Archive for the Music Category

Megadeth – Endgame (Review)

Posted in Album Review, Music, News with tags , , , , , , , , on September 15, 2009 by Tickets There

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It’s late, I’m still in pretty bad shape from a furious session on Saturday and not eating right all week but the allure of Megadeths new album, End Game just sting there on their MySpace is far too tempting to leave alone so Tickets There is going to attempt a very, very, very hastily written review of what some people are calling Dave Mustaine’s best album in almost two decades.

Ok, we’ll do this MySpace Review style. Things kick off with Dialectic Chaos, which I actually heard the other night and all I can say is FUCKING BRILLIANT!. Two minutes of chaotic riffs, riveting, powerful solo’s and intense drums. There are no lyrics, it needs no lyrics. This song is pure fucking metal to the core and an incredible strong intro, especially for a modern Megadeth album. This Day We Fight! is next and it wastes little time starting it’s aggressive mission to send the memory of Death Magnetic into it’s grave. Dave’s voice sounds harder and grittier than normal and it swells in sporadic, plunging solos. This is a track that will send mosh puts around the world into a haze of maddened frenzy’s and ensure no fan will be able to touch there neck for weeks after a gig. 44 Minutes is next and it starts off a little tamer than the previous numbers. A police radio scrambles in over machine gun like riffs. The bass stands out like a tourist in a mosque and the Deth take a stab at delivering one of those slower numbers they’ve tried more recently. Not really as piercing or as powerful as the previous two but not bad all the same. The drums and bass make up for the songs slightly mundane structure…and the solo is pretty fucking rockin’!. When the final chorus comes in you find the whole song growing on you a little bit more. Seems to fall together and become interesting. Another savage solo and the respect increases.

1,320 is next and it kicks off with a Judas Priest style bike revving before the guitar and drums kick in, in classic Megadeth, Punk styled fury. This is thrash metal for those of you who haven’t heard it, notice the difference? The riff is fast, Dave belts out angry forceful lyrics with a vengeance as the instruments break away together to allow some incredible shredding from Dave and…what ever the new guitarist is called. Not bad to say the least. Two and a half minutes in, the guitars explode in a duelling battle that, in the words of Dylan Moranwould melt your face”. This is the kind of thing that causes tinnitus when you hear it live. The true sound of energy filled, unyielding talent that strives to out do itself with every note. Bite the Hand has the least number of plays so I’m a little weary but it starts of pretty well. The drums style keeps changing and it’s brilliant. Another full on metal track with sneering, guitars but much deeper, crunchy, bellowing riffs. Dave sings about the current economy (please note Dave has always done this, it’s not just a fad) as the band that spill their guts to keep up with him. I cannot get over the amount of solo’s on this album. Isn’t this the band that release Risk and Cryptic Writings a few years ago? Cause there’s no signs of those albums left. Don’t know why it’s the least played, it fucking rocks. Bodies jumps in straight away and crunchy bass makes a welcome return. Maybe it’s always been there and I just need decent headphones. This isn’t a bad number but possibly best described as an album track….so far, I’m only a minute in. It’s defiantly not one of their future classics but it’s decent. Great solo at the end but I wont say I wasn’t waiting for the albums title track before the end.

Endgame has the traits of a true metal blitz in the making. Not bad. Gets better and better as it continues. Pretty savage riffs, Dave’s lyrics awkwardly fall together but only hang on loosely before breaking again. Unlike Peace Sells, which was clever, Endgames lyrics sound very forced. Maybe Dave really isn’t that angry anymore? Nah, no-one happy person can play like that. Ah, not bad but I need to be in bed in 15/20 mins so lets check out The Hardest Part of Letting Go. Hmmm, acoustic guitars, violins and Chellos. Ah, this is where Cryptic Writings got to, I knew it must be around somewhere. It’s not terrible or anything but no something Megadeth need to keep in their repertoire. They already have A Tour Le Monde and that’s enough for any band. Oh Wait, two minutes in there’s an apocalyptic kind of knock on the head. Good, galloping riffs appear from no where as the lead pushed it’s self further and further into the spotlight. There’s even a few duelling moments. Tickets There is once again turned around.

The album first single, Head Crusher is next and the third last track of the album. I don’t know if any of you out there know what a Head Crusher was but its all there’s in the name really. They used this nasty little device during the Spanish Inquisitions and it could be made to last for hours, days and even weeks. The first thing that would happen is your jaws would crush together, shattering your teeth inside your skull. Then you eye sockets would buckle and they would literally pop out. Some of the devices had little metal plates, resembling small ice cream scoops to catch the eyes as they popped out. Then it got painful. May not sound as horrendously violent as the public sawings that they used to do or treatment from the Spanish tickler but pretty shocking to say the least. Oh the song, sorry. The song is FUCKING AWESOME!! NUFF SAID. Second last track How The Story Ends is thankfully not another ballad. It’s not my favourite, possibly the one I like least, though it has some of the best machine gun styled drum and guitars interaction on the whole record. Final song, The Right to Go Insane is thankfully heavy one. No soppy ballad to send us to bed, just another kick in the skull from Mustaine. Chorus sounds kind of grungy in it’s delivery but it works, works pretty well in fact. Some nice, distance between the chords in the bridge that adds some tension as you wait for everything to tear back. This is a very respectable Megadeth track and a welcome return finally to a fairly impressive album.

So, that’s it. Honestly, I was expecting more but I thought the same thing about Death Magnetic when I first heard that so you can be sure Tickets There is going to give it another few drillings before making our final decision. Might sound alot better when our minds aren’t clouded with the worry of how late we’re staying up, getting spellings correct while writing so quickly and all that nonsense. It still lacks Dave’s full on aggression though. The rage and bitterness that inspired and drove so much of the bands earlier work seems a little distant and forced on Endgame. It’s still more appealing than The System Has Failed and United Abominations but is doesn’t quite deliver the classics we know from albums like Rust In Peace, Countdown to Extinction or Peace Sells. Still well worth a go.

Kanye West – You are a Douche!!

Posted in General Tickets There Blog, Music, News with tags , , on September 14, 2009 by Tickets There

This is brilliant folks, enjoy.

Why Green Day aren’t Punk! – A short, Late Night Rant

Posted in General Tickets There Blog, Music, Ranting with tags , , , , , , , , , , , , , , on September 14, 2009 by Tickets There

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Richard Hell, that’s the name of the guy I was trying to remember when I started looking through some punk sites this evening. Anyone out there know him? Anyways, doesn’t matter. What got to me was the fact that every time I searched for punk, I was bombarded with article after article and picture after picture of bands like Green Day, The Offspring, NOFX, New Found Glory, Good Charlotte, Sum 41 and the terrible Less Than Jake and I couldn’t help feeling that punk fans and the bands have watered down the music so badly that it’s no wonder people don’t even have respect for The Sex Pistols anymore!

Now, I know the world has a hell of a lot of very, very backward, stupidly stupid people in it but I would try and entertain the idea that even the simplest minded ‘punk rock’ fan does know why the whole thing started in the first place, but I could be wrong. For those of you who don’t know there’s one thing to get straight before you ever mention the bands, before you hear a note of the music, before you even think of shaving all but the middle of your head and tearing your cloths and before you even consider pogoing. That’s the simple fact that ‘Punk’ and ‘Punk rock’ are two very, very separate things. One is about being young, having dreams and ideals with a strength, determination and resolve never to let anyone stand in the way of you achieving them, no matter what the circumstances. Similar to the dreams of hippies from the sixties, Punk’s were about equality, individualism, originality and the notion that we can be anything we want to be. ‘Punk Rock’ is about hair styles, fashion, image, appearance, cliché ideals, un-originality, conforming all backed by a particular driving sound that helps sell the image. Obviously it’s the former idea that excites true fans of music history.

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Although Punk music’s origins started in the States with bands like MC5, The New York Dolls, The Stooges and The Ramones, it took four young Londoners to pack all of those ideals and aspirations along with youthful angst and satirical commentary on modern society to make an album that would change the course of music forever. Never Mind the Bollocks, Here’s the Sex Pistols may be the best known and widely loved Punk album of all time but unlike most of the other punk rock albums out there, such as American Idiot and Out Come the Wolves, it’s an honour well deserved. But we’ll talk more about the Pistols and their legacy later.

Now you may think I’m being a little hard on modern punk bands because of the cloths they wear and the image they promote. ‘Why not?’, you ask, ‘who’s it hurting anyway?’. Well there’s a very simple answer to that question. It’s not hurting anyone. What it did was kill one of music’s most original and best efforts at provoking younger people to take pride in themselves, no matter how they looked or what people told them they could amount to. It pushed them to be creative and stand out from a world inhabited by mindless, happy to be controlled sheep. People who had long since given up their attempts at creativity or any hope or longing to just be themselves and not hide behind fashion or popular thought. The kind of people you see everyday that are so competitive and worried about standing out. People who are so worried about other people’s opinion that they cower away with the flock and spend their time sneering and spitting on anyone else that does have that courage to be themselves. You see them everywhere; It starts in school and lasts for the rest of their lives. How many times have you heard people taking endless amounts of crap on subjects like religion, politics, history, the recession, current social and political conflicts and trends? You know those loud mouths who talk and talk about these issues and you can hand pick every comment they make and know full well the film, rumour, hearsay or book they took it from in order to pass it of as their own, without even attempting to look further into the subject, take all points of view into consideration and voice their own, thought out opinion? Well if you can’t remember several times like this it probably just means you’re one of them or you you’re living in Plato’s cave (no philosophical similarity intended).

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This may all sound a little off the point when you’re talking about punk music but that’s the point, it’s not off the topic. Those people who do think for themselves were and are punks. ‘Punk Rockers’ you see these days aren’t and I justify that comment with one very simple answer. They’re not punks, because they look like punks. That right there defeats the whole idea punk music started with. The foundation was about being different and not conforming to any system (system not solely meaning government, system refers to any system of control whether it be music, fashion or anything else). So, when the golden punk ideal became watered down with ripped trousers, hair styles and a particular sound, it signalled the end for one of music’s most exacting times.

In the mid-seventies, several punk rock bands of note and influence sprang out of England. Acts like The Jam, The Clash, The Buzzcocks, The Damned and Siouxsie and the Banshees, to name a few, but The Sex Pistols still managed to stand out above all the competition. These days it’s hard to look back and justify why the Pistols had such a strong influence at the time. Peoples minds are clouded with overweight fifty year olds, flogging a dead hoarse every few years for cash, the once scary, sneering Johnny Rotten now dressed in tweed selling butter and taking part in shows like Celebrity Jungle and the cliché of clichés, Mr. Punk Icon himself Sid Vicious’ image over used a billion times by people drinking in cocktail bars who couldn’t name a song the Pistols ever wrote, let alone any of Sid’s solo work. In Tickets There’s opinion there are justifications for all those actions. The Pistols never made any money when they started so why not let them now?, Sid wasn’t being a cliché punk at the time, he was one of the people who invented it, not copied it and Johnny, well Johnny can do what ever the hell he likes because he’s Johnny Rotten. But whether you agree or disagree, none of that can ever hamper their years together as a group and the impact their music and their short time together had on the world.

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I say time because the Pistols influence goes deeper than the music. As I mentioned earlier, Punk and Punk Rock are two different things. The Pistols played punk rock in a band but they were punks. At least they started off that way. Their first two years together showed a band going through absolute hell in order to get their point across to the world. They may look like your typical punks and their lyrics, speeches and general attitude may resemble your traditional punk but that’s where it started. They were noting more than kids who had more talent that they were ever given credit for. Four kids angry at society, angry at the world around them who wanted to make a difference or at the very least get laid and have a laugh. They didn’t set out to shock the people at first, they just said what they wanted and that started all the controversy. They may have been naive and miss-lead but they weren’t fake and once they realized what was happening and that they were merely becoming the main attraction in a circus being built up around them they stopped. They simply refused to conform. That’s Punk! You can argue that Jonny leaving and Sid’s death had more to do with it than a general decision but the point is they didn’t carry on after their first album. They didn’t put the head down and deal with the ever growing joke their manager was trying to turn their efforts into and carry on for the sake of massive pay cheques and fame, two of music’s main pitfalls for many iconic artists. The band didn’t want to become manikins or puppets. They were strong willed kids who knew what they had started was too special to kill by opting for an easy life. That is why the Pistols will always be one step above all the other acts from that time, their actual refusal to conform, rather than their musical output. It just helps that Nevermind the Bollocks is the greatest Punk Rock album aswell.

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Green Day, Rancid and bands like that? Guys wearing suits and ties with pretty hair trying to sing about their pain while they try and remember if they turned the pool heater of or not. Or guys covered in tattoos except on their hands and face so they can still conform and hide what they pretend to be when needed. Guys decked out in expensive leather, all the wallet chain’s, spikes, bracelets, accessories and quirky necklaces and t-shirts top dollar can buy. That’s not punk, that’s nothing but commercialisms orange parade to celebrate the fact that nothing on this earth can remain special, nothing can be left untouched by the greedy hand of economy and commercialism. Proof that no matter how pure and simple something is, someone out there will always exploit it, make it a product and tap a ‘target market’ and no matter how great the people behind it are and how strong their message is, the ever eager and obeying flock are always waiting to infiltrate, tear apart, burn down and destroy the goodness others have worked and longed for.

Punk is dead, leave it be!

MySpace Review – Mighty Atomics

Posted in Music, MySpace Review with tags , , , on September 9, 2009 by Tickets There

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Hello all, it’s time for another delve into the MySpace world and try and find an Irish band worth mentioning more than once. Recently there hasn’t been much joy and over on WordPress I managed to take a bashing from fans of So Cow and even (fuck me), Kill Krinkle Club. Ah well, I stand by every word. Let’s move on anways, today’s choice is the Mighty Atomics. I’ve never heard of this lot before so why not. They’re from Dublin and they list themselves as Garage / R&B and Surf. Should be interesting.

As usual, I’ve never heard their album or seen them live.

The first song, Hunting Season, started of while I was writing the intro and so far it’s not bad. Really is kind of Surf music with an overall Garage feeling. Kind of done before, very sixties rock with Chuck Berry style lead solo 2 and a half minutes in but it’s good. Now I’ve been burned before by great opening songs and 4 disappointing ones after so hopes haven’t been raised high yet. March of the Mighty Atomics is second and it’s an instrumental surf’s up, wipe-out kind of mesh. Very well done no matter how familiar it is. They really have a great guitar player in this group. It goes on for three minutes playing roughly the same piece again and again but they manage to keep it appealing. Two down and so far not a bad thing to say, that’s odd for TT.

The intro to third song, Uptight Werewolf sounds very, very familiar. Like something from The Troggs or The Doors. Good stuff none the less. Same style as the other two songs which I find a refreshing sensation. So many bands out there trying to be extremely diverse and 99.9.9% of them fuck it up royally. Think it’s fair to say the Mighty Atomics are getting a firm thumbs up from Tickets There. It may have been done before but it’s good stuff, so why not do it again?. There’s a kind of sloppy, live sound to these guys. Like they could sit down and in a couple of takes do it perfectly but instead, they capture that rawness very few bands manage to recreate in the studio. The forth song is a live song so we’ll see how it compares. Seasick is another surfy rock n roll swinger. I’m a minute in and there ain’t no lyrics so I’m guessing it’s an instrumental and the one thing I’ll ask is why? This could be a real ‘Johnny Be Good’ kind of track with a bit of filler so why not make it one? Ah well, pretty deadly solo in there so no complaints from TT.

Second last track is called El Diablo and I’m just waiting for it to load and I noticed the next one is called Batman Theme, that’ll be fun. Anyways, El Diablo has started and it’s already much stronger than the previous numbers. Vocals and music is rougher and more prominent and the overall flow is really well done. There are elements of newer bands audible in their sound and this helps spice up the classic old style. Unlike the previous songs, they’ve dropped alot of the Surfy style guitars but still kept the overall feeling. Probably my favourite so far and that’s against some stiff competition. Even the guitar solo’s style has changed. Rather than a picturesque image of Captain Geech and the Shrimp Shack Shooters, it’s late 70’s London, the 100 Club and a young Joe Perry has stood in for a band influenced by …the Mighty Atomics. Excellent stuff.

Final track is the Batman Theme and as hoped they do do a great job of it. Signed sealed and delivered!

Well the verdicts clear, I hated them :p. Honestly I’m completely surprised. They sound like alot of fun, they have the talent to back it up and they are firmly on my list of bands to watch. Keep an eye on Tickets There for a live review in the future.

Marilyn Manson Dublin Date Rumor:

Posted in Music, News with tags , , , , on September 8, 2009 by Tickets There

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Yet another rumor floating around the new today is the possibility of Marilyn Manson (The God of F**k) playing Ireland this year.

Well your friend Tickets There has checked it out and it seems the shock rock jock himself has announced a few dates in the UK around Christmas time but there is no official word from MCD, Ticket Master, Aiken promotions, the official MM .com website or Hotpress about an Irish date.

I’ll keep you informed if I hear otherwise.

Regards,
Tickets There

Comments on the Net

Posted in Music, News with tags , , , , on September 7, 2009 by Tickets There

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Have you ever noticed the amount of sher, unfounded hatred on the internet? Now, don’t bother mentioning my reviews. They’re based on bands music and sometimes I like to get silly but I’m not insulting them anymore than they’re insulting the whole idea of music with their presence in that industry,

But seriously, I generally visit a select number of sites every day to check out new and updates so I can pass them on second hand to you folks when you trip across my blog on the very rare occasion I feel it’s worth mentioning. All I see on these sites (NME, Blabbermouth and several others) is just hate filled people writing the most horrible comments about everything. As a Guns N Roses fan I used to spend a lot of time on gnrdaily.com until I just couldn’t handle reading another thread of people constantly ripping into each other about how ignorant the other person was. Either their absolute gutter hatred fueled comments or they’re sneery and sarcastic. People just tearing into everything for the sake of it and trying to act cool or smart or tough or basically anything they aren’t in real life without adding anything positive to their message.

I know it’s fun and all but I rarely see the same people ever commenting anything good or positive on other posts. Like they only comment when they hate something. I’m not going to go into a huge thing about this because it’s not really music specific but people please, comment occasionally on things you like or say something good. Stop trying to look tough over the net because everyone will instantly know you are a total pussy (does that make it look like I’m trying to be tough?).

If you see something you don’t like, try and look at it from all angles and maybe be constructive if you feel the need to have yourself heard. Otherwise, remember that if you don’t have anything good to say, don’t say anything at all.

(As for my site, comment whatever you like. I tear away into bands so it’s only right that bands and fans tear away into me. God knows there’s enough own goals on my blogs to castrate me if you want. I’m directing this comment more at people who can’t shut up insulting everything from bands cloths, music, homes, speeches, life-style and whatever else. )

Tickets There Likes: The Doors – The Doors

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , , , , on September 7, 2009 by Tickets There

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I always hated The Doors. Generally when I hate a band it means I’ve given them their time and tried several times to enjoy them because I hate it when I’m wrong so I like to really give things my all before passing such an extreme judgment. Believe it or not I do have three or four Radiohead albums because I was told after I’d listen to each one that such a one was better and you know what, they weren’t. I also have two Coldplay albums because I wanted to believe the hype and turned out I was right from the beginning about them too. The Doors however are a different story. I hadn’t ever given them a chance and the main song I knew, Light My Fire, was a little boring for my tastes. Then one faithful summer they found me.

I was staying at a friend’s house for a few weeks during the summer of 04 (all those years ago J) and he played the Doors constantly. After a few days of this and then a screening of the movie to help persuade me, I finally gave in. I wouldn’t say I turned total fanatic but just enough to make me buy every album over the following year and give each ones a good grilling. Honestly I never really picked a flat out favorite and only for the sake of this review have I picked their 67 self titled debut, The Doors.

If you don’t like the Doors yet, then opening song Break on Through will go along way in convincing you of their greatness. I’m not going to say it’s a full on, stampeding chaotic master piece because that just doesn’t do it justice…but it is all those things. It’s so full of energy and quiet / loud changes with underlining D word themes a go go. In sharp contrast, Soul Kitchen is everything the tin promises. A relaxed, stripped back verse of simple guitar and piano melodies with Jims voices croaking in the background before everything collapses together for a foot stomping chorus. At times it sounds like Johns drumming is too fast for Robby’s guitars and Ray’s keyboards but oddly enough, it all works perfectly.   The Crystal Ship slips even further into the albums melon collie state. Jim’s deep voice booms over the music, haunting every change and note the band play. It’s no secret that a lot of the love people have for the Doors also relies heavily on the myths, stories and a general love for Morrison himself. He’s one of music’s true icons, appealing to people in all walks of life…except those who just don’t like him off course.

Twentieth Century Fox wouldn’t be one of my favorite tracks. It’s very plain compared to the albums first three songs and falls a little on its face amidst a mess of guitars and organ melodies. Alabama Song (Whiskey Bar), a cover of a Bertolt Brecht’s song (I’ve never heard of him either, don’t worry ;), is without a doubt one of the funniest songs they’ve ever recorded and could easily be used a sea chantey in the next Pirates or, if you’re like me, you have walked home many times from the pub singing this at full volume. Light My Fire follows and ya know…it’s good. Personally I think seven minutes was a bit much and the guys don’t really pull it off but many, many others would strenuously disagree so it depends from fan to fan. Back Door Man (written by Willie Dixon) on the other hand is one of the best songs they’ve ever recorded. Since it’s another cover, I won’t praise it too much in words or it may overshadow the other tracks I’ve written about….but god it’s a savage song.

I Looked At You sounds like something The Beatles could easily have come up with but still manages to retain some of the Doors quality. Not incredibly great but simple, fun pop. After all, many people forget the Doors did start of as a more a pop group than the bluesy poets they turned into. End of the Night is more of a definitive Doors piece. Broken melodies, slow changes, hits of spiraling melodies…etc. Again it’s not amazing but there’s more Doors atmosphere here than many of the songs. The best way you can describe a truly Doors-esque song is broken music and Jims lyrics. The sort of atmospheric, incoherent yet hauntingly good music they play in seedy L.A. bars at 4:00 in the morning. Take It As it Comes is one of the better tracks at the end of the album. The lyrics are bogged down in Jims over thinking and the music flows extremely well. Ray’s keyboards belt away behind Johns crashing drums and Jims iconic vocals.

I lied, I lied about End of the Night. It is not a definitive Doors classic. Not compared to the albums final track, The End. While its style is pretty general for the Doors, it is nowhere near as far reaching, over blown and mind bendingly good as The End. The lyrics represent a peak Morrison always strived for with his music. The band comes together more here than anywhere else on the record, despite the hap hazard sound. The entire group seems to spiral off in their own little tangents, all at the same time yet they seem to pull together like waves and re-group momentarily before drifting apart again. Jims voice is once again the glue holding everything together and the song loses all sense of time and structure. The music repeats and repeats but never gets stale. Jims vocals become more and more prominent at the song moves along culminating in his screams referencing the Oedipus  complex.

If you give the Doors time, it’s very hard to hate them. If you like Rock n roll, folk, pop or blues, the Doors have something for you and it’s good. Jim may be long gone, or just hiding somewhere but his music and the band’s music is still very much alive and ready for any curious new generations that are willing to open their mind and experience what music drove a generation to throw up their arms and say ‘No’ when it counted.

HY-GIY?: Jape – Ritual

Posted in Album Review, Hy-Giy, IRISH NOISE!, Music with tags , , , , , , , , , , on September 7, 2009 by Tickets There

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If you read my blog you should know three things. 1, I have a frightening love for Sheffield’s finest rock band, Def Leppard. 2, I like tearing into terrible bands and ridiculing them to the point where it just inst professional and I make very few apologies to fans or band members for the way I discuss them and three, I consider Jape to be one of Irelands finest talents ever produced and last year, he sealed that claim with his third album, Ritual.

Ritual was without a doubt my favorite Irish album of 2008 and one of best ever to come out of this country as far as I’m concerned. Yes I know Enya has a lot of albums to compete with but let’s leave that aside shall we!. Richie Egan is one of very far artists making experimental music and getting it right pretty much every time.  No matter what style of song, effect or theme Richie deals with, he still manages to back everything up with inarguably good melodies; structure, imagination and a strong musical backbone (take note bands!). Before Ritual he had the poorly received Cosmosphere and the underground smash The Monkeys in the Zoo Have More Fun than Me which spawned the massive cult single Floating. However Ritual brought all of Richie and co’s onstage energy as well as his styles and writing to a peak they hadn’t managed to release on either of the first two albums.  

Opening with the well weathered Christopher and Anthony, the album gets a feverish grip of dance beats, electronic samples and Richies unique lyrical style that fans hoped would play a more dominant role of this record than the previous albums. Despite it having all this, second track I Was A Man bombards in and ups the bar 100%. Previously, Floating was the dance highlight on Japes set and fans but he has worked hard to ensure this is pushed to mid-set and his newer work gets the attention instead in order to prove he isn’t a one hit wonder and I Was a Man proves this no end. All the dancey beats, anthem styled lyrics and changes any human could want from their bands. The overall chaos of the song is best seen live but as studio recordings go, you couldn’t ask anymore from this song.

Replays hops in at third and is again surprisingly upbeat and dance oriented. It’s one of those songs that just simple, cut n grab pop. Not the kind of pop you’ll see on X-factor anytime soon, I mean good f**king pop. Once again it’s impulsively catchy, upbeat and a full on stormer of a dance floor hit. Maybe if RTE felt compelled to play Irish music more often, this song, along with many more from the album might have actually reached the country. Ah well, there only the national broadcaster. Can’t expect them to start endorsing Irish talent when there’s easy ratings to be found with international crap. If you’re reading this and you work for RTE I say to you, Go F**k Yourself you absolute waste of an organization!!

(In a ranty mood today, had to put a Happy Mondays review on hold because I wrote 500 words of complaining). Graveyard follows and gives the album one of its most relaxed moments. Lyrics are interesting and worth reading if you can find them on the net. The song just has an overall sublime melody and flow that’s just so easily enjoyable and mellow. Bringing the quality up even further is the incredibly melodic and well loved, Phil Lynott. Hard to describe why this song is so special but its worth getting this album just to hear it, never mind the other songs and seeing it live is even better.

The dance tone returns with the bouncy Streetwise. Like Replays, this is pure pop and is followed by the albums most prominent reminder of Japes Monkeys style. At the Heart of all this Strangeness is the albums most stripped back piece of music. Acoustic guitar arrangements, mixed with low melodies and Japes quiet vocals striving to stay above the music’s volume. Absolutely fantastic song and one of the few singer/songwriter style arrangements that Tickets There fully endorses. Apple in the Orchard follows with another beat laden, smack your face anthem. This song has one of the catchiest chorus of all the songs on this album and there is some very stiff completion. Another crackin’ anthem, Strike Me Down, follows and gives Richie’s set yet another classic dance fueled hit for his live show. Final song, Nothing Lasts Forever has a real Moby-ish style piano melody and haunting vocals with a great bassy drive. Incredible stuff all round.

That’s all I can really say. I reviewed this album for Drop-D when it came out last year and its quality has been diminished one bit. It’s as strong, original and enjoyable as the day it came out. If you haven’t heard Jape I advice a trip to his MySpace and I’m sure you’ll have the album on your stereo by 6.00pm this evening.

Missing Electric Picnic?

Posted in General Tickets There Blog, IRISH NOISE!, Music with tags , , , , , on September 5, 2009 by Tickets There

Well don’t be upset, there’s much better things you can do with €240, the line-ups crap and lets be honest, it attracts 30,000 of Ireland’s wannabe hippies. The sort of people who love their hemp trousers, their pathetic looking dreadlocks and complaining that socialism is the way our country should go. Even worse is the families which are now being encouraged to go.

Anyways, don’t be upset. Here’s a couple if clips from last years festival to scrape the blues away.

This Just In…!!!

Posted in Music, News with tags , , , , , on September 3, 2009 by Tickets There

I’m still hooked on PAINKILLLLEERRRR!!!!!

If you don’t like that, how about a little Testament \m/

Also, word on the street (Blabbermouth) is METALLICA, MEGADETH, SLAYER and ANTHRAX might be playing together on a full tour!!

Nothings confirmed and how likely is that? but apparently Kerry King heard Lars is talking to folks about getting it together. Oh yes!!

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Tickets There WordPress 101 Posts

Posted in General Tickets There Blog, News with tags , on September 3, 2009 by Tickets There

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I just copped on that I’ve now posted here 101 times (including this one).  The last few months have seen my average monthly hits go from 31 this time last year to over 600 in August. Thanks a lot for reading all and I promise I’ll make more of an effort to discuss new bands going forward.

Cheers,
Tickets There.

Electric Picnic – Recommended / Avoid

Posted in General Tickets There Blog, Music, News with tags , on September 3, 2009 by Tickets There

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I avoid Electric Picnic like the black death in summer time. I have notions about its organizers, attendees and ideals (surprise, surprise – Ed) and I don’t think it’s a festival that will ever sit well with me. I have my reasons (misguided to say the least – Ed) and I’ll go into them another day but since it’s the second biggest festival in the country, I better mention it.

There’s only a handful of acts Tickets There recommends and here they are,

Friday

Recommended

Rodrigo Y Gabriela: Think everyone in the country has seen and enjoyed this lot, so why not do it again?

The Aftermath: House band this year and more than worth checking out. One of Irelands brightest and best new acts.

Orbital: Not really a fan but I’m pulling at strings here folks and they’re better than a lot of the other stuff on.

AVOID!

MGMT: Don’t get sucked into the hype, snooooze fest galore.

Smash Hits: That can’t be good!

Saturday

Recommended

2 many DJ’s: Good dancy stuff and you should be well settled in for it.

Brian Wilson: 1, because he’s the Beach Boy and 2, because he knew Charles Manson.

Jape: Like you’d miss Jape, what the hell else would ya be doing??

Madness: Good tunes and funny. Well worth checking out.

One Day International: Great new band. Did a MySpace review of them and really enjoyed their stuff.

Lisa Hannigan: Tickets There Ain’t a fan, too singer song writer for my tastes but she’s just so lovable. Catchy Davey would be better.

AVOID!

Cap Pas Cap: Saw them before and they’re pretty damn awful!

Mundy: You know why! Someone once described Mundy perfectly to me, he’s not a musician, just a series of hats. Or to quote me good friend Bob, he’s a pig farmer from Offaly. Nice chap, terrible, boring music.

Sunday

Recommended

Bell X1 – Always a decent live show. Haven’t seen them since 05 but I’m sure they’re still a laugh.

Alabama 3: There aren’t many band who play more Irish shows than Aslan, but Alabama 3 are one of them. Great rave/country blitz atmosphere.

Rest is pretty mundane for a large festival. Then again, maybe my tastes aren’t as eclectic as EP’s followers. After all, I prefer music, beer and good times, not boutiques, D4 ponches and carbon emissions. Buts that’s for another time 😉

Enjoy folks,
TT

The Future Kings of Spain Split?

Posted in Music, News with tags , , on September 3, 2009 by Tickets There

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Hi all,

I’ve seen a few comments and searched popping up on websites and my Blog stats of people trying to find out info about a rumor the Future Kings of Spain have split. I’ve checked everywhere I can and can’t see anything official or unofficial to that effect.   The latest word from them is they’re working on a new album and should reappear around the end of 2009.

If I hear anything else I’ll post an update.

Regards,
Tickets There

JUDAS PRIEST – PAINKILLER

Posted in Music with tags , , on September 2, 2009 by Tickets There

I feel the Priest are about to bite back into my MP3 rotation and to celebrate, Tickets There decided a little PAINKILLERRRR!!!!! Is needed. Enjoy!

Tickets There Likes: Metallica – …And Justice for All

Posted in Album Review, Music, Tickets There Likes: with tags , , , , on September 2, 2009 by Tickets There

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Ya know Metallica get a very bad rap these days. It’s as plain as day that they haven’t done themselves many favors over the last few years but people seem to be forgetting they have a stronger back catalogue than most metal acts out there. Very few thrash/heavy or hard rock bands can boast so many highly regarded albums as Metallica and they’re highly impressive and widely diverse selections of song writing make them the bonafide legends they are. Forget the St. Anger disaster and forget the Napster issue and the Some Kind of a Monster fiasco. These are long over with and the Bay Area Thrashers have returned to what they do best.

I remember first hearing Metallica in the early nineties and not being hugely amazed. Then again I was a Def Lepp / GNR kid and the styles didn’t really crossover in my eyes. It was until the late nineties that one of the lads from school started pushing me to listen to them. I remember seeing a picture of Kirk Hammett. wearing Calvin Klein undero’s and thinking ‘wow, how metal is that…puke!’. It looked like Metallica had totally sold out and this didn’t give me any inspiration to check out their stuff. Now I know there’s nothing worse in this world that an uppity metal fan. Every time you talk to one of those Bruxelles chaps they’d nearly put you off the genre entirely. They’re so up their own holes it’s almost sad and they sit there and argue on and on about mundane, unimportant crap about bands who make a living dressing up in makeup and screaming about death. Not sure if you noticed folks, but it’s meant to be a bit of fun, not f**king politics ya tossers. Anyway, enough ranting about those Metalireland.com chaps, they have to pass their sad existence somehow.

So eventually I took a copy of Master of Puppets from yer man and after a few days adjusting I came to love that album and like most of the TT Likes articles, listened to it repeatedly for many, many weeks. Ride the Lightening, Metallica (The Black Album) and Kill Em All only spurred on my excitement for the bands material and overnight, became staunch classics in my books. However it wasn’t until the mighty …And Justice for All came into my possession that I found their best work. I’d been put of getting this one by many people who wouldn’t shut up about the Bass being low and the quality generally lacking compared to the other early albums. I strongly disagree folks, and I think I’m in the majority.

Opening up with the mighty Blackened, Justice is an hour’s worth of melodic / blistering riffage, doomsday lyrics and drums all backed by Hetfields more matured, powerful vocals.  I don’t care how elitist you are, there’s no denying Metallica did it better than anyone else at the top of their game. Tracks like Eye of the Beholder, The Shortest Straw, The Frayed Ends of Sanity and Dyers Eye give the album it’s unyielding power  while better know classics like the title track, One and Harvester of Sorrow give the whole record it’s unstoppable force that band have failed to recreate since, despite a pretty good effort on Death Magnetic. Justice for All’s sound is so dark and inaccessible compared to all of their other work before and after and the band can be seen to vent their frustrations, pain and anger over Cliff Burtons death. It’s true the bass isn’t exactly the stand out instrument here and this is very obviously an attempt to avoid having to admit Cliff had to be replaced. As a final tribute to their friend, Justice has a nine minute instrumental entitled To Live is to Die which the band composed using riffs written by Burton before his death.

Whatever people say about Metallica now is irrelevant. Bunch of stuck up, metal pussy’s who’ve forgotten the whole genre is about taking it easy, have a few beers and a laugh. Not procrastinating and philosophizing about who’s more metal than thou! And let’s all be honest, metal fans are mostly made up of…..should I say it?, maybe not…but you know damn well the kind of people that I mean and don’t deny it! Why the hell these folks feel the need to close turn Metal into a Pink Floyd convention is beyond me. Relax folks!

Tickets There Likes: Def Leppard – Hysteria

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , , , on September 1, 2009 by Tickets There

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OK, ok I have to stop putting this one of and get it out of the way finally. You all knew this was coming and I can’t count how many drafts I’ve written in an attempt to get it done. Def Leppard’s mightiest of mighty accomplishments, the golden goose, the Holy Grail of their collection and one of the highest selling records of all time, Hysteria! It was the second album I ever owned and heard in full and was introduced to me just a few weeks after Adrenalize and made me a solid Leppard fan for life. Like my live review of Springsteen, I find it very difficult to write something about this record that thousands of others haven’t said before.

Let’s start by stating it’s very rare to find an album with so few album tracks like this. Almost every single song is a single or classic with almost no exceptions. On Hysteria, the bands efforts to write perfect pop rock and heavy ballads finally paid off without a hitch. Despite Rick Allen losing his arm, Steve’s continued problems with alcohol and the bands problems in their home country, producers and initial demo’s, Hysteria proved to be a feat very few critics, fans and interested parties thought they could pull off, especially considering the new levels of quality Pyromania set for them. Even 22 years on from its release the quality of the songs and production is infallible. This is the album that artists like Bon Jovi, Van Halen, Skid Row, Europe, Aerosmith and all the other 80’s Hard rock heavyweights wished they could come up with. Although Hard Rock took a different turn when Guns N Roses released Appetite for Destruction, Leppards Hysteria was the peak of the previous sounds perfection.

No song was written or produced on this with anything less than a grand, world changing effort. While some of the song’s lyrics may sound slightly cheesy in hindsight such as Women and Pour Some Sugar on Me, only a total knob end could flaw their energy and perfection. Pop rock rears its head on several of the albums singles  and continue the job Photograph and Foolin’ had started previously. Animal, PSSOM, Armageddon it, Love and Affection and Women set a high bar for any band to reach and deck out the album with its foundations. The easily accessible, fist raising, mass sing along anthems that sealed the deal for Leppard and made them the biggest band on the plant for a couple of years. While more intimate numbers such as Love Bites and Hysteria ensured Leppard secured hordes of young females as lifelong fans.

Not to be overlooked, the guys still got the edge from the likes of Don’t Shoot Shotgun, Gods of War (Leppards one and only foray into the political world), Rocket, the heavier than heavy Run Riot (at least by Leppards standards) and the awesome Excitable. These provided the final master stroke to provide this album with everything it needed to entertain millions of fans around the work for the next two decades. Then again, no matter how serious the songs are, no matter how heavy or light the sound is and no matter what their theme, every song on Hysteria is a catchy rock classic that deserves respect from every rock fan. This is how pop rock is done folks, you won’t find any other album to equal Hysteria’s arsenal.

Nah Sayers will always be nay Sayers and the unfortunate rise of grunge music and its trend setting ideals about fashion, politics, depression, bullying meant bands like Leppard and their back catalogues were severely undermined all throughout the 90’s and early millennium. Fortunately the world is starting its traditional two decade revitalization and The Mighty Lepp are reaping the benefits. A few years ago the band were playing small theatres and state fairs but currently, they’re back in 10,000 + arenas reminding fans why they are a band that should never be forgotten. The years may have been cruel to their legacy but Joe Elliot, Rick Savage, Rick Allen, Phil and Viv are a major force to be reckoned with. They have proven they can take anything and everything the music and personal world can lash on them and still emerge unscathed and ready for the next challenge. From the moment Joe Elliot wrote the band’s name on Sheffield’s town hall’s notice board in the late seventies, the band were destined to become legends and Hysteria is the pinnacle of that legacy.

Here’s a picture of the UK 12″ Vinyl sigles from Hysteria all together.

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Tickets There Likes: Weezer – Weezer (The Blue Album)

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on September 1, 2009 by Tickets There

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When I was younger I was a big fan of Blur and Oasis but it wasn’t until I heard Weezer’sBlue Album’ that I actually became a fan of Indie music. Although my interest has become less and less evident over the last few years, Weezer opened the door to many great acts. I had heard Hash Pipe and Buddy Holly (same as the rest of the English speaking world), but had never listened to one of their albums until I started first year of college and it was passed over from Bob’s (my roommate) magical tube (sounds bad don’t it) of music. He had this plastic case with roughly a hundred burnt CD’s and no matter how many times you went through it, something new always popped up.

He recommended Weezer while he was in the grips of their buzz and I started with their debut. The damn thing was so good I couldn’t stop listening to it for around two/three months. The time it took me to walk to college from home was the exact length of the album (with a few minutes loitering to finish Only In Dreams off). I can’t say anything astonishing about it other than it’s just a great record. All the songs are catchy, fresh and heavy in their own way. Unlike the weird eco-conscious geek culture that’s taken over music at the moment, Weezer did geek rock well.

Rather than sing about the problems in the world, they kept it simple. I’m pretty sure Rivers would have trouble writing about anything other than Love but so what, he does love brilliantly and makes it more realistic. Tracks like The World Has Turned, Undone, Say it Ain’t So and Only In Dreams are classics, pure and simple. No-One Else, Surfwax America and In the Garage are the cream of the bands album tracks while My name is Jonas and Holiday are just damn good fun, don’t read into them.

I should take special time to mention that Say it Ain’t So and Only In My Dreams are two of the bands and the genre’s greatest assets. The Harmonies, melodies, riffs and full on force of those two songs is incredible especially in comparison to the other songs on the record. Rather than churn out standard ballads on an album of heavier material, the band mix the loud guitars, tension and melody so well it makes the songs stand out a mile without decreasing the albums overall quality

I never took as fondly to Pinkerton (although I do love it) and I after a couple of goes I gave up on Green and Maladroit and never bothered with the last two. After Buddy Holly being as close to pop perfection an indie band with loud guitars can get, Beverly Hills just seemed to piss all over their legacy, but who am I to judge? When I release one song in the same league as any of their stuff I can gripe, but until that day I’ll keep it shut.

Tickets There Likes: Iron Maiden – Powerslave

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , on September 1, 2009 by Tickets There

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I tried writing this review last night and have about three paragraphs done at home but I can’t stand the idea of that Radiohead chaps face at the top of my blog so I’m rushing through this one to replace his fecking hideously boring presence with the mighty Maiden’s Powerslave cover. I hope all of my readers are Iron Maiden fans because people, this is the real stuff right here. Forget the Kings of Leon, Killers and all that other rubbish, if you want to have fun, Maiden are the men (or AC/DC, but what ever).

I suppose being a TT Likes and all, I’d better bore you all with the usual speal of how I discovered the band. It was back in nineteen hundred and ninety three (1993). Roughly a year after the Leppard, Guns N Roses and Meatloaf phase had settled in. I saw a copy of their A Real Live One tape in the new release section of Sligo’s Record Room. I was completely taken with the cover and had to get it. In those days I didn’t buy many record because I had no money and not a lot of access to stores that sold them. I remember loving their sound as soon as I heard it and everything went from there. It’s not a very exciting story and I couldn’t be bothered trying to invent wacky stories and lies to keep yis entertained. I did managed to meet Dave Murray a few years ago but that’s not very exciting either, we were both hammered and nearly went for a drink in his hotel until I realized myself and my girlfriend would be stranded in town if we didn’t catch the night link and I had no other money for taxi’s. Thinking back that was a very, very stupid thing to do but it’s in the past.

I didn’t manage to get my hands of Powerslave until 98 when I picked a copy up in Athlone shopping center. They easily had the best Maiden section any shop can boast outside of Dublin (or at least they did in those days), and it’s remained my favorite Maiden album ever since. First of all you have Aces High , then 2 Minutes to Midnight which basically means it’s the greatest maiden album of all time two songs in. Then you have Losfer Words, a nice metal instrumental before Flash of the Blade which is a grand wee number similar to their earlier material. The Duellists is a savage typical Maiden number with a savage wee chorus as is Back in the Village (except this is probably my least favorite number ion the record) but the best is yet to come. The albums title track is one of the bands finest moments. One of the best riffs the band has ever written and some of their most surreal lyrics. It’s just such a grand and mighty anthem that adds that classic Maiden danger that makes their legacy as strong as it is. The album winds up with the incredible, riff filled Rime of the Ancient Mariner. A lengthy wee track but filled with surprises, changes, harmonies, melodies and everything else Maiden could squeeze in. Seeing this one live is real treat.

Well that’s it, short and sweet but I don’t like to repeat the exact same praises and such in every single review. Also, the album only has eight songs and as I’ve said before, this isn’t exactly an album review series, more of a ‘why I like this’ series 😀

Radiohead play Creep Live at Reading Festival!!

Posted in General Tickets There Blog, Music, Ranting with tags , , , , on September 1, 2009 by Tickets There

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Shock, horror, amazement and astonishment. The blandest band in the world, Radiohead, actually played their biggest hit, Creep on Sunday night. Just saw the report on NME and I was almost bowled over with laughter. What sort of band headlines any huge show like that and ‘surprises’ the audience by playing the song everyone but the hardcore fanatics wants to hear. Like Metallica not playing Enter Sandman or Journey not playing Don’t Stop Believing.

This isn’t really a surprise though, Radiohead are a major part of the ever growing new breed of obnoxious bands that are dominating today’s musical landscape. If they’re not irritating pop/rock hairdressers, then they’re Radiohead wannabe’s or even worse, they’re Coldplay.  I don’t understand how bands can be so arrogant and pompous to play shows of this size and act like they’re doing their fans a favor by playing a song like this. What’s worse is people put up with it.  Why don’t you spend your money and time on bands who are grateful for your dedication and do exactly what you want on stage. I hear lots of Radiohead fans complaining about their newer albums and only the odd fanatic defending them as genius but the band still insist on filling up their set lists with a host of tracks from these records, rather than playing the music the people want to hear.

KISS are starting their world tour this month and you can damn well bet they won’t fill their set up with B-Side Eighties releases and new material. They play what the fans want them to play. Hell, they even let the fans map the tour for them. That’s what you want from a bands live show. Not two hours of ego fulfilling, time wasting nonsense.

What’s that you say, they even brought blue lights and cylinders on stage with them?? Wow, what excitement for those of you who were lucky enough to be there. How could you focus on the two hours of mediocre whining from a man so stuck up his own arse even Bono would have trouble competing when there was all that amazing technical wizardry going on around them…..sarcasm for those of you who didn’t get it. I’m all for letting the music do the talking, heck that’s my argument for Axl Roses current activities and the Chinese Democracy problems but if a band headlines a festival like this, wouldn’t it be nice if they did something special on stage and give people a truly epic show to remember. Not two f**king hours of tired old beer commercial references, cylinders, little snips of technical difficulties and the highlight of highlights, playing a song the whole crowd would know.

When Nirvana headlined |Reading in 1992, they opened with a play on the rumor of Kurt’s ill-health, shocking the audience before Kurt leaped from a wheelchair and burst into Breed. They followed with a 27 song set that included all their hits,. Remember, this was a band with two albums. Radiohead have seven albums and only managed 23 tracks which barley scraped the surface of their hits and had no frills.

Wake up folks and try to understand what a real band does and what posers, fakes and pricks like ‘the head’ do and see which you’d enjoy better.

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TICKETS THERE LIKES: AEROSMITH – AEROSMITH

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on August 31, 2009 by Tickets There

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I’ve always been a part-time fan of the Smith. When I was younger I heard Walk This Way, Dude Looks Like a Lady and all those other hits everyone in the world heard many years ago. Their appearance in Wayne’s World II strengthened their image in my head (much like Alice Coopers in the first). However things took a turn for the worst when they released I Don’t Want to Miss a Thing before I ever got a chance to adopt them as a real favourite in the music books. This lack of Tyler, Perry and the boys continued until I decided to pick up a copy of their Devils Best of a couple of years ago. Listening to Love In an Elevator, Livin’ On The Edge, Sweet Emotion, Falling in Love and all the other hits was a nice little retro visit and the door was opened up again to truly appreciate Americas greatest hard rock band.

The first step of this revitalization was clear, start from the beginning so I picked up a copy of their self-titled debut album and it didn’t take long to get hooked in. Stephen Tyler’s voice was so simple in 1973. He had none of the cliché trademark he emphasise these days and the band’s sound was much more low-key. They could have been compared to the likes of AC/DC rather than Guns N Roses. There is also a distinct lack of ballads that bogged their later eighties, nineties and current career with one exception, Dream On. A powerful ballad styled song with a style all of its own, which stands out miles from the other tracks on this record.

Opening with the stripped back, riff filled Make It. Aerosmith dishes out one classic after another that puts many of their later work into a cold, dark shade. Somebody, One Way Street, Write Me and Movin’ Out provide the back bone of this album while a cover of Rufus ThomasWalkin’ the Dog, Mama Kin and Dream On make it the classic it is. Mama Kin’s opening riff, blues rock piano melody and swagger is pure rock n roll and without a doubt the bands first definitive hard rock track.

If you’ve only ever heard the greatest hits and you want to find out more about Aerosmith, check this album out. Toys in the Attic and Pump can WAIT, trust me.