Archive for the Special Features Category

Hellfire()Sounds Review: Psykosis (‘Toxic Terror Storm’ Demo)

Posted in EP Review, Hellfire()Sounds : REVIEWS, IRISH NOISE!, Music, New Music with tags , , , , , , on March 5, 2012 by Tickets There


It’s Monday, it’s sunny and that means thrash metal is needed! Rather that rooting through the American bands for some tunage, why not try some local home-grown boys who are just as good. Psykosis are a Dublin born ‘n’ bred, God honest thrash band with killer riffs, no quarter lyrics and blistering solos. Oh yes, welcome home!

The band has one demo to their name and are looking to get their debut album out and onto your stereos as soon as possible. In the meantime the demo, ‘Toxic Terror Storm’ will be enough to keep your going. Opening with the rampaging ‘Toxic Fugitive’, the tune immediately blasts you into a no-holes barred, thrash world of carnage. Sneering lyrics overlapped with shredding guitar leads and riffs so forceful you’ll think you’re having a seizure.  ‘Terror At 3 A.M.’ turns things up a few notches with thundering drums/riffs creating a wall of power behind Grant Walsh’s vocals and guitars. Powerful chorus, savage solos – everything a good healthy dose of metal can deliver really.

The Demo closes with the fearsome ‘Bonestorm’ which starts off with one solid riff that pounds its way through the track. If you’re into mind-numbing riff ‘n’ solo style metal, then this is your baby. Dense, hard and heavy and a crackin’ tune to finish the demo of with. In short, Psykosis are a formidable force on the Irish metal scene. Well worth checking out and another band you’ll be hearing more about on Tickets There in the future.

All tracks on the demo are available on their MySpace Page (Click Here) and they play the Wacken Metal Battle Semi-Final II on March 24th @ The Pint, Dublin.

The Riptide Movement Confirm Album Release Date

Posted in IRISH NOISE!, Music, News with tags , , , , , on March 3, 2012 by Tickets There

One of Tickets There’s favourite Irish bands, The Riptide Movement have confirmed their second album, ‘Keep on keppin’ on’ is finally finished and will be released …(drum roll please) – April 20th 2012!! A post from the band confirmed every thing’s ready to go, but it wasn’t easy or fast to get them to this stage.

“They say good things come to those who wait…. its only taken us 2 years, €40,000, 1 Orchestra, 4 studios, a clatter of musicians and a crazy dude on a didgeridoo..but like a fine pint of Guinness this beast is ready to be enjoyed. Our 2nd album Keep on, Keepin on’ is due for release Fri April 20th. Are you ready? Thank you all for your support, big, big love. T.R.M”

The bands début, ‘What About the Tip Jars?‘ was released in 2009 and this follow up has been highly anticipated, a lot of that thanks to their tireless touring, hit single – ‘Hot Tramp an of course that good ol Cajun sound. Bring on 2012!

Thin Lizzy Announce 2012 Dublin Gig

Posted in Gig Listing, IRISH NOISE!, Music with tags , , , , , , , , , on March 2, 2012 by Tickets There

Thin Lizzy will return to their spiritual homeland this August with a freshly announced show at Dublin’s Olympia. The show takes place on 16th of August with tickets going on sale Friday, march 9th priced €35.50.

The current line-up of the band features classic members Scott Gorham and Brian Downey, as well as Rick Warwick on vocals, Darren Wharton on Keyboards, Damon Johnson on guitars and Marco Mendoza on bass. They last played Ireland in June 2010 when they opened for Alice Cooper and Def Leppard at the O2. If that show was anything to go by, this date will be a blinder.

DATE: August 16th VENUE: The Olympia TICKETS: €35.50 – on sale March 9th @ 09:00 from Ticketmaster outlets

Hellfire()Sounds Review: Zealot Cult

Posted in Hellfire()Sounds : REVIEWS, Music, MySpace Review, Special Features with tags , , , , , , , , , on March 1, 2012 by Tickets There


In fairness, this should be flagged more as a ‘traditional music’ review than a metal one. Like in the bay area of San Francisco, they don’t call Metallica ‘heavy metal’, they call them ‘heritage music’ and ‘traditional bay area folk’. Same can be said the Zealot Cult and Limerick. If Limerick was allowed revamp and update its traditional music, Tickets There would push for insane, gore oozing, gut punching death metal. The tracksuits would probably win out and you’d end up with the Rubberbandits, but what can ya do?  

Zealot Cult are on the bill for the Wacken Metal Battle Semi-Final II so we decided we’d give them a spin and all we can say is, ‘Warpath – watch yourselves’. We’ve been spending some quality time on their MySpace player for the past couple of days and while death metal may not be TT’s forte, we can’t help but enjoy the hell out of it.  Did the use of the word forte give it away?

‘Killing Spree’ kicks things off and ..yup, that’s what you’d imagine it sounds like. What you do is take two slices of hell, spread a little pain on there. Cut thick slices of punishment and drizzle it with doom. Make sense? If not, you just don’t get metal. ‘Knives of the Zealots’ (knife title)…..(sorry), is a little more up front. Have no idea what’s going on here, but someone’s pissed. Another few lashings of doom and you’re done.

Architects of Carnage’ (another bitching title) is faster, more aggressive and more violent than the other tunes. The kind of tune that makes you push the guys in front of you, no matter where you are and force them all into a pit. ‘Portraits in Blood’ is probably the radio single here. Much tamer and a lot more mainstream than the other tracks in the player. Fairly catchy chorus and a savage solo. Of course I’m joking, about everything but the solo! Alas, ‘Homicide’ brings us to an end. Another spree of rabies infected death metal over and nowhere to go. These guys are going to go far in the Wacken Metal Battle if they’re as good live as they are on record. Should make for an interesting final if they go through.

Check out their tunes @ MySpace. Apologies for references to Metallica in two consecutive posts, TT knows other bands but they just seemed to fit so back off.

Hellfire()Sounds Review: Exzeltic (Ground Zero EP)

Posted in EP Review, Hellfire()Sounds : REVIEWS, Music with tags , , , , , , , on March 1, 2012 by Tickets There


After seeing these guys on Saturday night at the Wacken Metal battle semi-finals, we’re confident there’s a future for thrash metal in Ireland. Taking their influence from Megadeth, ‘Kill Em All’ era Metallica (when they were actually thrash, like) and the Priest (Judas, not the other kind), the band play fast, heavy metal with riffs, solos and glass cutting vocals. Their second EP, Ground Zero, came out last year and it’s about time you heard it. Welcome to EXZELTIC

Kicking off with ‘Devastator’, the EP launches into raw thrash, under produced but sounding great. The solos are killer, the lyrics are brutal and the singing, well the singing unfortunately falls into the production problem but that doesn’t last and dramatically improves on the second track – ‘Infinity Crisis’..but first you need to get past the monster solo on Devastator, incredible stuff.

Infinity Crisis kicks off with some pounding drumming before the dual lead guitars launch the song to its feet. The riff is catchy as hell, classic crunchy riffs. Singing dramatically improves and the solos agghh. It’s hard to find an Irish band that have a grasp of this style, but Exzeltic have it by the bucket load and these recordings still pale in comparison to their live performance. Another ranging battle of riffs and major soloing later – you have one hell a tune to get through. Raging rampage of carnage, if nothing else.

The EP closes out with a head banging ballad of world ending proportions. Now of course when we say ballad for thrash metal, we do of course mean a clean guitar intro and then open the void and jump. ‘Agent of Chaos’ is one of those frighteningly fast metal anthems that could fire itself onto any decent thrash record and still kick the other tunes asses. This is the moment on the EP where everything falls into place to deliver a 100% bonafide piece of classic music…except that one bit at 04:15, drop that tiny little guitar thing and all is well.

If you like your trash or just like all metal, Exzeltic are the band to check out as soon as you can. Normally Tickets There doesn’t do this, but we’ve included all three of their tunes below because we firmly believe this is one of the most exciting old-skool bands in Ireland at the moment…that we’ve heard.



Hellfire()Sounds Review: Rebels By Nature

Posted in Hellfire()Sounds : REVIEWS, Music on February 22, 2012 by Tickets There

Despite the awesome “!!metal-\,,/-ness!!” of Hell()Sounds, we’re also going to cover hard rock (like it or not) cause metal is great and all, but you need diversity…..well, do you f**k, but hard rock is always welcome.  Today we’re looking at Belfast band, Rebels By Nature who mix raspy, gritty vocals, heavy guitars and booming tunes that appear just one decent producer away from kicking the living crap out of ya. Tonight Matthew, we’re going Facebook!

First of four tunes on their Facebook is ‘Dead Man’, a sweaty ball of riffs-attitude and lead-GALORE!. There’s moments where the music disappears and sounds a little weak but everything’s here and it just needs a proper rock producer to step in and knock it together. Lyrics are great, vocals style is fairly brutal – think Lemmy meets Kieran Daly (X-Wired Desire). ‘We Are Rebels’ is a little grittier, harder and better built. There is the odd moment where a pointless lead jumps in and everyone else downs tools. A song like this needs adrenalin, no stopping but it doesn’t manage to destroy the pace and it still kicks ass. The best though is yet to come…

Third track, ‘Where The Wasteland Ends’ is a country styled ballad. Country styled ballads have no place in HELL()SOUNDS so we’re moving on! Post-Country Ballad confusion, we have ‘Blood & Whiskey’. One of the most over used, but still coolest titles floating around the rock world. Who doesn’t want to have an original song called Blood & Whiskey in their set? It’s like a f**king epic! Fortunately Rebels By Nature can be proud of theirs. Rallying, heavy as hell and a true, 100% bona fide stomper of a tune. There’s improvements  that could be tacked on here and there, but not much in fairness. Tickets There can recommend giving the live version a go for proper effect. Check out their Facebook now to hear there tunes (yes, including the country ballad thing). Rock on!

Happy ASH:WEDnesday

Posted in IRISH NOISE!, Music, Special Features with tags , on February 22, 2012 by Tickets There

If you’re giving up one thing for lent, make sure it isn’t ASH! Join in wishing Tim, Mark and Rick a very happy ASH Wednesday!




Hellfire()Sounds Review: Shardborne (Aeonian Sequence E.P.)

Posted in EP Review, Hellfire()Sounds : REVIEWS, Music, Special Features with tags , , , , , on February 21, 2012 by Tickets There

As with the IRISH NOISE! Reviews, we’re not limiting ourselves to just random tracks for the Hellfire series. Today for example, we’ve been listening to Shardborne’sAeonian Sequence’ EP which was released last year as a free download or very nicely priced €5 CD. These guys have been around for almost ten years so we won’t treat them as newbies and neither should you. This EP screams experience, a fined craft for traditional Celtic folk metal and a powerful skill and writing very soothing, involved tracks.

Opening with the fantastic ‘B141’, it doesn’t immediately click that these guys are an instrumental band. Unlike some, they don’t go down the old road of basically writing a normal verse/chorus job and just forget to advertise for a singer. B141 is a mix of fast guitars, heavy drumming and swoops, loops ‘n’ changes. This feel is carried on in second track ‘Deimos’ which pushed both the bands lighter side, with soothing brides, un-intruding guitar leads and waves before the mighty backdrop of drums and riffs trounce in; paving the way for the bleak ‘Aeonian Sequence Pt.1 – Societies Collapse’. Metal military drumming, chaos, sings of strength and aggression all pour into one of this track with the odd moment of computer jazz confusion and emptiness with the lead guitars acting as the protagonist and the wall of sound the antagonist. The jazz moments play Charlie Chaplin.

‘Pt.2, Enduring’ carries on the assault with heavier riffs, more poignant guitar leads and even a touch of romance. This isn’t a song, it’s a full blown stage production with characters, stories and emotion. An excellent piece of music from start to finish that could be amazing in a live setting with KISS’s budget. If you haven’t heard them, check out their Soundcloud and download this. Even if you don’t like instrumental music, I can guarantee you’ll hardly notice and by the time you reach Aeonian Sequence Pt.1 & 2, you’ll be sold. Excellent find! Long live Limerick metal!

Hellfire()Sounds Review: OVEROTH

Posted in Hellfire()Sounds : REVIEWS, Music, Special Features with tags , , , , , , , , , on February 20, 2012 by Tickets There

Welcome to Hellfire()Sounds, Tickets There’s brand new metal review series. Like the Irish Noise and MySpace Reviews of the past, we’ll be jumping around MySpace’s, Facebook profiles, Soundcloud’s….etc. for the best new / old / unheard / overplayed metal we can find. Today we kick off the series with Overoth, whose five MySpace tracks have been doing the job all the way to the bank this morning.

Overoth have promised a comeback this year with new material well under way. In the meantime, metal fans would do well to revisit the Belfast band’s debut album Kingdom of Shadows (2010) and their debut E.P. Death Personified (2007) which are both represented in the bands MySpace player. Kicking off with ‘Upon The Alter’, Overoth’s present a cryptic-doom laden sound with creeping evil guitars, brawling vocals and an all-consuming aggression. Against a back drop of impending doom, Andy Ennis’ vocals bellow forth with a crisp, convincing sound needed to carry death metal and brand its mark upon the listener. ‘I Am Evil, I Am All’ (killer name) again shows the quality of the band’s debut album with dense wall of rhythm heavy sounds, while ‘Death Personified’ comes spiralling out with a renegade twirling nightmare feel. ‘Suffering of the Detained’ and ‘Oath of the Flesh’ again deliver a faster, sharper sound than that seen on the Kingdom of Shadows tracks on offer, but you’d miss the apocalyptic backdrop the band apparently mastered in the three years between both releases….uhm, release.

Do we know what we’re talking about? Who cares – Tickets There is back and we love metal! Check out Overoth’s MySpace player @ http://www.myspace.com/overoth

Review: Def Leppard, Motley Crue, Steel Panther – Live @ The MEN Arena, Manchester (December 11th 2011)

Posted in Gig Review, Hy-Giy, INTO-NOISE!, Music with tags , , , , , , , , , , , , , on February 1, 2012 by Tickets There

Tickets There kept the head down majorly last year, but you didn’t think we’d miss one of the greatest touring line-ups in living history did you? The heroic conquering heroes Def Leppard, the filthiest grime and sleaze you can scrape off the streets of LA (Steel Panther :p) and the tided up and looking great Mötley Crüe all under the same roof! Not something to be missed no matter how far you have to travel.

Anyone that’s ever been to the MEN arena knows two things. First, it’s massive! Entering at the top level and walking down those oh so fun steps in the dark with thousands of people behind you is no fun whatsoever; but if fills you with plenty of adrenaline that can be doused with pints. Second, there’s no smoking….officially. What happens in the toilets, stays in the toilets. Aside from that, it’s easily one of the greatest venues in the U.K. with plenty of bars, merch stands, standing room and incredible sound. Walking in at the obnoxiously early time of 18:30, it’s strange to see the arena so full, but then again Steel Panther are already on stage and nobody wants to miss this.

Opening with ‘Supersonic Sex Machine’ from their new album, Balls Out, Steel Panther are on fire from the word go. While some felt their tongue in cheek take on metal wouldn’t wash with the English crowd (I cannot fathom where that idea came from) it seems Panther know what they’re doing no matter where they play. ‘Tomorrow Night’,’ Asian Hooker’ and ’Just Like Tiger Woods’ gain them a rapturous response from the crowd and an understood, open invite to return to the UK anytime they choose; but the night’s over yet. Their onstage banter, led by guitarist Satchel, and riff heavy tracks are the perfect entertainment to kick off a night of hair metal. The group close with the classic ballad ‘Community Property’, ‘17 Girls In A Row’ and the almighty giant, ‘Death to All but Metal’ and it’s oh so appropriate line, “Where is Def Leppard, Where is Motley Crue?”…well they’re backstage ”fucking groupies” according to singer Michael Starr. With the group earning “literally hundreds of pounds” to play this tour and their promotion over Reckless Love in the spandex genre, no doubt they’ll come back for more in 2012.

With the novelty side of the night over, it’s time for the first of our two headliners to lay the marker, throw the gauntlet and blow our heads off! Mötley Crüe explodes onstage with all the fire, energy and power they’re known for. ‘Wild Side’ (the greatest drinking song in their repertoire), ‘Saints of Los Angeles’ (proof they still know how to write bitchin’ tracks) and ‘Live Wire’ open the show. Nikki Sixx, Vince Neil, Tommy Lee and the great Mick Mars all shine on stage with Vince and Nikki covering every inch of the stage, Mick holding his own with the fans and on guitar; and of course, Tommy the legend overshadowing all of them from behind his kit. How does he do it? Well you gotta be blonde to find that out. In every possible way, everyone in attendance tonight knows they’re witnessing one of the most iconic bands in rock music at their best.

 ‘Shout At The Devil’ boosts a mass sing along from the crows with arms raised, explosions from the stage and pounding on the bass. ‘S.O.S.’ and the awesome ‘Primal Scream’ keep the adrenaline going before the band convene around a grand piano for a stripped back rendition of ‘Home Sweet Home’ before re-launching the action with ‘Looks That Kill’. Taking a break, the band retires back stage to let Tommy begin his drum solo and did we mention….. his drum was set up on a rollercoaster track? Oh Yeah! Tommy kicks off his solo as standard before the whole kit starts to roll to the left and right of the track before going into full 360° action without a single beat being missed. Slowing down, Tommy asks for volunteers from the audience to come up, eventually catching one bewildered looking lady who gets strapped in and flown off as Tommy drums the beat from the Chilli Pepper’s ‘Love Roller-coaster’. And we thought Steel panther were meant to have the theatrics! With that, the band return for Mick Mars apocalyptic-solo  before the bands returns for ‘Dr. Feelgood’.

As Crüe’s set comes to an end (still have another band! TT – you’re writing too much nonsense – Ed), Leppard singer, Joe Elliott, walks on stage to present Nikki with a birthday cake and rouse the crowd to sing to him. The set’s closed with ‘Mutherfucker of the Year’,’ Girls, Girls, Girls’ and ‘Smokin’ In The Boys Room’. With one encore of ‘Kickstart My Heart’, the boys are done and the stage is dismantled. While Vince’s voice has never been known for its dominating power in the arena, the sheer force of the band’s sound and incredible wealth of tunes makes them one of the must see bands on the road today. Anytime ye fancy an auld visit to Ireland lads, Tickets There will be waiting.

Now, time for the true Gods of the live arena. The band that sell sex, love and rockin’ out with every note! The one, the only (we’re fans – get over it); Def Leppard! While Panther have the comedy, Crüe have the edge; Leppard will always be the force that pulls it all together and adds so much more. They overcome every single obstacle in the book of ‘Shit things that happen to bands’ and still come out on top every time. They’ve lost members, limbs, fans, popularity and sales and yet here they are, 30+ years after their inception still headlining arenas around the world and breaking new ground with every step. No matter what you say about Def Leppard, they are a true model of how a band stays together, stays successful and comes out ‘winning’ every time.

Leppard kick of their set on a stage that suddenly looks twice as large with ‘Undefeated’ from their new live album, Mirrorball. The band looks every bit in shape and together as they ever have and they waste no time displaying those traits that help them outshine all others in their class. ‘Rocket’, ‘Action’, ‘Make Love Like A Man’ and ‘When Love and Hate Collide’ all lead the traditional route into the heart of their set with Joe Elliott’s voice literally decimating the sound system with its power. Despite the Crüe fans bickering about the true headliners tonight, no-one in the arena can deny that Elliott is knocking Vince Neil out of the park with every note. And it’s not like the rest of the band are taking a break either. ‘Gods of War’, a rare inclusion, sets the night on fire with its powerful riffs, courtesy of Phil and Viv. It’s pounding, yet starkly placed drums (aka – Mr. Rick ‘Thunder God’ Allen) and its incredible wall of backing vocals and heaving bas lines. Step up Mr. Sav. If this isn’t everything you want from a Leppard concert, I don’t know what is!

‘Two Steps Behind’, ‘Bringin’ on the Heartbreak’ and the mega ‘Switch 625’ really lay it home how good the band are sounding these days. It’s obvious the lads are delighted to be playing their first proper UK shows in four years (not including their 2009 and 2011 headlining shows at Download – ahem – Ed) and they’re basking in every minute of it. ‘Hysteria’ and ‘Animal’ follow before the pile drive the set home with the classics ‘Armageddon It’, ‘Photograph’ and ‘Pour Some Sugar On me’. The band scarified ‘Rock of Ages’ for Gods of War, but who’s complaining? Leppard return to the stage to round of an incredibly long but mind-blowing night with ‘Love Bites’ and the always classic, ‘Let’s Get Rocked’. Band happy, Lepp fans happy and Mötley Crüe begrudgingly tipping their hats – it’s a wrap.  After eight shows in five years, TT doesn’t know when we’ll get to see the mighty Lepp again, but one’s things for sure; there will be a next time. ..

….MAD4IT!

 

Happy Mondays Announce Olympia Date (Updated)

Posted in INTO-NOISE!, Music, News with tags , , , , , on January 30, 2012 by Tickets There

**UPDATED – 31st January 2012 – TICKET INFO**

Tickets are priced €49.65 incl. booking fee and on sale this Friday, February 3rd at 10am from Ticketmaster outlets and online at www.ticketmaster.ie
Original Post Below…

Happy Mondays indeed! News has just reached Tickets There (cheers Bru) that the original Happy Monday’s line-up are playing a number of dates in May and yes, there’s an Dublin one!. May 15th. The MADFORIT-MunDAYS will hit Dublin’s Olympia theatre for a nice of thrills, pills and dare we say –  bellyaches? Oh fact, this will be the Monday’s first Irish gig since 2007 when they also played the Olympia on their Uncle Dysfunktional (savage album) tour!

Expect to see Shaun, Paul, Bez, Rowetta and the gang have also been tipped to land support for the reformed (and far less fun) Stone Roses when they return to Manchester stages later this year. If this will go ahead or not is still to be confirmed. The full list of dates announced so far can be found below, we’ll follow up with price and sale date for Dublin as soon as we know it.

Oh, and did we mention they’re bringing Inspiral Carpets as support? You like that, don’y you 🙂

May 2012 – Happy Mondays May 2012 Tour Newcastle O2 Academy (3) Glasgow 02 Academy (4) Manchester Arena (5) Sheffield O2 Academy (6)] Bournemouth O2 Academy (9) London O2 Academy Brixton (10) London O2 Academy Brixton (11) Birmingham O2 Academy (12) Dublin Olympia (15) Leeds 02 Academy (17) Nottingham Rock City (18)

The Walls Announce :fund:it Campaign

Posted in IRISH NOISE!, Music, News with tags , , , , , , on January 30, 2012 by Tickets There

Perhaps a slight touch of Déjà vu  this morning for our readers, but The Walls have announced details of their Stop The Lights album :fund:it campaign. Steve and Joe have set themselves 27 days to raise €10,000 to help complete the mastering, artwork and manufacturing of the record which they hope to release in early March this year. There’s a fair whack of rewards available to fans depending on the size of their contribution including signed copies of the album, t-shirts, downloads, bonus releases, the chance to attend a song writing workshop with Joe and Steve Wall and even a once in a life time opportunity to have The Walls perform a show in your house. Please find the details below,

Our new album “Stop the lights” is almost finished and due to be released in early March 2012. It includes last summers radio hit Bird in a Cage and the just-released single Stop the Lights. This will be our third album (not including the Stunning albums). We’re really excited about it and feel the songs are as strong as anything we’ve released in the past.

Fund it is an ideal way for our fans to be part of the process and contribute whatever they feel is appropriate in a secure way…and you get handsomely rewarded for doing so . You can donate using a debit or credit card and its only debited if we reach the target.

We’ve worked with some great people in the making of this album, including Rob Kirwan who’s worked with U2 and recorded PJ Harvey’s recent Mercury Award winning album. Stop the Lights is being mastered by Geoff Pesche in Abbey Road, London. The artwork looks amazing and is being done by Conor & David, one of Ireland’s best graphic design team.

To pay for the mastering, artwork, manufacturing etc. we’d like to raise some money so we’re starting a Fund it campaign. We’ve set the target at €10,000 but we really hope to raise more as the overall costs far exceed that amount. We really appreciate you coming on board! Joe & Steve

To see the full details of all the rewards available to donators, please visit the :fund:it Campaign homepage.

The Aftermath’s ‘In Loneliness Lies Love’ Single – Coming to a Radio Near You!

Posted in IRISH NOISE!, Music, Music Video, New Music with tags , , on January 30, 2012 by Tickets There

Longford/The GAR mod rockers The Aftermath are back with a new single, a new video and a revamped line-up as they prepare the build up towards their second album. This week’s sees their new single, In Loneliness Lies Love arriving at radio stations around the country so be sure to have a call in and request it.

The video can be found below, lets wish ‘em the best!

House Of Dolls Announce :fund:it Campaign For Debut Album

Posted in IRISH NOISE!, Music, News with tags , , , , on January 29, 2012 by Tickets There

Dublin band House Of Dolls have announced a :fund:it campaign to help get their début album, Welcome To The Department Of Nuclear Medicine, completed, pressed and distributed by it’s current launch date, February 17th. The band are looking to raise €2,000 and have already amassed €1,395.00 in the few days since the campaign was launched. Anyone’s that’s heard their début single ‘Gimmie Some Glory will know these guys are worth every penny you can invest. Their official speal can be found below along with a breakdown of the rewards available to those who assist.

Since our inception we have been making ears bleed and having a good time doing so. In that time we have evolved, exploring, absorbing and devouring everything weird, wonderful and brain-blistering going on around us. But now it is time for us to put out on record the culmination of 3 years of beautiful chaos. We are on the home
straight….but we need to get by with a little help from our friends on this one.

So, here’s the deal. Over the past 4 months we have been busy recording our 11-track début album “Welcome To The Department Of Nuclear Medicine” with Liam Mulvaney in Bow Lane Studios. This album is a labour of love. This album is a snarling beast. This album has bled us dry. This is the spawn of House Of Dolls. One last push and it’s unleashed….

With time restrictions we need help to cover the cost of the album mixing, mastering and duplication fees. For the kind spirited souls who want to play a part in making this happen we are offering the rewards outlined to your left. These can be posted out to participants or collected from us at our launch gig in the Workmans Club, Dublin, on the 17th of February

The band are also offering rewards for donations which can be found below.

€10 + You will receive a copy of the album on the night of the album launch which is to be held in The Workmans club on February 17th.

€15 + You will receive a copy of the album on the night of the album launch and free entry which is to be held in The Workmans club on February 17th. (entrance on the night will be €10)

€20 + You will receive a copy of the album on the night of the album launch which is to be held in The Workmans club on February 17th plus a House Of Dolls t-shirt.

€30 +You will receive a copy of the album on the night of the album launch and free entry which is to be held in The Workmans club on February 17th. (entrance on the night will be €10). You will also receive a House Of Dolls t-shirt and a copy of House Of Dolls previously released single ‘Gimme Some Glory’

You can read more and donate @ www.fundit.ie .

Welcome To The Department Of Nuclear Medicinewill be officially released on The First Born Is Dead Recordings, February 17th with a launch show at the Workman’s club.

Tickets There: Song Of The Year: BOO YEAH!

Posted in General Tickets There Blog, Music, Single Review, Special Features with tags , , , , , , on December 31, 2011 by Tickets There

I think it’s fair to say that Tickets There has not been the most prolific writer of 2011! Well 2012 will see a change to that and *gob smacked horror* we’re gonna start writing again AND! It’ll be the best of metal / rock and the odd other from about this fine green land of ours (Holland!)……ok, sorry (*real brackets commence*)(EIREbaby!). Before all that, we’re going to take one final attempt at basking in what feel is easily the most impressive, memorable, kick ass, slow bruiser of a 2011 tune. If we’d put the title in the subject line you’d be home by now! Don’t be afraid to try new things, variety is the problem child of life –some things you just can’t reach…a love for, Reckless Love is not one of those things.

Song of 2011, sad to say we haven’t listened to a lot of new stuff this year, but we couldn’t escape Reckless Love ‘Animal Attraction’! When we first heard it, Tickets There was not happy. Copious amounts of coffee, staff meetings, dialogs, ‘Live Reviews – this is an active link….to the post below’ back and forth, firings, hiring’s, dialog, ass holes, bleach, Guinness, Amber Leaf, the lovelies, Jägermeister redbull, vodka, coke-a, Jack Daniels (ish), Def Leppard, Alice, Cooper, Steel Panther, ASH, Thin Lizzy. Motley Crue and mother-f**king love for all things rock ‘n’ roll – Reckless have won out. TLC b*tch of a song. Merry Christmas, Santa came early. Reckless Love, Animal Attraction is the tune, stones engraved, sermon delivered; now rock the hell out and get down with this bad son of a loving she devil!

Review: Reckless Love – Live @ Whelan’s, Dublin (Dec. 2nd 2011)

Posted in Gig Review, INTO-NOISE!, Music with tags , , , , , , , , , on December 4, 2011 by Tickets There

Is there anything better than glam metal? Def Leppard did it best (not open for debate), Guns N’ Roses made it dangerous and Bon Jovi tried to kill it; but 2011 sees a plethora of young bands revitalizing one of music’s most infamous genres. About bloody time!

In the thirty odd years since Leppard, Mötley Crüe, Poison, Guns N’ Roses and the likes took that old blues rock n roll, dumped a tonne of eye liner, Jack Daniels and explicit west coast sex into the mix; a lot has changed in the world. Geeks have taken over, bands ware scarves, converse, recycle like Germans and …God help us, Chris Martin and Thom Yorke are even considered rock stars. Don’t panic, there’s hope! Tonight, Finland’s extremely credible successor to Hanoi Rocks; Reckless Love are in Dublin to inject a little sleaze into our cold Irish blood.

Last year the band visited Ireland on their ‘Back To Paradise tour’ in support of their self-titled debut LP. Now they’re back with a new album, ‘Animal Attraction and a jump in venue; going from Crawdaddy to Whelan’s. A pint of the black stuff in hand, hair down; it’s time to rock n roll with openers The Dirty Youth who, if nothing else, manage to deliver a little ‘eazy on the eyes’ warm up. Not implying anything…. While we may not speak for everyone, this concert goer found it difficult to focus on their music right off due to the sight of their lovely lead singer Danni Monroe in short shorts. Yes, Tickets There likes short shorts. So, all’s well and they don’t sound bad either.

Taking the stage shortly after, tonight’s’ headliners easily manage to jump that all important step from opening act to main attraction. Pepe (guitars), Hessu (drums, crowd control) and Jalle (bass) take positions and kick into the group’s latest single, ‘Animal Attraction’. As the slow drums and feedback guitar fill the PA, lead singer Olli Herman slides on stage, teasing the impressive array of young Irish fillies lined up at the front. Despite some worries about Animal Attraction lacking in the balls department, Reckless prove the new material has just as much umpf as their standards, Animal Attraction and following track ‘Speedin’ deliver everything that’s good about the glam scene. Guitars, solos, speed and born-to-be-rock stars. ‘Badass‘ from their début comes next giving all fans the first major rallying point of the night. As calls come from the crowd for him to remove his shirt and a degree of tension from the ladies as he ponders it, Olli endorses the sound man and a few audience members to remove theirs first and start “to have romances together”. Ice firmly broken, let’s go.

The set is mostly taken from their new record with eight tracks getting an airing tonight. Born To Break Your Heart, Animal Attraction’s first single, ‘Hot’ and ‘Fantasy’ all get the band’s special live treatment and deliver a few instantly enjoyable riffs and chorus’s. The band blaze through tonight’s show with professional ease and arena style antics. Every pose, pout and kick are reminiscent of the greats; but revitalized with youthful energy from a band with a long career ahead of them.

Romance bring things back their full fighting harmonic best before the set gets rounded off with new tracks ‘Dirty Dreams’, ‘On The Radio’ and ‘Dance’. With the band fully in form and winning the crowd over with their new material, the return to their debut for the final pounding. ‘Wild Touch’ explodes from the PA like a panther, sounding stronger and more aggressive than any recording could capture. Returning for the encore, the band demand one final roar from the crowd before bringing it home with the cock rock-tastic ‘Beautiful Bomb’ and the anthematic ‘One More Time’. That’s twice Dublin Metal Events have had them over and hopefully they’re the first visits of many. Reckless Love are not a band you want to miss next time.

Guns N’ Roses – Live ?!*@ Like A Suicide: Vinyl & Cassette Buyers Guide

Posted in General Tickets There Blog, INTO-NOISE!, Music with tags , , , , , , , , , , , , , , , , , , on November 13, 2011 by Tickets There


This page is the accumulation of several years’ research, hard work, frantic panic, image comparing, fact re-re-re checking and the near collapse of my better half’s admirable patience. If you’re in the market for a copy of this record or you’re close to someone who’s searched for it, you’ll understand.

So you know who Guns N’ Roses are and more than likely you know what Live Like A Suicide is. If you didn’t you most likely wouldn’t have found this page. Live ?!*@ Like A Suicide is a mini-album released by Guns N’ Roses back in 1986. It’s a fake live record and was recorded in a studio with audience sounds added after. It contains four tracks, Reckless Life, Nice Boys (Rose Tattoo song), Move To The City and Mama Kin (Aerosmith cover). It was released by the band on their own Uzi Suicide label under the guidance of Geffen Records who were worried about the band’s instability and they wanted to test the market before pushing a full studio album. Reportedly 25,000 copies were pressed but only 10,000 copies were sold. It never appeared on CD so legit formats only include 12” vinyl and the rarer cassette; but we’ll talk about that later on. Originally I was going to write a handy point by point piece, but feck it. If you’re in the market and have the cash, then take the time to properly research your future purchase and avoid getting ripped off.

(DISCLAIMER: The information contained within this guide is based on my own research and may not be 100% factual. Tickets There does not guarantee everything in this guide is true and the only reason we’re saying that is because psycho-bitches sue everything in sight.

Due to the rarity of this release and also the fact it’s an official album release in the bands discography, Live Like A Suicide is a must have for all Guns N’ Roses collectors. Normally this would be handy enough, fork out a couple of hundred dollars and bob’s your uncle, but like everything else GN’R related, there’s a complication. If you like seedy Russian tricksters, deceit, worry, exploitation and more worry; then read on.

The Myth

Live ?!*@ Like A Suicide is not a highly difficult record to find, despite some collectors insistence that it is. At almost every minute of everyday a copy is being sold on Ebay. As for the records high price tag, this is entirely dependent on how much a fan is willing to pay. Factory sealed, undamaged copies have been valued by long time reference guide Ladydairhean @ $300. However it’s rare you’ll find a factory sealed copy for less than $400, especially on Ebay, Eil.com, Discogs..etc Again, the value will only go up and if you have the cash, Tickets There says ‘go for it!’. Unless of course it’s a fake which brings is to the real point of this page.

I started looking for an original printing of this EP about three years ago. Like everyone else who does a little research, I was introduced to ‘the myth’ which scares 100% of all LLAS buyers away from immediately parting with cash for a copy. The myth goes as follows; in the early nineties, some chap in Russia bought a vinyl cutting press and reproduced several hundred / thousand copies of Live Like A Suicide in an attempt to cash in on Guns ‘Use Your Illusion’ success. Whether or not this is still going on is unknown. If it ever happened like that at all is also unknown. One thing that is guaranteed, not every copy of Live Like A Suicide sold is an original and there are some very obvious, some very difficult and some un-guaranteed methods of checking if the copy you’re buying is an original or not.

‘LIES’

LIES is the second album release by Guns N’ Roses. It came out in 1988 and as well as featuring the classic Patience, the notorious One In A Million and the savage Used To Love Her, it also includes the four Live Like A Suicide tracks. Technically the album is an E.P., but what can you do. The front cover was a take on all the bad press the band were generating with their off stage antics, the back cover was a re-print of the original Live Like A Suicide art work and that’s were the trouble begins.

People looking to buy LLAS will generally run into the LIES problem first. This is when a seller posts an image of the back cover of LIES and advertise it as LLAS. Most sellers will generally slip a note in somewhere saying it’s actually LIES you’re buying, but some miserable bastards won’t. Fortunately you’ve found this guide and we can help.

LIES Front & Back Covers: Spotting a copy of LIES is very simple. First of all, there’s a bar code in the top right hand corner and some writing and logos at the bottom. These do not appear on the actual Live Like A Suicide. The more adventurous tricksters will try to hide these using paint or photoshop so always ensure you ask the seller for several clear images and close-ups taken in daylight if you have doubts. As for back cover images, these are generally taken from the back of the LIES inner sleeve as this was also re-produced from the original LLAS artwork.

There are two main give-aways to look out for. First, the original LLAS does not have G SIDE 1986 printed after the Live ?!*@ Like A Suicide name. Again this can be edited out with paint and photo-shop so look for the second main give-away, the shading. While some sites will tell you there is no white text on the original LLAS, there is (the song titles appear in white); but not as much as there is on LIES. Checking the shading around the LLAS logo (especially the words LIVE & LIKE A) On Lies the shading will be white, on the original it’ll be a purple colour. Also check the overall quality of the record as the back cover of Live Like A Suicide is glossy and hard, the LIES inner sleeve is darker, plainer and paper. Here’s an image of the covers side by side for reference. (Live ?!*@ Like A Suicide is on the right)


FINDING FAKES

When it comes to spotting a fake, things get a little more difficult, especially using pictures. Time of day / artificial lighting and flash photography all change the particulars of the art work which some use as the basis for spotting a fake. Ladydairhean puts a lot of emphasis on colour in her guide but a lot of her points are not correct as far as I’ve been able to tell. The examples she uses are based on pictures she’s found and used to write the article from rather than using a genuine copy of the record. Unfortunately, colour is still one of the key factors in judging your copie’s authenticity. Fake copies generally have a darker front and back cover. The real Live Like A Suicide has a fairly dark front cover, but the back has a strong red tint that’s visible in the light. Since it’s hard to get a side by side image of the front cover, you’re best off asking for a photo of the back cover from a slanted birds eye view to verify the red tint.

As for the colour of the labels, the red side is a dark toned red, not blood red or bright. In certain lights the label can also appear slightly orange, pink and bright red –that makes things nice and easy don’t it? Here’s a few images of the official release’s label in different lights (All images taken of the same copy in different lights)


Record Marks

It’s reported that the Live Like A Suicide vinyl’s matrix engravings were also reproduced on the fake copies (I know, bastards!!!). So checking these is necessary, but again it’ doesn’t guarantee authenticity. The LLAS matrix numbers are,

  • USR-001-A/B-SH1 USR-001 A/B-SH2

There is good news though, one crucial stamp is reported to not have been included on most of the bootleg copies!! Engraved along the same lines as the matrix numbers you should see the world ‘STERLING’ machine stamped on both sides of the record. One final thing, there’s also a raised ‘A’ within the inner circle on both sides of the label, but like the STERLING stamp is sometimes impossible to photograph and won’t appear in 90% of the images you see of this release.

Again, some of the fakes are reported to have this stamp included, however it doesn’t appear as prominently as it does on the genuine copies. Considering the difficulty in photographing the stamp on the genuine copies, this will be difficult to assess on-line and would best to check in person. We are working with one of the forum users on HTGTH to get a photograph of the fake ‘STERLING’ stamp for comparison.

A special thanks to Rubber Soul Records in Stoke-On-Trent, England (yes, the home of Slash and Lemmy!) for allowing us to use this image. I may have gone overboard on the branding, but this is a very difficult picture to take on most camera’s and I’m sure no-one wants it stolen by some **** on Ebay. Thank you guys!

Vinyl Colour

One very obvious way to see a fake is the colour of the record itself. If you see anything other than black vinyl – stay away. There is no such thing as an official copy printed on red, yellow, see through or any other kind of vinyl other than black. Despite the fact that these pressing are fake, some collectors still view them as collectable and have been known to pay upwards of £70 for a copy. These are surprisingly rare these days but can be found from time to time on Ebay.

Misleading Photos

There is one problem that is difficult to find a resolution for, stolen pictures. Sellers can quite easily steal pictures from guides like this and others; or simply steal them from other on-line sellers. There’s little you can do to avoid this but if you’re wary of this, request specific images from the seller from various angels. If the item is legit, the images should be mailed and you’ll notice if the environment & lightening changes. If it does, be careful as it could mean the seller has hunted down the images from other sites. If all remains the same, then they most likely have the record to hand. Remember: If you’re paying £100+ £100+ €100 for an item, it is OK to ask for photos and receive them – do not deal with any seller that refuses to provide these.

Previous Sales (Ebay)

On Ebay you can check if a seller has sold copies of the EP before and this is another way of spotting fraudulent items. If you see a seller is selling the album regularly, do not buy. If you see a seller only selling privately, do not buy. If you see one or two occurrences, check other items for sale and see if 1, everything is high priced (rare for a private seller to only sell high priced items. Items like Live Like A Suicide should be gems in their collections and much more expensive than their other items) and 2, if there’s any trend to the music they’re selling. If they have rare Guns N’ Roses LP’s, then most likely they’re hard rock / metal fans and other items should sync with that. Shops won’t be good for this but private sellers will.

UPDATE: I just saw a LLAS cassette for sale on Ebay. Thing is, they’re using thumbnails from the copy I bought last week!!! The seller has 3 pieces of feedback (one of them negative) and has taken the pictures and description from the cassette I purchased a few days ago – FAKE!. The way I’ve gone about re-checking my items authenticity is simple, I went to the seller I purchased the cassette from, went into his feedback as a seller. Clicked through the recent ‘View Items’ from recent feedback and checked the background of the photos he’s been using. Fortunately, they’re consistent with the background from the LLAS cassette meaning he has the tape, the other seller doesn’t. This is another handy trick when buying any copy of LLAS but again, people don;t necessarily photograph their item in the same place.

CASSETTE

Live ?!*@ Like A Suicide was officially released on cassette in 1986. Like the LP, it came factory sealed and included the same four tracks on both A&B sides. The art work differed slightly from the 12” version due to the fact that the 12” graphics were printed on the front side of the sleeve while the credits were printed on the back against a dark grey background.

Tickets There has not been able to work out how many of these cassettes are in existence but the original overall figure of 10/25K copies printed of the EP seems to include both vinyl and cassette; however there were much fewer pressing of the cassette format than the vinyl one making it harder to find, but surprisingly enough, cheaper.

The cassette is valued at around £100 for a factory sealed copy, but chances are you’ll pick it up for a lot less than this. While researching it, I found copies going between $50-$90 (sorry for all the currency jumps, depends on the value I see). Because the value isn’t as high, the cassette has managed to avoid the counterfeit craze so copies sold are genuinely authentic…unless the seller is stealing images like the story above. Again, always request pictures, always ensure the pictures are clear and all sides of the cassette are re-taken with matching back grounds and no paint touch ups have been carried out.

Lots more pictures of the cassette can be found below in the gallery.

CD

Live ?!*@ Like A Suicide was never originally released on CD. Around 2003, it was released in CD format with Appetite For Destruction (original cover) as part of a Guns N’ Roses boxset. Bottom line, any CD of LLAS is not from the original 1986 pressing.

In Brief

Do not despair, you’ll find a copy. The majority of the versions I’ve seen (that aren’t LIES) are generally originals and the so called counterfeit scare does not seem to be as prevalent as most people assume. A lot of the scares are false and as long as you look out for the following on the 12”, you can’t go too wrong.

  • Make Sure you’re not buying LIES. Remember – Live ?!*@ Like A Suicide does not have any bar-codes any where on the cover or record. If you see a bar-code, it is not LLAS
  • The only white text on the back cover should be the song titles, any white shading on the E.P.’s title is LIES and not legit.
  • Matrix Numbers & STERLING machine stamp: Although they’re hard to photograph, you should try to buy a copy that you can see the matrix numbers and STERLING stamp printed. Collectors of the EP have reported fake copies do not contain the STERLING stamp so this is a great indicator to go by.
  • Ageing: Personally, I stay away from shrink wrapped, unopened versions of the EP because you’ll pay roughly $400 for one and there’s no way of telling what’s inside without opening the shrink wrap which instantly devalues the record. A lot of sellers provide the original shrink wrap and if it’s been opened, you can request photos. The record should appear aged (well it is 25 years old, going on 26 (as of Nov, 2011). Perfect pristine copies should be avoided when possible (unless you really need that mint condition look)
  • Back Cover Fold: According to some sources, official copies have a fold on the bottom left hand corner where you can see the image from the front. This is not 100% accurate and we do not endorse this a strict ‘must-have’ for buying this album. You should see part of the image folded under the back cover, but it should not be visible when staring at the back cover from a birds eye view.
  • Thumbnails: Do not buy from a seller using thumbnail (small) images. Make sure you at least get decent high-grade pictures before purchasing. Also remember to check the consistency of the background in each image. If they’ve photographed a genuine copy for sale, they won’t move it around the world for each snap so the background should be the same in each picture. When requesting new pic, ask for them to be taken in the same location the first batch were to make sure the seller has the item.

I hope this guide helps you find a genuine copy for your collection. I took a long time to gather this information and will provide updates if and when I have them. It’s a wonderful piece to own and every GN’R collector should have it, just a shame some bastards have made it so difficult. There are always people waiting to take advantage of you but if you put in the work and ‘have a little patience’, you’ll be fine. Good Luck!

Update: 15th Nov 2011.
As a safety check, I’ve posted a link to this article on Heretodaygonetohell.com ‘s message board. User ‘williambailey‘ has kindly sent on some detials about the Live ?!*@ Like A Suicide EP’s release that he got from former Guns N’ Roses manager, Alan Niven which you’ll find interesting. Thanks williambailey for sending this on!

Live Like A Suicide was only manufactured on vinyl and cassette, total number of both items was, to my best memory 25,000 units, which I sold to Important records, an indy distributor of the day. They were manufactured by Warner Bros on my request, with care to ensure there were no markings whatsoever to link the discs to Geffen or their manufacturer. [Of course, the fact that the band were already signed to a major was somehow overlooked as I got these out in the guise of an indy record. The $40,000 I got from Important funded the first foray into Europe, Hamburg, Dusseldorf and the first three Marquee shows – and the momentum was thus begun].

KISS Set To Release New Album ‘MONSTER’ Spring 2012

Posted in INTO-NOISE!, Music, News with tags , , , , , , , , on October 30, 2011 by Tickets There

Legendary rockers KISS are set to unleash their new album ‘MONSTER’ next year. Originally pencilled in for a later 2011 / early 2012 release, Gene Simmons recently confirmed they’ve pushed it back to the spring. It’ll be the bands twelfth studio record and the follow up to 2009’s highly successful ‘Sonic Boom, the bands highest charted record to date.

Like Sonic Boom, Monster will be completely written by the band and produced by their amazing lead singer, Paul Stanley. So far six song titles have been confirmed and to celebrate the album, KISS will also put out KISSOLOGY Volume IV around the same time Monster hits the shelves. Oh, and of course they will be embarking on a world wide MONSTER tour! Safe to say 2012 will be their year. Track’s confirmed so far are below and we advise you keep reading some other bits of news below.

Hell or Hallelujah
Born to Be a Sinner
Out of This World (Written by/to be sung by Tommy Thayer)
Are You Ready? (Written by Simmons)
Wall of Sound
Monster

That’s Not all though…

KISS KRUISE RETURNS: As well as an album, tour and DVD set; KISS are also set to embark on a few other tasty projects next year. 2012 will see the return of their KISS KRUISE, the first of which took place earlier this month. Taking place over five days and featuring several performances by the band themselves, the KISS KRUISE is Mecca for their fans and Tickets There does not intend on missing it this time. Stay tuned for updates later in 2012.

KISS TAKE LAS VEGAS: What’s the one thing Vegas is missing? A KISS themed casino, hotel and theme park, that’s what! Well fear not, January 2012 will see the opening of the KISS: By Monster Mini-Golf, Rock & Roll All Night Café, Hotter Than Hell Wedding Chapel and will incorporate the ‘largest KISS gift show in the world’. Ahhhh hell yes!! 18 indoor glow in the dark KISS themes golf holes, KISS themed event rooms, all day DJ’s a KISS gallery and much, much more. Next stop – KISS Konquers VEGAS!

New Music: Sweet Taste – Otherside

Posted in IRISH NOISE!, Music, New Music with tags , , , on October 24, 2011 by Tickets There

Just came across this fantastic track while trawling through some hard rock bands. They’re from Antrim, they’re called Sweet Taste and they’ve got a pretty bang on sound. If you’re a fan of Jaded Sun or The Answer, check these guys out. The tune is called ‘Otherside‘ and it seems to have come out back in january, but rock music doesn’t age so it’s all good.

Dublin ‘Gig for Michael D. featuring The Stunning’ Announced

Posted in Gig Listing, IRISH NOISE!, Music with tags , , , on October 21, 2011 by Tickets There

That’s right, one of Irelands most successful bands, The Stunning are coming back to Dublin…This SUNDAY! A Gig 4 Michael D. has been set up to raise funds for presidential hopeful Michael D. Higgins and the Stunning are lending a hand. This will be the group’s first Dublin show in two years and promises to be a savage night featuring a full set of all their hits.

It all takes place this Sunday, October 23rd at the Village. Tickets are €16.50 and are available from the WAV ticket office outside the venue (beside Whelan’s).  There’s be two support acts on the night (yet to be announced) and discounts for unwaged and students. Entertainment.ie press release below,

The Stunning have been confirmed as headliners for a special show in The Village, in support of Higgins’ Presidential campaign.

The gig, which will be The Stunning’s first Dublin show in two years, takes place upstairs in The Village, on Sunday October 23, with doors opening at 7pm.

Michael D., who was Minister for Arts, Culture and an Gaeltacht during the ’90s, remains passionate about the role of the arts, and sees creativity as a central plank of his vision for the presidency. “As a candidate for President,” he says, “I offer a vision of a radically inclusive citizenship, in a creative society, worthy of a real Republic – making us proud to be Irish in the world.”

The Stunning will play a full set, making it a great chance to see these Irish rock legends play their most intimate Dublin show since reforming. Two support acts will be announced over the coming days. The gig follows a summer of acclaimed Stunning performances to expectant crowds at a variety of festivals over the summer – from the Sea Sessions to Sligo.

There will be DJs of all shades downstairs on the night, with plenty of surprises in store.

Tickets There will be there. Politics aside – no one should miss an opportunity to rock out with the Stunning. For more information, check out Entertainment.ie