Archive for Guns N Roses

MySpace Review – Million Dollar Reload

Posted in IRISH NOISE!, Music, MySpace Review with tags , , , , , , , , , , , , , , , , , , , on February 10, 2010 by Tickets There


Finally, Tickets There has found the band we’ve been looking for. After 76 MySpace Reviews, multiply that by 10 for the number of bands we’ve actually checked out as review candidates and the countless others we’ve come across in our seven or eight years as fans of Irish music. Million$Reload, in our opinion, are possibly the best Irish hard rock band that’s emerged from the emerald isle since Thin Lizzy. That might be actually be pushing it but right now, Tickets There is hard pushed to think of any other band that comes this close to perfecting one of the most exciting, hard edged sounds in modern music.

Hailing from Co. Tyrone, Million Dollar Reload formed in 2005 and released their debut album, Anthems of a Degeneration in 2007. The record seems to have received massive amounts of praise from major music publishers and critics from all across the U.K. and Ireland. They’ve toured with the likes of Alice Cooper and Gilby Clarke and some of the members were apparently involved with legendary Guns N Roses tribute band, Gunz N Rozes. This may help explain the bands incredible talent at writing four (and hopefully alot more) of the best hard rock anthems we’ve heard in many a year. Even Scottish hard rock act Wired Desire would have trouble competing with the sher perfection displayed by M$D.

Kicking things off is Livin’ In The City. What can you say? Blistering, assaulting, catchy, savage, cutting, riffage fueled monster? All the terms we’ve used before fail in the task of describing how kick ass this song is. It swaggers like Stephen Tyler in the seventies and hits harder than Lemmy would in a brawl. The song is just so full on and full of guitars and gritty street rock vocals. All this considered, it’s possibly the weakest song on the playlist. It begins!

Goodnight NewYork is everything Livin’ In The City was and more. The guitars are like something handpicked from an AC/DC anthem. The riffs are unrelenting in their power and the changes, hooks, choruses, bridges everything are just fantastic. The vocals on the chorus just pull the song up so many notches you’d swear you were in the Himalayas…the Himalayas of rock! (Jesus, seriously TT? ‘The Himalayas of rock’! Pity your writing doesn’t match the bands – Ed)

When we first ran through the tracks, third song – The Last Icon sounded a little dodgy. There’s always some element of reeking cheese with bands that try to write this sort of a song, but fear not as the band pull it off with exceptional style. The Last icon is a tribute to fallen rock legends such as Bon Scott (AC/DC), Elvis Presley (The King – Bitches!) and John Lennon (Hippie).  The intro is compiled from recordings of news reports from the days of Presley and Lennon’s deaths and the song starts off far more melodic and stripped back than the previous numbers. Before you think ‘here comes another Nickelback’, the band spice things up and some added riffage and attitude turn the song from Swiss Approved Product to thoroughly enjoyable, respectable slice of hard rock balladry.

Last but certainly not least, is the hard stomping, heart beating, fist belting anthem, show closer, curtain stopped, encore bound Fire Your Guns. Gritty, dirty, nasty vocals delivered with incredible force. Singer Phil possibly has the best hard rock voice of any band Ireland’s ever produced but the talent doesn’t stop there. Bam and Andy’s guitars give the song that razor slicing edge all good hard rock bands need. Their solo’s, riffs, melodies agh, everything is just amazing. The drums are just constantly smashing the hell out of everything and a pumped up bass completes Tickets There’s current favorite Irish hard rock group’s lineup. Fire Your Guns is just so incredibly full on and as catchy as Hell’s express train. Highway to hell? More like Armageddon marching hordes on the Autobahn to hell’s centre.  

Final opinion? Well, they’re alright. I mean, if you want to hear some of the best hard rock songs that have ever come out of Ireland, possibility the world, then I guess you could check them out. Every second their album isn’t in our hands we become more and more depressed. The more we realize we haven’t seen this band in their five years together we become depressed. This is a band worth checking out, loving, praising, financing, following and hyping up. Hell, these guys are so good they’re worth you heading out and building your own venue just so you can see book them.

Go check them out right now and don’t let them slip by your life for another second. CLICK HERE FOR PARADISE CITY!

Guns N’ Roses: More South American Tour Dates Announced

Posted in Music, News with tags , , , , , on February 9, 2010 by Tickets There


Fresh on the heels of an extremely successful Canadian and Asian tour, legendary rock icons and Tickets There favorites Guns N’ Roses have announced a slew of tour dates in South America.

After weeks of unconfirmed rumors circulating around the net, the news is now…almost official and the current set of definite dates can be viewed below.

Rumors of a summer/Autumn US Tour have now gone into overdrive as the band steadily proves to the world that they are back with a vengeance.

Mar. 07 – Brasília, Brazil – Ginásio Nilson Nelson
Mar. 10 – Belo Horizonte, Brazil – Ginásio Jornalista Felipe Drumond (Mineirinho)
Mar. 13 – São Paulo, Brazil – Palestra Itália Stadium
Mar. 14 – Rio de Janeiro, Brazil – Praça da Apoteose
Mar. 16 – Porto Alegre, Brazil – Ginásio Gigantinho
Mar. 18 – Montevideo, Uruguay – Estadio Centenario
Mar. 20 – Buenos Aires, Argentina – Estadio River Plate
Mar. 22 – Santiago, Chile – Club Hipico de Santiago
Mar. 25 – Lima, Peru – La Explanada Sur del Estadio Monumental
Mar. 30 – Bogotá, Colombia – Simón Bolívar Park
Apr. 01 – Quito, Ecuador – Estadio Olímpico Atahualpa

Photo © HankDPhoto (GnrDaily.com)

Slash – Solo Album Artwork, Track list and Release Date Announced

Posted in Music, News with tags , , , , , , , , on February 3, 2010 by Tickets There

Ex-Guns N’ Roses and current (apparent) Velvet Revolver axe legend Slash is nearly ready to release his much anticipated debut solo album. The record, entitled Slash, is coming to all good music shops and, strangely enough, newsagents on May 10th in the UK (April in the States).

As well as a standard record release, Slash, Roadrunner Records and Classic Rock magazine have teamed up to release a special feature magazine dedicated to Slash’s career that will come with an bonus version of the album.

Slash has been recording the album over the last year and he’s recruited half the recording industry to make it happen. Each track features a different guest vocalist and Slash is confident it’s the best project he’s ever been involved in.

While Tickets There would like to remain confident, his recent work, namely Velvet Revolver and his first solo single, Sahara (not featured on the album thank Christ!) leave little to be desired. Hopefully this album will produce the miraculous turnaround all his fans want to see him make and restore him to his former credibility.

Tracklist

01. Ghost (Ian Astbury, feat. Izzy Stradlin) (3:34)
02. Crucify The Dead (Ozzy Osbourne) (4:04)
03. Beautiful Dangerous (Fergie) (4:35)
04. Promise (Chris Cornell) (4:41)
05. By The Sword (Andrew Stockdale) (4:50)
06. Gotten (Adam Levine) (5:05)
07. Doctor Alibi (Lemmy) (3:07)
08. Watch This Dave (Dave Grohl, Duff McKagan) (3:46)
09. I Hold On (Kid Rock) (4:10)
10. Nothing To Say (M. Shadows) (5:27)
11. Starlight (Myles Kennedy) (5:35)
12. Saint Is A Sinner Too (Rocco De Luca) (3:28)
13. We’re All Gonna Die (Iggy Pop) (4:30)

Bonus tracks:

14. Baby Can’t Drive (Alice Cooper, Nicole Scherzinger)
15. Paradise City (Fergie, Cypress Hill)

Live, From Hollywood California – GUNS N’ ROSES

Posted in Music, News with tags , , , , , , on January 13, 2010 by Tickets There


Well it isn’t difficult to judge what today’s most popular search will be. Legendary, beloved heroes of Tickets There, Guns N’ Roses are opening the first night of a thirteen date Canadian tour tonight in Winnipeg.

The tour officially opened last month when the group played a mini tour of Asia consisting of four dates in Taiwan, Japan and South Korea. The shows were rapturously well received and rather than a burnt out shell of a formerly great band, the world got to see a glimpse of the strongest GNR lineup since the golden days of the late eighties. All the shows ran close to the three hour mark with their last show in Japan reaching three hours and thirty seven minutes.

The bands latest album, Chinese Democracy was released in 2008 but to a lot of fans disappointment, it wasn’t promoted with music video’s, interviews or a tour. Rumor has it lead singer, Axl Rose was unhappy with the way the release was handled and simply disappeared, shunning all his promotional agreements.

Tickets There would like to wish Axl, Ron and all the boys the best of luck on the tour. All going well, these shows will pave the way for the much anticipated European / American shows later in the year.

Check Tickets There’ Twitter or GNRDaily.com for more details.

Photo: ©HankDPhoto (Taken from GNRDaily.com)

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Guns N’ Roses – MTS Centre, Winnipeg, MB, Canada (13.01.2010)

01. Chinese Democracy
02. Welcome To The Jungle
03. It’s So Easy
04. Mr. Brownstone
05. Shackler’s Revenge

Richard Fortus Guitar Solo

06. Live And Let Die
07. Sorry
08. If The Wrld

Dizzy Reed Solo

09. Street of Dreams

Jam

10. Better
11. You Could Be Mine

DJ Ashba Guitar Solo

12. Sweet Child O Mine
13. I.R.S.

Jam
Axl Rose Piano Solo

14. November Rain

Jam

15. Scrapped

Bumblefoot Guitar Solo

16. Out Ta Get Me
17. Knockin’ On Heaven’s Door
18. Nightrain

Encore

19. Madagascar

Jam

20. This I Love

Frank Ferrer Drum Solo

21. Rocket Queen
22. My Generation
23. Patience
24. Paradise City

Guns N’ Roses: World Tour Begins!! (Taipei Setlist – Video)

Posted in Music, News with tags , , , , , , , , , on December 11, 2009 by Tickets There

It’s official, Guns N’ Roses are on stage and they’re rocking the hell out of Taipei. Follow the bands twitter page.

GNRDaily.com are updating their twitter page with the set list as it’s coming in so be sure to hop over there and check them out. Tickets There will have more news when the show’s over. (Setlist Below Video).

So far the band have played…

1. Chinese Democracy

2. Welcome To The Jungle

3. It’s So Easy

4. Mr. Brownstone

5. If The World,

6. Live and Let Die,

7. Fortus solo – James Bond Theme,

 8. There Was A Time,

9. Frank/Tommy solo

10. My Generation with Tommy on vocals,

11. I.R.S.,

12. Rocket Queen

13. Dizzy piano solo,

14. Street of Dreams,

15. DJ Ashba solo,

16. Sweet Child O’ Mine

17. Band jam,

18. November Rain,

19. Ron Thal guitar solo – Pink Panther Theme,

20. You Could Be Mine,

21. Shackler’s Revenge

22. Knockin’ On Heaven’s Door,

Encore:

23. This I Love

24. Jam,

25. Better,

26. Paradise City

Guns N’Roses: Possible Taipei Setlist Leak

Posted in Music, News with tags , , , , , on December 10, 2009 by Tickets There

CLICK HERE – To see Actual setlist from the Taipei show

Tomorrow night, Guns N’ Roses kick of their highly anticipated Chinese Democracy tour. Finally fans will get to see Axl Roses thirteen year opus live with the musicians who helped create it.

For fans of the band dying to see what they have in store it seems you don’t have to wait as a possible set list and a picture of the stage set up have been leaked. Check out GNRDaily.com to read more (and see more pics of the stage). Video below is the GNR Sound check. Setlist is beneath it.

Possible setlist for tomorrow’s show (Taipei, Taiwan 11.12.2009)

1. Chinese Democracy
2. Scraped
3. Welcome To The Jungle
4. It’s So Easy
5. Mr. Brownstone
6. There Was A Time

Richard Fotus solo

7. Live And Let Die
8. Sorry
9. If The World/Prostitute
10. Rocket Queen/My Michelle

Dizzy Fuckin’ Reed solo

11. Street Of Dreams
12. Knockin’ On Heaven’s Door
13. You Could Be Mine
14. I.R.S.

DJ Ashba solo

15. Sweet Child O’Mine
16. This I Love
17. November Rain

Bumblefoot solo

18. Shackeler’s Revenge
19. Outta Get Me
20. Nightrain

Encores:
1. Better
2. Patience
3. Paradise City

Tickets There: Top 50 Albums (2000 – 2009)

Posted in General Tickets There Blog, Music, News with tags , , , , , , , , , , , , , , , , , , , on December 9, 2009 by Tickets There

So, it’s decade ending time. All the music publications, webzines, blogs, fans everyone with a computer and the ability to type has a list of their top 5, 10, 20, 50, 1,000, 1,000,000 albums of the last ten years and the great, thoughtful, original minds that drive, create, nurture and bring you Tickets There have finally decided we’ll do one to. Sher if everyone else is, why wouldn’t we? Tickets There never claimed (in the last 30 minutes) to be original or independent so we’ll follow the herd with the list thing. Not really sure what’s the point since we probably only bought 20 albums in the last ten years that were actually released in that time.

Instead of doing the 1 – 50 order, we’re putting them in chronologically.  This is a basic, hastily put together history of what shaped the amazing, the incredible, the mind-bendingly stunning tastes held by all at Tickets There HQ.

(Please don’t give me hell for Testament, but that album deserves to be on this list, even though it wasn’t released in the time frame. Damn calendar counter counters!!)

Artist Album Title Year
Testament The Gathering 1999
Turn Antisocial 2000
The Avalanches Since I left you 2000
At The Drive In Relationship of Command 2000
The Dandy Warhols Thirteen Tales from Urban Bohemia 2000
Smashing Pumpkins MACHINA/The Machines of God 2000
Iron Maiden Brave New World 2000
White Stripes White Blood Cells 2001
The Foo Fighters One By One 2001
Ash Free All Angles 2001
Berkeley Hope Prayers and Bubblegum 2001
Muse Origin of Symmetry 2001
The Strokes Is This it 2001
Weezer The Green Album 2001
Idlewild 100 Broken Windows 2001
Rammstein Mutter 2001
Ben Kweller Sha, Sha 2002
The Frames Set list 2002
Johnny Cash American IV: The Man Comes Around 2002
Turn Forward 2003
Future Kings of Spain Future Kings of Spain 2003
Bell X1 Music in Mouth 2003
Queens of the Stone Age Songs for the Deaf 2003
Blur Think Tank 2003
Iron Maiden Dance of Death 2003
The Darkness Permission to land 2003
Motorhead Inferno 2004
Arcade Fire Funeral 2004
Jape The Monkeys At The Zoo 2004
The White Stripes Elephant
2004
Turn Turn 2005
Humanzi Tremors 2006
White Stripes Icky Thumb 2007
Marilyn Manson Eat Me, Drink me 2007
Happy Mondays Uncle Dysfunctional 2007
Siouxsie Sioux MantaRay 2007
Bruce Springsteen Magic 2007
Guns N Roses Chinese Democracy 2008
Metallica Death Magnetic 2008
Def Leppard Songs from the Sparkle Lounge 2008
Future Kings of Spain Nervousystem 2007
The Aftermath Friendlier Up Here 2008
Jape Ritual 2008
Whitesnake Good to be Bad 2008
Wired Desire Barley legal (EP, Honorable mention) 2008
Lady GaGa The Fame 2008
KISS Sonic Boom 2009
Megadeth EndGame 2009
Bell X1 Blue Lights on The Runway 2009
Them Crooked Vultures Them Crooked Vultures 2009

Guns N’ Roses 2010 Tour Official!

Posted in Music, News with tags , , , , , , on November 11, 2009 by Tickets There

guns2010121206_axl2

Moving swiftly along from the disastrous audio spectacle that is Slash’s new single Sahara and it’s totally original B-Side, Paradise City, we can now look on to the happy, happy news that is…drum roll please….the fact that Guns N’ Roses have made the 2010  Tour Dates official.

The bands MySpace and Facebook were updated with the dates today so all eyes on are on the gunsnroses.com website for the final confirmation.

Lead singer and living rock super god, Axl Rose and the band have yet to make any comment about the dates but all’s looking good so far. With any luck the band will start to announce further dates in the US and Europe soon.

Check Tickets There’s previous post for a full list of the dates and the official tour video by Clicking Here (Dates) and Here (Video)

Guns N’ Roses – gotta love em!

Slash – Sahara / Paradise City (Single Review)

Posted in Music, News, Single Review with tags , , , , , , on November 11, 2009 by Tickets There

musica-slash-trabalho-solo

Tickets There knows full well we should not be reviewing this, so we’ll keep it brief. Let us tell you right now, we hate both of these songs (yes, even Paradise City. It’s not a classic anymore. Instead it’s become…well, let’s save that for a little further down).

Sahara, featuring Koshi Inaba from Japanese hard rock outfit, B’Z (who’ve actually had something like forty odd consecutive number one singles and sold 78 million albums in Japan alone!!) Is one of the worst songs Slash has ever been associated with. We say one of the worst but honestly, we can’t think of anything else as bad, as boring, as shit as this track that Slash has worked on. It’s sooo boring, it doesn’t have any trace of rock n roll about it and the whole thing just reeks of ‘Gimmie Mo Money bitches!!’. With this single, Slash has sold out almost every ounce of credibility the famous living room guitarist had left. There isn’t even that many guitar moments in the bloody song so what’s the fucking point!!

As for the B-Side!. For a man complaining and whining about being asked about Guns N Roses all the time, it’s a wonder he didn’t stop and think that a cover of Guns N Roses classic, Paradise City would stir a few more GNR relaxed questions and conversations into the mix. Then again, let’s be honest. Slash was a great guitar player in Guns N Roses when he had Izzy, Axl and Duff helping out with the song writing, the singing, the composing, the attitude, the balls to pull it off and the chemistry to make it all work. On his own, with this album and it’s 1,000 page list of ‘guest musicians’, he’s just lost the plot.

Actually, I take that back. The plot for this album all along has been ‘Cash In!’ and that’ll probably work. Unfortunately it might just push Slash out of the musical limelight only die-hards and X-Factor viewers hold him I now.

Tickets There says shite but doubtless enough there’ll be some twat complaining about how unique, special, warm hearted, diverse and spiritual these mockeries are. Let me tell you right now, Tickets There doesn’t want to hear it.

Oh and Koshi, Hard Rock singers aren’t meant to sound like a guy who just got kicked in the balls with steel toe boots. They’re meant to sound like the guy that kicked him. Ask Lemmy!

GUNS N’ ROSES 2010 TOUR VIDEO

Posted in Music, News with tags , , , , , , on October 22, 2009 by Tickets There

axl-love

Seems things are really piling up in favor of the 2010 Guns N’ Roses tour actually going ahead. Axl Rose, Tickets There’s personal choice for greatest living rock legend and his group of guns will be hitting Canada and the world next year for a tour that looks set to be pretty massive. As long as Ticket sales and normal ranting issues don’t get in the way, the world will finally have one of hard rock’s greatest bands back on its feet.

For More detials about the tour, please Click Here and see TT’s original article with all confirmed dates listed.

Here’s a video for their show in London, Ontario on January 25th

Saturday Morning Rock Clock!!!

Posted in Music, News with tags , , , , , , , on October 17, 2009 by Tickets There

Want to be in a good mood today? The Rock Clock will sort that out for ye all. Get your coffee, smokes and kick back with five upbeat, good time, no bullshit Rock N Roll folks!!!

Gotta Love KISS. No other band in the world would have the balls to make this video!

Terrible Video – Might try and find a better recording!

ICONS

Posted in General Tickets There Blog, Music, Ranting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Tickets There

icons

What happened folks? In the mid 50’s, Mr. Elvis A. Presley walked into Sun Studios in Memphis, Tennessee and became the very first, the best, the symbol, legend, embodiment and icon of rock n roll. Like Sid Vicious to Punk, Frank Sinatra to big band, Johnny Cash to country and western or even Dana to lunatics, Elvis was the total hero, founder and creator of rock n roll. Don’t listen to music nerds, geeks and critics (ahem), Elvis started everything. Forget who influenced him, forget who wrote for him and forget who marketed him, Elvis was it.

Ever since the Kings death, music has flourished through the efforts, talents and hard work, creativity of various people and constant changes in popular culture. From Elvis, Buddy Holly and Jerry Lee Lewis in the fifties, rock expanded and produced the likes of The Beatles, The Rolling Stones, The Kinks and many others throughout the early sixties. Before long Pink Floyd, Bob Dylan, The Yardbirds, Jimi Hendrix, Cream and many more appeared. The Doors came out of the west coast. The Who went rock, Led Zeppelin were formed and Jefferson Airplane stayed touring after Woodstock. Just before things could get civilized, Black Sabbath and Deep Purple came out. Queen, Clapton, The Sex Pistols, The Clash, The Stooges, Alice Cooper, T-Rex, KISS,…the list is endless people. Then came the 80’s, when pop reached a true peak before the ever looming wave of commercialism took it’s firm grip and strangled the genre, until it’s credibility was lower than Gary Glitters. On the other hand you had Iron Maiden, Metallica, Megadeth, Guns N Roses, Def Leppard, Whitesnake, U2, Judas Priest, OZZY, Slayer, Sepultura, before the end of the decade when Nirvana, The Chilli Peppers, Pearl Jam, Alice in Chains, Blur, Oasis, The Stone Roses, The Smashing Pumpkins, The Smiths, The Pixies, Joy Division, The Happy Mondays, New Order (yes the 24 lot), Faith No More, Nine Inch Nails and then (phew this is a long one) onto Marilyn Manson, The Foo Fighters, Weezer, Korn and so on before the late nineties and boom…nothing happened……funnily enough, fuck all has happened since. How in the hell did almost five decades of amazing, astonishing and diverse creation suddenly grind to an almost complete stop?

Things seemed to fall completely off course. Metal bands suddenly merged rapidly with dance music and rap. Korn had dabbled but so did Aersomith and nothing happened to them. Instead of Angus Young and the D belting out solid, hard hitting blues rock anthems you had fat ugly guys in costumes roaring at you about being bullied and still being virgins living in their mothers houses. Metro sexual, stylish geeks whining on about falling and crying about some girl next door that Lemmy would probably kidnap and turn into a hooker on sun-set before the night’s out. These guys in fitted suits, wearing ties with spiky hair, tattoos and dog collars were mixing Kraftwork with the eighties glam rockers like Twisted Sister, Poison and the likes while wearing their hair like girls. And I don’t mean the old style of hairy bikers drooling over a bar counter girly style, I mean a female hairdresser on a night out style. Like they were trying to keep disobeying the nagging disapproval from generations past and pushing things to some ridiculous limit that nearly goes full circle.

As for Pop music, that fell into the hands of TV companies, dance got old and turned into some demented, hindered state of destruction while indie music became overwhelmed by a horde of Eco-Friendly, Voices of poverty, injustice, animal cruelty and environmentally conscious millennium hippies. Voices that turned away from Indies recreational drug use, love and loss, party image and transformed it into a voice for all the issues in the world rock stars shouldn’t give two shits about, at least not on stage. The likes of Tom Yorke, Chris Martin, Bono, Snow Patrol, Kings of Leon, Kasabian and all that other horse shit. Their songs were so impotent, corpses of tax attorneys could laugh at them. Complaining, moaning and whining about the poverty and cruelty in the world they wouldn’t think of donating their profits to. Bands that appeal to societies total dregs. Bored children, housewife’s, grandparents, indie fans, jocks and just about every member of the heard the western world boasts. Droning brought to extremes of the human soul to a point it becomes so bogged down in ego, insincerity and boredom it would fail to shock a timid kitten.

Metal fell even more of the pits as the old genres piled up with hopeless hack impersonators before bursting at the seems into millions of decaying breakaways. Nu-Metal even buckled (not a bad thing, pile of shite aswell) as Emo broke through their last stand along with nu-punk and metal became even more appealing to the ugly, fat rejects of social society and the fashionable, jock culture more than ever before. After Radiohead’s Creep on the jukebox American Idiot and the Killers would follow and all the trendy’s and Goths alike would bop along. Metal was again infiltrated by main stream culture and unlike before the last ‘icons’ weren’t strong enough to tear it right back for the people of society who used the music as it should be used. Not for pusses crying and ugly nerds to find shelter. Metal is the music for the angry soul (sounds gay I know but hey, I am smoking in case you hadn’t noticed), the serious partiers, the ‘dangerous’ people of society.

Rock N roll lost it’s fight much earlier. After the Guns N Roses era came to a close, few rock bands ever managed to reach those heights again. Don’t even bother with the Killers and The Kings of Leon…or The Strokes bitch. I’m talking about real fucking n roll. The kind of rock n roll that made all the bad things bands these days demonize like drinking, sex, destruction, rebellion and a good hearty message of Fuck You to anyone who bothered them, fun!. Elvis shock things up, the Stones defined it, Aerosmith brought it miles higher while AC/DC put the fucking boots on before Guns N Roses perfected it in every single sense of the word.

The world is losing it’s icons. Right now I can’t think of any that have come out since the early nineties. I mean a true icon of rebellion. Pete Doherty, and Amy Winehouse make a mockery of drug addicted musicians which, throughout the history of music, have written some of the most amazing music ever created. The Beatles, Jim Morrison, The Grateful Dead, Hendrix, Keith Richards, Janis Joplin, Kobain etc. Bono, Yorke and Martin take the places of people like Neil Young with his stories, Springsteen and his zest for life and Bowies ever changing persona, image and style only to replace it with gilt tripping, giver of life wannabe humanitarian ideologist façade while they doge taxes and pontificate to fans what they should do, wear, believe in, live and breath. Forget ‘think for yourself’, the message was spelled out in bold impact lettering and strangely enough, a  discontented mass fell for it, hook line and sinker.

That’s pretty much where we are in my eyes. I’ve forgotten many of the previous generation’s true greats but there’s only so much you can write in an hour and keep semi-coherent. I’ve also neglected some of the better talents to emerge on the international scene and some of the worse ones. Arcade Fire and MGMT to name a couple. But that’s how I see things, pretty much that black and white. Most of the old styles got confused, disjointed, lost in translation and overwhelmed in image, style and forced restrictions and beliefs and turned them into uninspired shells of their former selves. I’m not saying charity is bad, I’m not saying there’s no credibility in any of the new bands these days and I’m not saying looking after the environment is wrong, animals should be mistreated, people shouldn’t be nice to each other and drugs are good. I believe the exact opposite of each one and a conscious attitude is essential to the basic fabrication of mankind’s cohabitation together and civilized society. What I’m saying is people should learn this from other sources like parents and a proper education rather than one of mankind’s forms of entertainment. Aren’t we allowed to relax, switch totally off and dream sometimes with the horrors of some societies and the worlds problems being shoved in our face at every fucking turn?

Maybe there was one message spelt out by one of the golden age icons that we should listen to is the words of Jim Morrison.

“When the music’s over, turn out the lights, turn out the lights,”


Tickets There Likes: Guns N Roses – Use Your Illusion I

Posted in Album Review, Music, Ranting, Tickets There Likes: with tags , , , , on August 8, 2009 by Tickets There

GnR--UseYourIllusion1

There is one band in the world that has always come close to beating Def Leppard to the top spot in my all time favorites.  A band that I consider to be the greatest hard rock band of all time. I first discovered Guns N Roses in 1992, just a couple of months after Def Leppard when an older brother of one of my friends leant me the Use Your Illusion 1I& II albums in boarding school. Knowing that I was a Leppard and Meatloaf fan, I think he wanted someone else to share the mighty Guns with since everyone else had never heard of any rock bands. I remember trying Use Your Illusion I first because I preferred the cover and was instantly blown away by the sher force of the Axl’s voice and the guitars. I’d never heard anything like this and all of a sudden Leppard didn’t hold the holier than though pedestal I’d placed them on. Shortly after I managed to get copies of the alums from a traveller outside Mullingar at a wee market at some roadside restaurant like the covert and Guns were firmly brought into my life.

Aside from Adrenalize, I don’t think I’ve ever listened to an album so much in my life. Use Your Illusion I oozes sleazy Rock N Roll and as I got older, I understood more and more of the ands lyrics an hidden connotations. It was like an album that grew more and more mature with age and that’s the prime reason it never got left on the shelf when new bands came into my life. Despite being as big of a fan as I was, I’d never even heard about Appetite for Destruction or Lies and wouldn’t discover them for another  eight or nine years. Even when Appetite did come along, it’s never managed to replace Illusion 1 as my favorites; even now I can listen to that album and enjoy it as much as I ever did.

Before getting into the songs (and honestly, I don’t write these to try and review the greatest songs in my life. If you don’t know them there isn’t much point in you reading these), I should say that to appreciate the Guns, you really need to look at their career rather than just their music. Think of them like The Sex Pistols and you will understand Rock N Roll like the Pistols make you understand the true meaning of punk. Rock n Roll is meant to be an attitude more than the music. It’s that attitude that defines real rock n roll rebellion. It’s not anarchy, it’s lazy. It’s about doing what ever you like and not letting anyone tell you otherwise. Yeah it sounds cliché but that’s what it’s all about and if there is one man in rock who lives up to every single word of that, it’s W. Axl Rose.

Axl has never and will never do what record companies, fans, and mates, family or the press expect, pressure or beg him to do. Yes I’m sure there are all these underground guys who do the same but I’m sorry, Axl is the one with the millions under his belt and he still does what he likes and makes it work at his level. He didn’t give up after the Illusion and release one watered down alum after another for the following twenty years. He also didn’t go out of his way to keep the classic line-up happy and he continued Guns N Roses in his own way with the whole world laughing at him. Even the rock press and diehard fans failed to see the brilliance behind his methods and still today the fans that claimed to stand behind him still bitch log and beg for tours, special edition albums and music videos all the while their forgetting that none of these things will make the bands latest album Chinese Democracy any better. Axl is a musician who’s quite happy to let the music speak for its’ self. If anyone else did it and said that’s what they were doing, the world would cherish them and praise their musical integrity but unfortunately for Axl, they lampoon him.

Well I hope you will read this and look on Axl more favorably. He is not a front man interested in keeping old fans happy by travelling the world selling a decaying shell of a once great line-up, who’s former members have gone on to destroy their legacy’s and tarnished their images as the rocks leading hell raisers (except Izzy). He’s doing what he wants, how he wants to do it and any fan of rock n roll out there who criticizes, laughs or attacks him for this hasn’t got  fucking clue what rock n roll is all about. You’d be better of buying your Motorhead t-shirts in Top Shop and singing along with Summer of 69 when it’s one and leave it at that because Rock has enough posers already.

Anyways, Use Your Illusion I eh, great album. What else can I say?

GUNS N’ ROSES – CHINESE DEMOCRACY REVIEW

Posted in Album Review, Music with tags , , , , , on January 18, 2009 by Tickets There

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20 years ago, Guns N’ Roses were one of the most exciting bands in the world. Although they originated in the midst of the hair/glam rock scene in L.A., the band seemed to possess a quality that bands like Poison, Motley Crue and RATT..etc just didn’t have. Within three years, Guns had become the biggest band in the world. The massive selling Use Your Illusion albums saw the band grow from clubs and support shows to full blown arena jaunts. For almost three years, they toured the globe, bringing their massive stage show to every corner of the earth. Band members Axl Rose, Slash and Duff became icons, figure heads if every thing rock in roll about the nineties.

Within months, Nirvana, Pearl Jam and the grunge scene had erupted and destroyed the status of Rock stars like Axl and Guns. It suddenly became un-cool to live the infamous hell raising lifestyle set down by the likes of Jimi Hendrix, Zeppelin, the Stones and all the classic ‘TV out a hotel window’ groups. For the remainder of the decade, hard rock bands from the 80’s struggled to keep up with the times. Some of the groups like Metallica, Bon Jovi and AC/DC managed to retain their respect to a certain extent, while others like Def Leppard, Whitesnake and … became the butts of jokes to a new generation, who could no longer connect with the ideals these bands represented. Guns N’ Roses however, managed to fall of the face of the earth, as personal conflicts and legal issues tore the band to pieces. In the mid nineties, five years after the illusions, Slash and Duff Mckagan left the group causing fans to scream out in protest against Axl Rose’s increasing control of the band. For the remainder of the decade, there was little or no communication from the group, even when rumors of an album, entitled Chinese Democracy, that was already four years in the making, started surfacing. It wasn’t until 1999 that Axl finally broke his silence and Guns N’ Roses released their first original song in almost a decade. The track, Oh My God, appeared on the sound track to End of Days. It appeared the album was finally ready.

Despite the commotion in the late 90’s with Oh My God’s release and a handful of comeback shows in early 2001, the band failed to make the comeback fans had been dreaming off and instead, retreated back too the studio to continue working on Axl’s masterpiece. The new millennium saw occasional attempts by the band to comeback, all of which ended disastrously with cancelled tour dates, riots, broken promises and repeated disappointments. Although the band was relatively quiet for most of the decade, they were still a major focus point for the media and fans alike. Rumors about the original band, Axl and Chinese Democracy itself, circulated non-stop with everyone looking to contribute their two cents to the great Guns N’ Roses mystery that the majority of people had started to lampoon and dismiss as an album lost forever in Axl’s madness.

Fast forward to 2008 and Chinese Democracy has finally seen the light of day. After a reported fourteen years in the making, an estimated cost of $15,000,000 (in 2006), a never ending cast of musicians, studio’s and engineer’s used, Axl Rose has done the impossible and released the most highly anticipated album of all time.

The album itself has entered the world in much the same fashion that’s always surrounded it. It’s reported that as soon as Axl handed the album into label bosses at Geffen records, he fell of the radar completely, refusing to answer calls about promoting the album, arranging a tour or any other PR tasks normally undertaken by other bands for the release of the album. As a result, the album failed to achieve the coveted US Billboard 100, Number one spot that so many had seen for it. Although there are talks of promotion in the coming weeks, Chinese Democracy stands to Axl’s credit that Guns N’ Roses stand by everything they did when they formed, despite the lack of any other founding members.

Personally, I find describing the music on Chinese Democracy a challenge. There is enough material, both lyrically and instrumental, to fill an encyclopaedia. Fans that have been waiting since the Use Your Illusions’ for this record will no doubt approach the album looking for answers to fourteen years worth of constant speculation and questions or simply reassurance that, without the original line-up, Guns N’ Roses can still make the music they love. Unfortunately for those unwilling to change with the times, they could be faced with disappointment as many of those familiar traits have vanished, only to be replaced by a more mature, layered sound. Instead of Slash’s trademark blues lead guitar and Duff’s crunching bass, Chinese Democracy offers orchestral arrangements, walled in by polished guitars, all held together by a monumental production job that leaves no stone unturned. It’s very obvious that every second of the album has been planned out to the point of exhaustion and any questions about where all the time has gone, have been answered.

The grandeur and scope of the album are a credit to Axl’s perseverance and determination. Instead of releasing an album of Appetite carbon copies, Axl has completely rejuvenated the Guns style, building new levels of sound onto the original ideals. Epic ballads, such as Street of Dreams, Prostitute, Madagascar, This I Love, Sorry and There Was a Time show the Gun’s at their finest. While heavier tracks like Scraped, Riad and the Bedouins, Shackler’s Revenge, Better and Chinese Democracy are delivered in thundering bursts throughout the record, showing Axl can still deliver inexcusably heavy rock anthems without the aid of his former band mates.

Lyrically, Chinese Democracy is every bit a Guns N’ Roses record. Axl’s trademark defiance and passion is present in every verse, chorus and blood curdling scream. Fans are given an insight into one of the most talked about minds in music history, as your taken on a journey through themes that deal with love, control, anger, resentment and full frontal rock n roll. In contrast to previous work on Appetite, the Illusions and Lies, vocals play a more prominent roll as lead guitar intros are replaced by blunt starts and harmonies. It’s obvious from several of the lyrics on the album that Axl hasn’t been oblivious to the desperation of fans for this record’s release or the media’s increasing speculation about his personal habits. ‘I bet you think I’m doing this all for my health’, (I.R.S.), ‘You don’t know why I won’t give in, To hell with the pressure I’m not caving in’ (Sorry) and ‘I won’t be told anymore, That I’ve been brought back in this storm, And left so far out from the shore, That I can’t find my way back, my way anymore’ (Madagascar) being just a few.

There’s even more surprises in store as If The World, Catcher in the Rye and I.R.S. make a distinct jump from any of the bands previous work. Spanish guitars, RN’B/drum and bass and aggressive pop rock are all incorporated to make these songs a sound of their own. Despite several of the tracks being leaked over the last few years, all of them sound rejuvenated and fresh when heard in their true environment.

It was Axl’s dream for this album to be his masterpiece and despite the initial sales figures, fans continued cries for the original members return and media criticism, he has delivered. Although the albums release may end hopes for other rock stars receiving the same blind faith from their record companies, Axl has given the world a truly epic album that will stand forever as iconic symbol of persistence, hard work, vision and Rock ‘N’ Roll.

Velvet Revolver – The Ambassador Theatre – March 12th 2008

Posted in Gig Review, Music with tags , , , , , , on March 14, 2008 by Tickets There

Velvet Revolver landed in Ireland this month to play two sold out nights at the Ambassador Theatre in Dublin and Tickets There decided that Slash’s presence in Ireland deserved a mention (personal favourite ya see).

We wouldn’t really call ourselves Velvet Revolver fans. Their first album was half decent and we remember being pretty excited buying it just before heading to Alice Cooper in the Olympia a few years ago. The first full length collaboration with Slash, Duff Makagan and Matt Sorum, since the last Guns N’ Roses album (The Spaghetti Incident). The excitement managed to cover up the obvious flaws in the album for a few months. By the time their second album came out we’d had lost much of the original interest. We’d spent months following the silent goings on in the Guns N’ Roses world and the new Velvet Revolver album was the enemy, another barrier between the new Guns N Roses and the former band mates.

Liberty turned out to be one of the most over hyped pieces of rubbish we have ever had the displeasure of buying. Every song was a repetition of the track listing from the first album. Big Machine became She Builds Quick Machines while Fall to Pieces became Gravedancer’. It was so bad, it promoted us to write one of our first pieces, a short but scathing attack……and here we go again (thankyou Mr. Coverdale)

The gig was sold out, but there was no atmosphere. The crowd was at least 70% male and made up of ageing Guns N Roses rockers, extreme studiers (you know what we mean, the kind of guys who paid E175 to meet the band pre-show and get every album cover signed), Emo’s (four really annoying ones in particular) and kids…lots of kids.

Support was provided by Year long Disaster. At first they seemed like…well we don’t know what, just another post millennium metal band. Slow, meaningful lyrics, backed up hard, slow and BORING riffs. However, halfway through their set they really kicked things off, spiralling into classic Les Paul jams and spur off’s. ‘Y.L.D. proved to be pretty good considering…..considering they leave the nonsense metal out of it. Slayer did it as well as it can be done already so what’s the point?

VR came on stage about 9.30 hammering straight into Let it Roll, the first track from the last album. Let It Roll had all the trademarks of an incredible fast paced, slap in the face, rock anthem except it fails to deliver, much like the rest of the their catalogue.

I wouldn’t even bother describing the rest of the set song by song as it was all the same. Slash managed to get the loudest cheers every time he’d come to the front of the stage, Duff a close second, Then Scott. Rhythm guitarist Dave Kushner was seen occasionally hanging around while Matt tried desperately to perform strong enough so Slash and Duff wouldn’t wake up and realize their not in Guns N Roses anymore. Each song was delivered exactly the same except a quiet moment or two for the acoustics to be brought out. Even renditions of Guns N’ Roses classics It’s so Easy, Mr Brownstone and Patience didn’t manage to impress (us anyway, lots of other people were having a great time). We felt more disgusted that Slash and Duff would let Scott sing three of their greatest works.

There were a few highlights of the night. Firstly the presence of Slash and Duff McKagan (have I mentioned them yet?), Slash playing a double neck guitar during patience, The Ambassador’s smoking area and …..well, I’m sure there was any more.

Even the final song of the night Slither, their classic first single, was too far into the set to save the night. We’d already visited the cloak room before they had left the stage.

 Set List: Velvet Revolver, Dublin, March 12th/2008,

  • Let It Roll
  • She Mine
  • Sucker Train Blues
  • Do It For the Kids
  • Just Sixteen
  • Big Machine
  • American Man
  • Vasoline
  • The Last Fight
  • Interstate Love Song
  • Patience
  • She Builds Quick Machines
  • Get Out The Door
  • Fall To Pieces
  • It’s So Easy
  • Set Me Free

Encore:

  • Mr. Brownstone
  • Sex Type Thing
  • Slither

 

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