Fantastic lineup coming to Club Carnage @ Fibber MaGee’s this Friday. On April 5th. Psykosis will headline the Thrash Assault which also features Exzeltic, Edenfire and Atominated. It’s just €5 on the door and drinks promos all night. It all starts at 9 so get in there son!
Archive for the INTO-NOISE! Category
Now that things have calmed down, Tickets There would like to further explore the Arthur’s Day controversy the erupted within certain circles of the Irish music scene last month when Walls / Stunning front man, Steve Wall, attacked the day for promoting English artists ahead of Irish talent, given that the spirit of day is a celebration of Ireland’s most famous export – Guinness.
Steve is quoted in the Irish Times as describing this year’s Arthur’s Day celebrations as a “cynical act in pulling the wool over Paddy’s eyes”. A great number of people have supported Steve’s comments while many others (including The Minutes & Thomas Walsh of Pugwash) don’t see what all the fuss is about. From a bog standard point of view, it should be simple, an Irish festival for Irish bands – but that’s just not the way it is unfortunately. This article is not directed at Steve Wall, but rather the points he raised that a lot of other people / musicians agree with.
Diageo PLC, owners of the Guinness Brand and many others, are a British company that decided to celebrate the 250th anniversary of the Guinness Brewing Company in 2009 with an international tribute to Arthur Guinness, the man who started it all. They landed in Ireland on September 24th and spearheaded a massive celebration using international music acts with a massive Proud to be Irish / Guinness drinker theme running through it. Great success, made a bit of dosh for Diageo– everyone happy. However, when it returned a year later people got the message that this was not a once off thing. Obviously the chance to generate a guaranteed annual increase in revenue was a little too lucrative for Diageo to just ignore. Fair enough, this is a recession after all and more revenue equals more money for the country and St. Jame’s Gate employees getting to stay in the job. All good, no?
So the money-making side isn’t what’s annoying Steve and supporters of his comments. It all comes down to the entertainment being used to promote this supposed Irish / Guinness festival. While Diageo promoted that fact that over 500 Irish bands were taking part in this year’s Arthur’s Day celebrations, none of those names were headline artists. Indeed, no Irish act of any sort was chosen to be a headliner at a festival that used Ireland and Irish-ness as its foundation and platform worldwide. Very unfortunate and a little disrespectful to a country long renowned for its powerful traditional music and its massive contribution to the world of internaltional music over the years….not to mention all the pints of the black stuff us good auld Irish have purchased over the years. While Arthur’s Day could have been a chance to allow home-grown talent like Le Galaxie, Jape, Ham Sandwich, Cast of Cheers, (Shudder) Fight Like Apes..etc, etc to shine on an international setting, on a day when the whole world wanted to embrace Ireland and it’s culture. A very fair point, but Tickets There can’t unanimously agree we’re afraid and it’s for one simple reason. Arthur’s Day is a celebration for a man who endorsed the idea of British rule over Ireland and proclaimed himself an Irish Unionist. Therefore, isn’t it more fitting we get British acts in to represent Arthur’s Day rather than Irish ones?
To be fair, that’s not our real reason. Unlike St. Patrick’s day (incidentally, another plastic paddy festival for a man who was 1, ENGLISH and 2, brought Christianity to Ireland – something a lot of people these days would rather hadn’t happened), Arthur’s Day is an event invented by and run by a company, not a country. Sure pubs chip in and do their part, but they aren’t answerable to Ireland or its people. It’s all for a drink and the man that invented it and it just so happens they came from Ireland. We are fortunate a company has taken a lead at drumming up some good cheer and extra business for our streets, pubs and restaurants during these bleak recession hunkered days, rather than do nothing at all like most of our national companies. None of the Irish bands mentioned in any of this are tearing up the international charts so why would they be booked as major headliners just because of where they’re from? That folks is bias, discrimination and wouldn’t be tolerated in any other form.
We must all be getting sick of Irish people attacking anything and everything in sight. Why don’t we all just attack Oxegen and Electric Picnic for not exclusively booking Irish talent as their key headliners? Or fine MCD and Aiken for not ensuring that 50% of their events are Irish based? If Irish bands want to make it in this life they’ll have to do what every other band has to do, appeal to people, sell albums and make it. They’re not being discriminated against, they’re not be cast away or anything else. This is not 1960’s London, we are no longer below the dogs. We are a respectable country with a proud musical heritage and should be able to make our way in the 21st century without Bono or hand-outs. If people higher up in the Irish entertainment world have a problem, why don’t they arrange their own festival to celebrate our music? If our bands are as big a draw as they say then certain people will make a fortune and the bands will get a larger platform.
The Irish need to stop blaming their problems on everyone else and take some responsibility for themselves. How can we ever hope to restore our pride and dignity if we keep running back to internationals, pulling on their trousers asking for more? Ireland needs to re-carve its own identity and make other countries look to us with awe and excitement, rather than berate, guilt and sulk our foot through the door.
Incidentally, Steve Wall is a man I have a lot of respect for. He’s one of the greatest song writers Ireland has ever produced and founder / driver of two bands Tickets There (and myself, Robert O’ Connor) greatly admire and enjoy. This is not an attack on him, but a criticism of any Irish band that sits around waiting for ill-gotten hand-outs. It’s tough out there but that is life as a musician (and everyone else for that matter). Stop sitting around waiting for others to open doors and do it yourselves with your music. If Ireland doesn’t suit, re-locate or get a new job. If things are made too easy, everyone will be in a band and the whole scene will water down even further. Steve fairs better than most and works exceptionally hard to keep his bands going, but it’s time Ireland stopped blaming all of its problems on the English and got up and did something about it for ourselves. Let’s just leave Arthur’s Day for what it is, celebrating the black stuff!
The kings of the night time world are back with screaming glory ‘n’ a vengeance! MONSTER is the twentieth studio album by iconic rockers KISS and it looks like 19 previous records, countless live shows and 39 years in the business haven’t slowed down the guys one bit. Monster is one of the biggest releases in the band’s history and it comes hot on the tails of their 2009 record, Sonic Boom (at that time, their first album in ten years) which saw the band achieve the highest US chart success of their entire career. Now the task falls on Monster to satisfy the mighty KISS army, continue their never ending – steamrolling success, fuel the ship on their second and sold out KISS KRUISE and most importantly of all, add a few more hits to the indestructible KISS KATALOGUE (yes, everything KISS related must, when possible, begin with a K).
Monster delivers everything the band promised and more. No ballads, no outside song writers and a welcome return to the band’s classic seventies sound. Harder guitars, re-introduction of groove and balls to the wall rock ‘n’ roll. Opening track ‘Hell Or Hallelujah’ screams back to the days of Love Gun and Rock N Roll Over. Shredding guitars left right and centre, a pounding riff and Paul ‘Starchild’ Stanley standing firm at the forefront delivering the best song KISS have written in years. Fortunately, it’s not alone. ‘Take Me Down Below’, ‘Last Chance’ and ‘Freak’ are all stand out tracks, vocally endorsed by Mr. Stanley, each one making a case to outshine the others.
As with Sonic Boom, Gene’s tracks take a few more listens to really get to grips with. The demon seems to be on a quest for a pounding, thunder some anthem that correctly represents his larger than life character with all the dark coattails and demonic tendencies attributed to such a legend– with the obligatory sing along catchiness we all want from KISS of course. After three days of listening, we can happily agree ‘Back To The Stoneage’, ‘The Devil Is Me’ and ‘Wall of Sound’ achieve everything you’d want from a classic Gene track. However his work with Paul on ‘Take Me Down Below’ stands out as one of the true Monster gems.
Not forgetting Tommy Thayer or Eric Singer, both deliver the goods across the board on Monster. Once again they both get a shot at the spotlight handling vocals on ‘Outta This World’ and ‘All For the Love of Rock ‘N’ Roll’ respectively. Two feel good, sing along KISS tracks that fill their space nicely (of course, this writer is tipping his hat to Outta This World more so).
Well, Monster is everything you’d thought it would be. A solid KISS album with its fair share of tunes you’d happily invite into future live sets. The whole band put in a great performance and it’s a true credit to them, especially after so many years in the business. 37 years ago they preached about rocking and rolling every day and every night and unlike most of their contemporaries, they’re still doing it to the letter. Rock on KISS!
The wait is over people! Today, KISS release their twentieth studio album ‘MONSTER’. It’s their first since 2009’s ‘Sonic Boom’ which saw them achieve their highest ever chart position in the US….just writing this, I believe Tickets There may have indicated in another article that Monster is the first album by the current line-up, of course it’s not – Sonic Boom was. Not like Tickets There wasn’t plastering Sonic Boom everywhere when it came out. Chalk that one up to Jack Daniels head.
Anyways, the album is out today – it’s going to be awesome and you may as well check out the cool trailer than band have released for it. Now, let’s wait for the 2013 European tour announcement! (will they bring Mötley Crüe over? Dare we dream??)
Looking at Blackie Lawless in his thirtieth year of fronting W.A.S.P., it would be slightly forgivable to think the band is officially washed up. A man in the latter half of his mid-fifties still wearing eye liner, very unflatteringly tight get ups and his pre-emo hair sprayed do have all the hallmarks of a band that can’t move on. ….wait a minute, the person who writes those words should be shot!!
W.A.S.P. returned to Ireland tonight in spectacular form, bringing their much anticipated 1982 – 2012 Thirty year celebration tour to Dublin’s Vicar Street! A two hour, three part show that promised to dazzle, delight and rock your socks off, delivered everything a fan could ask for (no, no ‘Animal’ so stop wondering now). With a good two hours of hits and fan favourites to hammer out, the band wasted little time taking the stage and rocketing straight into ‘On Your Knee’s which sprang the audience to life. ‘The Torture Never Stops’, ‘The Real Me’, ‘ L.O.V.E. Machine’ all follow in quick succession with Blackie seemingly determined to prove W.A.S.P. have more than enough material to allow themselves to put some of their best right up front. The iconic ‘Wild Child’blasts through the PA with raw energy and nerve shattering vocals, fuelling the most pit that’s quickly expanding in the centre of the crowd.
Finally taking time to say hello, Blackie indulges in the famous “Irish hospitality’, even going so far as to attempt an Irish accent, as the band rattle on with a melody of fan favourites ‘Hellion, I Don’t Need No Doctor’ and ‘Scream Until You Like It’, pauing briefly before ‘Sleeping (In the Fire)’ and ‘Forever Free’. ‘The Headless Children’ and the classic ‘I Wanna Be Somebody’ are performed in full as the main set closers, ending amost an hour of intense, sing along hard rock. With that, band are off and the crowd settles in for one of several short films W.A.S.P. are playing between sets and encores on this tour. When the band return, they celebrate the 20th anniversary of ‘The Crimson Idol’ album with a mini set comprised of material from that album. ‘The Idol’ and ‘Misconceptions of Me’ receive the warmest greeting before another short intermission / short film.
With the audience now completely satisfied by the bands biggest hits and hardcore favourites, WASP have the easy job of finishing us off with some classic closers. Blackie takes the stage again, bandsaw arm bands shinning bright and recounts a tale where iconic W.A.S.P. guitarist Chris Holmes made the mistake of leaving change from $100 on a bar in Ireland after buying a drink. It seems poor Chris was unaware of an auld Irish tradition of using money left of the bar to buy drinks for the house – his security men saved him from likely beating when he tried to get it back. Thanking us for that experience, they kick off the encore. ‘Murders In The New Morgue (Chainsaw Charlie – \,,/)’ explodes out (sadly without the pyros some venues are getting on this tour) and sends the crowd into a frenzy. The sombre ‘Heaven’s Hung In Black’ gets the powerful performance it deserves before W.A.S.P. finish us off with the anthematic ‘Blind In Texas’. Thanking the crowd, the band leave the stage after delivering one of the best Irish performances of their career. No Elvis, no blood, no pyros and no Animal – but W.A.S.P. don’t need them. After thirty years in the business, Blackie has amassed more than enough material and stage presence to do away with cheap gimmicks and deliver a quality show based on his music alone. Long live W.A.S.P. – see you soon!
Review: Def Leppard, Motley Crue, Steel Panther – Live @ The MEN Arena, Manchester (December 11th 2011)Posted in Gig Review, Hy-Giy, INTO-NOISE!, Music with tags Def Leppard, joe elliott, live review, mad for it, Manchester, MEN Arena, Mick Mars, Motley Crue, Nikki Six, rick allen, Rollercoaster drumkit, Steel Panther, Tommy Lee, Vince Neil on February 1, 2012 by Tickets There
Tickets There kept the head down majorly last year, but you didn’t think we’d miss one of the greatest touring line-ups in living history did you? The heroic conquering heroes Def Leppard, the filthiest grime and sleaze you can scrape off the streets of LA (Steel Panther :p) and the tided up and looking great Mötley Crüe all under the same roof! Not something to be missed no matter how far you have to travel.
Anyone that’s ever been to the MEN arena knows two things. First, it’s massive! Entering at the top level and walking down those oh so fun steps in the dark with thousands of people behind you is no fun whatsoever; but if fills you with plenty of adrenaline that can be doused with pints. Second, there’s no smoking….officially. What happens in the toilets, stays in the toilets. Aside from that, it’s easily one of the greatest venues in the U.K. with plenty of bars, merch stands, standing room and incredible sound. Walking in at the obnoxiously early time of 18:30, it’s strange to see the arena so full, but then again Steel Panther are already on stage and nobody wants to miss this.
Opening with ‘Supersonic Sex Machine’ from their new album, Balls Out, Steel Panther are on fire from the word go. While some felt their tongue in cheek take on metal wouldn’t wash with the English crowd (I cannot fathom where that idea came from) it seems Panther know what they’re doing no matter where they play. ‘Tomorrow Night’,’ Asian Hooker’ and ’Just Like Tiger Woods’ gain them a rapturous response from the crowd and an understood, open invite to return to the UK anytime they choose; but the night’s over yet. Their onstage banter, led by guitarist Satchel, and riff heavy tracks are the perfect entertainment to kick off a night of hair metal. The group close with the classic ballad ‘Community Property’, ‘17 Girls In A Row’ and the almighty giant, ‘Death to All but Metal’ and it’s oh so appropriate line, “Where is Def Leppard, Where is Motley Crue?”…well they’re backstage ”fucking groupies” according to singer Michael Starr. With the group earning “literally hundreds of pounds” to play this tour and their promotion over Reckless Love in the spandex genre, no doubt they’ll come back for more in 2012.
With the novelty side of the night over, it’s time for the first of our two headliners to lay the marker, throw the gauntlet and blow our heads off! Mötley Crüe explodes onstage with all the fire, energy and power they’re known for. ‘Wild Side’ (the greatest drinking song in their repertoire), ‘Saints of Los Angeles’ (proof they still know how to write bitchin’ tracks) and ‘Live Wire’ open the show. Nikki Sixx, Vince Neil, Tommy Lee and the great Mick Mars all shine on stage with Vince and Nikki covering every inch of the stage, Mick holding his own with the fans and on guitar; and of course, Tommy the legend overshadowing all of them from behind his kit. How does he do it? Well you gotta be blonde to find that out. In every possible way, everyone in attendance tonight knows they’re witnessing one of the most iconic bands in rock music at their best.
‘Shout At The Devil’ boosts a mass sing along from the crows with arms raised, explosions from the stage and pounding on the bass. ‘S.O.S.’ and the awesome ‘Primal Scream’ keep the adrenaline going before the band convene around a grand piano for a stripped back rendition of ‘Home Sweet Home’ before re-launching the action with ‘Looks That Kill’. Taking a break, the band retires back stage to let Tommy begin his drum solo and did we mention….. his drum was set up on a rollercoaster track? Oh Yeah! Tommy kicks off his solo as standard before the whole kit starts to roll to the left and right of the track before going into full 360° action without a single beat being missed. Slowing down, Tommy asks for volunteers from the audience to come up, eventually catching one bewildered looking lady who gets strapped in and flown off as Tommy drums the beat from the Chilli Pepper’s ‘Love Roller-coaster’. And we thought Steel panther were meant to have the theatrics! With that, the band return for Mick Mars apocalyptic-solo before the bands returns for ‘Dr. Feelgood’.
As Crüe’s set comes to an end (still have another band! TT – you’re writing too much nonsense – Ed), Leppard singer, Joe Elliott, walks on stage to present Nikki with a birthday cake and rouse the crowd to sing to him. The set’s closed with ‘Mutherfucker of the Year’,’ Girls, Girls, Girls’ and ‘Smokin’ In The Boys Room’. With one encore of ‘Kickstart My Heart’, the boys are done and the stage is dismantled. While Vince’s voice has never been known for its dominating power in the arena, the sheer force of the band’s sound and incredible wealth of tunes makes them one of the must see bands on the road today. Anytime ye fancy an auld visit to Ireland lads, Tickets There will be waiting.
Now, time for the true Gods of the live arena. The band that sell sex, love and rockin’ out with every note! The one, the only (we’re fans – get over it); Def Leppard! While Panther have the comedy, Crüe have the edge; Leppard will always be the force that pulls it all together and adds so much more. They overcome every single obstacle in the book of ‘Shit things that happen to bands’ and still come out on top every time. They’ve lost members, limbs, fans, popularity and sales and yet here they are, 30+ years after their inception still headlining arenas around the world and breaking new ground with every step. No matter what you say about Def Leppard, they are a true model of how a band stays together, stays successful and comes out ‘winning’ every time.
Leppard kick of their set on a stage that suddenly looks twice as large with ‘Undefeated’ from their new live album, Mirrorball. The band looks every bit in shape and together as they ever have and they waste no time displaying those traits that help them outshine all others in their class. ‘Rocket’, ‘Action’, ‘Make Love Like A Man’ and ‘When Love and Hate Collide’ all lead the traditional route into the heart of their set with Joe Elliott’s voice literally decimating the sound system with its power. Despite the Crüe fans bickering about the true headliners tonight, no-one in the arena can deny that Elliott is knocking Vince Neil out of the park with every note. And it’s not like the rest of the band are taking a break either. ‘Gods of War’, a rare inclusion, sets the night on fire with its powerful riffs, courtesy of Phil and Viv. It’s pounding, yet starkly placed drums (aka – Mr. Rick ‘Thunder God’ Allen) and its incredible wall of backing vocals and heaving bas lines. Step up Mr. Sav. If this isn’t everything you want from a Leppard concert, I don’t know what is!
‘Two Steps Behind’, ‘Bringin’ on the Heartbreak’ and the mega ‘Switch 625’ really lay it home how good the band are sounding these days. It’s obvious the lads are delighted to be playing their first proper UK shows in four years (not including their 2009 and 2011 headlining shows at Download – ahem – Ed) and they’re basking in every minute of it. ‘Hysteria’ and ‘Animal’ follow before the pile drive the set home with the classics ‘Armageddon It’, ‘Photograph’ and ‘Pour Some Sugar On me’. The band scarified ‘Rock of Ages’ for Gods of War, but who’s complaining? Leppard return to the stage to round of an incredibly long but mind-blowing night with ‘Love Bites’ and the always classic, ‘Let’s Get Rocked’. Band happy, Lepp fans happy and Mötley Crüe begrudgingly tipping their hats – it’s a wrap. After eight shows in five years, TT doesn’t know when we’ll get to see the mighty Lepp again, but one’s things for sure; there will be a next time. ..
**UPDATED – 31st January 2012 – TICKET INFO**
Tickets are priced €49.65 incl. booking fee and on sale this Friday, February 3rd at 10am from Ticketmaster outlets and online at www.ticketmaster.ie
Original Post Below…
Happy Mondays indeed! News has just reached Tickets There (cheers Bru) that the original Happy Monday’s line-up are playing a number of dates in May and yes, there’s an Dublin one!. May 15th. The MADFORIT-MunDAYS will hit Dublin’s Olympia theatre for a nice of thrills, pills and dare we say – bellyaches? Oh fact, this will be the Monday’s first Irish gig since 2007 when they also played the Olympia on their Uncle Dysfunktional (savage album) tour!
Expect to see Shaun, Paul, Bez, Rowetta and the gang have also been tipped to land support for the reformed (and far less fun) Stone Roses when they return to Manchester stages later this year. If this will go ahead or not is still to be confirmed. The full list of dates announced so far can be found below, we’ll follow up with price and sale date for Dublin as soon as we know it.
Oh, and did we mention they’re bringing Inspiral Carpets as support? You like that, don’y you 🙂
May 2012 – Happy Mondays May 2012 Tour Newcastle O2 Academy (3) Glasgow 02 Academy (4) Manchester Arena (5) Sheffield O2 Academy (6)] Bournemouth O2 Academy (9) London O2 Academy Brixton (10) London O2 Academy Brixton (11) Birmingham O2 Academy (12) Dublin Olympia (15) Leeds 02 Academy (17) Nottingham Rock City (18)