Archive for irish rock music

MySpace Review – Swanee River

Posted in IRISH NOISE!, Music, MySpace Review with tags , , , , , , , , on February 12, 2010 by Tickets There

Ladies and gentlemen, it’s Friday! Anyone love the fact that this day just never gets’s old? Tickets There always associates Friday with hard rock because it just seems like the perfect day to enjoy the sounds of hard, electric riffs, dirty swaggering vocals and intensity. Like the anticipation for the night to come or something, hard rock just defines the possibilities awaiting you, if you choose to dive in head first.

To celebrate the greatest day of the week, Tickets There has decided to finally review a band we found (with the help of the Soni Festival line-up announcement) a few days ago, The Swanee River. Formed in 2004, the guys are based in Derry and ever since hitting the scene they seem to have picked up a considerable amount of positive press form publications such as Hotpress & Classic Rock (easily the greatest music magazine on the market – except for the fact they’ve gone all ultra-sleek and a tad over photo-shopped and bland) and once again Tickets There is shocked we haven’t heard of them before, really need to start reading about newer bands rather than just focusing on Def Leppard. Anyways, we’re here now and after a hesitant start, it didn’t take long for first song, Take Me Away to, well – take us away (see what we did there?)

As usual, we haven’t seen the band live or heard their record.

After the full frontal rock attack Million$Reload carried out on our ear drums, the opening of Take Me Away didn’t exactly smack us in the face. We’ll happily admit that we were in a total hard rock buzz but fortunately we stuck through and carried on listening, Only forty three seconds later we were hit with one of the best hard rock choruses out there. The verse is stripped back, filled with bass melodies and guitars thrown into the background but once that chorus jumps in, its full speed ahead as the band pile drive ‘s through your speakers. Half way through, the structure changes and the song becomes a much bigger monster than you could have imagined. Rather the repeat the chorus ten times which would have been acceptable, the band break off into swooping gusts of classic rock riffs, guitars solo’s and vocal harmonies. This one goes on the play list.  

Made In The Shade is more of a typical classic rock album track. It’s upbeat and much more relaxed, mellowed out in comparison to Take Me Away. Although the extreme and ‘change’ elements aren’t there, the song remains really enjoyable and easy to listen to. There’s a lovely chill-axed vide to the band’s sound that would keep any rock fan happy.

Third song, Cold opens with a nice crisp blues riff. Overall it’s pretty similar to Made In The Shade except the style is more bluesy, jammy. Not bad at all but hasn’t managed to keep our attention on anywhere near the same level as Take Me Away. Fear not though, we have several more to go.

Travelin’ Man Superband is a heartfelt sing along, blues rock ballad. As ballads go it’s fine but very formulaic. To pull these tracks off properly, Hard rock bands have to add something extra and special to make them stand out. Swanee River have some nice backing vocals, the music flows well and, like all good ballads, you could see some good looking girl sitting at a piano in a dark, fashionable bar on stage with nothing but a piano, pull it off well. The chorus grows on you throughout the track and they don’t drag the harmonies out to the point of exhaustion.

Oh, we missed one, forth song Baby Better Lady sees the lads getting g back to what they do best, balls to the mother f**kin’wall rock! Now, we may have been less enthusiastic about some of the bands material but that’s really only because we want lots of Baby Better Ladies rather than seventies arena rock. Baby Better Lady is a heart racing, foot stomping heavy anthem. The guitars jump straight back to the front where they belong, the chorus is fist raising catchy fun and once again the band thrown in some nice changes half way though. The solo is one of the best we’ve heard in a good while and the singers vocals just jump from extreme to another. One second they’re cool, Paul Rodgers style and next minute Axl Rose is sticking a mike stand up your ass. Brilliant track!

Don’t Follow Me is second last and it’s an acoustic blues country number. This is actually a song we spent most of Wednesday listening to due to a mixture of trying to remember what it reminded us of and because it’s just a nice, cool song. Stevie Horner’s vocals are just incredible, not just here but on all the tracks. The different styles, notes and speeds he’s able to reform at are a credit and the band’s music perfectly suits his voice. Real easy going song to chill out to.

Richter Scale brings us to the end of our play list and to finish things off, the band perform a melody of Gilbert O’Sullivan hits with pan pipes….do they fu*k. Richter Scale is a toe tappin’, shot drinking slice of Louisiana bourbon, heavy pounding rock n roll. It’s actually a sweet mix of styles like those heard on Baby Better Lady and Made in the Shade. Heavy, fast rock n roll with all the jam, funk and ‘coolness’ of the seventies sound the band play so well.

Listening to these guys will make you happy. If you’re already happy, they’ll make you pumped, make you walk straight out of work, go find a bar, flip off the bar man, stick on a CD, up the volume and rock out for the day. Now ya can’t ask for any more than that on a Friday can ya?

Check out their MySpace now by Clicking Here!


MySpace Review – Million Dollar Reload

Posted in IRISH NOISE!, Music, MySpace Review with tags , , , , , , , , , , , , , , , , , , , on February 10, 2010 by Tickets There

Finally, Tickets There has found the band we’ve been looking for. After 76 MySpace Reviews, multiply that by 10 for the number of bands we’ve actually checked out as review candidates and the countless others we’ve come across in our seven or eight years as fans of Irish music. Million$Reload, in our opinion, are possibly the best Irish hard rock band that’s emerged from the emerald isle since Thin Lizzy. That might be actually be pushing it but right now, Tickets There is hard pushed to think of any other band that comes this close to perfecting one of the most exciting, hard edged sounds in modern music.

Hailing from Co. Tyrone, Million Dollar Reload formed in 2005 and released their debut album, Anthems of a Degeneration in 2007. The record seems to have received massive amounts of praise from major music publishers and critics from all across the U.K. and Ireland. They’ve toured with the likes of Alice Cooper and Gilby Clarke and some of the members were apparently involved with legendary Guns N Roses tribute band, Gunz N Rozes. This may help explain the bands incredible talent at writing four (and hopefully alot more) of the best hard rock anthems we’ve heard in many a year. Even Scottish hard rock act Wired Desire would have trouble competing with the sher perfection displayed by M$D.

Kicking things off is Livin’ In The City. What can you say? Blistering, assaulting, catchy, savage, cutting, riffage fueled monster? All the terms we’ve used before fail in the task of describing how kick ass this song is. It swaggers like Stephen Tyler in the seventies and hits harder than Lemmy would in a brawl. The song is just so full on and full of guitars and gritty street rock vocals. All this considered, it’s possibly the weakest song on the playlist. It begins!

Goodnight NewYork is everything Livin’ In The City was and more. The guitars are like something handpicked from an AC/DC anthem. The riffs are unrelenting in their power and the changes, hooks, choruses, bridges everything are just fantastic. The vocals on the chorus just pull the song up so many notches you’d swear you were in the Himalayas…the Himalayas of rock! (Jesus, seriously TT? ‘The Himalayas of rock’! Pity your writing doesn’t match the bands – Ed)

When we first ran through the tracks, third song – The Last Icon sounded a little dodgy. There’s always some element of reeking cheese with bands that try to write this sort of a song, but fear not as the band pull it off with exceptional style. The Last icon is a tribute to fallen rock legends such as Bon Scott (AC/DC), Elvis Presley (The King – Bitches!) and John Lennon (Hippie).  The intro is compiled from recordings of news reports from the days of Presley and Lennon’s deaths and the song starts off far more melodic and stripped back than the previous numbers. Before you think ‘here comes another Nickelback’, the band spice things up and some added riffage and attitude turn the song from Swiss Approved Product to thoroughly enjoyable, respectable slice of hard rock balladry.

Last but certainly not least, is the hard stomping, heart beating, fist belting anthem, show closer, curtain stopped, encore bound Fire Your Guns. Gritty, dirty, nasty vocals delivered with incredible force. Singer Phil possibly has the best hard rock voice of any band Ireland’s ever produced but the talent doesn’t stop there. Bam and Andy’s guitars give the song that razor slicing edge all good hard rock bands need. Their solo’s, riffs, melodies agh, everything is just amazing. The drums are just constantly smashing the hell out of everything and a pumped up bass completes Tickets There’s current favorite Irish hard rock group’s lineup. Fire Your Guns is just so incredibly full on and as catchy as Hell’s express train. Highway to hell? More like Armageddon marching hordes on the Autobahn to hell’s centre.  

Final opinion? Well, they’re alright. I mean, if you want to hear some of the best hard rock songs that have ever come out of Ireland, possibility the world, then I guess you could check them out. Every second their album isn’t in our hands we become more and more depressed. The more we realize we haven’t seen this band in their five years together we become depressed. This is a band worth checking out, loving, praising, financing, following and hyping up. Hell, these guys are so good they’re worth you heading out and building your own venue just so you can see book them.

Go check them out right now and don’t let them slip by your life for another second. CLICK HERE FOR PARADISE CITY!

MySpace Review – Stone Throwing Youths

Posted in IRISH NOISE!, Music, MySpace Review with tags , , , , , , , , on January 17, 2010 by Tickets There

Hangover is starting to disappear, feeling is returning to skull and Tickets There feels we’re ready to review yet another of Irelands emerging acts. For the next twenty or so reviews, we’re going to focus on unsigned bands competing in this years JD Set. Click Here to read more about that. Anways, ff Jack Daniels and music are involved, we’re betting there’ll be a handful of hard rock acts turning out for the prize. Judging by the opening riff from the first band we’ve checked out, we’re not going to be disappointed.

Haling from…all over Ireland by the looks of things, Stone Throwing Youths seems to be the brain child of two men, Mr. Brian Casey (Vocals, Guitars, Piano – names awful familiar) and Andrew O’Sullivan (drums).

As usual, Tickets There hasn’t seen them live or heard their album / EP

Wow. Opening song Relive Reborn is flat out deadly. It’s got a savage riff. It’s got savage vocals. It’s a hard, bruising monster of a track that smacks you’re head around a little. If any early nineties grunge act had released this, it’d be a classic. Brian’s vocals sound a tad weak at the start but as the song moves on it’s very obvious that his voice is absolutely fantastic. It’s heavy, harsh, powerful and in need of a serious producers attention to release it’s full potential. Tickets There loves this song! Tickets There really loves this song.

Since Long Ago starts a little slower leaving Tickets There to drop it’s excitement and come to terms with the fact that yet again we’d found another band who tease with one belter and then force you to sit through their emotions. That is until about a minute in when the guitars kick off, the chorus turns out to be ballad rock without the cheese and it only gets better. The guitars appear more and more as the song grows darker. A major riff appears, the vocals get gritty and the day is saved. Another one Tickets There loves.

The future’s bright, the futures Too Much Information. Riff, Riff, Riff!! Oh, give this man a Les Paul and make this song explode like it wants to. Deadly, power drive of an opening riff. Dark verse, Marilyn Manson meets Motley Crue style chorus! Retracted speed, bruising power and the daunting off beat drums let the mighty chorus smash through the dizzying void. Vocals are incredible, Jesus, imagine seeing this sh*t live!! Incredible stuff. Aw, must be played many more times at full volume. Where the hell have these guys been!

Yes, Piankiller style drum opening, Stone Roses style guitar and then what? The Pogues covering The Smashing Pumpkins before turning back into the Stone Roses covering Snow Patrol or something? It’s like three deadly bands covering the catchiest band on the planets latest single at the one time in different styles. It’s got the upbeatness of a person suddenly realizing they’re at Woodstock watching Jimi Hendrix. Downside Down, deadly!

That’s it!! Hell, if Tickets There ever get’s any money we’re paying for these guys album, their tour, their merchandise, their houses, cars, commercial sports teams, groupies, reunion press statements, pr and management companies, boats private islands, acting career startup cash, travel and accommodation during guest tv spots, drugs, smokes, booze and court cases. Twelve thumbs up, Nine out of Ten (Their album will get Ten, saving it ya see). Everything a respectable rock fan could want from a group…except a couple of solos.

Go check them out now or stop reading Tickets There!! CLICK HERE to visit their MySpace!