Tickets There did not put in the work for this one, but the excellent Irish Metal Archive did and fair dues – what a savage band.
Based in Kildare and Carlow, the group are influenced by the likes of Judas Priest, W.A.S.P. Ozzy and a whole plethora of classic eighties icons and they’ve found a way to harness that sound and deliver some fresh, riff heavy metal. I’ve just given their debut EP a spin on the recommendation of IMA and wow – savage stuff.
Check out the band’s Bandcamp Page now and try them out. Three great tunes and definitely a band worth getting very excited about…well, once they hire a bass player.
Legendary heavy metal Godfathers Black Sabbath, have announced four Australian dates for 2013; sparking hopes the band intend to embark on a worldwide jaunt next year. The group performed three times in 2012 in the U.K. and US after a full scale reunion tour was cancelled due to guitarist Tony Iommi’s diagnosis (no C word here). On top of that the band ran into trouble with original drummer, Bill Ward over contractual issues. Bill still remains absent from the line-up but Ozzy, Geezer Butler and Tony will all be present and correct.
The band are currently working with Rick Rubin to complete their first original album in almost twenty years and their first with Ozzy Osbourne in 34 years. Guitars and drums have been completed with Ozzy and Geezer currently hauled up in Shangri La Studios in Malibu, California to complete vocal parts.
The Australian dates are on sale from Nov. 8th. Live Nation members can avail of a pre-sale that starts 09:00am Saturday.
Apr. 25 – Entertainment Centre, Brisbane Apr. 27 – Allphones Arena, Sydney May 01 – Rod Laver, Melbourne May 04 – Perth Arena, Perth
Billboard.com have a list of their Top 10 Halloween songs and we’re after tripping across it (through tireless searching on Google of course…..ok, so I typed Halloween Songs and it was result number 1 or 2 or something. Well, I didn’t see you clicking it!). The list isn’t bad, has the videos etc. Included, but they’re not very terrifying are they? I mean, no-body gets scared when they hear ‘Don’t Fear the Reaper’ by Blue Oyster Cult or ‘Highway To Hell’by AC/DC. No, they rock out and we feel a Halloween hits list has got to scare the living sh*t out of you. So nappies in hand, let’s see if old Tickets There (with our charming manners, sexy good looks and desperate need for nicotine) can do better.
10:’Halloween Theme Song’ John Carpenter – Well where else would you start? The soundtrack to 1978’s Halloween still remains on the of the atmospheric and intimidating ever released. The opening notes immediately remind you of good old Michal Myers and his personal demons and family issues. Of course, there was no Frasier Crane in 1978, these days everything would be worked out on the couch.
9: ‘I Love The Dead’Alice Cooper – Alice Cooper is Halloween for music. The original shock rocker spooked more minds than …. SATAN! Alice is your nightmare and all the things that are dark, eerie and sinister. He is the bogey man so trick or treaters be good or Alice is stealing all your candy.
8: ‘Feed My Frankenstein’ Alice Cooper – You didn’t think there’d only be one Alice in my list? did you? Didn’t I just get through saying that Alice is all things sinister and evil…etc,etc? Well anyway – TT has decided to pass up Talking Heads ‘Psycho Killer’ and the theme songs from Exorcist and Psycho to include this so you best listen and listen good.
7: ‘I Put A Spell on You’ Screamin Jay Hawkins – Need a good witchy number for Halloween – look no further. Except, we’re not including Screamin’ Jay (no offense), but we find Bette Midler’s version from Hocus Pocus much more appropriate.
6: ‘Bark At The Moon’ OzzY – A little panic, a little thrill – Bark At The Moon is a savage Ozzy tune from a mediocre album. Diary of a Madman and Blizzard of Ozz really cemented the mans reputation, but no-one can take away from this tune. Creeeeeeppppyyy.
5: ‘Ghostbusters’ Ray Parker Jr.– We’ll admit, Billboard had this one right. No Halloween would be complete without an airing of Ray parker’s iconic Ghostbusters tune. Along with Bull Murray’s comedy, Dan Aykroyd’s stumbling, loveable silliness, Harold Ramis’ staunch strictness and Ernie Hudson’s total disbelief at the crap he landed himself in – Ray’s song turned Ghostbusters into the most loveable ghost film of all time. On that note, Ghostbusters 1 & II have just been added to this week’s viewing list.
4: ‘This Is Halloween’ Marilyn Manson – Manson is in by the skin of his good graces. While the original is far more fitting as it embraces silliness and fun, creepiness and ghoulishness – it must be said that Manson did a good job, so why not try something new…ish?
3: ‘Black Sabbath’ Black Sabbath – Slayer’s ‘Reign In Blood’ was just replaced by this choice. Easily the most terrifying, dark heavy metal song ever recorded by man. All hail the mighty Sabbath and keep an eye on the blog over the next few minutes for something else Sabbath related.
2: ‘Thriller’ Michael Jackson – Obvious? Maybe, but it just has to be there – and it’s still amazing.
1: ‘The Monster Mash’ Bobby Boris Pickett – The greatest Halloween song of all time. What more can be said?
Think we missed anything? Leave your feedback and discuss. In the mean time, I have a scary halloween everyone…….
That’s right, the reality TV star and former prince of darkness Ozzy Osbourne is coming to Dublin to sign copies of his new Autobiography, I Am Ozzy.
Ozzy will do two sessions at Eason’s on O’Connell street on October 10th (11:00AM – 13:00PM) and then it’s over to Hughes & Hughes in the Stephen’s green shopping center (15:00 – 17:00 GMT)
No details have been released yet if wrist bands will be needed but Tickets There will keep you updated as I find out.
Forget Sharon, the Osborne’s and all that crap. Ozzy is a living legend and you’ll kick yourself in years to come if you pass up a chance to shake hands with the man (or at least get a Hello out of him :))
What happened folks? In the mid 50’s, Mr. Elvis A. Presley walked into Sun Studios in Memphis, Tennessee and became the very first, the best, the symbol, legend, embodiment and icon of rock n roll. Like Sid Vicious to Punk, Frank Sinatra to big band, Johnny Cash to country and western or even Dana to lunatics, Elvis was the total hero, founder and creator of rock n roll. Don’t listen to music nerds, geeks and critics (ahem), Elvis started everything. Forget who influenced him, forget who wrote for him and forget who marketed him, Elvis was it.
Ever since the Kings death, music has flourished through the efforts, talents and hard work, creativity of various people and constant changes in popular culture. From Elvis, Buddy Holly and Jerry Lee Lewis in the fifties, rock expanded and produced the likes of The Beatles, The Rolling Stones, The Kinks and many others throughout the early sixties. Before long Pink Floyd, Bob Dylan, The Yardbirds, Jimi Hendrix, Cream and many more appeared. The Doors came out of the west coast.The Who went rock, Led Zeppelin were formed and Jefferson Airplane stayed touring after Woodstock. Just before things could get civilized, Black Sabbath and Deep Purple came out. Queen, Clapton, The Sex Pistols, The Clash, The Stooges, Alice Cooper, T-Rex, KISS,…the list is endless people. Then came the 80’s, when pop reached a true peak before the ever looming wave of commercialism took it’s firm grip and strangled the genre, until it’s credibility was lower than Gary Glitters. On the other hand you had Iron Maiden, Metallica, Megadeth, Guns N Roses, Def Leppard, Whitesnake, U2, Judas Priest, OZZY, Slayer, Sepultura, before the end of the decade when Nirvana, The Chilli Peppers, Pearl Jam, Alice in Chains, Blur, Oasis, The Stone Roses, The Smashing Pumpkins, The Smiths, The Pixies, Joy Division, The Happy Mondays, New Order (yes the 24 lot), Faith No More, Nine Inch Nails and then (phew this is a long one) onto Marilyn Manson, The Foo Fighters, Weezer, Korn and so on before the late nineties and boom…nothing happened……funnily enough, fuck all has happened since. How in the hell did almost five decades of amazing, astonishing and diverse creation suddenly grind to an almost complete stop?
Things seemed to fall completely off course. Metal bands suddenly merged rapidly with dance music and rap. Korn had dabbled but so did Aersomith and nothing happened to them. Instead of Angus Young and the D belting out solid, hard hitting blues rock anthems you had fat ugly guys in costumes roaring at you about being bullied and still being virgins living in their mothers houses. Metro sexual, stylish geeks whining on about falling and crying about some girl next door that Lemmy would probably kidnap and turn into a hooker on sun-set before the night’s out. These guys in fitted suits, wearing ties with spiky hair, tattoos and dog collars were mixing Kraftwork with the eighties glam rockers like Twisted Sister, Poison and the likes while wearing their hair like girls. And I don’t mean the old style of hairy bikers drooling over a bar counter girly style, I mean a female hairdresser on a night out style. Like they were trying to keep disobeying the nagging disapproval from generations past and pushing things to some ridiculous limit that nearly goes full circle.
As for Pop music, that fell into the hands of TV companies, dance got old and turned into some demented, hindered state of destruction while indie music became overwhelmed by a horde of Eco-Friendly, Voices of poverty, injustice, animal cruelty and environmentally conscious millennium hippies. Voices that turned away from Indies recreational drug use, love and loss, party image and transformed it into a voice for all the issues in the world rock stars shouldn’t give two shits about, at least not on stage. The likes of Tom Yorke, Chris Martin, Bono, Snow Patrol, Kings of Leon, Kasabian and all that other horse shit. Their songs were so impotent, corpses of tax attorneys could laugh at them. Complaining, moaning and whining about the poverty and cruelty in the world they wouldn’t think of donating their profits to. Bands that appeal to societies total dregs. Bored children, housewife’s, grandparents, indie fans, jocks and just about every member of the heard the western world boasts. Droning brought to extremes of the human soul to a point it becomes so bogged down in ego, insincerity and boredom it would fail to shock a timid kitten.
Metal fell even more of the pits as the old genres piled up with hopeless hack impersonators before bursting at the seems into millions of decaying breakaways. Nu-Metal even buckled (not a bad thing, pile of shite aswell) as Emo broke through their last stand along with nu-punk and metal became even more appealing to the ugly, fat rejects of social society and the fashionable, jock culture more than ever before. After Radiohead’sCreep on the jukebox American Idiot and the Killers would follow and all the trendy’s and Goths alike would bop along. Metal was again infiltrated by main stream culture and unlike before the last ‘icons’ weren’t strong enough to tear it right back for the people of society who used the music as it should be used. Not for pusses crying and ugly nerds to find shelter. Metal is the music for the angry soul (sounds gay I know but hey, I am smoking in case you hadn’t noticed), the serious partiers, the ‘dangerous’ people of society.
Rock N roll lost it’s fight much earlier. After the Guns N Roses era came to a close, few rock bands ever managed to reach those heights again. Don’t even bother with the Killers and The Kings of Leon…or The Strokes bitch. I’m talking about real fucking n roll. The kind of rock n roll that made all the bad things bands these days demonize like drinking, sex, destruction, rebellion and a good hearty message of Fuck You to anyone who bothered them, fun!. Elvis shock things up, the Stones defined it, Aerosmith brought it miles higher while AC/DC put the fucking boots on before Guns N Roses perfected it in every single sense of the word.
The world is losing it’s icons. Right now I can’t think of any that have come out since the early nineties. I mean a true icon of rebellion. Pete Doherty, and Amy Winehouse make a mockery of drug addicted musicians which, throughout the history of music, have written some of the most amazing music ever created. The Beatles, Jim Morrison, The Grateful Dead, Hendrix, Keith Richards, Janis Joplin, Kobain etc. Bono, Yorke and Martin take the places of people like Neil Young with his stories, Springsteen and his zest for life and Bowies ever changing persona, image and style only to replace it with gilt tripping, giver of life wannabe humanitarian ideologist façade while they doge taxes and pontificate to fans what they should do, wear, believe in, live and breath. Forget ‘think for yourself’, the message was spelled out in bold impact lettering and strangely enough, a discontented mass fell for it, hook line and sinker.
That’s pretty much where we are in my eyes. I’ve forgotten many of the previous generation’s true greats but there’s only so much you can write in an hour and keep semi-coherent. I’ve also neglected some of the better talents to emerge on the international scene and some of the worse ones. Arcade Fire and MGMT to name a couple. But that’s how I see things, pretty much that black and white. Most of the old styles got confused, disjointed, lost in translation and overwhelmed in image, style and forced restrictions and beliefs and turned them into uninspired shells of their former selves. I’m not saying charity is bad, I’m not saying there’s no credibility in any of the new bands these days and I’m not saying looking after the environment is wrong, animals should be mistreated, people shouldn’t be nice to each other and drugs are good. I believe the exact opposite of each one and a conscious attitude is essential to the basic fabrication of mankind’s cohabitation together and civilized society. What I’m saying is people should learn this from other sources like parents and a proper education rather than one of mankind’s forms of entertainment. Aren’t we allowed to relax, switch totally off and dream sometimes with the horrors of some societies and the worlds problems being shoved in our face at every fucking turn?
Maybe there was one message spelt out by one of the golden age icons that we should listen to is the words of Jim Morrison.
“When the music’s over, turn out the lights, turn out the lights,”