Archive for Radiohead

Pay To Play – Tyrants, Thieves and The Bands They Rob

Posted in General Tickets There Blog, Music, Special Features with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , on October 13, 2010 by Tickets There

If there’s one topic that every music site, blog, magazine and opinionist in the world has to voice their view on at one time or another,  it’s illegal downloading. Ever since the whole Metallica Vs. Napster fall out in 2000, the music world has become strongly divided on the subject of illegal downloading and file sharing. Bands and fans alike have split right down the middle with some artists strongly supporting moderate file sharing while others bitterly oppose illegal downloading of their music, their work and their art. Tickets There strongly supports the latter and since UPC won their case yesterday, we decided it was the perfect time to tell you why.

Anti-Capitalism – Viva La Revolution!

Is anyone else getting sick of people constantly heralding the advantages of illegal downloading? The constant punk rehash drivel we’re subjected to every time an outspoken unemployed college student or post grad jumps to defend illegal downloading and the D.I.Y. environment that’s rising from the ashes of the once mighty music industry? The whole anti-capitalist, anti-system propaganda they drill you with to justify their positions and the slew of examples of tyranny and control the record companies yield and the travesty that befalls good bands. Sorry my friends, you’re not hurting anyone….aside from the bands you claim to love and support that is.

Funnily enough, you rarely hear any of these struggling artists come out and support the outspoken contingent that drives these messages. I’ve yet to hear one of the hundreds of independent Irish bands who are actively looking to make a living from the music industry and their art come out publicly and say yes, ‘we want people to illegally download our music and share it with the world forever’. They may give a free single here and there, offer free streaming of new albums but that doesn’t mean they want you to ignore the physical copy when you see it in Tower, or click next when it pops up on ITunes. They’re offering you these free streaming sources because that’s practically the only thing new bands can do these days to make themselves known and make a name for themselves. It might be easier if they had a record company behind them, you know pushing their name, getting them airplay, managing them properly and what not  but no, the ‘champions of the illegal file sharing’ have made certain that there’s no money to be made from real bands anymore. Round of applause, you’ve done a good job killing hopes for new bands around the world.

While these ‘champions’ make their speeches, write their articles and blogs, fill their IPhones, IPods and MP3 players with terabyte’s of stolen music, all the while feeling smug that they’re fighting the enemy, bands and artists are feeling more pressure than they’ve been subjected to in decades. It’s no secret that many, many bands and artists have/are and always will be given the shaft by the industry that feeds of their work but now, thanks to the lack of revenue from real bands (aside from the handful of lucky ones), record labels are no longer interested in even pretending to sign new acts and why would they be?

Record Companies = Tyrants?

Record labels are in the music business to make money, same reason as every other company out there. If they don’t make money, they can’t compete or give their artists a decent financial or competitive platform. These days, X-Factor, American Idol, Simon Cowell, Louis Walsh, Jedward, Take That, Justin Bieber and Cheryl Cole make money for the record companies so who do you think will benefit from that? I doubt anyone could believe that Justin Bieber’s success will land Ham Sandwich a recording contract. More than likely a Justin Bieber replica will reap the benefits.

Unfortunately, the industry isn’t hurting. But Jobs are being lost, less and less bands are getting signed, A&R men have become virtually non-existent, Promotion is becoming more focused on the guaranteed buck earners with little or nothing left for new and upcoming artists yet the machine keeps rolling. Major record labels like Sony BMG, Warner Music Group, EMI and the Universal Music Group continue their acquisition of smaller, independent labels because real bands aren’t selling albums anymore, which is creating an excellent little niche monopoly in the music industry. Without record sales, most independent labels haven’t a hope of surviving long and without these independent labels even fewer ‘real’ bands and artists will get signed in the future. The fewer ‘real’ bands on the scene decreases competition and stops people from being distracted from the main sales pitch and products. Welcome to a world laying the foundation for 24 hour, manufactured, conveyer belt music monopoly with no dangerous originality, no un-controllable elements and a marketing strategy that’s been perfected over decades and is now ready to come into full fruition.

But, But…..

There are arguments of course, the best being the claim that music is now returning it’s original state. Before the 1930’s, bands almost exclusively played live and that’s how they earned their reputation. Live performances were the be all and end all and now, more than any time over the past few decade’s bands are relying on live performances to make an income and afford to stay together. This is a fair point but next time you’re going to see your favorite Irish band and they’re playing to 30/50 people despite having (in your opinion) the greatest song repertoire in the country, ask yourself something, would you keep going? Would you be happy in your 5th year together playing to crowds of 10,20, 100+ max? Receiving rave reviews from the few major sources with readership, working hard to appear on any radio station, magazine, TV show or event that’ll have you and still end up with a better reputation than your bank account and ticket sales would lead you to believe?

It isn’t all about the money, but as a wise musician once told me, “if you’re gonna be in a band you need a lot of free time and a lot of money”. That is what it takes to make a real go of things in the industry but if you aren’t selling albums, aren’t filling venues but you’re still paying for studios, rehearsal spaces, travel costs for tours, management, booking agents, equipment rental, equipment purchases, tour hands, rent, food, bills..etc, etc then the money comes into play and bands need it to survive and compete. They need it to make a name for themselves. Thanks to illegal downloading, even some of the best bands are being left to rot and defend for themselves.

They Don’t Need the Money, they have enough!!

Some like to point out that they’re really only out to hurt money made bands and they still buy music from smaller unknown acts. Very decent of you, but please explain to me why those ‘smaller unknown bands’ aren’t appearing in the charts if that’s where your money is going. Record labels still aren’t signing these small bands because they don’t believe there’s a market for them. Why? Because older bands that sound like them aren’t selling anymore. Illegally downloading music from the likes of U2 and Metallica won’t hurt them financially in the same way it will a smaller act but if you step back a moment and see the big picture, you’ll notice any illegal downloading affects all of these bands, big and small. If bands like Radiohead, Nine Inch Nails and The Smashing Pumpkins want to give away their music for free then great. These guys all have studios, money and can do what ever they like. If a band doesn’t want you to download their music for free then have some respect and don’t do it. There’s no justification because it’s illegal and despite some peoples claims, it isn’t a victimless crime. It’s hurting the bands you love and only making the record company’s control of our beloved music world more dominant and powerful. Dead weight is cut, profits increase.

Couldn’t Care Less – Long Live Downloading!

As for the whole ‘you can’t respect something you didn’t earn’ theory. Well, that might explain why even semi-big independent album releases generate hype for about 2/3 weeks before disappearing off the face of the earth. People can’t focus or devote themselves to albums or bands anymore. It’s trendy to be eclectic and all knowing about everything but you know what, sometimes it’s a lot more enjoyable to find one good album and immerse yourself in it rather than finding 200 poor albums with various hooks and going through them like socks. Quality will always be king in the world, everything else is fleeting and that’s why the quality bands deserve the attention because they’re the ones you’ll re-buy on new formats. They’re the ones you won’t take for granted. They’re the ones you’ll dream of taking your kids to see, just so you can pass on the same joy you feel every time you think of their music and they’re the ones that you’ll bore your friends to tears taking about every chance you get because you just can’t thank them enough for giving you something very special and you want to spread that message as far as you can reach (Def Leppard RULE!!)

Don’t download, don’t file share and don’t rip off bands money. They need it to survive and the more money they make, the more likely it is the recording industry will come back and help these bands out again. There’s a lot more money to be made from bands who can tour and release albums for decades on end than there is from overnight success stories who manage to keep it together for a quick 3/5 year period before the press attention and drug problems send them spiraling out of control, Rock bands can hold their drugs and they know how to moon photographers when the occasion rises. Pay for music like you would anything else and support your local bands, your independent labels, your local Record Stores (who sadly didn’t get a proper mention here – we’ll make it up to them) and the recording industry. Things are only going to get harder and harder for these bands so let’s try to show them we do care and we’re not just in it for the freebies.


Coldplay, Kings of Leon, Radiohead, The Killers or KISS?

Posted in General Tickets There Blog, Music, News with tags , , , , , , , , , , , on October 6, 2009 by Tickets There

So the day is finally here. the day when KISS release their first album of original material in eleven years and folks, from what Tickets There’s heard, it’s going to be a special one.

To celebrate, TT has given you our personal KISS-LECTION guide, Reviews of Alive!, Alive II, Alive III and Alive IV (The Millennium Concert) and reasons to pick KISS before The Beatles and The Pixies. Now, Tickets There wants to ask you another question, Coldplay, Kings of Leon, Radiohead, The Killers or…KISS?

The Killers or KISS?

Want to pose in suits? Make sure you at least look as cool as KISS when they, Dressed to Kill!!



Radiohead or KISS?

If you’re going to be on a magazine cover, at least pick a respectable one.



Kings of Leon or KISS?

Why would this band even bother when KISS has Rock N Roll Over?



Coldplay or KISS?

Coldplay are just pathetic. Like U2 before them, they’re music for emotionally retarded housewife’s. This is the only picture I could find of them doing anything other than licking children from Africa and looking serious. So, to be fair I’ve only put up a simple, normal everyday group shot of KISS on top of the empire state building!!










Sonic Boom is out now!!


Posted in Album Review, Music with tags , , , , , , , , on September 17, 2009 by Tickets There


In celebration of Megadeth’s latest album, Endgame being a fairly decent output, Tickets There has decided to do a double review feature of two of their strongest albums, Rust In Peace and Countdown to Extinction. I’ll also probably do another double review including Peace Sells and Cryptic Writings tomorrow.

Megadeth – Rust In Peace (1990)


So let’s start in chronological order today. Rust In Peace is probably the bands defining record. Although Peace Sells had been a massive, massive hit for the band, it was only when RIP came out that they were truly elevated to the gods of metal status they enjoy today. It marked a shift from their classic Thrash metal roots while still retaining an aggressive, onslaught styled sound. In comparison to Dave Mustaines previous band Metallica, RIP is Megadeth’s ‘Black Album’ and it probably would have brought them much more fame than it did if Metallica hadn’t released the aforementioned metal devoid opus just a year after RIP came out. (ok, so it had Sad But True, Holier Than Thou, Don’t Thread on Me, Of Wolf and Man, The Struggle Within..ok enough, it’s a good album).

Kicking things off is Holy Wars…The Punishment Due. Very little you can say about this song except….it’s fucking crazy mental metal madness. How could you not pull your back out doing those massive head banging moments during the bridges. Amazing stuff from Mustaine and the boys. Next up, the equally incredible Hangar 18. Now, if by any chance you’re reading this and you’re a metal fan but you’ve never heard of Hangar 18, that just means you are a total douche!. Hangar 18 is metal. Like one of those songs that comes out and instantly owns a genre. I couldn’t be bothered looking up the net but I think there’s something like 18 solo’s on this one song. It’s a total Romper Stomper of a tune that would be very difficult for any band to match on follow up records. Full on drums, full on guitars, full on vocals n aggression, full on every mother fucking thing. This is Megadeth, welcome!!

How the hell can anyone top two tracks like that? Well they can’t fully, but Take No Prisoners gives it a damn good try. Full on Thrash metal riffs, thrash metal drums, thrash metal everything up the wazoo. I’m sitting down listening to this on head phones and you have no idea how hard it is resisting the temptation of throwing my computer out the window and setting off on a mayhem fuelled rampage. Maybe if I do, I could arrange a TT presents job of it and Take No Prisoners will be our theme song. Five Magic’s is another classic track (yes, this is just one of those albums). Slowed down intro, but things don’t take long to kick into gear. The pounding of the drums and guitars picking up pace leads the listener to think ‘ah, here we go’ but don’t get too excited., it’s not happening yet and then….out of nowhere Dave’s snarling, hate filled vocals rasp their way in destroying all the songs goodness and purity. In short, it becomes Megadeth 😀 Sound sad? Yeah, well you’re faceJ

Poison Was the Cure is yet another classic from this album. Not played too often live but it’s a damn fine wee number. I won’t ramble on too much because I have to finish Rust In Peace and move onto Countdown next. Great song, just listen to it. Same with Lucretia which sounds much happier than most Megadeth stuff until you get down to the full depth of it off course. Megadeth knows no humor. They’re like Radiohead, but ya know, not gay. Now, this next song is the one I’ve been driving towards. Tornado of Souls. I know, before you ask ‘How can a song called Tornado of Souls not get you arrested, beat up your wife and steal your car?’ well honestly, it does all of that and even insults your mother while it’s at it. This is Megadeth baby, what else did you expect?

Dawn patrol and Rust In Peace are fine songs. Good clean cut, sell your children to Turkish importers clean songs. If you don’t have this album, if you’re just starting to like Heavy metal, if you’re a human being I implore you to go buy this record. It will show you exactly how f**king amazing Megadeth were, are and always have been.

Megadeth – Countdown to Extinction (1992)


So you think most metal bands that were big in the eighties fizzled out and faded away under Metallica’s growing dominance over the scene after their black album? Unfortunately for any Met heads out there and possibly the band themselves, Megadeth released one of their finest recorded moments just a year after the Met had conquered all with their Black Album (and only two years after the incredible Rust in Peace). Why waste time with an intro when Skin O’ My Teeth is blaring through the headphones?

First of all, Skin O’ My Teeth does not sound in anyway Irish, don’t be fooled by the O’ (bad joke there TT – Ed)…..(Up yours Ed and stop interrupting my posts Biotch! – TT). Skin O’ My Teeth is without a single doubt one of the ten best songs Megadeth ever recorded in TT’s books. I mean this baby live is like a monster screaming at you from Mordor! Go find the find Frodo and don’t let Dave catch ya. Yes he’s that scary, haven’t you heard? I know he’s a born again Christian and all but that’s like Marilyn Manson becoming a born again….Christian….just shut up. But no matter how good SOMT is, no matter how much we love it, we love the next one even more. My girlfriend’s brother asked me once, ‘what’s the definitive Megadeth song?’ and there is only one answer when someone asks you that question, Symphony of Destruction. This is the song you play when anyone asks you what Megadeth are like. No, it’s not their heaviest and no, it’s not their lightest, this is 100%, full metal jacket Megadeth. A snarling, spitting beast of a track with guitars so militant they’ll drag your ass through boot camp before they hang, draw and quarter you. On par with anything else they’ve ever released and probably one of the greatest riffs/songs in heavy metal history.

Now that those two are out of the way, let’s move onto the other songs that make Countdown to Extinction so loveable and well, so damn good. Architecture of Aggression could be compared to Metallica’s One with its war styled intro but two seconds later it explodes into everything the title promises. War driven fury that Megadeth do best. Foreclosure of a Dream is one I never really liked the first few times I heard this record but god, give this baby a few listens and it’s some job. Now, I don’t mean to be rude to FOAD but the next song deserves urgent attention (partially because I got distracted and heard FOAD about 6 times on repeat and I want to move on). Sweating Bullets is a Megadeth standard. Can you imagine how kick ass this track is? No, you can’t. Not unless you’ve heard it. I’ll admit it’s no Hanger 18, Symphony of Destruction or Holy Wars but it’s bloody mental all the same. One of the Deth tracks you have to see live.

This Was My Life is much similar to a Megadeth album track that most of the others I’ve discussed today but when it comes to an album of this quality, that’s a good thing. The albums’ title track is another thriller of a piece, real full on one again. More melody than a lot of earlier Megadeth but hey, this was the nineties babe (hence why I’m saying babe every three seconds).  There’s such a great flow to this tune and it shows the Deth can write more than Thrash. Also, the chorus sounds like it could have been netter produced but it’s still catchy as hell. High Speed Dirt is another album track of the highest order, I mean, what does that even mean? Who cares, if Dave said it, it’s gotta mean something. Great, fast, energetic and vicious! Psychotron is more like an older Megadeth song. Hard, fast, dirty and brutally brutal for brutals sake…to put it simply. Captive Honour has more in common with their In My Darkest Hour style (well actually more like Risk and Cryptic Writings) and final track Ashes in Your Mouth is an okish finisher.

So that’s it. Two of Megadeths greatest albums done and dusted. Now I’ll leave you fine people to head out and grab these babies form the official Tickets There reviews send a shit storm HMV’s way. More than likely sales of the band will pick up 50% over the next three days. The band will pass this off as sales of the new album but we’ll all know better, wont we J.

Click Here to read Tickets There’s review of Megadeth’s new album Endgame

All the best,

Radiohead play Creep Live at Reading Festival!!

Posted in General Tickets There Blog, Music, Ranting with tags , , , , on September 1, 2009 by Tickets There


Shock, horror, amazement and astonishment. The blandest band in the world, Radiohead, actually played their biggest hit, Creep on Sunday night. Just saw the report on NME and I was almost bowled over with laughter. What sort of band headlines any huge show like that and ‘surprises’ the audience by playing the song everyone but the hardcore fanatics wants to hear. Like Metallica not playing Enter Sandman or Journey not playing Don’t Stop Believing.

This isn’t really a surprise though, Radiohead are a major part of the ever growing new breed of obnoxious bands that are dominating today’s musical landscape. If they’re not irritating pop/rock hairdressers, then they’re Radiohead wannabe’s or even worse, they’re Coldplay.  I don’t understand how bands can be so arrogant and pompous to play shows of this size and act like they’re doing their fans a favor by playing a song like this. What’s worse is people put up with it.  Why don’t you spend your money and time on bands who are grateful for your dedication and do exactly what you want on stage. I hear lots of Radiohead fans complaining about their newer albums and only the odd fanatic defending them as genius but the band still insist on filling up their set lists with a host of tracks from these records, rather than playing the music the people want to hear.

KISS are starting their world tour this month and you can damn well bet they won’t fill their set up with B-Side Eighties releases and new material. They play what the fans want them to play. Hell, they even let the fans map the tour for them. That’s what you want from a bands live show. Not two hours of ego fulfilling, time wasting nonsense.

What’s that you say, they even brought blue lights and cylinders on stage with them?? Wow, what excitement for those of you who were lucky enough to be there. How could you focus on the two hours of mediocre whining from a man so stuck up his own arse even Bono would have trouble competing when there was all that amazing technical wizardry going on around them…..sarcasm for those of you who didn’t get it. I’m all for letting the music do the talking, heck that’s my argument for Axl Roses current activities and the Chinese Democracy problems but if a band headlines a festival like this, wouldn’t it be nice if they did something special on stage and give people a truly epic show to remember. Not two f**king hours of tired old beer commercial references, cylinders, little snips of technical difficulties and the highlight of highlights, playing a song the whole crowd would know.

When Nirvana headlined |Reading in 1992, they opened with a play on the rumor of Kurt’s ill-health, shocking the audience before Kurt leaped from a wheelchair and burst into Breed. They followed with a 27 song set that included all their hits,. Remember, this was a band with two albums. Radiohead have seven albums and only managed 23 tracks which barley scraped the surface of their hits and had no frills.

Wake up folks and try to understand what a real band does and what posers, fakes and pricks like ‘the head’ do and see which you’d enjoy better.