Archive for tour

ASH announce new album details and Irish tour dates

Posted in Gig Listing, IRISH NOISE!, Music, News with tags , , , , , , , on February 18, 2015 by Tickets There

ASH

Happy ASH Wednesday indeed as the northern pop/rock legends have announced plans for their eagerly awaited new album and some very intimate tour dates for Ireland.

The band’s new album, KABLAMMO! is going to hit shelves on June 8th but you don’t have to wait that long to get a taste as the lads have just dropped their first single in agggessss for streaming. Scroll below to hear Cocoon. This will be the band’s first standard album since 2007’s Twilight of Innocents. After it’s release the band announced they’d be moving to releasing material on single format only before releasing their ‘A-Z’ series throughout 2009 and 2010.

Also, the lads have announced a UK and Eire tour. Tickets go on sale this Friday for the dates with the Irish ones being priced around €20.

18th FEBRUARY – LONDON BARFLY – **SOLD OUT**

7th JUNE – DUBLIN WHELANS

8th JUNE – BELFAST LIMELIGHT

9th JUNE – EDINBURGH LIQUID ROOM

11th JUNE – LONDON SCALA

12th JUNE – MANCHESTER SOUND CONTROL

VADER Announce Dublin show

Posted in Gig Listing with tags , , , , , on January 23, 2015 by Tickets There

10915685_763003087101759_137786310554534813_oWhat will you be doing on March 20th? Simple, you’re going to see VADER in the Voodoo Lounge.

The death metal legends will be swinging by Eire and playing Dublin’s Voodoo Lounge as part of their Blitz! Europe In Fire 2015 tour. They’re bringing HATE and one more band TBC with them. Hopefully the TBC will be announced as one of our own home grown, but we’ll see.

Tickets go on sale Wed, Jan 28th priced €23.50 inc. fees from ticketmaster and all usual outlets. All hail the mighty Vader!

Visit the official event page for more details.

Foo Fighters to headline Slane 2015

Posted in News with tags , , , , on November 12, 2014 by Tickets There

IMG_0414.PNG
According to Rick O’Shea, The Foo Fighters are set to headline Slane on May 30th 2015. The news apparently came from Dave G. Himself. More as we have it.

UPDATE
David Grohl himself confirmed the news live on the Rick O’Shea show. Get excited and except the official MCD announcement shortly.

Apologies to everyone who hopes to hear AC/DC, but doubt anyone will be that disappointed 🙂

Slipknot / KoRn tickets on sale now

Posted in Gig Listing, Music, News with tags , , , , , , on October 17, 2014 by Tickets There

slipknotDid your sixteen year old self leap for delight when this show was announced last week? Nu-metal or not, there is ridiculous levels of excitement for this tour. The return of Slipknot and a chance to see KoRn back on an arena stage where they belong.

Slipknot’s history is Ireland has been far rarer than KoRn’s making this an extra special show for fans. Many, like myself, will remember the disappointment of their last minute cancelation of their first Irish show way back in 2000 or 2001 after a ****ing parents group or some s**** had them banned. They made it up though when they finally made their debut appearance supporting Metallica in 2004, going on to be every bit as incredible as reports had hailed them to be. They even managed to win over the naysayers while they were at it. One final gig occurred in 2005 and it’s been silent since.

Now with a new album out (TODAY) and a new line-up, the Knot are coming back. No matter how much you (talking to the cynical older crowd here) thought you’d moved on and shrugged off that haircut, you’ll probably wish just a little bit you already had your tickets., it’s not too late my friends, it’s not too late.

it will be if you wait much longer of course so go but them. There was supposed to be a competition on Tickets There but my own honesty has made sure that’s not going to happen. if you expect Tickets There to do it for you, you’ll be waiting a long time.

Tickets available for Slipknot and KoRn’s January 14th show at the 3Arena are on sale now priced €59.50 from Ticketmaster.ie and outlets nation wide.

The Treatment | Talk 2 Tickets

Posted in Interview, Music, News with tags , , , , , , , , , , , , , , on June 16, 2014 by Tickets There

Described as one of the most exciting bands to emerge from England in years, The Treatment are five guys who love rock ‘n’ roll. They released their debut album, This Might Hurt, in 2011 and its follow up, Running with the Dogs, earlier this year to massive critical acclaim. They’ve supported some of the biggest names in music and every year that passes brings nothing but new success. If you haven’t heard them yet, now is your chance to make amends as they’re coming to Dublin this week to play their first Irish headlining show and you don’t want to miss out.

Tickets There was fortunate enough to speak with The Treatment’s guitarist, Tag Grey and find out a little about the origins of the band, their touring experiences over the past few years and what it means to have Tommy Lee coordinate your birthday celebrations backstage.

Tickets There: Hi Tag, how are things going in the Treatment camp at the moment?

TG: It’s going great man. All the fans and all the press as well. And since Kerrang started picking up the last one, things have just been brilliant. It’s done a lot more than we dreamed it could have done. Really happy about it.

Tickets There: Running with the Dogs seems to be picking up a lot of new fans with previous critics highlighting it sounds far more accomplished than your debut, This Might Hurt. Do you feel this album is a stronger representation of the band?

TG: Ah yeah. I think Dhan (Mansworth – drums) was around fifteen or sixteen when he started writing and recording This Might Hurt. We’ve all grown so much as players and musicians that there’s no way you could compare the two.  We were so proud with what we did with the first one but by the second one it was even better, you know? We changed loads of things during the recording – the guitars, the amps and the way we were recording. We were really happy with how it came out. It definitely captured another side of the band.

1606221_759009914126507_1314872328_oTickets There: A lot of bands have great difficulty writing and recording their second albums. Did you feel any pressure after the success of This Might Hurt?

TG: We didn’t really think, but looking back we were so happy with the way it came out. There’s no comparison between the two and it’s all just gone in the direction we wanted it to. I don’t think we ever thought about having a problem with the second one, we just got on really. I mean we constantly toured since This Might Hurt came out so we were always recording and writing little bits and bobs.

Tickets There: That’s probably the best way to avoid the pressure.

TG: It’s brilliant actually, we all live with Dhan and our manager Laurie (Mansworth) has his own studio so we could just record whenever which was a massive help for the band.

Tickets There: Were you worried at all that the delay between Running with the Dogs and This Might Hurt might risk losing some of the momentum you’d created?

TG: This Might Hurt came out twice actually. It came out originally on Powerage and when we were picked up by Universal we re-released it with a bonus track so although it was released a long time ago, since the re-release it hasn’t been that long and we’ve just been on the road constantly. We wanted to make sure we had the album completely right. It wasn’t an intentional thing. We weren’t looking to get it out asap, we just wanted to stay on the road touring really. We’re definitely more of a live band.

Tickets There: Since the release of Running with the Dogs, have you noticed an increase in interest in the band?

TG: Oh massive. The first major tour we had was with Alice Cooper, which was a great tour to start with, but everything since just seems to take a step up. Lamb of God in America was the last big tour we did before recording the new album which was just insane. With this tour the first one we did was our own headlining tour which is just incredible. We went out and hundreds of people were turning up to see us which, for us is just an amazing feeling. We did the Islington in London, which has been a venue where we’ve seen so many of our favourite bands and you don’t realize what you’re doing until you’re standing on stage and all these people turn up. It’s just been amazing.

Tickets There: It sounds like things are really starting to get going for ye.

TG: (laughs) yeah, it’s been great. And now we’re going out and doing all the European festivals – it just keeps getting bigger and better. I can’t wait.

1510552_741165082577657_2039737956_nTickets There: So let’s go back a little. How did the band get together?

TG: It was Dhan basically. He wanted to put a band together and his dad Laurie, he’s been in the music business and was in a couple of bands in the eighties so he knows everything. So they started looking around the country for musicians and that’s how we got the line-up.

We all moved in to Laurie’s house so it became a pretty wild one. Myself and Rick Newman (aka Swoggle) were living in a tent down the end and Dhan was still going to school every day. We started jamming in the shed and it’s just grown since then. We recorded the album and started touring.

Tickets There: It couldn’t have just happened that easily, right?

TG: Well, in the beginning it was quite hard as we couldn’t get into any venues. We were all under eighteen and they’d always kick us out. That’s how young we were when we started.

Tickets There: So none of you were close friends when you started the band?

TG: Me and Rick were the only ones, we went to school together. Dan found Rick and Rick knew me from School and that’s how I got the part. Matt (Jones, vocals) was on MySpace, do you remember? He found him and the original guitar player was from a music college and now we have Fabien who’s over from Germany.

Tickets There: It must have been strange all of ye moving in together at the time. Did ye drive each other crazy?

TG: Oh no, we’ve lived together for seven years so there’s no way we could do it if we didn’t get along. Of course it’s beyond argument; you can’t stick six guys together without the odd one. But as friends we’re as close as it gets. We don’t let anyone fuck with us man.

Tickets There: When you came together, did you know the type of band you wanted to be or did the style fall into place when ye met?

TG: It came together really as a group. We’d all grown up on similar styles of music so it just happened really. We didn’t decide on it, it just came together.

Tickets There: Would you credit Def Leppard or AC/DC more as the influence for the band? Be warned, I’m a Leppard fan…

TG: (laughs) Both of them I’d say. If there’s one band we all have total love for it’s the DC. I remember one year we all went to see them play Download and sitting there, watching a band you all completely fucking love was just amazing. But Def Leppard as well, they are a great, great band.

Tickets There: Hmmm, ok I’ll accept that. So how long did you stay practicing for before you started doing shows?

TG: For the first year of the band Dan was still going to school every day so the idea of touring was impossible. We spent the first year or two in the garage rehearsing, playing a few local shows. The first big one we got was opening for Black Stone Cherry and pretty much straight from that was Sonisphere and then straight onto Alice Cooper and Steel Panther after that. Then we played with Thin Lizzy, Slash and Status Quo, the list goes on man.

Tickets There: It certainly does. In your time together you’ve also supported Lamb of God, Motley Crue, KISS and many others. In fact, isn’t it true that Nikki Sixx personally got you onto their tour with KISS?

TG: Yeah, he did. He asked us to do it. That was three or four amazing months across America.

10291702_814791535215011_2317816580079786614_nTickets There: Nikki Sixx asking your band to open for them and KISS is pretty much a dream come true for any rocker. Can I ask how that came about?

TG: He’s just into young bands and listens out. We were on the Steel Panther tour and it was about 2 in the morning and a friend asked us if we’d twitter and none of us had. So we checked it and he had announced us for the whole tour.

Tickets There: And what’s it like, as a young band to go out there and play side by side with your heroes like that? Did you find yourself learning from them at all?

TG: Oh of course. We’ve learnt so much about how to work a crowd, how to play – how to do everything. You learn from your heroes don’t you, so to be able to support ‘em was such an experience and not only for ourselves, but the live experience as well is fucking great. You also learn from the best when it comes to partying as well (laughs).

Tickets There: Now that’s one, I heard a rumour that in your early years together you had a strict no partying rule on tour. How’s that holding up these days?

TG: (laughs) Yeah, when we first started we had a no drinking rule on tour. It was right place, right time but as we’ve gotten older… Number one is the gig, that’s all we care about. So long as that’s good, we’re good. But, I mean drinking-wise we have more of a laugh now. We’re always up and ready for a show and that’s what matters to us but I think it’s best to say we’ve gotten a little more relaxed (laughs.. Ed. – Laughs because he’s partied with bands like Motley Crue, KISS, Alice Cooper, Lamb of God and many others! – Legend!)

Tickets There: Phew, I was worried there you might shatter my dreams of the rock ‘n’ roll touring life.

TG: Well that was the problem for us as well (laughs)

Tickets There: Do you think allowing yourselves to relax more on the road helped fuel material for Running with the Dogs at all?

TG: Ah yeah, that comes from all the experiences we’ve had. It was Matt’s 21st when we toured with KISS and Motley Crue and Tommy Lee had him backstage and strippers were whipping him, he had a bottle of vodka poured all over his head – I mean how can you have a normal sensible lifestyle while those sorts of things are going on. It definitely helped come up with a few of the ideas.

Tickets There: And what’s it like touring with bands on the level of Motley Crue and KISS? You hear some awful things about support bands can be treated. Did you have any negative experiences?

TG: Everyone, not just Motley Crue, every single person I have toured with has gone beyond what they should have done to help us. The crews as well, every single person and every single band members just made a giant effort to make us feel welcome. Even small things like just someone like that saying hi to you – it makes you feel like it’s worth being on tour just for that.

Tickets There: So, you’re on the road again. Have you got many headlining shows on this leg or are you mostly playing festivals for the summer?

TG: We’ve got the two in Ireland – our first heading shows there actually and then our first headline show in Paris. They’re all going to be wicked. The rest are all festivals and then we have quite a few support slots in between. We’re opening for ZZ Top, Buckcherry and Alterbridge so it’s going to be pretty cool. We have a massive mixture of different places and hopefully later in the year there’ll be lots more coming on.

Tickets There: Is there anywhere in Europe you’re really looking forward to?

TG: Well the last time we went to Dublin we had the wildest time ever. It was great because we did two shows there so we had a night off and had a wild time. Also Italy, for me I love Italy and it’s going to right in the middle of summer so it’ll be buzzing. Everywhere though brings something new.

Tickets There: From the list of festivals you have, you play to a lot of different crowds. How are the reactions when you to play, say Graspop compared to supporting Status Quo?

TG: We’ve done Hammerfest a few times when we’re on with Feed the Rhino – really heavy band and we go down incredibly. I think we have an energy where we just want to go out there and cause absolute chaos by playing classic rock tunes. So we can fit in on any bill.

The response we’ve had from different bands has been incredible. Like recently we went out and support Airbourne and their crowd was just up for it, they wanted to cause a riot. Then we can go on with Quo who are older and more musical and we can go out and have a great show as well.

Tickets There: Is there anyone left that you’d love to go out and support on tour (Apart from Def Leppard and AC/DC of course)?

TG: If Guns N’ Roses get back together (laughs). Could be waiting a bit though.

Tickets There: I better let you head off and get ready for the tour. Just before I do, do you have any plans to tour outside of Europe this year? Just in case your friends on other continents are reading.

TG: It’s something that hasn’t been planned yet, but if something came up we definitely would. We haven’t toured Europe in such a long time and we want to get something big across here. With the record being out here we want to get on the road and support it. If something came up tomorrow, we wouldn’t complain though. Sit around and do nothing or tour? It’s not a question is it (laughs)

The Treatment play Dublin’s Academy 2 this Wednesday, June 18th. Tickets are on sale now from ticketmaster.ie priced €15. Stone Trigger will support on the night.

Or, you could try and win your tickets by clicking here 🙂

 

Orange Goblin & Saint Vitus Announce Belfast and Dublin Shows

Posted in Gig Listing, Music with tags , , , , , , on May 1, 2014 by Tickets There

1625599_694012890662627_6827623111735849378_nDoom metal fans are in for a treat this October as Orange Goblin & Saint Vitus have announced Dublin and Belfast will feature on their co-headlining tour.

The shows ware to mark Saint Vitius’ 35th anniversary and they’ll be performing their 1986 record, Born Too Late, in its entirety. Orange Goblin just promise to show up and kick ass (and maybe drop in a few tunes from their unreleased eight album which is due out later this year.

Tickets go on sale May 7th from all usual DME event outlets. Dublin is priced €25. Belfast TBC.

Thu 30th – Button Factory, Dublin, REP. OF IRELAND

Fri 31st – Limelight 2, Belfast, NORTHERN IRELAND

SLAYER: New Music and Return to Ireland!

Posted in Gig Listing, Music, New Music, News, Special Features with tags , , , , , , , , , , on April 24, 2014 by Tickets There

img_50162014 is definitely looking much brighter than last year for the mightiest of all gods – SLAYER. Flash back to this time last year and the world was just days away from hearing the news that founding guitarist and chief songwriter, Jeff Hanneman had passed. After years battling a flesh eating virus, Jeff finally succumbed to his hidden battle with alcohol leaving the recording and touring of the band in immediate doubt. To top things off, Dave Lombardo – Slayer’s long time suffering drummer had been unceremoniously kicked out just weeks before and his permanent replacement (Paul Bostaph) was still to be announced. No founding drummer, no chief songwriter – a sad time for Slayer and their fans.

img_5062A month later Slayer took to the stage in The Academy, Dublin for the first of three Irish shows and all worries about the bands stability went out the window. They rampaged through two blinding sets in Dublin before heading to Belfast and doing it all over again. The band looked and sounded great, with Jeff’s replacement (GARY ‘THE LEGEND’ HOLT!) filling the part like a pro and Paul easily slipping back into his old chair behind the iconic Tom and Kerry. The band made little reference to Jeff’s passing, but rumours circulated that Slayer were now at an end in recording terms. Thankfully that turned out to be bullshit as they’ve just surprised the world with a brand new tune – ‘Implode’. Not a bad song at all and one that’s currently monopolizing the TT cans. Scroll down further and give it many, many spins. (You can also download it for free from Slayer.net)

img_5072TO TOP IT OFF – tickets for Slayer’s recently announced three Irish shows go on sale tomorrow morning. This time they’re hitting Belfast twice on June 29th and 30th and Dublin’s Academy on July 1st. With new material, some time between Jeff’s passing and the dismissal of Dave – things are finally in motion to move into a new era for Slayer. If ‘Implode’ is anything to go by, we have nothing to worry about. The future is blood, the future is SLAYER!

AND – to all those giving out that Slayer shouldn’t do anything without Jeff and Dave- shit up your face. A band that’s been together that long are like a family. It’s everything and you seriously expect Tom and Kerry to give up their entire lives, after three decades together because some of their family have moved on or they’ve had a falling out with someone? Life stinks, shit happens – you move on. That’s how it is so deal with it.

SLAYER!

Slayer Irish Tour Dates 2014

  • June 29th: The Limelight, Belfast
  • June 30th: The Limelight, Belfast
  • July 1st: The Academy, Dublin

Tickets on sale tomorrow morning from Ticketmaster.ie and all usual outlets.

Vivian Campbell | Talks 2Tickets

Posted in Interview, Music with tags , , , , , , , , , , , , , , , , on March 7, 2014 by Tickets There

vivianInterview

Copyright Defleppard.com

Copyright Defleppard.com

For more than thirty years, Vivian Campbell has been a well-established figure in the world of heavy metal and hard rock. Since cutting his teeth with the influential Sweet Savage in the late seventies, Vivian has continuously worked with some of the genre’s finest artists. Firstly with the iconic DIO, where he wrote and contributed to the band’s first three solo albums, before a falling out with Ronnie led to his departure from the group. However, Vivian quickly landed on his feet when he joined Whitesnake to play on their 1987/88 ‘Whitesnake tour. But it wasn’t until 1992 that he finally found his home with eighties goliaths, Def Leppard and for the past twenty two years he has enjoyed every, high, low, success and challenge that the music world and life can possibly dish out – and he still goes back asking for more. Aside from Def Leppard, Vivian has also found time to release a solo album, play in various side projects, reunite with the original DIO line-up and spend a year with his all-time heroes, Thin Lizzy.

Last year, Vivian was diagnosed with Hodgkin’s lymphoma but still continued to play with Last In Line and tour with Leppard around the US and Europe without ever missing a show, despite having to travel back and forth between tour dates to Los Angeles for treatment.

With Def Leppard currently camped in Dublin to work on new material, Vivian was good enough to take time out of the studio to talk with Tickets There about their new material, the recent re-issue of their Slang album, ballads, touring, Last In Line and enjoying the experience of short hair for the first time in his life.

Tickets There: Vivian, let’s start with the most recent Leppard release. What made you decide to release Slang ahead of some of the band’s better received albums?

VC: We released Slang firstly because we were able to and more importantly perhaps, because we really didn’t feel it got a fair shake when it came out in 1996. In the middle of the grunge era, it was a really difficult time for bands that represented the eighties, like Def Leppard. So even though we made a record in Slang that sounded of the times, it still really fell on deaf ears (no pun intended). So we decided to re-master and repackage it with all the material from around those times, all the bonus tracks and demo versions..etc. and put it out there in the hope that people will give it a more objective hearing in 2014 than it got in 1996.

Tickets There: At the time Slang was extremely well received by critics, but that still didn’t help it repeat the success of it’s immediate predecessors with the general public. Why do you think that was?

VC: Well, a good example of that was the first single in America, a song called ‘Work It Out’ which was actually my first writing contribution with the band I remember I was very excited about that prospect that my first song with the band would be the leadoff single then. That enthusiasm was very quickly dampened a few weeks after, when someone from our management called me to say the radio stations, like rock stations in America had loved the track and said it would totally fit their format but they just can’t play it because they can’t go on air and announce that was Def Leppard. You know they were playing The Stone Temple Pilots and Soundgarden, Nirvana, Pearl Jam and stuff like that – you know and they just couldn’t fit Def Leppard into that format – regardless of how good or how bad the music sounded.

So we were between a rock and a hard place you know, it was really a lose-lose situation for us so we really don’t feel that people outside of the really hard-core Leppard fans got a chance to hear this record the first time around.

38223Tickets There: The re-issue has been out now for a few weeks, have you seen much feedback from fans who’ve turned around on their original opinion?

VC: A little bit. It did tend to polarize our traditional fan base and we kind of knew that going into it and that was the chance we took at the time. You know we knew there were people that just hated the sound of the nineties and just wanted Def Leppard to be Def Leppard, but we felt that the onus was on us more to respond to the musical movements of the time and to be influenced more by that than our traditional sound. The most traditional sounding Leppard we’ve made since then was the one that immediately followed Slang, Euphoria – the title of the record has an ‘IA’ like Pyromania and Hysteria. Even the cover and the art-work – everything about it yells a traditional Leppard record. That came out in 1999 when we felt it was ok to be ourselves again. We really were a band in crisis in 1996.

Tickets There: When you started making Slang, what was the goal of the band?

VC: We didn’t really know what we were doing but we knew what we couldn’t do. So we collectively decided that it was best for us not to make a record that sounded too much like Def Leppard and we had to deal with the lyrical content of rock music at the time was very dark and that’s obviously a 180 from songs like ‘Let’s Get Rocked’ and ‘Pour Some Sugar On Me’ and stuff like that. So we knew we had to adapt to that and write darker lyrical themes and stylistically make a record that sonically sounded of the times. We knew we’d step on somebody’s toes by doing it, but it just felt right at the time.

Tickets There: And when you listen back on it now 18 years later, how do you think it’s held up over these two decades?

VC: To be honest I haven’t listened to it yet – well not the repackaged version. I have a tendency not to listen to Def Leppard music..

Tickets There: (Laughs) I don’t think I’ll print that

VC: Well you know whatever anyone does for a living, I doubt they go home and do it again. For me it’s the same with Leppard. I actually don’t listen to a lot of music in general.

What I remember about the original recording of Slang was that it always had a vibrancy about it. I do think it’s one of Leppard’s better sounding records, to use a word not commonly associated with Leppard, but it’s a more organic sounding record. Just in the way we recorded the drums, Rick (Allen) played acoustic drums and for the guitars we went old school – putting mics in front of cabinets instead of taking directs, which is mostly the way Leppard records. It does have a bit more air in the sonics which gives it a bit more depth as a result. I always remember it being my favourite record sonically from the band.

1992%20-%20Have%20You%20Ever%20back%20cover%20picTickets There: Looking back to those times, what was it like coming from bands like Whitesnake and DIO and coming into Leppard, one of the biggest bands of the nineteen eighties just at the beginning of this big change. Was it what you expected when you joined the band or were things very different than you’d imagined?

VC: Certainly by the time we got to Slang it was all off kilter. At the time, when I joined my biggest concern wasn’t the changing musical trends, because I don’t think any of us had registered that by early 92. My bigger concern was whether I really wanted to join another band and it didn’t matter who it was. I’d been in and out of so many bands at that stage and I didn’t have a good track record. So I’d basically given up on bands at that time and I was under contract to Sony records and I was writing with co-writers and cutting demos with an eye to make a solo record. So I was searching for a music direction of my own at the time and basically given up on trying to make a band, but obviously when the opportunity came to join Def Leppard it was different. I mean, there’s bands and then there’s bands and Leppard are a massive, massive band and a group that I’d always been a fan off. Furthermore I knew Joe (Elliott) socially and I knew the kind of guy he was and even if I didn’t know the other guys in the band, I kind of figured if they’re anything like Joe its probably a different kind of proposition to DIO or Whitesnake.

So both parties had to think long and hard whether it was the right arrangement. Joe felt I was perfect for the band but the guys in Leppard, who didn’t know me [personally] only knew me by reputation and that I could play guitar. The things they didn’t know was A, I could actually sing a bit too and B, that I’m actually not the guy who can’t keep a job (laughs). It’s possible they probably thought that, given my reputation of being hired and fired x2 in DIO and Whitesnake. So we basically went through a courtship that lasted a couple of months over this. It was nothing really to do with the music, it was all about the personalities and whether or not we can make it work. It’s been twenty two years so its definitely working out.

Tickets There: Yes, I don’t think you’re in much danger of losing this gig.

VC: No (laughs), you know people think ‘He must be an asshole to work with because he keeps getting fired’, but there’s a lot more to it than that. DIO and Whitesnake were never real bands and that’s the big difference between them and Leppard. I mean Leppard really is a democratic band. It’s five guys and creatively it is very open. And it’s not sunshine and roses all the time, but we respect each other and we do get along. Whereas DIO, no matter how Ronnie tried to portray it and despite the fact that Jimmy Bain wrote most of the music it was never a real band, it was always Ronnie’s call at the end of the day. Whitesnake as well, history has spoken on behalf of that. There’s been dozens of, and I’m not kidding, that’s not an exaggeration; different musicians through the doors of Whitesnake over the years and the only constant has been Coverdale, so it’s obviously his band you know.

VivianwTickets There: So you’re currently in Dublin with the rest of the band working on new material. How have things been going?

VC: It’s actually going very well. We’ve got about nine things on the go currently, although most of them aren’t finished as, there’s a load of top melodies and lyrics to be written yet. The way the band works is very bizarre and I won’t even begin to try and explain that to you now, but for us this is great progress. especially considering we only started three weeks ago.

Tickets There: These sessions took everyone a little by surprise. Did you intend on coming out with a new album?

VC: When we came here we weren’t sure if we were going to make a full album or try and get a few songs to put out this year, but as things progressed, and they progressed rapidly and very well so we decided to do a full length album. Our goal is to have it done by this time next year and get it released by spring 2015 and to tour extensively on that next year. This year we will be doing a summer tour but it’ll only be the states most likely. We’ll also be coming back to Dublin in May, I wouldn’t say to finish up the record but to do a second instalment. There will need to be a third, possibly fourth instalment to get it finished, but it is progressing very well.

Tickets There: And has the re-issue of Slang changed the way the band is setting up this time at all?

VC: We did set up for the first time since the Slang record to record together, the five of us in real time because we don’t normally do that. We generally build a track up bit by bit and it’s always one guy working and its thoroughly, thoroughly tedious. So it was exciting to actually get in there and play and try to capture some of the dynamics we have as a live band. In the first week we actually got four rock tracks together and that was also  a concern of ours coming into this. We wanted to make sure, even though we want to make a very comprehensive, modern Leppard sounding record, we did want to make sure we had the rock element covered and we actually  for that out of the way like it was no-one’s business in the first week. This is what happens when you play together as a band, you tend to write rock songs as opposed to when you do it individually and you tend to get drawn into doing mid-tempo, little dirgy ballady type stuff. So it’s good that we got to play together and somewhat collaborate with each other on the stuff. Still a lot of it has to be determined, but so far we’ve got the rock element covered and we’re getting into some more studio crafted songs here at the moment and we’ll be wrapping up here in the next couple of days and pick it up again in May.

Tickets There: You’ve made references in the past to your lack of enthusiasm towards ballads. Would you prefer to make an all rock Leppard album?

VC:I’m not against the ballad side of it, but I’ve seen how we get drawn into that a little bit too much at the expense of our rock tracks. If you think that first and foremost the band was a rock band we all come from that rock element and it’s something we needed to address. I don’t think it would be right for the band to go out and make a High ‘N’ Dry style album where every song is pretty much hard rock. I don’t think that’s where we are and I don’t think that’s representative of us as fifty year old men. Having said that, we’re a great, great live band and we can certainly still rock so it was important that a considerable percentage of any album we’re doing is leaning towards rock.

Tickets There: Def Leppard is sometimes seen by fans as a band that’s split on the issue of social media. How do you feel about the changes in the music over the past few years and the move towards releasing music online and moving away from traditional formats?

VC:I personally have done that 100% and have felt that way for several years, but that’s just my personal opinion, that’s not the opinion of the band necessarily. Again it depends who you ask in the band. I think a couple of the guys would be with me on that and a couple of others might be vehemently against it. It is what it is. I’m not saying I embrace it because I think it’s the better thing, but you can’t ignore the facts when they’re staring you in the face. We live in a very rapidly changing world. I’m not personally a fan of social media, I don’t use it for my personal life, but I do enjoy the ability it’s given me to connect to Def Leppard fans and I found it a useful tool to gauge what people are thinking and what [Def Leppard] fans are thinking with regard to us. Like I say  I don’t have a personal Facebook page where I go back and forth with my family, I still believe in more traditional means of communication, but the record business and the whole music business has changed dramatically and anyone who denies it is beyond a  luddite (laughs). Its Darwin’s theory, you evolve or you die.

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Copyright – Sexy Tickets There

Tickets There: You mentioned Leppard are going to tour this year and there’s a tasty rumour going around that it may involve KISS and Poison. Can you shed any light on what’s going to be announced?

VC: I’d say you’d be half right there, but only half right and half wrong (laughs). There will be an announcement of our tour imminently, we’re talking a matter of days. It has to be announced  because we’re almost at summertime.

Tickets There: Do you think fans outside America will see you in 2014?

VC: Not at this point, but never say never. Something might come up at the last moment where we get a great offer to do a European show and upon that we could add a few others, but I would be very surprised. Most likely if we get this record finished for next spring that would see us doing a world tour of sorts, whatever that means nowadays. Certainty Europe, Australia and Japan would be our hope.

Tickets There: Last year, Def Leppard played a massive successful residency in Las Vegas that focused on the Hysteria Album. Does it look likely we’ll see a Viva Pyromania residency soon?

VC: We have a standing invitation to do that again whenever it suits us. It’s just a question of how long we end up touring this summer versus our desire to get this record finished. Personally I’d be surprised if that happened in 2014, but I wouldn’t be shocked it happened in early 2015.

Tickets There: That sounds better, I think I could afford it by then.

VC:  (Laughs)

Tickets There: I just want to talk a little bit, if you have time about your work with Last In Line

VC: Absolutely, I’ve always got time to talk about that (laughs). I’m really passionate about (L.I.L.). I really enjoy playing with Vinny Appice and Jimmy Bain again.

Tickets There: Can you tell us how you started playing with the guys after so many years apart?

VC: I blame Thin Lizzy for it. That’s where it happened again that I got a few months touring Europe and the States with Lizzy in 2011 as a stunt guitar player and that really reignited my passion for the instrument. Thin Lizzy were such an influential band to me growing up and playing those songs, playing ‘Black Rose’, ‘Jailbreak’ and ‘Emerald’ and ‘Don’t Believe a Word’, playing all those great songs that I knew inside out onstage with Brian Downey and Scott Gorham, it brought me back to being fifteen again and reminded me of why it is I love playing Guitar.

1004657_497593280335574_1518072312_nAs soon as I came of that tour I called Vinny and I called Jimmy and we just got together, into a rehearsal room and that’s all it was. I just wanted to play with them again, play some rock and it just sounded so great. We hadn’t played together in twenty seven years and it literally sounded like it had only been twenty seven minutes. The chemistry was just there, it had never gone away and it’s so tight just to play with those guys.

Then one thing led to another. Vinny said he knew this singer called Andrew Freeman so he invited Andy down that day. Andy came down and knew the songs so started singing. Then we talked, jokingly that we should do a gig or two. One thing led to another and we ended up doing a handful of shows last year despite a lot of setbacks and we managed to get the ball rolling on it. We started with a few local shows in Southern California, Las Vegas and what not. Now we’re actually going in to record some new music, even though that was never our intention. It just seemed the next logical step after we’d done some shows, it just seemed right to take it a stage further and try to create a sound that’s ours, not just trying to recreate the DIO sound.

Tickets There: You mentioned earlier that the DIO was such a major factor of the original band, how is the new music sounding and how can you avoid DIO’s legacy hanging over it?

VC: It’s obviously always going to sound a bit like DIO, We’re playing those songs that we wrote and recorded. The difference is that Andy doesn’t sound anything like Ronnie and that’s actually what motivated me to go out and do some gigs. If he’d come in there being a Ronnie clone I’d have been very disinclined to go any further with it because I don’t want it to just be a tribute to Ronnie’s voice. Furthermore I think that Ronnie is a really, really tough act to try and duplicate. He had such a unique sounding voice. So the fact that Andy didn’t sound anything like him really appealed to me. The reason for that was that it put the focus on the songs and the original band. The focus goes to the guitar, the bass and the drums and therefore the guys that made the records. Not only did we make those records, but what a lot of people don’t even realize is that we wrote the songs […] obviously including Ronnie’s input which was monumental but there was a real sound that we had, the fact that Andy didn’t sound like Ronnie somehow resonated with me that it was ok to go out and play those songs and have the focus somewhere else.

1013077_497595363668699_1603434518_nPeople then started asking me, ‘are you going to start making new music’. At first I said no because it was never on my field of thought, but then it became more apparent that for Last In Line to move forward and to be taken to that next level, that’s what we needed to do. Furthermore we got into the studio just a few weeks ago, in early January and started writing. Just Jimmy, Vinnie and myself and it was so effortless that way we came across new music it just fell out of us like it did on the first record, on Holy Diver. It was so easy for us to come up with musical ideas. We act as great springboards for each other. Like when I play something for the guys, they instinctively know where to go and vice versa. We came up with a half a dozen song ideas in a matter of days. Then Andy came in and we exchanged vocal and melody ideas and we’re kind of kicking around in the middle stage between now and April 20th when we’re going into the studio to start recording. Hopefully it’ll finally gel and that final 5/10% will come into place. It really is an exciting thing for me, but it’s a very different way to the way Def Leppard writes and records which is also equally invigorating.   

Tickets There: And will you be letting any ballads through on the Last In Line album?

VC: Fuck no (laughs)

Tickets There: As if Def Leppard and Last In Line wasn’t enough, there’s also reports that you’re planning a second solo album. Have you found time to work on that at all?

VC: That’s kind of open ended for me. There’s no actual agenda for it. Obviously the Leppard thing is what it is and I’ve told you the schedule or the proposed schedule for that. With Last In Line I would hope to have a record done at some point this year. As regards my record I’ve already gone in and started on six tracks. I’ve six backing tracks completed and I’ve got the songs written, I’ve got the lyrics and melodies or them. I will at some point this summer get those six finished. My only real concerns with regards to that is if I can physically sing all of them. There might be one or two of them that are out of my range and out of my comfort zone as a singer.

I won’t really know till I try how it happens, but I may have to bring in a guest singer. At this stage it’s my intention to do it all on my own and it’s going to be very much be rock record. That’s not to say there might not be a ballad on that (laughs), but my focus is on making a rock record. There’ll be a lot of guitar, riff oriented songs. On the tracks I’ve cut so far I used some of the guys from a bar band I play with back in Los Angeles occasionally, all stellar musicians.

Tickets There: Moving back to last year, you went through a very traumatizing experience and I believe you were forced to cut your hair for the first time since you were eleven?

vivian4VC: (Laughs) That was actually one of the benefits. Long hair, I let that identify me. It becomes so much part of your identity when you have your hair long your whole adult life. Then there’s this fear of letting go of it. I would never, or at least very, very reluctantly ever have had my hair cut. Of course then when you have chemo you don’t have a choice, it just falls out. I was kind of forced into the issue and I’m actually very thankful for it because I’m enjoying life with short hair and the convenience of it. A lot of people have actually said it makes me look younger so I’m fine with it (laughs).

Tickets There: And how has recovery been going?

VC: I completed around six months of chemo and so far so good. Although truth be told I have to go in and do another biopsy when I get back to LA in two weeks as my last scan wasn’t very clean. It might be nothing or it might be that it hasn’t all gone away yet, in which case I’m really not that concerned about it. It’s a process that you just have to go through and it’s one of the most curable forms of cancer and I’m very fortunate that mine was caught very, very early in its progression. I’m not very worried about it, but it’s an inconvenience to go through the process.

Tickets There: Rather than back down or let it affect you, you went out last year and did a massive amount of work and touring with Leppard and Last In Line. How were you able to put yourself though all that and still deliver every day?

VC: Well actually I was very thankful that I could. I think it would have been physically and mentally more difficult to go through for me if I didn’t have my work to do. I actually wished that Leppard had some more shows last summer. I’m not tooting my own horn here, but I was physically very strong going into it all. Even before I was diagnosed I was relatively fit, being vegetarian for thirty years or so. I work out a lot, play football a lot and run a lot and I’ve been working with a trainer regularly for years. Then when I was diagnosed I ramped up my training and built up a lot of muscle mass as I knew I was going to lose a lot through chemo. With cancer there’s all sorts of different levels and of course people personal pain management threshold and tolerance levels so either my chemo wasn’t as severe as I have just enough stubborn Irish tolerance that I was able to keep going (laughs).

Tickets There would like to wish Vivian many, many thanks for participating in this interview and we wish you well with your treatment, the Last In Line album and of course the next sessions with Leppard.

Motörhead Announce new album details

Posted in Music, News with tags , , , , , , , on September 4, 2013 by Tickets There

1150872_672860136079631_1477616986_nThe true lords of rock ‘n’ roll are coming back! It’s been almost three years since The Wörld Is Yours hit the shelves and it’s been a long wait for something new from the mighty Motörhead; especially considering the horrible reports that came from Europe over the summer regarding Lemmy’s health. Well never fear, Lemmy is here and he has new tunes for you. There’s a great press release which I’m including below but..

Aftershock will see the light of day on October 18th – 21st. Also Classic rock will be doing a CD/Mag dealie. NO IRISH SHOWS in the tour so you won’t find a listing of the other dates here. Yeah – that’s how it works, Motörhead or no Motörhead.

Silence, silence

 Silence when you speak to me!

 -Lemmy Kilmister

Like the juggernaut you prayed would keep on crushing you, like the friend that still royally pisses off your parents and like a loyal standard of crunchy, greasy, punky, bluesy, gutsy screw-you rock’n’roll, Motörhead stride out through their 38th year brandishing more swagger and attitude then your ears could begin to comprehend.

On Oct 21st, 2013 Motörhead will deliver their 21st studio album, an enormous and prophetic Aftershock. Recorded at NRG Studios in North Hollywood,it is a true leveller, a crushing confirmation of everything Motörhead stands for, marching from the dust storm to deliver 14 belting statements which see Motörhead in perhaps their best writing form for years. There’s swagger, there’s punch, there’s speed and there’s dirty filthy grooves, Lemmy Kilmister, Phil Campbell and Mikkey Dee showing clearly that Motörhead is not simply a band, it’s a genre!

That genre, more than ever, resonates with hearty independence and swashbuckle. Whether it’s “Heartbreaker” throwing hooks and riffs into your head, the double-kick concussiveness of “Paralyzed” with Campbell’s fuelled attack, or the thunderous ride-off-the-Rickenbacker Motörcharge of “Going To Mexico”, Aftershock takes gleeful twists and turns which re-announce the Motörlegend. There’s the smokey biker bar blues in the shape of “Dust And Glass”, Lemmy’s late-night vocals evoking last-call and melancholy, the pogo-powered punk-spiked stab of “Queen Of The Damned” and the deliciously steamy, humid mournful “Lost Woman Blues” which midway through decides to kick over the stool and stomp out the saloon door.

“Steal it if you must, buy it if you can!” says Lemmy, who’s pride in the album is so immense that guests to his home and dressing room in the last couple of months have been treated to extremely loud airings of the rough mixes, while Phil Campbell adds, “I really think the variation on the album shows that we’ve dug deep and produced some of our best work for a long time.”

“It is,” says Mikkey Dee, “a really, really strong Motörhead album, one that really does define everything this band stands for.”

He’s not wrong. Because Motörhead are Motörhead are Motörhead…and their Aftershock will be felt worldwide…

Aftershock: Track Listing:

Heartbreaker
Coup de Grace
Lost Woman Blues
End Of Time
Do You Believe
Death Machine
Dust And Glass
Going To Mexico
Silence When You Speak To Me
Crying Shame
Queen Of The Damned
Knife
Keep Your Powder Dry
Paralyzed

 

Kataklysm, Krisiun and Fleshgod Apocalypse To Play Dublin

Posted in Gig Listing, Music, News with tags , , , , , , on August 19, 2013 by Tickets There

1176228_520965681305502_496310681_nForge the powers of Canada, Brazil and Italy and this is what you get – Death metal fest 2013 (or pretty close). DME have just announced Kataklysm, Krisiun and Fleshgod Apocalypse are coming to the Pint in January as part of Kataklysm’s Waiting For The End to Come European Tour.

Friday, January 17th @ The Pint. Tickets cost €25 and go on sale this Friday (Aug 23rd). Bring on – le pain (that’s my French Canadian input…oh wait).

Amputated, Guttrench and more to Play Fibber MaGees in November

Posted in Gig Listing, Music with tags , , , , , on July 15, 2013 by Tickets There

992936_146228795578450_857676332_nGuttfuck Promotions are lining up a night of savagery at Fibber MaGees this November when Amputated arrive in town for a show. Support on the night will come from locals Guttrench and Atrax Mantis (plus more still TBA).

It all takes place on November 29th and tickets cost + €6. Official Facebook Event Page is located HERE.

Buckcherry + Hardcore Superstar Announce Dublin and Belfast Dates

Posted in Gig Listing, Music with tags , , , , , , , , , on June 14, 2013 by Tickets There

1008240_491681994233871_1741880957_oLooking to get your sleaze rock buzz on? Then D.M.E. got you covered son! Buckcherry and Hardcore Superstar are coming to the Academy and Limelight 2 in November for a co-headlining show that promises to deliver a lot of riffs, a lot of sing-alongs and a sh*t ton of hairspray. (Guest list baby!!!!!!!!!!!!)

Tickets for Dublin are on sale next Wednesday, June 19th priced €25. Support comes from The Last Vegas.

  • November 27th @ The Limelight 2.
  • November 29th @ The Academy.

SKID ROW & UGLY KID JOE Announce Co-Headline Shows for Belfast & Dublin

Posted in Gig Listing, Music with tags , , , , , , , on June 13, 2013 by Tickets There

179768_487701321298605_1830468239_nRock legends Skid Row and Ugly Kid Joe are setting out on a co-headlining tour of Europe and have included two dates this side of the continent. They’ll be visitng Belfast’s Limelight on October 29th and Dublin’s Button factory on October 30th. Tickets are on sale now and apparently going quite quickly (not surprisingly considering the massively positive response UKJ got last year when they played). Official blurb from DME below and the official Facebook Event Page for Dublin can be found here.

The tour promises a great night of rock that you can sing along to from beginning to end. SKID ROW and UGLY KID JOE announce a 29 city, 12 country co-headline tour of Europe and the UK. Dates will kick off in England on Oct 22nd and run through Nov 26th ending in Austria. With combined sales of millions of albums, each band will play a full set of the songs fans want to hear.

Led by founding members Rachel Bolan, Snake Sabo and Scotti Hill, along with powerhouse vocalist and 14 year veteran of the band Johnny Solinger and new drummer Rob Hammersmith , SKID ROW will deliver the best from their catalogue of gold and platinum albums and anthemic singles like “Youth Gone Wild”, “Monkey Business”, “I Remember You”, “18 & Life” and many more. They will also showcase tracks from their new mini-album United World Rebellion Chapter 1 which features songs such as “Kings Of Demolition” and “ This Is Killing Me”, tracks which easily stand up along with the band’s classics.

After a run of hugely successful festival dates in Summer 2012, UGLY KID JOE’s Whit, Klaus and Cordell, along with Snot/ Sevendust guitarist Sonny Mayo and Zac Morris are back for their first full European tour. In Summer 2013, they will release Stairway To Hell, their first new music since 1996. The album features six brand new songs along with three acoustic versions of songs from their past. Tracks like “Everything About You”, “Cats In The Cradle”, “Neighbor” and “Milkman’s Son” continue to receive airplay around the world, while new singles “Devil’s Paradise” and “I’m Alright” show where the band are headed. UKJ’s Whit promises “it will be RAD!”.

The tour promises a great night of rock that you can sing along to from beginning to end.

Dave Lombardo Officially Out of Slayer

Posted in Music, News with tags , , , , , , , , , , , , , , on May 31, 2013 by Tickets There

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The news we were all dreading and expecting has arrived. Dave Lombardo is officially out of SLAYER…. Again. Slayer confirmed the news last night and named Paul Bostaph as their new drummer. That’s right, it’s 1992 again.

Paul took over the sticks from Dave 19 years ago when the band had their last major falling out drummed with them on Divine Intervention, Undisputed Attitude, Diabolus In Musica and God Hates Us All before leaving due to an elbow injury which lead to a reconciliation between the band and Dave.

Dave has been absent from the band this time since February when apparent monetary disagreements left Dave out of an Australian tour. The confirmation that he is fully out will add more sadness to Slayer fans after losing founding member and legend, Jeff Hanneman earlier this month. Hopes were high that Jeff’s passing might help the lads see what’s really important and reunite as a band. Unfortunately this is not the case. Their touring line-up for 2013 will be completed by Gary Holt from Exodus filling in for Jeff.

Slayer play Dublin’s Academy on June 10th and 11th before playing Belfast on June 12. All three dates are sold out.

SLAYER Confirm 2013 Summer Tour Will Go Ahead

Posted in News with tags , , , , , on May 9, 2013 by Tickets There

20130509-195351.jpgIn the wake of losing SLAYER co-founder, Jeff Hanneman, last week, Tom Araya and Kerry King have just released a statement confirming their summer tour will go ahead as had been widely expected.

The band announced the news by posting the following statement on their Facebook page.

NOTE FROM TOM AND KERRY TO UK/EURO FANS:

“We know that our fans everywhere are hurting for the loss of Jeff just as we are.
We want to let you all know that when we come to Europe this summer in June, July and August, we’ll ALL be making noise together for our brother and dear friend Jeff… We’ll See you then!”

The statement will be slightly worrying to fans as original drummer, Dave Lombardo isn’t mentioned. Dave has been estranged from his band mates since March of this year. Exodus guitarist, Gary Holt will continue filling in Jeff’s position while Jon Dette is presumed to stay behind the kit.

Slayer play Dublin’s Academy on June 10th and 11th and The Limelight, Belfast on June 12th. All three shows are sold out.

CRASHDÏET NEED YOU – SAVE THE TOUR

Posted in News with tags , , , on May 6, 2013 by Tickets There

20130506-174417.jpgSwedish hair metallers Crashdïet need your help. After losing their manager, Michael Sundén, late last month, the band now finds themselves cut off from their own revenue and in need of funds to complete their 2013 tour dates in Europe.

The help get back and the road and avoid disappointing fans around Europe; the band has announced a fund raising campaign through Indiegogo where fans can donate from as little as €8 up to as high as they wish and get rewarded by the band. Rewards range from having your name on the next Crashdiet record, an ‘I Saved the Tour’ T-Shirt, on stage goodies – to a lifetime laminate that’ll guaranteed entry into any Crashdiet headlining show forever.

Even if you can’t make a show, this is a worthy cause for any of their fans. TT will be donating and we hope you will as well.

Click here to visit Indiegogo and contribute now \,,/

Def Leppard Expand 2013 Tour

Posted in News with tags , , , on April 23, 2013 by Tickets There

20130423-231015.jpgYou know old Tickets There can only go so long before a Def Leppard story makes its way in. Good news for US and EUR fans though as Leppard are increasing their 2013 tour. So far the band have 11 shows announced with hopes they’ll click on a few more before they’re through…. (‘giant AHEM’IRELAND’). All current shows are listed below and all will include a live airing of their classic album, Hysteria.

  • 21/06 – Hellfest, France
  • 23/06 – San Sebastian, Spain
  • 24/06 – Barcelona, Spain
  • 26/06 – Madrid, Spain
  • 28/06 – Santiago De Compostela, Spain
  • 02/07 – Helsingborg, Sweden
  • 03/07 – Uppsala, Sweden
  • 06/07 – Skanevik, Norway
  • 13/07 – Qubec City, Qubec
  • 15/07 – Gilford, New Hampshire
  • 17/07 – Canandaigua, New York
  • See ye @ Hellfest lads!!

    Sweet Jane: Irish Dates start this week

    Posted in Gig Listing, Music with tags , , , , , , , , , , , , on October 22, 2012 by Tickets There

    Soulful psychedelic rockers Sweet Jane have a bunch of Irish shows coming up. Kicking off this week, the group will play six dates around the country, including shows in Sligo, Dublin, Belfast, Mullingar and Cork. Full list of dates can be found below – Go on the Jane!

    Oct. 27th – The Garavogue, Sligo.

    Oct. 28th – Twisted Pepper, Dublin.

    Nov. 1st – John Dalys. Mullingar.

    Nov. 4th – Crane Lane, Cork.

    Nov 24th – Twisted Pepper, Dublin.

    Dec. 13th – Auntie Annues, Belfast.

    METALLICA: Damaged Justice 88/89 Tour – Lady Justice (Doris) Stage Prop Model

    Posted in General Tickets There Blog with tags , , , , , , , , , on October 21, 2012 by Tickets There

    Decided to make this yesterday for the craic. It’s Lady Justice (Doris) from Metallica’s Damaged Justice 88/89 tour. …and Justice For All remains Tickets There’s all time favourite Metallica album.
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    ASH Announce special ‘Free All Angles’ Dublin Show (Wow, talk about being behind – but we’re catching up).

    Posted in Gig Listing, IRISH NOISE!, Music, News with tags , , , , , on September 20, 2011 by Tickets There

    Well Tickets There has been very quiet for the past three months, but if anything can bring us out of semi-retirement, it’s the wonderful ASH. How did they do it you ask (unless you have the internet and already know about this story because other, far more reliable steady sites have reported it weeks ago), well it’s simple! ASH, live in Dublin, playing the Free All Angles album in its entirety (plus a few others) with the wonderfully lovely Charlotte Hatherley back in the line-up. Maybe we should start from the beginning, ya haven’t got all day!

    To celebrate the 10th anniversary of their classic ‘Free All Angles’ album, Ash have announced a series of special IRE/U.K. shows which take place this October and will see the band playing the album in its entirety with former guitarist Charlotte Hatherley re-joining the band to make the shows as special as you can get.

    It all takes place at Dublin’s Academy venue on October 18th with tickets priced €20 plus booking fee. They’re on sale now and honestly, unless you have an amazingly valid excuse – Tickets There will think less of you for not attending this show. (thank you MCD and ASH!)