Archive for Concerto for Constantine

Mark Greaney: New Website

Posted in IRISH NOISE!, Music, News with tags , , , , on October 21, 2010 by Tickets There

Well it seems Jape have started something as more and more Irish artists take advantage of this here internet phenomenon. JJ72’s Mark Greaney is the latest to take the plunge and add his name to a site which went online this week.

If you’re a JJ’s, Concerto for Constantine or solo fan, then is well worth checking out as it includes pics, news, a forum, videos and of course, lots of music from Mark’s forthcoming solo album, old JJ72 hits and even a few cuts from their un-released third album.

Mark will be updating the site weekly with new songs so make sure you hop over now before the list is changed.


MySpace Review – A Futurist Theatre

Posted in IRISH NOISE!, Music, MySpace Review with tags , , , , , on January 7, 2010 by Tickets There

Ask and you shall receive. After four frustrating days with no news, f**k all to write about and a feature about a Lego band (of all things!!), we’ve finally been pointed in the right direction. One ‘discreet’ cry for help on Twitter later, the wonderful Naomi Neu (Off Her Rocker / Harmless Noise) has helped us out by bringing A Futurist Theatre to our attention, and we like them.

As usual, we’ve never seen them live or, judging by the length of the first two tracks, spent eighty six hours listening to their record.

It doesn’t take long for Tickets There to realize that opening song, Karenina will need (and deserves) alot more than the usual 1 or 2 listens to get our heads around it. At first it seems a tad drawn out. There’s very little action in the first two minutes and even when the vocals do start to kick in, it has that ‘here’s our answer to Stairway to Heaven feel’. Before long, everything starts to work and you realize it’s been working since the word go. Rather than racing around trying to get you boogying on the dance floor like so many ‘rock’ bands these days, these guys are actually interested in creating a very haunting, unpredictable atmosphere for their music so when it does explode out, it catches you completely unawares.  They blend heavy, pounding moments of head numbing noise with suspended, melon collie melodies before leaving the music to linger silently before remerging heavier and faster, each time brining something new to the flow. The song seems to get shorter and shorter in length with each listen as the brilliance of the writing becomes more and more apparent. Not a bad way to start.

Hammer Must Fall displays a totally different approach. Rather than two minutes of broken melodies, its guitars, guns, a go go. The vocals are sorely lacking in a producers touch. Much of the lines during the verses sound disastrously off course and out of tune, but never fear, our ‘research’ tells us this isn’t an issue during live shows. The chorus is both rousing and strong but just before you decide they’re playing it safe on this one, they throw in an ambient, five minute long jamming session that slowly builds and builds before culmination in an exciting mix of distorted guitars, solo’s and \m/ METAL \m/ drums. The riffage at the end is so naughty it should be arrested. Vice Squad, wagon for four please.

This is generally the point when Tickets There gets nervous. After some exceptionally gratifying moments of music from the first tracks, we generally see things tumble downhill at the half way mark and the start of The Boys Back Home doesn’t help ease the nerves. The music is a cross of the stripped back melodies of Karenina and the up-tempo pace of Hammer Must Fall. As the song progresses there’s little signs of the constant changes shown on the other tracks. Again the vocals need some production magic but they come across alot stronger than on Hammer Must Fall. Four minutes in things pick up but honestly, Tickets There has reached the end of our attention span for this one. We’ll give it another go some other time cause right now, it’s time for Almost Human!

Screaming “the belly of a whale” is an interesting way to start a song but the riff that follows in proof enough that Almost Human has something very exciting in store for you. The vocals sound much more confident but Tickets There’s old Bias against all things Emo/Nu-Metal and general American whining stops us from fully enjoying them. As structure goes, this is the best composed piece the band have on their MySpace….after Karenina obviously. It’s as heavy as Hammer Must Fall, it avoids slipping away into extended trips to jammin’ land and could happily pass it’s self as a sneaky radio favorite. The guitar word at the end is incendiary (sorry, I’ve been waiting to use that ever since I saw that movie :D).

Despite our lack of passion for the vocals, we love them. They are firmly pressed into the ‘must see live list’ and the ‘must buy their album list’. We highly recommend you check them out and give them at least two goes before making your minds up. Also, for any fans of Concerto For Constantine reading, Karenina is a must.

Click here to visit A Futurist Theatres MySpacer

Concerto for Constantine: Untitled E.P. (EP Review)

Posted in EP Review, IRISH NOISE!, Music, News with tags , , , , , , , , , , on November 12, 2009 by Tickets There


March 17th, 2008 was the last day I remember not hearing a loud ringing in my left ear. Years earlier I had damaged the same ear after the sound at a Def Leppard show in the Ambassador had been turned up so loud even the critics sitting in the balcony had to mention it (and make the obligatory jokes of course). Typically enough yours truly was right up the front and after just two speedy hours of perfect hard hittin’ rock n roll classics from Sheffield’s greatest band, young Tickets There was left with impaired hearing and tinnitus for almost four years. One day it suddenly disappeared, after tortuous efforts like avoiding gigs (well, going to the front at least), not using headphones, using personal sound wave techniques and a whole bunch of other crap.

After all that, it only took one hour in the sleazy, dark ‘n’ smelly surroundings of Fibber MaGee’s and one of Irelands most exciting rock groups, Concerto for Constantine to bring it all back again. But hey, it was worth it.

Despite the fact that the band was only formed in mid 2007, by former JJ72 ringleader, Mark Greaney, Gavin Fox (Turn / Idlewild) and Binzer (The Frames / Everyone else), it wasn’t long before they were recording, touring the country, headlining shows, supporting legends and getting up to all sorts of rock ‘n’ roll shenanigans and Tickets There was…uhm, there to see it all. A year and a half after the Fibber’s incident my hearing is finally starting to improve, just in time for Concerto to kick things into overkill and wreak havoc all over again as they prepare to release their very first E.P.

Fans of the band will be familiar with the majority of the material here. Tracks like Cats Cradle, Killing Fields and the belting, fire breathing monster that is Gaps, have been staunch set list standards since the groups first shows together. Now they appear beefed up to the extreme, losing none of their live energy and sounding better than ever thanks to the groups hard out efforts in the studio. The original demo’s of these songs still had traces of the band finding their feet together but these recordings make it very clear that C4C are now very aware who they are and what they want from their sound.

Concerto’s first radio (download only) single, Minsk is also here. The recording is the same as the one that’s been on MySpace for a while…but this is not a problem. Quite the opposite in fact because, out of all the recordings the band did of this track, the current one is hard to contend with. An absolute belter of a song only enhanced in a live environment with the bands attack mode ‘set to kill’.

Not ones to simply release an EP of the same tracks that have been on their MySpace for the last two years, the band are also throwing in two of their lesser known future anthems, Vox Humana and Last Swim. Anyone who was at the bands Radio City show in February will remember Vox Humana. A slick yet raw guitar riff backed by a sublime, tense verse and a full on WAR mode chorus. Mark’s voice sounds incredible and one note of the chorus will see many a hard rock fan out there con-fuckin’-verted.

Last Swim is a song that made its debut when the band played their first headlining slot in Whelan’s last April. Written by Gavin Fox, the song is possibly the heaviest track the band has, despite a very mellow, uneasy (uneasy as in it doesn’t give you a chance to relax. Not that’s its bad ;)) verse. Marks voice, a repetitive guitar riff and some background rhythm dominate the majority of the track until the massive building, crashing Armageddon styled chorus explodes and sends the track soaring higher and higher before a symphony of guitar and bass solo’s come crashing back together for one final pounding. Think it’s over? Fuck no. Just a minute after the song goes silent, Concerto come crashing back in, full steam ahead.

The bands return may mean Tickets There will have to invest in some much needed ear plugs but god damn it we can’t wait. They are one of the loudest, one of the most theatrical and one of the best bands you can go and see live in Ireland these days. Now the band have a stellar EP under their belts, a large underground following and as fans will know, a whole stack of tracks on par with anything here just waiting for their chance to be recorded. Need we say more about this bands future?

Concerto for Constantine’s new EP is available now for streaming from their official MySpace. If you haven’t copped on yet, Tickets There is very much recommending all our readers to go and check it out right now.  


Concerto For Constantine – New Website almost There

Posted in IRISH NOISE!, Music, News with tags , , , , , on October 11, 2009 by Tickets There


Things seem to be moving along for Concerto for Constantine’s new website. It’s been added to Wikipedia and the address is showing up on search engines. Also, when you open the site the images are coming through so it looks like any day now we’ll see an announcement (hopefully)

I see a lot of people searching for ‘Concerto for Constantine Album’ and Concerto for Constantine ep’ Just to let you folks know, there is still no official word from the group on this subject. There have been rumours of the band recording material in Canada and Dublin but nothing confirmed. However Tickets There does have a feeling the band has something very special up their sleeve and we’re positive we’ll find out more soon.

Until I know more, have a good night.


Official Concerto for Constantine Website – Coming Soon

Posted in Music, News with tags , , , on September 20, 2009 by Tickets There


To all the people out there in TV land and mama I’m coming home soon…

Concerto for Constantine’s official website is going live this month according to a note currently displayed there. Not sure how hush hush it’s meant to be so I wont give the address until the band make their own official announcement but it’s easy enough to find for any who’s used Google before.

Here’s a couple of snaps from the site.


Tickets There: Our Favorite Irish Bands

Posted in General Tickets There Blog, Music with tags , , , , , , , , , on September 19, 2009 by Tickets There


Hi There,

Tickets There has decided to create a list of the Safe (Good) Irish bands.

This list will only be based on our collective (my) personal tastes and will be updated as often as possible (Also, the Top Ten only includes bands that are still together and fairly underground / local. Thats why Ash aren’t on this list for example ;)).

Click on the band names to read what Tickets There has to say about them.

Safe: Top 10 Best Irish Bands & others worth checking out

  1. The Future Kings of Spain (Indie Rock)
  2. Concerto For Constantine (Indie Rock)
  3. Jape (Indie / Techno / Pop)
  4. Humanzi (Punk Rock)
  5. The Aftermath (Pop Rock)
  6. Jaded Sun (New Entry) (Rock N Roll)
  7. Cathy Davey (Singer / Songwriter)
  8. LE GALAXIE (Electro-Rock)
  9. Adebisi Shank (Hard Rock / Metal, Instrumental)
  10. Mass Extinction (Thrash Metal)

TURN, The Mighty Atomics, Kill City Defectors, The Walls, One Day International, The Brothers Movement, Oliver Cole, The Answer, The Delorentos, Class of 1984, The Mighty Stef, The Frames, The Rapport, ,Bell X1, Lisa Hannigan, Republic of Loose, Berkeley, The Murder Clues, Fred, Sickboy, TKO, Joe Rubix, R.S.A.G., The Stunning, And So I Watch You From Afar, Codes, I’ll Eat Your Face, Cheap Freaks, Sound of System Breakdown, The Mighty Atomics, The Brad Pitt Light Orchestra, Sweet Jane, C!ties, 21 Outs, Floyd Soul & The Wolf, The Bloody Shanks, The Pulpit, A Futurist Theatre, Beastmen, A Futurist Theatre, Solar Taxi, Ghundi, Stone Throwing Youths, House of Dolls, Fingersmith, Fighting With Wire, Spook of the Thirteenth Lock, Swanee River, The Black Strands, The Cold 100, Million Dollar Reload, Sirocco, The Whiskey Limbs, Lluther, Two Tales of Woe, Raging Conflict, Gama Bomb..more to come.


Posted in General Tickets There Blog, Music with tags , , , , , , , on July 21, 2009 by Tickets There


Ireland has always had a reputation for great music. It’s been part of tradition and heritage for as long as any one can remember. However, another more recent element of this tradition is many of our acts getting lost in time and passed over for the sake of another group. Off course this is a common occurrence in the rest of the world and not just an issue within the Irish scene. Unlike other countries though, Irish people embrace American and English music far more than their own. Our country is small too sustain many acts due to most Irish people’s lack of interest in their local scene and therefore these bands are under pressure to make it in England and America or simply disappear if they can’t. With the exception of Aslan, very few bands can survive by touring and releasing albums in Ireland alone.

Therefore, I decided to write up a small piece of my favorite group on the scene at the moment Concerto for Constantine. While the members of the band have all carved out their own place on the Irish scene, they are now working together for something much bigger. National and International acclaim.

The band comprises of Mark Greaney (former vocals and axe man for JJ72, a very successful Irish group for the late nineties/ early millennium). Mark managed to amount great success in his time with JJ72 as they released two albums, selling nearly a million copies, and toured the world for years. An astonishing feat, especially considering that JJ72 was formed while all the members were still in the middle of their leaving cert. Unfortunately, JJ72 ran into difficulties. Original bass player Hilary Woods left to peruse a college degree and a family in 2003, leaving remaining members Mark and Fergal Matthews to carry on with her replacement Sarah Fox. The band appeared as if they were on a hiatus for two years while they wrote and recorded their third album. They returned in 2005 with a single She’s Gone and a tour in support of its release. Later in the year they released a second single entitled Coming Home and promoted it by doing a tour of small venues across the UK and Ireland culminating in a main stage slot of Donnington’s Download Festival.

In early 2006 JJ72 split under the frustration of issues with the release of their third album. Mark carried on working on solo material after the split and even went on a UK tour in support of Simple Kid to preview some of the material. While Mark was writing material for his solo début in New York, he received a call from old friend Gavin Fox that lead to the formation of Concerto for Constantine.

Even, Mark at one stage hinted that I might join JJ72 and play guitar on tour with them, but at the time Turn had just formed and were kicking off and JJ72 worked well as a three piece. Eventually the chance came up when I left Vega4. Mark was in New York working on his solo album and I gave him a call and said ‘Let’s do this, lets form a rock band now‘ – Gavin Fox, 2008.

Gavin Fox has an equally full experience on the music scene as Mark. Gavin first came to prominence with Irish indie legends ‘Turn’. The Kell’s group formed by Ollie Cole, Gavin and Ian Melady in 1998. Gavin spent roughly four years with Turn before leaving to join Idelwild. Like JJ72, Turn experienced many issues from the start of their career with the record industry. Although their first three singles and first EP (Facedown, Beretta, Beeswax and Check My Ears) all came out in quick succession, they were self financed and uncomplicated. It was their début that marked the start of Turn’s problems. (2000’s Antisocial). The album gained high acclaim from most critics, however, lack of endorsement from their label (Infectious) and no advertising or promotion budget forced the band to leave the label and once again try on their own. In 2001 the ‘In Position EP’ was released on their own ‘Nurture‘ label and once again put the group back in the Irish spotlight. Although once again the band didn’t have the funds to advertise or promote the album outside of touring.

While recording their follow up ‘Forward’ in late 2001, Gavin got a call from ‘Idlewild’ with an offer to join their group. Frustrated with Turn’s lack of growth, Gavin left to join the Scottish Rockers and remained art of the group for over four years. After Idelwild, Gavin joined ‘Vega4’, a London based group which he played in for just under a year. It was after leaving Vega4 he decided to call Mark.

The line up was completed by Paul ‘Binzer’ Brennan after an invitation from Gavin to come down and join himself and Mark for a rehearsal. Although Mark had never met ‘Binzer’, he was welcomed with open arms to the group on their first meeting. Paul has played with some of ..Ireland.. best acts and on many famous recordings, including ‘The Frames, Dance the Devil’ and ‘Bell X1’s Music in Mouth’ to name but two. He has toured and recorded with other acts such as ‘Paddy Casey, Mundy, Gemma Hayes, Halite‘ and many more.  His experience and talent behind the kit made him the perfect choice for Concerto and completed the lineup.

Concerto started rehearing new material and songs that Mark had been working on for his sole release were shelved as the band decided to turn back to their roots and starting writing music based on their influences (Early 90’s alt/rock such as ‘Nirvana’, The Pixies ad The Smashing Pumpkins) while also giving the songs a more modern touch. Rehearsals started in late August 2007 and the band started writing and recording demos’ instantly. In September, they were invited to perform on the 2FM 2MORO 2OUR. A nation wide showcase held twice a year in order to give new groups a platform to play their music in front of live audiences and promote themselves. It was this invite that promoted the band to consider a name for their new group that properly reflected their new sound.

We were confirming the details and they asked ‘what’s the name of the band’ because they were doing up posters for the tour, so I said yeah it’s ready I’ll call ya back in a couple of Hours‘  – Mark Greany 2008.

The name was completed by using ‘Concerto for’ which Gavin had seen on ITunes while scrolling through song names and completed by ‘Constantine’, A name the Synonymous with a recurring dream Mark’s mother had been having for years about a young boy walking a lobster (on a leash) on a beach at night while a voice calls the name ‘Constantine‘ from beyond the sand dunes. Marks mother had told him only the week before the 2FM call that she had the dream again and Mark felt it was a sign.


Concerto for Constantine continued rehearsing and on the 28th September, made their radio début on the Jenny Huston show on 2FM. The band played two tracks acoustically which were recorded live on air. On the 15th November 2007, the group played their first live show at the Sky venue, Portlaois. The band later claimed this to be the worst show of the tour. They played a further 10 dates on the tour in venues across Ireland. By the end they had established a basic fan base.

The group spent a further two months rehearsing and recording before returning to the stage. The future single ‘Minsk’ was recorded between December and February’. An early version was posted on their Myspace along with four other songs ‘Gaps, Killing Fields, WASP’s and Cat’s Cradle’. However, this version was replaced by newer recording featuring a much raunchier bass line. In late January, the band announced that they were invited to support ‘The Smashing Pumpkins’ at their Irish dates in Dublin and Belfast (9th and 10th February 2008 respectively). They were also invited to support ‘The Futureheads’ for a one off show in Sligo’s newest venue ‘The Clarence’. The Smashing Pumpkins support slot fulfilled a life long dream for Mark who had come close to supporting Billy Corgan on to previous occasions while he was with JJ72. The band even managed to find three stage props for the occasion. Three box’s made to look like Amp heads with each word of the bands name in ‘Georgia’ font, that lit up.

During the Pumpkins support slot, the band announced their first headlining show at Dublin infamous rock bar ‘Fibber Magee’s’, an event organized by ‘Muzzle Music’. On February 22nd the group took to the stage playing nine songs, the five that had been previewed on their MySpace and four un heard tracks, ‘Silver, Falling, Everything and Knife’. The show was sold out and promotion for the night included everything from posters and flyer’s to stickers. It was considered a triumph and the band wasted no time announcing another headlining show in the same venue on the 17th March 2008, this time for ‘’ who were web casting the show. They were also confirmed as special guests for 2FM’s ‘School of Rock….’ showcase. A competition for younger groups to play in a large venue and win prizes such as vouchers for musical equipment and recording time. Concerto played the event on the 9th March making it their second appearance in Whelan’s and also their second day time show (the first being the Village on the 25th November as the last date of the 2FM 2MORO 2OUR).


Unfortunately, the second headlining show in Fibber’s didn’t capture the magic from the first. The promoters for the event hadn’t advertised the show anywhere and there wasn’t so much as a poster put up about the performance. There was also an issue with stage times as the band were originally scheduled to appear at 8:00pm. However, the pub was next to empty (being St. Patrick’s day and a Monday, most people had finished drinking at 18:00 in order to be able to work the following morning. Instead they went on-stage at 10:30 and played for just under an hour. Their performance was further hindered by problems with Gavin’s Bass head and the lack of a crowd.

The following day, Concerto embarked for London to play two shows, the first at The Dublin Castle (March 18th), a legendary underground venue for Indie and rock talent. The second was at Club 229 (19th). Both shows were described as a massive success.

On March 11th the band announced their first headlining show in Whelan’s on April 15th. The event, which is being promoted by MCD and Phantom FM is the set to be the biggest headlining show the band have played to date. The are also set to play the IMRO showcase on the 11th of April in The Sugar Club. They also announced on the 8th April that they have been asked to support The Enemy at their show on the 9th in Dublin’s Ambassador.


08-04-2008 Update:

Concerto for Constantine have gotten ‘Minsk’ remixed by classic JJ72 and Turn producer Marc Carolan’. The original recording and mix of ‘Minsk‘ was done by ‘Neil Mitchell’.

After only eight moths together the band have already achieved more than most bands with records and more dates under their belt could dream of in their first two years. Some critics of the band base this on each members already established reputations on the scene. Although this has made thing go a little smoother for the group, it would be very wrong to deny that their music isn’t up to scratch for the offers and acclaim they are receiving.
Fans of the band are hoping to see some material released in 2008 such as an EP or even a full debut album. In the mean time, the band are content with promoting themselves through their incredible live performances which show the work they have been putting in during breaks between shows. They have also amassed an albums worth of material which can only be added to over the year.

Concerto played their first full headlining show in Whelan’s and blew the place away. The venue was packed and the upstairs section had to be opened to deal with the amount of people who turned up. They played 12 songs with ‘Minsk’ opening and closing the show (I assume they played Minsk twice as a result of running out of songs and also to ensure the audience got to hear songs they knew as they still have no Single, EP or album for sale) They truly pulled out all the stops for what I can only describe as their best performance yet.

27th July 2008: OXEGEN Update.

Concerto have played four shows in July without much noise surrounding any of them. The biggest was their début performance at Oxegen. They opened up Saturday in one of the tents and I’m told there was a massive crowd in attendance. The word is (from people who’s taste I respect) that they were stellar and played a fantastic show.

However, the other ‘official report’ from Ireland’s leading U2 fanzine ‘HOT Press’ that they weren’t much of s spectacle. Read Stuart Clarke’s words below.

(Intro about finding an undiscovered gem in the morning and bragging about watching their show with 50 people when their headlining a stage next year)

Unfortunately for me (and therefore for you), the bands I happen upon in the early hours – namely Concerto for Constantine are unlikely to trouble such heights, mainly because their both pretty boring: the former throw all the right shapes but make none of the right noises.

Stuart Clarke – HOT Press Vol:32 Issue: 14, p.40.

This follows on from their last bad review in the Independent by infamous music knocker John Meagher (indecently a man who thought the Flaws released the greatest Irish album last year…J).

Check it out –> John Meagher’s Review

With two of Ireland’s leading respectable Music writers against them, Concerto will have to continue to prove themselves as a band for some time to come.

**Whelans Review**

Whelan’s – April 15th Set list:


  • Minsk
  • WASP’s
  • Cats Cradle
  • The Last Swim
  • Falling
  • Everything
  • Knife
  • Silver
  • Gaps
  • Killing Fields (With a drum solo intro)
  • Death in Lisbon (Instrumental)
  • Minsk (‘One for the Road’)

Fibber MaGee’s – Feb 22nd 2008 Setlist:



  • Minsk
  • Wasps
  • Cats Cradle
  • Silver
  • Falling
  • Everything
  • Knife
  • GAPS
  • Killing Fields

Concerto Gig History: (Tickets There attended gigs in Bold – Pictures and Set lists available)


Nov 15 – Sky Venue, Portlaoise
Nov 16 – Electric Avenue, Watherford
Nov 17 – Cyprus Avenue, Cork (All Ages Show + Evening Show)
Nov 18 – Trinity Rooms, ..Limerick..
Nov 19 – Roisin Dubh, Galway
Nov 21 – Left Bank Sligo
Nov 22 – Spirit Store, Dundalk
Nov 23 – The Stables, Mullingar
Nov 24 – Whelan’s, Dublin
Nov 25 – The Village, Dublin



Jan 31 – The Clarence, ..Sligo.. (Heineken Green Sphere’s supporting The Futureheads)


Feb 09 – The R.D.S., Dublin (Supporting the Smashing Pumpkins)
Feb 10 – The King’s Hall, Belfast (Supporting The Smashing Pumpkins)
Feb 22 – Fibber Magee’s, Dublin (First Headlining Show) *(See Set list above)


Mar 09 – Whelan’s, Dublin (2FM School of Rock show)
Mar 17 – Fibber Magee’s, Dublin (St. Patrick’s Day Show)
Mar 18 – Dublin Castle, London
Mar 19 – Club 229, London


Apr 09 – The Ambassador, Dublin (Supporting The Enemy)
Apr 11 – The Sugar Club, Dublin (IMRO Showcase)

Apr 15 – Whelan’s, Dublin (First Headlining show in Whelan’s)

May 08 – TBC ***Postponed***
May 09 – The Trinity Ball (Trinity college Dublin)
18th June – Red Bull Oxegen Promo Tour – Waterford (Venue TBC) (This show seems to be cancelled)
19th June – Red Bull Oxegen Promo Tour – Ennis (Venue TBC)(This show seems to be cancelled)
20th June – Red Bull Oxegen Promo Tour – Letterkenny (Venue TBC)
21st June – Red Bull Oxegen Promo Tour – Belfast (Venue TBC)
12th July – Oxegen
13th July – T in the Park
3rd Oct – Andrews Lane Theatre (With the Aftermath, Phantom Show).
18th – The Ambassador, Dublin (Oxjam 08)
20th – Heineken Green Spheres – Crane Lane Cork
28th – The Academy (DJ Set Only)



28th – Radio City (Revolver), Dublin (With The Aftermath)
1st – The O2 Dublin, Supporting Snow Patrol
15th – The O2 London, Supporting Snow Patrol
25th – Radio City, DJ Set Only


Four songs were recorded for a 2FM Live Session in September 2007. ‘Gap’s’, WASP’s, Killing Field’s and Cats Cradle‘. All current recordings are considered Demo’s and will be rerecorded for any official release.

‘Minsk’ was recorded between January and February 2008 and produced by Neil Mitchell. Two versions were mixed and previewed on MySpace. On the 7th April 2008 a new mix of the song was posted to MySpace. Mark confirmed this version had been mixed by long time JJ72 and Turn producer ‘Marc Carolan’ who now mixes songs for ‘The Cure’ and ‘Muse’

On April 10th, Minsk was released as a free download on Phantom FM’s official website,

Minsk @ Phantom FM

There has never been any official word of Demos for ‘Silver, Falling, Everything or Knife’ although it’s more than likely that all four songs have been recorded for demo’s along with other unheard tracks especially considering Binzer’s comments about the support slot for ‘The Enemy’….

‘We figure it’d be a good opportunity to road test some new tunes for our Whelan’s gig on the 15th‘ – Binzer April 8th 2008On the 29th May, Concerto confirmed on their MySpace that they have spent the time since Whelan’s writing new material and getting ready to enter the studio to record their ‘first proper single’ the following week.

On August 18th, Binzer posted a blog on MySpace stating that Concerto or now preparing to record their debut album and are hoping to head into the studio in October/November, Currently the band haven’t confirmed if they have a decided on a studio or a producer yet.



Posted in Gig Review, Music with tags , , , , , on June 3, 2009 by Tickets There


Stop the presses; Tickets There is doing a review of Concerto for Constantine and The Aftermath!!! Holy God, I’ll bet no-one say that coming.

OK, so my interest for these two bands may be the worst kept secret in the world but when two of 2009 Tickets There’s Choice Award Winners get together to play a show, I sure as hell aint letting it go without dishing out some praise. It’s been a few months since I did a live review and I have written about these bands so much I’m running out of things to say, so please bear with me.

Radio City is less than packed when I arrive. The first band of the night, Audio have already finished and the fifty or so people in attendance are evenly divided between the smoking area and bar. Good atmosphere in the place and the Guinness aint too bad. Radio City is a nice little venue. Very small, very poky, dark and a lot of little nooks and crannies, all the perfect trademarks of any underground club. It’s also on the north side which makes a nice change from the Wexford street scene.

With pints in hand and Animal Channel all set up, it’s straight to the smoking area I go. Despite the fact that it’s been about three months since I saw an Irish band live, I have no interest in watching one I don’t know tonight. Especially when they sound exactly like every other indie/Franz Ferdinand wannabe out there. I did give them a few go while en-route to the bar but they just didn’t grab me. They sounded great and the songs were tight but just too done before. Thank god the real support of the night are just around the corner.

After last seeing them supporting The Stunning in Tripod, it was great to see The Aftermath back on a small stage. Johnny and the boys never have any trouble filling a big space but they completely own Radio City tonight. With an enthusiastic crowd down the front the band belts out one perfect song after another. Six Days to Saturday, All I Want Is For You To Be Happy, I Wish My Love Would Die, One is Fun and many more I cant remember (blame the booze) thrill the growing crowd. There’s no ego in this band and there’s no experimenting or retro rehashing attempts, just good, solid, catchy, perfect rock songs. How anyone could not love this band is beyond me. Also, how Michael Cronin (Drums) can play a set in a leather jacket is a mystery. Hopefully more people will start paying real attention to The Aftermath soon, because these guys deserve it.

It’s hard to believe it’s been year since Concerto’s first headlining show in Fibber Magee’s. 2008 saw Concerto’s audience grow from former JJ72 die-hards and local hanger on folk, into a real fan base. Mark Greany’s days with the popular trio are well and truly over and it appears he has found his niche with Gavin and Binzer. The sher presence of the lads ooze’s stardom as they command the stage and crowd alike. By now, their fans have become more than familiar with tracks like Gaps, Minsk, Wasps and Killing Fields. While newer tracks like The Last Swim are fast becoming favourites. Sadly, Concerto play a very short set, only consisting of seven or eight songs but the audience laps up every minute of it. There’s even some light moshing up the front for the heavier material.

Despite several notable missing songs such as Silver, Everything and Cats Cradle (I don’t think they played this, beer again), the band did treat the crowd to, two brand new songs. Hard riffs with some serious blues style lead all backed by furious bass and drum beats. With an announcement about an EP coming our way in May, the band jump into The Last Swim before departing the stage without an encore.

It may have been short but it was sweet. Sadly Sinead what’s her names DJ’ing manages to clear the venue out before Tickets There decides to throw in the towel and head home. Looking forward to the next one.

The Aftermath


Concerto For Constantine


Concerto for Constantine – Fibber Magee’s AGAIN – March 17th 2008

Posted in Gig Review, IRISH NOISE!, Music with tags , , , , on March 18, 2008 by Tickets There

St. Patrick’s Day in the capital always seemed like too much of a nightmare to get involved in. For years I have avoided going near the town on ‘Ireland’s biggest drinking day’. So being forced to choose between another Paddy’s day on the couch or Concerto for Constantine live in Fibber Magee’s was …..not that difficult J

Entering the capital was a little strange. Talbot street was packed with people walking towards Connolly station. Little green hats and American accents filled the eye’s and the ears for the 10 minute walk, St. Patrick had arrived. Once on O’Connell street, it was very clear that most people had already left the northside. The pubs were half full, the streets were as busy as a normal Friday night (possibly quieter).

Concerto were scheduled to go on stage at 7.30. Whoever, the site of two dozen people, some of them young children, caused the management and the lads to agree on 10:00 o’clock instead.

Across the road I settled down in an amazing pub called ‘The Shakespeare’. Possibly the funniest pub in Dublin. I advise everyone to check this place out because you’ll never see anything else like it. Just think of Father Ted’.

By 9:45 it was time to head back to Fibbers. The crowd had certainly changed by them. The kids and families were gone (thank god) and the second support band were just finishing up. The crowds were nothing like those at Concerto’s last headlining show in Fibbers three weeks previously. Although, for a show with no advertising, no official announcements and changing stage times, there was enough of an attendance to show Concerto have already established a dedicated fan base.

Concerto eventually got to the stage at 10:30. Forthcoming single ‘Minsk’ once again opened their set. A song that only gets better everything you hear it. Unfortunately, Paddy’s day drinking got the better of me and I can’t remember the exact set list. I can remember ‘Gap’s, Cat’s Cradle, WASP’s’, and new song ‘Knife’ all being played to the high standards Concerto have set for themselves. Even Gavin’s Bass head shorting out didn’t manage to kill the mood of the night.

The set was short, although packed with nothing but incredibility savage rock songs. For a band with no release’s and only a handful of shows under their belt it’s a lot more than you would normally expect. ‘Killing Fields’ closed the show. Afterwards the band jumped of the stage and put their bumpiest show yet behind them.

Despite the changing stage times, no advertising, faulty equipment and missing members, Concerto pulled off another fantastic show. Afterwards, the members left early enough as the band were heading to London the next day for their first English dates. Hopefully they will come back to our shores with AnR interest.

 Be sure to catch Concerto at Whelan’s on the 15th of April and (not or) the IMRO showcase gig at the Suagar Club on the 11th April.

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Concerto For Constantine – Fibber Magees – Feb 22nd 08

Posted in Gig Review, IRISH NOISE!, Music with tags , , , , on March 14, 2008 by Tickets There

Concerto for Constantine’s first headlining show in Fibber Magee’s last Friday was certainly an experience I hope to cherish for some time. Fresh from supporting the Smashing Pumpkins at their recent Irish dates, this three piece have managed to form, rehearse and write some ridiculously great ‘in your face’ rock songs all in the last 5 months. How do they do it? well, when you have of Mark Greaney (former JJ72 voice box and axe man), Gavin Fox (formally of Irish indie legends ‘Turn’ and Scottish favourites ‘Idelwild”) and off course, Paul ‘Binzer’ Brennan (who has played with The Frames, Bell X and Mundy, just to name but a few) together, it’s going to be special…or more to the point, it’s Concerto for Constantine and on Friday they ‘ROCKED!’

Support of the night was provided by ‘Power, Jazz trio’ Simon and the Ghost. The group manage to distance themselves from the over ego’d Irish scene they seem to dislike but unfortunately they don’t seem to have the songs to make a real go off it yet. I will say that Jazz to me is like a heater in an igloo, just doesn’t make sense but they are very good at what they do, so for any fans out there, check em out and make your own mind up.

Concerto hit the stage at 10.30 and wasted no time in getting down to business. They opened with ‘Minsk’, a hard, fast, adrenaline fuelled rock n roll anthem that is destined to becoming a fast radio favourite. ‘Minsk’ set the tone for the night as there was no let up in the set. ‘Wasps, Cat’s Cradle, Knife’ and a host of other newly written songs were belted out by the band and sounded like they had been playing them for years. While watching the set, it became very hard to remember they had only formed so recently. It was also hard not to notice the band enjoying them selves so much which can be very rare on our cold, motionless scene these days. Concerto are enjoying what they are doing. Three guys who have played for long enough to understand the importance of having fun.
After an hour and some change they were finished leaving ‘Killing Fields’ to close the set as there was no encore, explained by Mark as being a result of having “no more songs left to play”.

It may have been a short gig by a very new group but it was a certainly the first of many for one of Ireland’s brightest hope’s for a great Hard Rock Band.

Cats Cradle
Every Thing
Killing Fields