bass and the drums and therefore the guys that made the records. Not only did we make those records, but what a lot of people don’t even realize is that we wrote the songs […] obviously including Ronnie’s input which was monumental but there was a real sound that we had, the fact that Andy didn’t sound like Ronnie somehow resonated with me that it was ok to go out and play those songs and have the focus somewhere else.

1013077_497595363668699_1603434518_nPeople then started asking me, ‘are you going to start making new music’. At first I said no because it was never on my field of thought, but then it became more apparent that for Last In Line to move forward and to be taken to that next level, that’s what we needed to do. Furthermore we got into the studio just a few weeks ago, in early January and started writing. Just Jimmy, Vinnie and myself and it was so effortless that way we came across new music it just fell out of us like it did on the first record, on Holy Diver. It was so easy for us to come up with musical ideas. We act as great springboards for each other. Like when I play something for the guys, they instinctively know where to go and vice versa. We came up with a half a dozen song ideas in a matter of days. Then Andy came in and we exchanged vocal and melody ideas and we’re kind of kicking around in the middle stage between now and April 20th when we’re going into the studio to start recording. Hopefully it’ll finally gel and that final 5/10% will come into place. It really is an exciting thing for me, but it’s a very different way to the way Def Leppard writes and records which is also equally invigorating.   

Tickets There: And will you be letting any ballads through on the Last In Line album?

VC: Fuck no (laughs)

Tickets There: As if Def Leppard and Last In Line wasn’t enough, there’s also reports that you’re planning a second solo album. Have you found time to work on that at all?

VC: That’s kind of open ended for me. There’s no actual agenda for it. Obviously the Leppard thing is what it is and I’ve told you the schedule or the proposed schedule for that. With Last In Line I would hope to have a record done at some point this year. As regards my record I’ve already gone in and started on six tracks. I’ve six backing tracks completed and I’ve got the songs written, I’ve got the lyrics and melodies or them. I will at some point this summer get those six finished. My only real concerns with regards to that is if I can physically sing all of them. There might be one or two of them that are out of my range and out of my comfort zone as a singer.

I won’t really know till I try how it happens, but I may have to bring in a guest singer. At this stage it’s my intention to do it all on my own and it’s going to be very much be rock record. That’s not to say there might not be a ballad on that (laughs), but my focus is on making a rock record. There’ll be a lot of guitar, riff oriented songs. On the tracks I’ve cut so far I used some of the guys from a bar band I play with back in Los Angeles occasionally, all stellar musicians.

Tickets There: Moving back to last year, you went through a very traumatizing experience and I believe you were forced to cut your hair for the first time since you were eleven?

vivian4VC: (Laughs) That was actually one of the benefits. Long hair, I let that identify me. It becomes so much part of your identity when you have your hair long your whole adult life. Then there’s this fear of letting go of it. I would never, or at least very, very reluctantly ever have had my hair cut. Of course then when you have chemo you don’t have a choice, it just falls out. I was kind of forced into the issue and I’m actually very thankful for it because I’m enjoying life with short hair and the convenience of it. A lot of people have actually said it makes me look younger so I’m fine with it (laughs).

Tickets There: And how has recovery been going?

VC: I completed around six months of chemo and so far so good. Although truth be told I have to go in and do another biopsy when I get back to LA in two weeks as my last scan wasn’t very clean. It might be nothing or it might be that it hasn’t all gone away yet, in which case I’m really not that concerned about it. It’s a process that you just have to go through and it’s one of the most curable forms of cancer and I’m very fortunate that mine was caught very, very early in its progression. I’m not very worried about it, but it’s an inconvenience to go through the process.

Tickets There: Rather than back down or let it affect you, you went out last year and did a massive amount of work and touring with Leppard and Last In Line. How were you able to put yourself though all that and still deliver every day?

VC: Well actually I was very thankful that I could. I think it would have been physically and mentally more difficult to go through for me if I didn’t have my work to do. I actually wished that Leppard had some more shows last summer. I’m not tooting my own horn here, but I was physically very strong going into it all. Even before I was diagnosed I was relatively fit, being vegetarian for thirty years or so. I work out a lot, play football a lot and run a lot and I’ve been working with a trainer regularly for years. Then when I was diagnosed I ramped up my training and built up a lot of muscle mass as I knew I was going to lose a lot through chemo. With cancer there’s all sorts of different levels and of course people personal pain management threshold and tolerance levels so either my chemo wasn’t as severe as I have just enough stubborn Irish tolerance that I was able to keep going (laughs).

Tickets There would like to wish Vivian many, many thanks for participating in this interview and we wish you well with your treatment, the Last In Line album and of course the next sessions with Leppard.

Happy New Year from Tickets There

Posted in General Tickets There Blog, Music with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on January 2, 2014 by Tickets There

HNYTT

Bc-Y3hAIcAASH1vTickets There would like to wish all of our readers, commenters, followers and all the many amazing bands we love so much a very happy new year. 2013 was epically epic and 2014 is looking even stronger.

Before the first proper 2014 post (and yet another Tickets There reboot begins), I’d like to thank Psykosis, Warpath, Exzeltic, Overoth, Animator, Killface, Zombified, Dead Label, Gama Bomb, EHT Promotions, DME, Donnchadh from WMB Ireland, Dan and all the folks from Carnage, Slayer, Exodus, Death, Leonard Cohen, ASH, Black Sabbath, Def Leppard, KISS, Slash, Reckless Love, Crashdiet, Twisted Sister, Helloween, Napalm Death, Whitesnake, Danzig, Testament, Metallica, Jameson, Guinness, Jägermeister, Buckfast, Trooper Beer, Fibber MaGee’s, Gypsy Rose, McKenna’s Dun Laoghaire, everyone at HELLFEST, The Academy, all the cool folks in the Odyssey (except A-hole security and Stalin like measures of control) and my girlfriend (co-conspirator) Dee for an amazing year of gig going, good times and drunken shenanigans.

Report: Hellfest 2013 June 21st – 23rd (Clisson, France)

Posted in Gig Review, Music with tags , , , , , , , , , , , on June 27, 2013 by Tickets There

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20130619-194215.jpgWell, the hangovers have worn off, the body has stopped aching and the cure has been had. Hellfest 2013 is over and despite it only being two days since Tickets There’s triumphant return, it seems like a hell of a lot longer since I (yes I, too late for the split personality bullsh*t) was passed out on the street outside the terminal building in Nantes. Four nights and three days of heavy metal (and drink) fuelled mayhem in Clisson and already 2014 beckons. Before that though, we need to look back on some of this year’s highlights as witnessed between boozing sessions in the metal corner.

Friday was a packed day with Saxon, Testament, Twisted Sister,  Hellyeah, Helloween, Six Feet Under, Whitesnake and headliners Def Leppard all putting on excellent shows. Despite my thrill at seeing Saxon for the first time, my surprise at how amazing Helloween are and my sheer love for David Coverdale and co, the night was ruled by two bands – Twisted Sister and Def Leppard.

993592_10151728838263200_1860147127_nDee Snider and co put on a show that can only be described as perfect entertainment. In between jokes about the multiple DS wigs floating amongst the attendees and mass sing-alongs – the band rocked out hit after hit of cock rock excellence. The only thing that topped them was the highly anticipated performance from main stage closers an’ Sheffield’s finest, Def Leppard.

Leppard’s slot at the festival was special for two reasons. Number 1, Leppard were performing their Hysteria album in full for the first time ever in Europe. Second, guitarist Vivian Campbell was making his debut after announcing earlier this month that he has been receiving treatment for Cancer. In an unprecedented move, Leppard took the stage playing the tail end of The Who’s ‘Won’t Get Fooled Again’, before lashing into their own set. Hellfesters from all genres were there to greet them and see one of the biggest bands in Rock. They kicked off with fan favourites, hits and rarely played cuts from their earlier albums including ‘Wasted’, ‘Good Morning Freedom’, ‘Foolin’, ‘Bringing On The Heartbreak’ without the usual acoustic intro, ‘Action’, ‘Lets Get Rocked’ and the iconic duelling guitar solo ‘Switch 625’. The band were on fire and the opening tunes served as the perfect intro for the most perfectly overly produced album of all time.

1011921_10151728838128200_81723133_nLittle can be said about Hysteria that hasn’t been written it before, but after 21 years of being a devoted Leppard fan I can honestly say the live show was one of the greatest moments of my gig going life. ‘Armageddon it’, ‘Gods of War’, ‘Don’t Shoot Shot Gun’, ‘Excitable’, ‘Love and Affection’ were all outstanding, but the king of their set was the incredible ‘Run Riot’, a song I have never heard live and one that has been a long standing champion on my favourite DL songs of all time list. After a brief interlude, the band returned and finished the night with the awesome ‘Rock of Ages’ and ‘Photograph‘. A phenomenal set from a band that just cannot be held back. Review? Nah – this is a fan’s tale.

By Saturday, things were starting to get a little hairy. Less acts were seen, more booze was had and the general festivities were getting bigger and bigger. ZZ Top, My Dying Bride, Red Fang, Down and KoRn were all witnessed and all (yes, Korn included) put on top performances. ZZ Top especially stood out with their southern blues rock n roll charm. Only one band could dethrone them, along with most bands playing this festival; the almighty KISS.

994165_10151728838718200_2021883397_nKISS are no strangers to Hellfest and previously headlined in 2010. As the familiar ‘Alright Clisson’ intro blared out over the PA, screams, arms and pints shot up and the band launched their Monster tour with ‘Psycho Circus’, the lead single from their 1998 comeback album of the same name. Greeting the crowd, Paul Stanley mocked that the band wouldn’t be growling – hellfest or no hellfest, because that’s ‘just not [their] style’. Knowing this was the final night of the band’s European summer tour, all the stops were expected to be pulled out and KISS didn’t disappoint. They delivered a hard paced set packed with their hits, tricks and sher awesomeness. ‘Shout It Out Loud’ had the crowd united in singing while ‘I Love It Loud’ bellowed through the audience with unmistakable force.

New single, ‘Hell or Hallelujah’, was enjoyed by all; including those who didn’t’ know it before ‘War Machine’ from 2009’s Sonic Boom and the classic ‘Deuce‘ bombarded their way in. After this it was time for Tommy and Eric to shine as Tommy took over the mic for the classic ‘Shock Me’ with Eric following with ‘Outta This World’. Gene took over again on ‘God of Thunder’ (not sang from the top of the lighting rig for sone reason) before ‘Lick It Up’, ‘Love Gun’ and ‘Rock and Roll All Night’ finished things off in classic over the top, fireworks fashion. As with any KISS show, there was so much happening it became hard to keep track off but with every song came the flying over the crowd, lifts, risers, smoke, explosions, fire breathing, confetti..etc, etc. it never gets old, it just gets better.

1010240_10151728837963200_636363376_nThe band returned for an encore consisting of ‘Detroit Rock City’ and ‘Black Diamond’, much to the crowds approval. KISS came, KISS saw, KISS destroyed Hellfest. Like Def Leppard on Friday, no matter what type of metal you were there to see – KISS blew you away. If they didn’t, you’re a sad sap who needs to leave your bedroom more often. Day 02 over – another resounding success.

Finally Day 3 came along and it felt just right. The sun was shining, the ‘Metal Corner’ was quiet – a good day for whiskey and rock ‘n’ roll; and what better way to start things off than Down playing a special set instead of the previously announced Clutch?. After that the likes of Lordi, Ghost (who suck live just as much as they did on their last album), Hypocrisy and Cradle of Filth, Danzig and Napalm Death fill out an evening of heavy, light and strange metal…well, light is a little misleading.

BNoiF2uCYAAlJ9PSunday was a day of surprises for TT. First of all, Danzig wasn’t just playing Danzig. On closer inspection of the t-shirt it turned out they were playing a surprise Misfits set with Doyle Wolfgang von Frankenstein joining them. Realizing this moments before they were due to take the stage was better than most birthday/Christmas presents can ever be. Danzig, Doyle and the guys sounded great and the pogo/mosh filled rendition of ‘Die, Die, Die My Darling’ was one of the true gems of Hellfest 2013.

Cradle of Filth provided the second surprise. Having not seen them since they played the Temple bar Music Centre way back in 2001, I wasn’t expecting the group to have seasoned too well. I was wrong as Dani Filth’s voice shredded through the Temple PA as crisp and powerful as ever. Indeed the entire band sounded amazing and even with the oddly out of place ‘Anywho’ comment from Dani, the band put on one of the best shows I managed to catch. The pentagram lighting rig above the stage only added to the atmosphere.

1013077_10151728838653200_334766648_nFinally, Napalm Death – a band I have read about, heard about and known for nearly 15 years, but strangely one I have never, ever tried to listen to expect for forced spins of ‘Nazi Punks Fuck Off’. What a show and what have I been doing all these years? They were incredible! One of the strongest, most bare fisted brutal acts of the entire weekend. I managed to get up good and close (my first and only attempt over the whole festival) and they were beyond reproach. Definitely the band I will be checking out more in the coming weeks and one I will never forgive myself for ignoring. Napalm Death – thank you!

I’m avoiding calling this a review because I just didn’t make the effort to see enough, record enough or stay sober enough for my opinion to carry any weight. However, that’s just how I wanted it. Hellfest blew me away and made me a life time attendee all in the one weekend. With it getting bigger and badder than ever every year – you can count me in as Johnny come lately but I ain’t never leaving. Bring on 2014, long live Hellfest and thank you to everyone who made it the best heavy metal experience of my life.

Happy St. Patrick’s Day

Posted in Music with tags , on March 17, 2013 by Tickets There

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Happy St. Patrick’s Day everyone. This one comes from our good pals KISS.

Def Leppard join KISS and ZZ TOP @ Hellfest 2013

Posted in Gig Listing with tags , , , , , on February 18, 2013 by Tickets There

20130218-200532.jpgHellfest have thrown out a line and we are caught (hooked was just too eazy). The excellent organisers have announced Def Leppard as the latest headliner for this years festival. They’ll be playing on Friday night along with Whitesnake and Twisted Sister.

Also featured on this year’s bill are KISS, Testament, ZZ Top, Danzig, Morbid Angel, Cradle of Filth, Immortal, Accept plus over 100 more. Tickets There is sold anyway – KISS and Def Leppard !! (and did we mention they’ll be playing Hysteria in full? Oh yes – they are. Maybe they’d like a review? 🙂

Hellfest takes place in Clisson, France from June 21st – 23rd. Tickets cost €160 for three days or €75 a day.

Congratulations KISS – Monster Opens at No. 3 In The US

Posted in Music, News with tags , , , , on October 17, 2012 by Tickets There

A big congratulations to KISS for landing at Number 3 on the Billboard 100 with their new album, Monster. This is a great achievement as the band have sold 60,000 copies of the record in the US. Here in Ireland, Tickets There has bought two copies (insert smiley face). There’s also some other results in with the band ranking high in Scandinavia and across Europe. Full details below.

Country Position
Australian   Albums Chart 7
Belgian Albums   Chart (Flanders) 68
Belgian Albums   Chart (Wallonia) 36
Dutch Albums   Chart 17
Finnish Albums   Chart 8
German Albums   Chart 6
Irish Album Charts 81
Norwegian Albums Chart 2
Spanish Albums   Chart 11
Swedish Albums   Chart 4
Swiss Albums   Chart 8
UK Albums   Chart 21
US Album Chart 3

KISS Announce Scandinavian 2013 Tour Dates

Posted in Gig Listing, Music, News with tags , , , , , , , , , on October 15, 2012 by Tickets There

KISS have announced five Scandinavian dates for June, 2013 bringing hope that they’ll soon announce a full European tour in support of their new album, Monster. The dates are taking place in Sweden, Finaland, Norway and Denmark and go on sale Oct. 22nd except for the Swedish dates that are on sale now!

JUNE 1 – FRIENDS ARENA STADIUM – STOCKHOLM – ON SALE NOW
JUNE 3 – HARTWELL ARENA – HELSINKI, FINLAND – ON SALE OCT 22 nd
JUNE 6 – SWEDEN ROCK FESTIVAL – SOLVESBORG – ON SALE NOW
JUNE 8 – VIKING FEST – VIKING STADION – STAVANGER, NORWAY ON SALE OCT 22
JUNE 11 – FORUM – COPENHAGEN, DENMARK – ON SALE OCT 22

…and f*uck Aerosmith!

Posted in General Tickets There Blog, Music with tags , , , , , , on October 11, 2012 by Tickets There

I would consider myself a fan of Aerosmith, but they’re constant bitching over the past couple of years; not to mention American Idols and complete lack of real activity have become a little tiresome. Now they’re trying to pull the finger out of their asses and get back to business and how do they go about that? By trying to undermine KISS.

In a typical Steven Tyler rant he spouts some shite about how KISS are a comic band, dismissed their back catalogue (“They’ve got a couple of hits, but they’re more, they’re comic book“) and even had the balls to suggest Joe Perry’s ‘licks’ were more credible than KISS’ (“A KISS lick and a Joe Perry lick — two different worlds“).

Mr. Tyler, I’m not saying that the time has come for you to kick that imfamous drug habbit of yours, but they are clearly affecting your judgement and perception of reality. While yourself and Mr. Perry purchased ladders that could reach the deepest creveses of your arse holes, KISS have been banging on, touring like crazy, entertaining fans and releasing awesome music. How’s that covers album fairing out for ye? I’d consider myself a half fan now but try to send your nasty over the hill vibes anywhere near the nicest rock band in the world and y’all can just go f**k yourselves. Maybe try and appeal to people with credible new music, rather than pointless insults … (basically, instead of doing what you do, try and act more like KISS :))

Tickets There out. (Check out the new KISS single, ‘Hell or Hallelujah

Check Out Kiss – ‘Hell Or Hallelujah’ & ‘Rock & Roll’ on Good Morning America

Posted in Music, Music Video, New Music with tags , , , on October 11, 2012 by Tickets There

Oh Yeah! KISS performed on Good Morning America this morning and they sounded wicked! Check out this awesome video of them playing new single ‘Hell or Hallelujah‘ and their classic ‘Rock ‘N’ Roll All Night’. Tickets There is tentatively waiting an announcement for a 2013 European tour!

 

Review: KISS – Monster (Album Review)

Posted in Album Review, INTO-NOISE!, Music with tags , , , , , , , , , , , , , , , , , , on October 8, 2012 by Tickets There

The kings of the night time world are back with screaming glory ‘n’ a vengeance! MONSTER is the twentieth studio album by iconic rockers KISS and it looks like 19 previous records, countless live shows and 39 years in the business haven’t slowed down the guys one bit. Monster is one of the biggest releases in the band’s history and it comes hot on the tails of their 2009 record, Sonic Boom (at that time, their first album in ten years) which saw the band achieve the highest US chart success of their entire career. Now the task falls on Monster to satisfy the mighty KISS army, continue their never ending – steamrolling success, fuel the ship on their second and sold out KISS KRUISE and most importantly of all, add a few more hits to the indestructible KISS KATALOGUE (yes, everything KISS related must, when possible, begin with a K).

Monster delivers everything the band promised and more. No ballads, no outside song writers and a welcome return to the band’s classic seventies sound. Harder guitars, re-introduction of groove and balls to the wall rock ‘n’ roll. Opening track ‘Hell Or Hallelujah’ screams back to the days of Love Gun and Rock N Roll Over. Shredding guitars left right and centre, a pounding riff and Paul ‘Starchild’ Stanley standing firm at the forefront delivering the best song KISS have written in years. Fortunately, it’s not alone. ‘Take Me Down Below’, ‘Last Chance’ and ‘Freak’ are all stand out tracks, vocally endorsed by Mr. Stanley, each one making a case to outshine the others.

As with Sonic Boom, Gene’s tracks take a few more listens to really get to grips with. The demon seems to be on a quest for a pounding, thunder some anthem that correctly represents his larger than life character with all the dark coattails and demonic tendencies attributed to such a legend– with the obligatory sing along catchiness we all want from KISS of course. After three days of listening, we can happily agree ‘Back To The Stoneage’, ‘The Devil Is Me’ and ‘Wall of Sound’ achieve everything you’d want from a classic Gene track. However his work with Paul on ‘Take Me Down Below’ stands out as one of the true Monster gems.

Not forgetting Tommy Thayer or Eric Singer, both deliver the goods across the board on Monster. Once again they both get a shot at the spotlight handling vocals on ‘Outta This World’ and ‘All For the Love of Rock ‘N’ Roll’ respectively.  Two feel good, sing along KISS tracks that fill their space nicely (of course, this writer is tipping his hat to Outta This World more so).

Well, Monster is everything you’d thought it would be. A solid KISS album with its fair share of tunes you’d happily invite into future live sets. The whole band put in a great performance and it’s a true credit to them, especially after so many years in the business. 37 years ago they preached about rocking and rolling every day and every night and unlike most of their contemporaries, they’re still doing it to the letter. Rock on KISS!

KISS ‘MONSTER’ Released Today!

Posted in INTO-NOISE!, Music, New Music with tags , , , , , on October 5, 2012 by Tickets There

The wait is over people! Today, KISS release their twentieth studio album ‘MONSTER’. It’s their first since 2009’s ‘Sonic Boom’ which saw them achieve their highest ever chart position in the US….just writing this, I believe Tickets There may have indicated in another article that Monster is the first album by the current line-up, of course it’s not – Sonic Boom was. Not like Tickets There wasn’t plastering Sonic Boom everywhere when it came out. Chalk that one up to Jack Daniels head.

Anyways, the album is out today – it’s going to be awesome and you may as well check out the cool trailer than band have released for it. Now, let’s wait for the 2013 European tour announcement! (will they bring Mötley Crüe over? Dare we dream??)

KISS: ‘Monster’ Track listing and Cover

Posted in Music with tags , , , , , on October 1, 2012 by Tickets There

KISS have unveiled the artwork and tracklisting for their forthcoming album,. Monster, which is due for release on October 9th (America) and 15th (Europe).  This will be the band’s first album since 2009’s Sonic Boom which re-launched the group as a global rock force and finally gave the current line-up something to hold up as their own (yes, Tickets There LOVES KISS!)

Monster has once again been fully written and produced by the band with no outside song writers getting involved. In July the band released the albums first single, Hell or Hallelujah which showed a return to their early days. Fans can hear sneak peaks of all the tracks on ITunes – but that ruins the fun a little.

 

1 “Hell or Hallelujah”
2 “Wall of Sound”
3 “Freak”
4 “Back to the Stone   Age”
5 “Shout Mercy”
6 “Long Way Down”
7 “Eat Your Heart Out”
8 “The Devil Is Me”
9 “Outta This World”
10 “All for the Love of Rock   & Roll”
11 “Take Me Down Below”
12 “Last Chance”
iTunes and Best Buy bonus track
No. Title
13 “Right Here Right Now”
Japan Bonus Track
No. Title
14 “King of the Night Time   World” (Live)

KISS Announced As Sonisphere 2012 UK Headliners

Posted in Gig Listing, Music, News with tags , , , , , , , , , on February 22, 2012 by Tickets There

You wanted the best!!!! KISS are coming to Europe in 2012 as Tickets There predicted. The band have been announced as one of the headliners for this year’s Sonisphere UK festival joining other acts Queen, Faith No More, Marilyn Manson, Incubus, Mastodon, Andrew WK and so on. They will headline the main stage, Friday July 6th. Tickets go on sale tomorrow, Thursday Feb 23rd @ 09:00am sharp.

The band are set to release their new album, ‘MONSTER’ in June and follow it with a lengthy headlining tour around the world with the European arena / festival dates expected to happen next summer. This will be KISS’s twentieth studio album and will follow 2009’s massively successful ‘Sonic Boom’.

Unfortunately for fans, Sonisphere UK will be their only European appearance this year. KISS last played Europe in 2010 on their ‘Sonic Boom Over Europe’ tour, performing 35 shows in 18 countries. In total, their next tour is expected to last almost two years. Tickets There would like to take this opportunity to bow down to KISS, declare our unworthiness and hail them as the Gods they are. Carry on my Mighty KISS!

 

KISS Set To Release New Album ‘MONSTER’ Spring 2012

Posted in INTO-NOISE!, Music, News with tags , , , , , , , , on October 30, 2011 by Tickets There

Legendary rockers KISS are set to unleash their new album ‘MONSTER’ next year. Originally pencilled in for a later 2011 / early 2012 release, Gene Simmons recently confirmed they’ve pushed it back to the spring. It’ll be the bands twelfth studio record and the follow up to 2009’s highly successful ‘Sonic Boom, the bands highest charted record to date.

Like Sonic Boom, Monster will be completely written by the band and produced by their amazing lead singer, Paul Stanley. So far six song titles have been confirmed and to celebrate the album, KISS will also put out KISSOLOGY Volume IV around the same time Monster hits the shelves. Oh, and of course they will be embarking on a world wide MONSTER tour! Safe to say 2012 will be their year. Track’s confirmed so far are below and we advise you keep reading some other bits of news below.

Hell or Hallelujah
Born to Be a Sinner
Out of This World (Written by/to be sung by Tommy Thayer)
Are You Ready? (Written by Simmons)
Wall of Sound
Monster

That’s Not all though…

KISS KRUISE RETURNS: As well as an album, tour and DVD set; KISS are also set to embark on a few other tasty projects next year. 2012 will see the return of their KISS KRUISE, the first of which took place earlier this month. Taking place over five days and featuring several performances by the band themselves, the KISS KRUISE is Mecca for their fans and Tickets There does not intend on missing it this time. Stay tuned for updates later in 2012.

KISS TAKE LAS VEGAS: What’s the one thing Vegas is missing? A KISS themed casino, hotel and theme park, that’s what! Well fear not, January 2012 will see the opening of the KISS: By Monster Mini-Golf, Rock & Roll All Night Café, Hotter Than Hell Wedding Chapel and will incorporate the ‘largest KISS gift show in the world’. Ahhhh hell yes!! 18 indoor glow in the dark KISS themes golf holes, KISS themed event rooms, all day DJ’s a KISS gallery and much, much more. Next stop – KISS Konquers VEGAS!

KISS Confirm New 2011 Album

Posted in Music, News with tags , , , , , , on January 28, 2011 by Tickets There

The doom and gloom of our rancid recession ridden lives aside, the mighty KISS have cheered up the millennium with the confirmed announcement that they’ll be hitting the studio in March to record a brand spanking new record for release later this year. Mr. Paul ‘Starchild’ Stanley, the nicest man in rock music and the filthiest legend going with the ladies is once again set to spear head production duties for the record after the massive success from his last baby, Sonic Boom.

KISS + New Album = New Tour!!! Fortunately, the tour isn’t all these is these days as Sonic Boom proved The lads can whip out classic rock giants like ever before and a new album means at least 10 new songs to add to your favourite KISS tracks of all time. Tickets There’s list currently includes around 18,000 songs. Not all were written or recorded by KISS but deep down we know and you know that it was KISS in another form.

Anyways, the news was confirmed by Tommy ‘the main man’ (not his actual nickname folks, just the lads being unoriginal as always – Ed) Thayer when he gave an interview to BackstageAxxess recently. Read his bible like comments below!

“The great news is that we are going in the studio again in the next month or two. We are starting to work on writing some songs, approach it just like we did with Sonic Boom and keep it all in the band in terms of the writing, with no agenda besides writing great rock n’ roll songs that we love, then rehearsing them before then recording them. It really felt good to us so we’ll go the same way this time.”

“Paul knows more what a KISS record should sound like than anybody, to be honest with you, so he is going to lead the charge and produce it again and we are all really excited about it.

“I know we are going to start working on it really soon in terms of the writing and rehearsing and we’ll probably be in the studio by March, so sometime this year I’m sure you’ll see a spanking new KISS album that’s gonna kick some butt!”