Archive for the Music Category

ICONS

Posted in General Tickets There Blog, Music, Ranting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Tickets There

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What happened folks? In the mid 50’s, Mr. Elvis A. Presley walked into Sun Studios in Memphis, Tennessee and became the very first, the best, the symbol, legend, embodiment and icon of rock n roll. Like Sid Vicious to Punk, Frank Sinatra to big band, Johnny Cash to country and western or even Dana to lunatics, Elvis was the total hero, founder and creator of rock n roll. Don’t listen to music nerds, geeks and critics (ahem), Elvis started everything. Forget who influenced him, forget who wrote for him and forget who marketed him, Elvis was it.

Ever since the Kings death, music has flourished through the efforts, talents and hard work, creativity of various people and constant changes in popular culture. From Elvis, Buddy Holly and Jerry Lee Lewis in the fifties, rock expanded and produced the likes of The Beatles, The Rolling Stones, The Kinks and many others throughout the early sixties. Before long Pink Floyd, Bob Dylan, The Yardbirds, Jimi Hendrix, Cream and many more appeared. The Doors came out of the west coast. The Who went rock, Led Zeppelin were formed and Jefferson Airplane stayed touring after Woodstock. Just before things could get civilized, Black Sabbath and Deep Purple came out. Queen, Clapton, The Sex Pistols, The Clash, The Stooges, Alice Cooper, T-Rex, KISS,…the list is endless people. Then came the 80’s, when pop reached a true peak before the ever looming wave of commercialism took it’s firm grip and strangled the genre, until it’s credibility was lower than Gary Glitters. On the other hand you had Iron Maiden, Metallica, Megadeth, Guns N Roses, Def Leppard, Whitesnake, U2, Judas Priest, OZZY, Slayer, Sepultura, before the end of the decade when Nirvana, The Chilli Peppers, Pearl Jam, Alice in Chains, Blur, Oasis, The Stone Roses, The Smashing Pumpkins, The Smiths, The Pixies, Joy Division, The Happy Mondays, New Order (yes the 24 lot), Faith No More, Nine Inch Nails and then (phew this is a long one) onto Marilyn Manson, The Foo Fighters, Weezer, Korn and so on before the late nineties and boom…nothing happened……funnily enough, fuck all has happened since. How in the hell did almost five decades of amazing, astonishing and diverse creation suddenly grind to an almost complete stop?

Things seemed to fall completely off course. Metal bands suddenly merged rapidly with dance music and rap. Korn had dabbled but so did Aersomith and nothing happened to them. Instead of Angus Young and the D belting out solid, hard hitting blues rock anthems you had fat ugly guys in costumes roaring at you about being bullied and still being virgins living in their mothers houses. Metro sexual, stylish geeks whining on about falling and crying about some girl next door that Lemmy would probably kidnap and turn into a hooker on sun-set before the night’s out. These guys in fitted suits, wearing ties with spiky hair, tattoos and dog collars were mixing Kraftwork with the eighties glam rockers like Twisted Sister, Poison and the likes while wearing their hair like girls. And I don’t mean the old style of hairy bikers drooling over a bar counter girly style, I mean a female hairdresser on a night out style. Like they were trying to keep disobeying the nagging disapproval from generations past and pushing things to some ridiculous limit that nearly goes full circle.

As for Pop music, that fell into the hands of TV companies, dance got old and turned into some demented, hindered state of destruction while indie music became overwhelmed by a horde of Eco-Friendly, Voices of poverty, injustice, animal cruelty and environmentally conscious millennium hippies. Voices that turned away from Indies recreational drug use, love and loss, party image and transformed it into a voice for all the issues in the world rock stars shouldn’t give two shits about, at least not on stage. The likes of Tom Yorke, Chris Martin, Bono, Snow Patrol, Kings of Leon, Kasabian and all that other horse shit. Their songs were so impotent, corpses of tax attorneys could laugh at them. Complaining, moaning and whining about the poverty and cruelty in the world they wouldn’t think of donating their profits to. Bands that appeal to societies total dregs. Bored children, housewife’s, grandparents, indie fans, jocks and just about every member of the heard the western world boasts. Droning brought to extremes of the human soul to a point it becomes so bogged down in ego, insincerity and boredom it would fail to shock a timid kitten.

Metal fell even more of the pits as the old genres piled up with hopeless hack impersonators before bursting at the seems into millions of decaying breakaways. Nu-Metal even buckled (not a bad thing, pile of shite aswell) as Emo broke through their last stand along with nu-punk and metal became even more appealing to the ugly, fat rejects of social society and the fashionable, jock culture more than ever before. After Radiohead’s Creep on the jukebox American Idiot and the Killers would follow and all the trendy’s and Goths alike would bop along. Metal was again infiltrated by main stream culture and unlike before the last ‘icons’ weren’t strong enough to tear it right back for the people of society who used the music as it should be used. Not for pusses crying and ugly nerds to find shelter. Metal is the music for the angry soul (sounds gay I know but hey, I am smoking in case you hadn’t noticed), the serious partiers, the ‘dangerous’ people of society.

Rock N roll lost it’s fight much earlier. After the Guns N Roses era came to a close, few rock bands ever managed to reach those heights again. Don’t even bother with the Killers and The Kings of Leon…or The Strokes bitch. I’m talking about real fucking n roll. The kind of rock n roll that made all the bad things bands these days demonize like drinking, sex, destruction, rebellion and a good hearty message of Fuck You to anyone who bothered them, fun!. Elvis shock things up, the Stones defined it, Aerosmith brought it miles higher while AC/DC put the fucking boots on before Guns N Roses perfected it in every single sense of the word.

The world is losing it’s icons. Right now I can’t think of any that have come out since the early nineties. I mean a true icon of rebellion. Pete Doherty, and Amy Winehouse make a mockery of drug addicted musicians which, throughout the history of music, have written some of the most amazing music ever created. The Beatles, Jim Morrison, The Grateful Dead, Hendrix, Keith Richards, Janis Joplin, Kobain etc. Bono, Yorke and Martin take the places of people like Neil Young with his stories, Springsteen and his zest for life and Bowies ever changing persona, image and style only to replace it with gilt tripping, giver of life wannabe humanitarian ideologist façade while they doge taxes and pontificate to fans what they should do, wear, believe in, live and breath. Forget ‘think for yourself’, the message was spelled out in bold impact lettering and strangely enough, a  discontented mass fell for it, hook line and sinker.

That’s pretty much where we are in my eyes. I’ve forgotten many of the previous generation’s true greats but there’s only so much you can write in an hour and keep semi-coherent. I’ve also neglected some of the better talents to emerge on the international scene and some of the worse ones. Arcade Fire and MGMT to name a couple. But that’s how I see things, pretty much that black and white. Most of the old styles got confused, disjointed, lost in translation and overwhelmed in image, style and forced restrictions and beliefs and turned them into uninspired shells of their former selves. I’m not saying charity is bad, I’m not saying there’s no credibility in any of the new bands these days and I’m not saying looking after the environment is wrong, animals should be mistreated, people shouldn’t be nice to each other and drugs are good. I believe the exact opposite of each one and a conscious attitude is essential to the basic fabrication of mankind’s cohabitation together and civilized society. What I’m saying is people should learn this from other sources like parents and a proper education rather than one of mankind’s forms of entertainment. Aren’t we allowed to relax, switch totally off and dream sometimes with the horrors of some societies and the worlds problems being shoved in our face at every fucking turn?

Maybe there was one message spelt out by one of the golden age icons that we should listen to is the words of Jim Morrison.

“When the music’s over, turn out the lights, turn out the lights,”


TICKETS THERE LIKES: WHITESNAKE – WHITESNAKE (1987)

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on August 30, 2009 by Tickets There

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Ya know, Tickets There were never fans of Whitesnake. Yep, it’s true I’m ashamed to say. We always thought they were cheesy, comical and too poppy, an idea shared by a lot of people it turns out and one thought by Def Leppard haters as well I’m sure. All that came to an abrupt end lat June however when yours truly got to see the mighty Whitesnake five times in the space of three weeks.

It all started in Holland at the Arrow Rock Festival. KISS and Leppard were there and so was Tickets There. Whitesnake were playing just before Motorhead and KISS and I remember being slightly surprised at the strength of pretty much their whole set. Even the classics like Here I Go Again and Is This Love was incredible and Whitesnake officially moved up a notch in my books. A few days later I was in Birmingham where Def Leppard and Whitesnake were on the second night of their co-headlining UK tour. My enthusiasm for the snake had diminished rapidly in a few days as the enthusiasm of seeing Leppard indoors for the first time in five years took hold. Again I was surprised and even found myself recognizing some of the material from Holland. Coverdale’s presence and voice should be more than enough to convince anyone and his tongue in check humour and mannerisms are all part of their really enjoyable show.

After another three nights around the UK, Tickets There returned to the emerald isle as a changed man. The first thing I did was get my hands on a copy of their 1987 self titled LP and the rest is (present) history.

Now I know some of you will find it very difficult to come to terms with a band who wear open shirts and actually move on stage and more than likely you wont be able to take any band that uses the word Love as often as the Snake do in their song titles but trust me, it’s worth it and 1987 is as good a place to start as any. You have everything here like Give me all your Love, Here I Go Again, Children of the Night, Straight from the Heart, Is this Love and my personal favourites from this record, Bad Boys and the mighty, the awesome, the mouth wateringly heavy and incredible Still of the Night.

Don’t turn your nose up at it, don’t dismiss it as cheap, stereotypical joke music. I did that and was very, very wrong. If you’re a fan of rock or metal. Whitesnake have something for you and it’s good!

KISS – Modern Day Delilah

Posted in Music with tags , , , , on August 30, 2009 by Tickets There

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Sorry for being a few weeks late with this but I though you all may like a listen to KISS’s latest single, Modern Day Delilah, which comes from their for coming album, Sonic Boom. Pretty savage song with good strong riff’s, Paul’s voice is on fire and it’s just great. I’d say more but as you can see it’s pretty early and Sunday.

Immortalized in Stone: Rory Gallagher

Posted in Music, News on August 19, 2009 by Tickets There

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Finally another of Ireland’s music legends is going to receive the statue treatment soon as the first sketch for the Rory Gallagher memorial statue has been released. It’s going to be placed in Ballyshannon, Co. Donegal and the man’s place of birth aswell as the site of the annual Rory Gallagher festival.

 Now all Dublin needs to do is erect one for good old Ronnie Drew and we’re golden.

Tickets There HY-GIY?: Turn – Forward

Posted in Album Review, Hy-Giy, Music with tags , , , , , on August 19, 2009 by Tickets There

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Without a doubt, this is Tickets There’s favorite Irish album of all time. Now, when it comes to Turn I will happily admit to being fully biased, as I am with almost everything I write except the majority of the MySpace reviews. As far as I’m concerned, Turn were one of the greatest Irish band ever to emerge from the great Emerald Isle in the last twenty years. Oliver Cole’s vocals, guitar melodies, riffs and songwriting talent, mixed with Gavin Fox’s force, energy and writing skills all backed by Ian Meldays forceful command of all things rhythm makes the Kell’s trio kings in my book. Now, that may seem a little over the top and dramatic but I’ve been watching a lot of ROME recently so forgive me.

I first discovered Turn around 2002, shortly after the released the Another Year Over / Summer Song single and within a few months that opened my eyes to an amazingly impressive Irish scene I knew nothing about before. I hadn’t even heard a whisper of bands like Bell X1, Berkeley, Paddy Casey or many of the other big names around the country at the time. For someone who was as devoted to music I found this a little odd and began a quest to seek out some of this country’s finest talent. After seven years I still haven’t found many bands that compare to the power of Turns records and even fewer that can match their amazing live shows.

When Forward came out in 2003 it was praised as the album everyone who’d been following them from the late nineties knew they had in them. In sharp contrast to their third and last album, Forward’s sound was generally down beat with very few exceptions. It saw them grow from the hard guitars sound of their debut (Antisocial) and move onto more melodic song structures. Opening song, You Got Style really captures the feel of the entire record. A slow bruising  piece that builds and builds as the song evolves. Dumb as it Is follows and adds some light after the darkness of You Got Style. A nice, upbeat with restrained bass lines thumping throughout with a sharp change to guitars for the chorus bursts. This is the second song written by Ian Melady to appear on a Turn record (the first being Queen of my Heart from Antisocial). Third track Harder is one of few heavy guitar tracks on the album and in comparison to the likes of Beretta, Beeswax or Too Much Makeup from the earlier outputs, it comes cross musically light but atmospherically heavy.

Summer Song gives the album a slower, more acoustic based before the bands legendary anthem, In Position comes in and blows everything away. One of the most perfectly composed songs the band have ever written and a solid fan favorite. Without You is more obviously a love song than any of the others on Forward with more harmony based melodies and upbeat guitar and piano’s rather than the down trodden sound that dominates the rest of the album. Another Year Over is another one of the albums upbeat anthems. Not much you can say about this except the fact that it’s fucking amazing and the chorus is so heavy live it’ll make your ears bleed. Ain’t it a Love is possibly the heaviest song on the album and it harks back to their earlier material without copying the same styles the band used before. Very fast, very heavy and very brilliant (Can you say very brilliant? Well I just did).

Can’t keep Waiting is similar in tones to You Got Style and at the same time, sounds nothing like it. It’s a little sadder in its tones and much more simplistic. Really atmospheric and well done. Like Never Needed from the bands Check my Ears EP, Can’t Keep Waiting doesn’t rely on several verses of poetry to carry it though, it’s a one liner folks and it works well. No More (I Close My Eyes) is another of those lovey songs, like most of Turn’s outputs. A lot of vocal stretches and a very low, smooth sound…until you get about half way in and the full guitars and vocal harmonies are released. Even Though is one of the nicest acoustic songs the band have ever written. Very emotionally based again and only listenable sometimes. Definitely not for people in a good mood. And finally we come to the album’s title song, Forward. It’s great as well 😉

Turn have been split up for over three years now though (god, it seems like a hell of a lot longer than that), but their music is still out there with new fans still discovering them. If you didn’t like Humanzi, make Forward the album you send your scouts out for this Christmas.

Tickets There HY-GIY?: Humanzi – Tremors

Posted in Album Review, Hy-Giy, Music with tags , , , , , on August 18, 2009 by Tickets There

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Time for another dive into my MP3 player to pick one of my favorite Irish albums from my limited selection of what Tickets There calls good Irish music. One of the main reasons I’ve picked this album is because the boi’s have a second one coming out sometime in the near future (although I said that last year) and I’m really hoping the Irish don’t let this one get past them.

When Humanzi burst onto the scene a few years ago they were fairly unlikely candidates for the clientele of Whelan’s and the underground scene in general to endorse them. I put this down to the fact that Humanzi are one of very few bands that can play, write good music and put on a fantastic live performance. Unfortunately their success didn’t grow outside of the Dublin scene so they took the sensible option and left the country to tour around Europe and further afield in the hopes of establishing a fan base that might actually grow. I’m not sure how much this has worked but the band don’t seem to have had any bother getting gigs across the continent thus far so I imagine it’s all good.

So back to Tremors. The first time I heard this record, I wasn’t hugely impressed. I thought many of the tracks just seemed to run together and the album had an overall style with any deviation or diversity meaning the tracks all kind of ran together and came across weak. Then I gave it another go and for a couple of months I found it hard to listen to anything else. Diet Pills and Magazines is quite simply a brilliant Punk Rock track. The lyrics are clever and witty, the tone is aggressive and the song is constructed with pop sensibilities. You can ask for any more than that now, can ya? The beating keyboards, the stomping rhythm of the guitars, drums and bass and the Shaun’s vocals are so perfectly fitting it’s uncanny. 6 Gun has a great opening, really dramatic and simple, again classic punk. Like Diet Pill’s.. it has a really full on attack mode chorus and Shaun e..bla, bla, bla. You get the point. Out on a Wire is one of my personal favs’. Great bass line, great guitars and I love the vocals. If you’re sitting down listening to this track it’s hard not to tap your feet along with the drums and when you’re on a dart or bus that looks a little strange. Really, really, really great song. I Want Silence is another of my favorites. Really swash buckling, ship swaying music. You can almost see the stage swaying from side to side with the band on it. You couldn’t stand still to music like this, it’s just too full of beats and melody not too enjoy. The verse is quite stretched but the chorus is just an anthem any band could be proud to have in their collection.

Long Time Coming is another good track. It’s a bit quieter than the others and does change the tone of the album a little. The flow is fantastic and the energy is ever present. Tremors is more like a Nine Inch Nails track than a punk song. Really heavy, really loud and really fucking good. Want to hear the best in the country, stick it on. Industrious, infectious and full of little beats, nooks and crannies that lead the song down different paths from time to time giving all the meag-moshers in the their audience a few moments of peace before it all comes crashing back down again. Song for Understanding is another slowish one. Now when I say slow and Humanzi, don’t go expecting Phil Collins singing In the Air Tonight, think more along the lines of the Sex Pistols covering …the Sex Pistols. Anyways, this one is a little more pop than the others and not a personal fav of Tickets There.

Fix the Cracks is another of the albums singles and a cracking wee tune it is too. Well worth the hype and praise it initially received and a pity it didn’t break the band abroad. Catchy chorus, great riffs and all that guff. Help me in the Morning is more a dance track than the others and shows there is a basic dance foundation ion the groups sound. Maybe that’s why they sound fresher and more original than most Punk Rock acts out there who all just to try and sound like the Clash / The Ramones or Green Day. Get your Shit Together sounds exactly like what you’d expect. Dirty distorted guitars, a mother thumping drum beat and all the attitude four lads from da north side can muster. Great track unless you’re a prat. Mass Hypnosis is last but not least. Heavy, undistinguishable vocals and a lot going on…yet still great.

If you have to get one Irish album this Christmas, make it Humanzi – Tremors.

Tickets There HY GIY?: The Aftermath – Friendlier Up Here

Posted in Album Review, Hy-Giy, Music with tags , , , , , on August 17, 2009 by Tickets There

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I May have been a bit harsh on this new series, maybe it’ll work and here to help me road test its second outing is The Aftermath and their debut album Friendlier Up Here.  This is one of those albums I’m very surprised Tickets There hasn’t found a way to review before but first, a little bit of background.

Hailing from the fine towns of Longford, Leeds and Mullingar, The Aftermath have been working overtime for the last few years gigging every single chance they get in order to make a name for themselves. Their live performance is always fantastic and the Johnny Cronin is every bit a classic rock front man. Thankfully the band don’t sulk and stare down when on stage and they also don’t hide behind a pile of hats, masks, gimmick’s or any of the other shite most Irish bands try. It’s just them and the music and that’s all you need folks. Friendlier Up Here was released last year and has received a massive load of critical success. Unfortunately The Aftermath are one of those Irish bands that RTE scouts haven’t picked up yet (may your heads be struck from your shoulders) and this is one of the reasons the band haven’t achieved the commercial success they truly deserve.

Opening with the infectiously catchy Are You Not Wanting Me Yet?, the band explode into a semi-psychedelic/Beatles driven kind of sound that comes nicely packaged as a heavy, upbeat array of sounds. Really, really, really catchy. I Wish My Love Would Die is a strange choice for a second song after such a full on opener…but it works, works so well in fact that the massive difference in sounds highlights each other qualities and the bands ability to diversify their talent rather than play on one strength. Northern Lingerie is pure pop-rock at its finest. Another dance floor filling, slightly psychedelic riff’s played by a rock guitarist (of you catch my drift. Imagine Oasis playing The Velvet Underground). Nice, slow and once again, extremely catchy. All I Want For You Is To be Happy is one of the bands lead singles and a firm fan favorite. It’s a little slower than their other dancy songs and it’s just a lovely piece of music, probably because it’s clean cut and believable. There’s no bitches or bling bling. There’s also no decaying rats are antichrist mentions but it’s also not The Script.

Another single One is Fun is probably the bands best live track. Really upbeat, really melodic and full of crackin’ beats and changes. (Yes I’m rushing through this because my MP3 is about to die and I want to listen to each track while I’m writing about it). Overlooking Paris is the bands strongest love song. The style and tones are completely different to everything else on the album and the added accordion and string backing makes it all the more special. Haunting would be the best way to describe the atmosphere for this one. Up and Down with the Aftermath is a nice, short instrumental  that leads into another heavy number, Need. Really fast guitars and drums and a great hark back to the days of Brit-pop.  There’s a Darkness is another one of the albums strongest tracks and by this time you start to wonder how the hell this album hasn’t made it to number one? Hollywood Remake, Joyful Mystery, Tickets There’s personal favorite Six Days to Saturday and Song of a Graveyard follow  and expand the albums incredible stock pile of tracks.

If you haven’t bought it already, go and get it now.

Tickets There: HY-GIY (Have You Got It Yet) Future Kings of Spain – Nervousystem

Posted in Album Review, Hy-Giy, Music with tags , , , on August 17, 2009 by Tickets There

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Hmmm, not sure about the title for this series. I like the fact the initials spell Hy Giy (Hi Guy for all you slow folk) but I just don’t know. Wouldn’t mind if someone came on and said it sucks, then I could go back to the drawing board and dream it all up again.

Anyways, this series is similar to the Tickets There Likes one except it will focus solely on a handful of Irish albums we consider to be the best in the new millennium. First up is The Future Kings of Spain’s second output, Nervousystem. Now, personally I consider the Future Kings of Spain Irelands best act on the go at the moment. Closely followed by Jape, Humanzi, The Aftermath and Concerto for Constantine. I know I’ve made no secret of this but hey, if you want diversity and underground bla, bla, ego, go check out Una Rocks or Niallier9, plenty of pretention and nonsense over there to keep you occupied for the rest of your life. Anyways, enough bitching about other music blogs. They get a lot more hits and mentions than Tickets There so they must be doing something right.

So back to the Kings. Well, their debut came out in 2003 and it was great. Then they had record label issues which was shit. Then they nearly broke up which was even more shit. Finally they managed to pull things together, work out their issues and release their second album in 2007. Was it worth the four year wait? You’re damn right it was and I encourage any of you who bought album two years ago to take it of your shelf and give it another listen because it’s not a record that should be forgotten.

Kicking things of is Guess Again. Not a bad song, good riff but Tickets There got a little sick of this track a long time ago.  One More Mistake is next and it’s easily the closest thing to a grunge classic any Irish band I’ve heard has ever managed (except Ash’s A Life Less Ordinary which is, I’ll happily admit, a better tune). Vocals and guitars are nice and dirty during the verse and the constant bridges, breaks and extras all combine nicely in the ear drum shattering chorus. Joey Wilson has a savage voice that’s both believable and reckless.  I don’t like the very start of This Is the End but the song has a great overall feeling, nice anthem kind of tune. Lost and Found is a real smooth, atmospheric number with some lovely melodies, harmonies and changes. There’s a real air of restraint during the first part and you’re just waiting for the song to explode into its full form. Syndicate is has much the same feeling as Lost and Found except it’s on a much grander scale. Without a doubt the Kings flagship masterpiece. Simple, complex, light, heavy…everything really and a great video to accompany it. At nearly eight minutes in length, it’s astonishing the band manage to keep the song as interesting and evolving as it is.  Each verse and bridge brings something new into the fold and every chorus whips them all together to deliver the classic FKOS hard hitting style in as much force and energy as anything else out there.

Kick in the Teeth is another good, simple track. Slow, heavy and beating is the best thing I can say about it…in a good way. Another classic pops up next in the form of You Dream in Solid Gold. The Kings talent for writing this kind of track is unparalleled in this country and it’s a style that really can be attributed to them. Nineteen Eighty One brings more guitars and pounding drums back into the fold as melodic lead’s hover in the background behind one of the albums best chorus lines and a good heavy riff. Chemical Burn is one of the actual ‘album tracks’ on Nervousystem. Very simple and catchy but nothing too classic here except a great chorus. This Song is one of the slowest the band have ever done and sounds a little like something the Foo Fighters could come up with. In saying that, The Foo Fighters didn’t and the FKOS did so it’s there’s. Very moody and grungy and a nice penultimate number before I Disappear comes raging in to show Nervousystem isn’t one bit short of great tracks.

Overall a great album (that’s why I’m writing about it). If you want to hear a great Irish band playing great music, you could do a hell of a lot worse than the FKOS. Readi ng over this piece, I’m not entirely happy with it so I’m not sure how many more I’ll do. Thankfully, Tickets There isn’t one to waste over 800 words so this one’s going up anyways.

All the best, Tickets There

MYSPACE REVIEW – CLASS OF 1984

Posted in Music, MySpace Review with tags , , , , , on August 15, 2009 by Tickets There

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Finally, the moment I’ve been waiting for, Class of 1984 have added some tracks to their MySpace. I remember hearing a few before and they weren’t bad, weren’t bad at all so without the usual never ending string of bullshit, you know the ‘oh god it’s so late’ or ‘Tickets There is happy today’. Who cares if Tickets There is happy, who cares if he’s jacking off, just shut the fuck up about the grammar and spelling mistakes, the tired old style of writing and your loathing for all things Fight Like Apes and get the fuck on with it. Ehm…well excuse me, but my die-hard fans (mum) happen to like all that so back off!!

Haven’t heard EP or seen. You know the drill.

Yes! Lights Out is first and a nice heavy guitar riff gets things going. Vocals are fairly high pitched (not Muse or Cheech and Chong high, but good). Things are a little slow when nothing really changes after a minute and 30 seconds but then the drums kick in a little more to liven things up. This sounds like a nice album opener but wont look as promising unless (oh, badly out of tune sounding solo burst, yikes) if they cant follow with something alot better. All eyes fall on second track Honey to pick the initial enthusiasm back up. Well it’s better, not too fast but the mildish heavy. Think of the Strokes meets the Stooges and it’s nothing like that. Ah honestly it’s not that exciting but I know they have better in tem. The chorus is fairly catchy and the riff is a good beating type of one. Still though, interest isn’t being held.

Now, third track X It Out sounds like a piece of music on a mission of Leon proportions. A good riff with alot more character than any of the others out together. Good catchy chorus that sounds like an eighties classic covered by a punk band. Nit bad, certainly top of the list so far. Forth and final track Big Time is alot more composed. There’s more melody and the singer vocals stand out much better here tan any where else. Good stompy kind of beat to it, nice. This is one of those tracks I actually sat back and listened to and it’s damn fine, very very good. Long but holds it’s strength all the way through which is more than you can say for most of the acts out there.

Overall not bad. The last two songs are te strongest te band have posted but I remember hearing much better ones before. Ah well, just means I may have to go out and buy an album. That’ll make a nice change.

Check Out their MySpace HERE

The Stars are Underground – Complete Film

Posted in Music with tags , , , , on August 15, 2009 by Tickets There

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Thirteen years ago, Dublin director Daragh McCarthy made a low budget, 24 minute film about the underground music scene in the capital at that time. The film shows some terrific acts that have sadly disappeared but it remains a testament to the hard work, time and effort these bands, and others like them put in.

Enjoy,

Check out the films official MySpace page for more details on where you can find a DVD copy of the film – http://www.myspace.com/thestarsareunderground

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Future Kings of Spain – One More Mistake

Posted in Music with tags , , , , on August 15, 2009 by Tickets There

Well Dublin’s finest have another video out. The Future Kings of Spain have released a great ‘live’ styled video for the grunge fuelled One More Mistake, that brings the band back to basics after their foray into the film world with Syndicate. Great track and nice video, check it out.

and while you;re at it, check out Syndicate. It;s a savage track and a fucking brilliant video,

Both songs come from 2007’s Nervousystem

R.I.P. Les Paul (1915 – 2009)

Posted in General Tickets There Blog, Music with tags , , , , , , on August 13, 2009 by Tickets There

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The legend behind the iconic Gibson Les Paul has just passed away and Tickets There wanted to commemorate his passing by showing a handful of our favourite guitarists that have used his guitar. I never knew a whole pile about Mr. Paul but I’ve loved his guitar since I fist saw a picture of Slash from a live show many, many years ago. In fact, I think the reason I started playing guitar in the first place was so one day I’d be worthy of purchasing and owing a Studio Classic model (that day hasn’t come yet but I did buy a lovely Epiphone LP).

Anyway, R.I.P. Les, you gave rock N roll one of it’s finest assets.

Tickets There Likes: Def Leppard – Adrenalize

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on August 9, 2009 by Tickets There

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What? You were expecting the third Def Leppard Likes to be about Hysteria? Sorry, one more to cover first. Adrenalize gets a very special place in my heart as it’s the very first album I ever owned. This is the mother of all my music tastes and the big bang that caused the chain of events that have shaped the way I live my life ever since. Although the album isn’t generally regarded by fans as one of the bands best, it is. Think I’m a little biased saying that? Well I quite obviously am but I also truly believe it.

I was being driven back to boarding school by my mum one day in March 1992, just after my eighth birthday. It was a dark, wintery Sunday night and out of no where my mum produced this cassette and asked me what I thought of it. She put it on the stereo and we listened to it the whole way up to Dublin. The cassette was (quite obviously) Adrenalize and I loved every bit of it. Let’s Get Rocked what so full of attitude and so cool how could you not love it at eight years old. Leppard were also an interesting choice for first band. They had a drummer with one arm and that seemed very normal for some reason. At the time I imagined that metal bands were so hard most of them probably had missing limbs and it didn’t bother them (eight people, don’t judge). They had a legendary guitarist that had just died the year before and a back catalogue so juicy it was unrealistic. Over the next three months, my mum bought copies of Hysteria and Pyromania and every week we’d listen to Leppard solidly for the three and a half hour drive to Dublin and home on Fridays. I also managed to get a walk man and a copy of all three albums to keep a school where I quickly became the coolest kid in class for about a month because I had a tiny little leather jacket (which I still have) and listened to rock bands.

After three months of almost solid Leppard devotion (Meatloaf had managed to slip in aswell, not to mention the awesome Guns N Roses), I was brought to the Point Depot to see my very first rock concert. Def Leppard’s 7-Day-Weekend tour came to the Ireland and it saw the band play completely in the round. You can read more about that here – Click Here

Anyways, Adrenalize. If you didn’t like it or haven’t heard it, I suggest sitting down and listening to the mighty Personal Property (that guitar solo ugh!!), Stand Up, Tear It Down, Heaven is or I Wanna Touch You and experience pop rock at it’s very finest. Hard n loud guitars, monster riffs and anthems enough to win a war.

Then there’s White Lightening, the bands tribute to the late Steamin’ Steve Clark. Steve died in January 1991 and his death marked a major shift in Leppards sound and song writing. Adrenalize is the last Leppard record of it’s kind and White Lightening is a great tribute to the man who made their early albums so special.

I stick Adrenalize on now knowing it’s not as great as I praise it to be, but listening to those songs brings back memories of the early days of discovering music and discovering a new band you can still love as much as ever seventeen years later is a very special thing for everyone.

What’s yours?

Tickets There Likes: Guns N Roses – Use Your Illusion I

Posted in Album Review, Music, Ranting, Tickets There Likes: with tags , , , , on August 8, 2009 by Tickets There

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There is one band in the world that has always come close to beating Def Leppard to the top spot in my all time favorites.  A band that I consider to be the greatest hard rock band of all time. I first discovered Guns N Roses in 1992, just a couple of months after Def Leppard when an older brother of one of my friends leant me the Use Your Illusion 1I& II albums in boarding school. Knowing that I was a Leppard and Meatloaf fan, I think he wanted someone else to share the mighty Guns with since everyone else had never heard of any rock bands. I remember trying Use Your Illusion I first because I preferred the cover and was instantly blown away by the sher force of the Axl’s voice and the guitars. I’d never heard anything like this and all of a sudden Leppard didn’t hold the holier than though pedestal I’d placed them on. Shortly after I managed to get copies of the alums from a traveller outside Mullingar at a wee market at some roadside restaurant like the covert and Guns were firmly brought into my life.

Aside from Adrenalize, I don’t think I’ve ever listened to an album so much in my life. Use Your Illusion I oozes sleazy Rock N Roll and as I got older, I understood more and more of the ands lyrics an hidden connotations. It was like an album that grew more and more mature with age and that’s the prime reason it never got left on the shelf when new bands came into my life. Despite being as big of a fan as I was, I’d never even heard about Appetite for Destruction or Lies and wouldn’t discover them for another  eight or nine years. Even when Appetite did come along, it’s never managed to replace Illusion 1 as my favorites; even now I can listen to that album and enjoy it as much as I ever did.

Before getting into the songs (and honestly, I don’t write these to try and review the greatest songs in my life. If you don’t know them there isn’t much point in you reading these), I should say that to appreciate the Guns, you really need to look at their career rather than just their music. Think of them like The Sex Pistols and you will understand Rock N Roll like the Pistols make you understand the true meaning of punk. Rock n Roll is meant to be an attitude more than the music. It’s that attitude that defines real rock n roll rebellion. It’s not anarchy, it’s lazy. It’s about doing what ever you like and not letting anyone tell you otherwise. Yeah it sounds cliché but that’s what it’s all about and if there is one man in rock who lives up to every single word of that, it’s W. Axl Rose.

Axl has never and will never do what record companies, fans, and mates, family or the press expect, pressure or beg him to do. Yes I’m sure there are all these underground guys who do the same but I’m sorry, Axl is the one with the millions under his belt and he still does what he likes and makes it work at his level. He didn’t give up after the Illusion and release one watered down alum after another for the following twenty years. He also didn’t go out of his way to keep the classic line-up happy and he continued Guns N Roses in his own way with the whole world laughing at him. Even the rock press and diehard fans failed to see the brilliance behind his methods and still today the fans that claimed to stand behind him still bitch log and beg for tours, special edition albums and music videos all the while their forgetting that none of these things will make the bands latest album Chinese Democracy any better. Axl is a musician who’s quite happy to let the music speak for its’ self. If anyone else did it and said that’s what they were doing, the world would cherish them and praise their musical integrity but unfortunately for Axl, they lampoon him.

Well I hope you will read this and look on Axl more favorably. He is not a front man interested in keeping old fans happy by travelling the world selling a decaying shell of a once great line-up, who’s former members have gone on to destroy their legacy’s and tarnished their images as the rocks leading hell raisers (except Izzy). He’s doing what he wants, how he wants to do it and any fan of rock n roll out there who criticizes, laughs or attacks him for this hasn’t got  fucking clue what rock n roll is all about. You’d be better of buying your Motorhead t-shirts in Top Shop and singing along with Summer of 69 when it’s one and leave it at that because Rock has enough posers already.

Anyways, Use Your Illusion I eh, great album. What else can I say?

Tickets There Likes: KISS – KISS

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , , , , on August 7, 2009 by Tickets There

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“Turn it up, this is my attitude, take it or leave it”

OK, this is the third time I’ve tried writing this introduction. The first 1,000 word draft will now go towards a politics in music blog I’ll try and publish this weekend. The second was 500 words that took the quote above and harped on and on about the underlining simplicity in Rock n Roll and the destruction caused by ego’s and money. Those words have now been deleted and it’s time to talk about the hottest band in the world, KISS.

I first discovered them while watching a wee film called Detroit Rock City in 1999. I had heard of the seven foot icons from magazines and seen pictures but didn’t actually know what they sounded like until I’d seen the movie. Ninety minutes later I was on the phone to the Record Room in Sligo asking them to order in KISS and Destroyer. When I picked up the albums I could hardly contain myself. Fortunately I had taped DRC and spent a week watching it over and over again, thanking god for opening my eyes to one of the greatest bands I’d heard in years. Everything about KISS became appealing. They weren’t pushing politics, they weren’t preaching about charities and they weren’t Radiohead. They dressed up in black costumes, make-up and blew their stages to pieces during live shows. On top of that they played bad ass, catchy as hell rock n roll, sold almost everything in the world as a KISS product and had a bass player who is so full of himself and honest about his views on the world, you’d be foolish not to admire him.

So how should one go about starting their love for the America’s greatest rock n roll band? By buying their debut album off course.

KISS is without a shadow of a doubt one of the bands strongest albums. Opening with the dirty styled Strutter, the band display their talent for catchy hooks, duel guitar leads and riffs, high piercing vocals and lyrics that only grow as the album progresses. Nothin’ to Lose and Firehouse are great little numbers that carry their own little iconic place in KISS’s history and live in Firehouse’s case.  The mighty Cold Gin is one of the bands masterpieces. Pure rock n roll that personifies the bands characters and gives them their true sound. Let me know chirps things up abit while the anathematic Kissin’ Time might act as a deterrent for those of you who don’t already love KISS..so skip that one. Fortunately the best is still to come.

The incredible Deuce brings to a high very few bands can keep going but 100,00 Years and the enormous Black Diamond manage to keep them on a high to close the album with a balanced mix of heavy guitars, perfectly suited solo’s, theatrics in the lyrics and more control over song writing and melody than most bands can only wet-dream about.

KISS are more than a band, they’re a life-style. Get into them quick is my advice and ‘baby get ready, because they’ll be KISSin’ you’ next year!

Want a new record this weekend? HUMANZI – BASSBALLS

Posted in News with tags , , , on August 7, 2009 by Tickets There

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Looking to buy a new record this weekend like me? Why not pick up a copy of the very deserving Humanzi’s new Bass Balls. A savage track from their forthcoming second album. Check it out at their MySpace, slap yourself if you don’t like it and listen to it again and you’ll come around.

Then go buy it!!

The Prodigy – Dublin Bound

Posted in News with tags , , , on August 7, 2009 by Tickets There

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December 18th, the ultimate hard core party band are bringing the mother fuc*ing noise back to Dublin!. That’s right, The Prodigy are returning to our nation’s capital for the first time since 2006…I think.

It’s going to be mental in the O2(Point!) that night so expect a wide range of biker guys, rave heads, scumbags and indie fans all banging into each other. I’ve got the POISON!!!!

Tickets – €49.50.

On Sale – 14th August (according to Ticket Masterhttp://www.ticketmaster.ie/latest_news?tm_link=tm_homeA_news1)

Tickets There – The Dream Amphitheatre Idea

Posted in General Tickets There Blog, Music on August 7, 2009 by Tickets There

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With all this hoopla about ticket prices, service and postage charges..etc, wouldn’t it be cool if one of Irelands leading promoters (there’s only two..well threeish) gave something back. I just had a cool idea about setting up an amphitheatre that would allow fans to see gigs for free. All you’d have to do is find a large open space with a long slope (like Punchestown) and build your main arena area (or outline it). Then you build a separate section at the band that would allow fans to see the gig for free.  

Say you allocate a few thousand tickets for the back section and use it as an overflow area and distribute the tickets the day before the festival from selected outlets in nearest big city to avoid touts getting hold of them. This way the promoters get to keep the same attendance figures and still manage to accommodate a few more thousand people who would spend money on booze, food and travel. To avoid people opting for this option instead of actually buying tickets, you could have a rule that it’s only opened if the concert sells out. You could also place a massive screen in the free section meaning fans could still see the band close up despite being miles back from the stage.

You wouldn’t even have to use it for shows that are have 80,000 arriving. You could do it for smaller bands that might only sell 5,000 and have the show in the likes of Phoenix park and then dish out another few thousand free tickets through contests and various other promotional activities. That way the band would also get a lot of exposure outside their existing fan base.

Personally I think that would be kind of cool but I’m sure a load of logistical, administrative and financial reasons could be found to shoot it down. God forbid M*D or any of the other promoters out there would find away to give something back to the fans that shell out a minimum of 60 quid for all their shows. Ah well.

(and before you say it, f**k of with your ‘you’re paying for the band’s performance, not the promoters service argument. That’s greed talking. The promoters are a business and if there was more completion that offered these kind of perks and treats for people, the established companies would disappear.

Tickets There Likes: Def Leppard – High ‘N’ Dry

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on July 30, 2009 by Tickets There

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Hopefully you’ve gone out and bought Pyromania, if not…..like I said, you’re a sap. Or, maybe it’s because you haven’t read the review so go do it now https://ticketsthere.wordpress.com/2009/07/27/tickets-there-likes-def-leppard-pyromania 

Good, now you’re back. So The Mighty Leppard exploded in the states with that album, made them the biggest band in the world…etc. Now it’s time to find out what they were like before all the mega stardom. Well, to start with they always had the harmonies and relied upon catchy vocal hooks to sell their songs to the general public, but before Pyromania, they used a lot more guitars to back everything up. High N Dry was the bands second album and an unbelievable leap forward from their first. While On Through The Night has some fearsome tracks on it, it’s nothing compared to HND.

Any listener will be convinced of this when they hear the opening notes of Let It Go, the albums first track. The song has a killer duel guitar riff and tonnes of sporadic/bluesy solo’s that would put any musician in their h’penny place. Not because they’re extremely difficult, but because they are so perfectly placed its mind bending. Enough shite, it’s just a savage track. This is followed by the shredding, although slower at first, Another Hit and Run which is as foot stomping, head banging friendly and face melting as anything else out there…..except Heavy Metal :p. Unfortunately I refuse to discuss the albums title track because I used it as my alarm for over a year and now I cant stand to listen to it, but I should mention it was on the infamous PRMC’s Filthy Fifteen list in 1985. This was a list made up by that Tipper Gore bitch and her cronies of the fifteen songs they found most offensive in the world. HND gets a mention due to ‘excessive drinking references in the lyrics.

Things turn around completely with Leppard’s first proper ballad, Bringin’ on the Heartbreak. The video may be as cheesy as KISS in the eighties but it’s fun people, relax. Not everything can be the White album. Steve Clarks legendary Switch 625 follows and shows Leppard’s raw, danger afloat guitars with some fierce drumming to boot. That riff is just incredible and well worth seeing live if you can. You Got Me Runnin’ is more of a filler song, but on this album that means it kicks ass. It’s just pure, down to earth rock n rollll!!! Love it! Classic stomping song with a good dose of Joe’s swagger. Same thing again for Lady Strange. These are songs you grow to love after the hits. On through the Night is faster, more full on balls while second last song Mirror, Mirror has one of the bands definitive chorus’s. No, No, No, finishes things off and without the excessive repeats of the word No at the end it’s just great 😀

Well that’s it in a very hastily written nut shell. Now, what album to do next? This Tickets There Likes series wont last forever so I’ll be choosy but you can damn well bet Guns N Roses – Use Your Illusion I, Weezer – The Blue Album, Metallica – …and Justice For All and the big one of them all, Def Leppard’s Hysteria will all feature over the coming weeks.

Tickets There Likes: The Sex Pistols – Never Mind the Bollocks, Here’s the Sex Pistols

Posted in Album Review, Music, Tickets There Likes: with tags , , , on July 28, 2009 by Tickets There

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Tickets There has had a deep rooted fascination with God’s filthiest hooligans. Ever since I first saw the wax work of Johnny Rotten in London’s Rock Circus in the early nineties, I’ve been fascinated. His appearance was so shocking and so different to anything I was used to and the fact that his name was Johnny Rotten only added to my enthusiasm to find out more. Fortunately I didn’t have to wait long as the Rock Circus had another exhibition that featured infamous video’s (I think) and this included Sid Vicious’ video for My Way that shows him shooting several audience members. To yours truly, this was a real event and I was captivated. First you have this sneering, red haired maniac called Johnny Rotten and next you have a murdering psycho Sid Vicious. I was officially hooked…..and then it was back to Ireland where there was no such thing as the Sex Pistols.

I don’t remember when I got the album. I do recall it was several years later but I can’t actually remember the first time I heard it. In fact, I find it very hard to remember a time in my life without it. Never Mind the Bollocks is the ultimate outburst of anger and sarcasm for young people. The music is basic pop with none of the frills the likes of Pink Floyd indulge in, with lyrics so scornful British monarchs and politicians must have thanked god they weren’t handed picked for any tracks…except the Queen of course.

There basically isn’t one song on this album that couldn’t be considered a classic. The opening track Holidays In The Sun is an upbeat pop number with an attacking message on holiday goers taking advantage of other countries problems and misfortunes. In contrast, the angry, hate fueled Bodies rips in straight afterwards with vulgar lyrics and a commonly interoperated message of Pro-Life, which Lydon now denies. Knowing Johnny Rotten, this song is hardly likely to be a simple story. No Feelings is another full on attack of guitars n drums about …well, what’s the point in me describing these things? I think everybody knows exactly what this album is all about. Anyone reading this is more than fully aware what the Sex Pistols stood for and what they accomplished. If you don’t, there are some great things in store for you..Unless you’re one of those soulless weirdo’s I’ve mentioned before.

I think kids would do well to have this album drilled into them. The fight seems to have left their hearts all together and they’ve become to bogged down in the rap/hip-hop/Paris Hilton nonsense. It just seems to be destroying their creativity, their originality and their minds. I’m sure many would disagree with this next statement, but Tickets There firmly believes that Never Mind the Bollocks was a peak that has barley been reached since of youthful aggression, intelligence and makes more of a statement that any other punk album ever released…even more so than the Clash!

What amd I talking about? I don’t know, kind of rushed this one so ShutD-Up!