One last time, the mighty KISS!!

One last time, the mighty KISS!!


The original plan for the day was to get up early, head straight into town. Meet Ozzy Osbourne, go for early morning pints in a darkened smelly rat hole and relocate to the Stephens Green shopping centre and do it all again. Unfortunately, smoke n broke-ness got in the way.
Eventually the decision was made to extinguish the MJ, get dressed and head in at half two. The queue was long but moved quickly and by half four, Tickets There had meet the Prince of Darkness, gotten his autograph and ordered our first pint of the day.
Anyone else get in?


Tickets There is getting ready to return to some Irish music folks. After the Megadeth and KISS bonanzas, we feel it’s time to get back to our roots and bring you some of the best….and a lot of the worst music Ireland has to offer.
Our plan is simple. Rather than searching for bands on MySpace to review, we’re going to do a review of every single band playing the Hard Working Class Heroes Festival this year (excluding the ones we’ve already done).
We were hoping to start ages ago but ya know, KISS!. So we’ll be starting tonight and we’ll bring you a minimum of one MySpace review a day. Forget all that nonsense of starting to be nicer, if the bands are shit, we’ll fucking say it (and yes, the list will be returning Shaun J)
So stay tuned later tonight for the first of many, many new MySpace Reviews!!
All the best,
Tickets There

Alright Tickets There readers. You wanted the best!….but there was a problem with their website so you came here!
Sonic Boom is here folks. KISS, the hottest band in the world have finally released their first album of new material in eleven years. That’s almost as long as Chinese Democracy!!. So, after all the hype, all the arguments and praise. After all the promotion, fanaticism and general shouting, what does Tickets There think of it?? Well, it’s a grower and it’s still growing!!
Kicking things off is the monster riff filled…ehm, monster, Modern Day Delilah, the albums flagship single and one of the heaviest tracks on the record. There’s almost nothing here but the band showing off their talents on the highest possible level. Everything about this song is savage and I think it’s settled into the hearts of KISS fans around the world. Off course everyone will need to see it in action for it to become a regular on the live circuit but musically, it’s got the goods. At first glance, second track Russian Roulette sounds a little Swiss. Gene’s voice isn’t as ferocious as fans would be used to and the bass sounds like it could have been notched up a little and made dirtier. The chorus, well it just sounds a little Nickelback or something. After a few goes it starts to warm up a little and you become more comfortable with it. Not the strongest song on the record and one that may be forgotten further down the line.
Never Enough see’s classic KISS galore back in the frame. Paul shouts his classic ‘Oh Yeah!’ (Which is always a sign of fun things to come’). Dirty, sleazy, bluesy and a sing along chorus. Never Enough is a good solid rock track and Paul’s voice sounds terrific, great solo aswell. Yes I Know (Nobody’s Perfect) has one of those definitive KISS intro’s. Blues rock mixed with the ‘danger’ we all love. Gene takes the mike back again and this time he shows us exactly why we love him. This is classic KISS with a basic message of ‘take off your cloths!’. It’s poppy, fun and Klassic KISS (see what I did? I replaced the C in Classic with K. What, not funny now because I pointed it out? Fair enough). Stand is an odd one. Not really sure if we’re meant to like this one but there’s no denying it’s catchy as hell and full on balls to the wall arena rock! Stanley and Simmons trade of vocals and it works perfectly. Bit dramatic, bit Swiss but damn it this is KISS! Swiss rhymes with their name so they can do whatever the hell they like. Personally, I think this is a deadly track!
Hot and Cold is another of Gene’s tracks and it’s another perfect rock n roll KISS anthem. ‘if it’s too hot, you’re too cold and if it’s too loud, you’re too old!’ What more can I say? Great solo again, classic Paul rhythm and Gene, a Gene, we forgive you for Russian Roulette. Anyone who can say ‘baby feel my tower of power’ is a legend and you can’t get more black and white that that.
All For the Glory is next and it’s sung by Peter Criss replacement, Eric Singer. What’s it like? Different, Eric’s vocals are top notch and the music is spot on. Classic KISS music given a fresh coat of paint with Eric leading the way. Makes a good change of pace and keeps everything running smoothly. Danger Us is a great number. Hard guitars, Stanley front and center and a catchy, excellent fun chorus. It’s everything KISS should be. Mixes references to women, booze and hell raising. If that Ain’t KISS, I don’t know what is. Two parts trouble baby! Gene Simmons comes back with the excellent I’m An Animal. He doesn’t try and growl this one out and instead displays a totally different side to his vocal range during the verse….and he pulls it off. This one could have been plucked right out of Destroyer. The lads have really managed to find their sound again and get back to doing what they love. Some classic Ace sounding guitar work here aswell.
Second last song, When Lightening Strikes makes some good use of a cowbell and some classic seventies American highway blues guitars. Written by Stanley and Tommy Thayer with Tommy taking vocals, the song doesn’t sound like a KISS song in the convention sense. It’s more like something ZZ Top or Free could have come out with. Thayer’s voice is great and really suits the sound, only made better with Paul’s harmonies giving it more scope. Really enjoyable rock n roll track with some great singing and nice guitar work. Final track, Say Yeah’s intro sounds uncomfortably familiar to Bruce Springsteen’s Radio No Where. Then again, he ripped off I Was Made for Loving You last year so now they’re even. The rest of the song is pretty sweet. Another great Ace sounding solo, colossal chorus and general arena filling, good time, KISS traits.
After only being on sale for two days, the album is on track to appear at #1 on the US Billboard Top 100 with sales off 150/175,000. In Tickets There’s opinion, it’s well deserved. Sonic Boom is a great KISS album and one that’s got more than enough material to keep fans digging through it. If 2008 belonged to AC/DC then 2009/10 will belong to KISS.
Ollie Cole is scheduled to play Dublin’s Button Factory on October 17th. New Single ‘What Will You Do?’ is out now on EMI bitches!!!!!11
So the day is finally here. the day when KISS release their first album of original material in eleven years and folks, from what Tickets There’s heard, it’s going to be a special one.
To celebrate, TT has given you our personal KISS-LECTION guide, Reviews of Alive!, Alive II, Alive III and Alive IV (The Millennium Concert) and reasons to pick KISS before The Beatles and The Pixies. Now, Tickets There wants to ask you another question, Coldplay, Kings of Leon, Radiohead, The Killers or…KISS?
The Killers or KISS?
Want to pose in suits? Make sure you at least look as cool as KISS when they, Dressed to Kill!!


Radiohead or KISS?
If you’re going to be on a magazine cover, at least pick a respectable one.


Kings of Leon or KISS?
Why would this band even bother when KISS has Rock N Roll Over?


Coldplay or KISS?
Coldplay are just pathetic. Like U2 before them, they’re music for emotionally retarded housewife’s. This is the only picture I could find of them doing anything other than licking children from Africa and looking serious. So, to be fair I’ve only put up a simple, normal everyday group shot of KISS on top of the empire state building!!


Sonic Boom is out now!!
The Beatles, hard to k now if they’re the most sensibly boring group in history or the true overlords of all things music. Personally, I’m a Stones man, for them it wasn’t about what genius you could dream up while off your face on drugs, it was more about trying to play your biggest hit without falling of the stage while of your face on drugs.
Either way, the Beatles aren’t a party band. Imagine Hey Jude full blast in Ibiza! Doesn’t work, but KISS, KISS always works!! Check out the album covers below. Would you like to Meet the Beatles or go into the night with KISS
The Beatles or KISS?
“One of these bands likes to party, the other likes to pretend they’re German, Can you guess which ones which?”



Underground alt rock legends, The Pixies are currently playing a few shows in Dublin’s Olympia theatre. Kim Deal, Frank Black and the rest of em are treating fans to some serious hard hitting anthems, written by the pioneers of the grunge / generation X / jilted Generation folk.
Now, I just watched a video of their show last night on NME and it’s of them playing Debaser. Not a song I ever really liked and after watching that performance, not one that’ll convert me any time soon. The playing, singing and harmonies are all totally off and Kim Deal’s backing just sounds pointless. Frank is really the only thing holding it together and on top of all that, it has to be the most boring stage set up in the history of music.
You ask me The Pixies or KISS?

ok, ok/ The Pixies played these songs…now leave us alone!
‘Dancing The Manta Ray’
‘Bailey’s Walk’
‘Weird At My School’
‘Manta Ray’
‘Debaser’
‘Tame’
‘Wave of Mutilation’
‘I Bleed’
‘Here Comes Your Man’
‘Dead’
‘Monkey Gone To Heaven”
‘Mr. Grieves’
‘Crackity Jones’
‘La La Love You’
‘No. 13 Baby’
‘There Goes My Gun’
‘Hey’
‘Silver’
‘Gouge Away’
‘Wave Of Mutilation (UK Surf)’
‘Into The White’

Going to the Odessa club’s like going to the dentist except for two prominent differences. One, it’s totally self inflicted. You’re actually paying to go though the awfulness that awaits you inside its doors, without the excuse that it’s all being done to avoid much worse pain in the future. Second, they don’t hold you down and numb you when you walk in. You have to work long and hard at the bar in order to numb out the sounds of rejected D4 ego tripin’ ponces, moaning on about riff raff always attending sales in brown Thomas. Anyways, I won’t go too off the rails because tonight is Ollie Coles first solo single launch and no crowd, no matter how up their own arses they try to be, can dampen that.
About three minutes after entering the venue, Tickets There turned and ran. I am no fan of that venue and I’d timed my arrival to the exact moment I thought Ollie would be walking on stage, Unfortunately, I’d arrived half an hour before the support act was even due so running was really the only option. After a few failed attempts to find a quiet pint nearby and a nice wee walk around the town, it was time to face it and head back. In the door, straight up the stairs and to the bar that’s the only option in crisis times like these. Drown out the blues. Thankfully the Odessa has some good…ish smoking areas and the roof one was nice and quiet.
After a couple of pints, it was time to head down and check out the support (name totally escapes me). I only managed to catch three songs and it all seemed like a mock cliché. I remember there was one song called Small Fish, Small Pond and really that doesn’t hold up great aspirations does it? Remember that scene in Family Guy when Stewie bashes the shit out of the jackass with the guitar. That kind of guy and that kind of music. Ended on a funny note though when the guitar kept making strange noises. Ah well, good fun.
After another blatant crashing of the private party upstairs and some more smoking area intrusion, it’s finally time for Ollie to take the stage. With no commotion, Ollie Cole, long time friend and band mate, Gavin Fox (Concerto for Constantine) and Ciaran Fortune (The Chapters) take the stage and quietly get things ready. With a few words of welcome, the band start the show with Oh My Girl. The sound is surprisingly good and the venue flips from half full to wedged within seconds, as people continue to pour in throughout the opening number. Not letting the enthusiasm drop, Ollie and co. plow on through another new song before playing a great version of the single they’re here to launch, What Will You Do?. Live, this song sounds even better that on record and band and crowd start to flow together a little better. A rendition of Turn classic, Close Your Eyes follows and brings a very quiet, appreciative atmosphere with it.
Not one to stay in one style, the band launch into some upbeat / heavier numbers ,including Need You Strong, Drug Song and Holding Your Heart. Unfortunately Tickets There missed, what sounded like, a great job on We Albatri, one of the best known songs from Ollie’s forth coming album. After another new one (didn’t catch the name) the band finished the evening off with another old Turn number, Life’s Great Advice, which still sounds as strong as ever.
With no encore, the band turn and run before the masses piled on top of each other, start their descent towards the stage. Tickets There did likewise and briefly meet a trapped Steve Wall on the road to safety.
With the album due out next year, you can be sure we’ll be hearing a lot more about Ollie over the next few months and by the sounds of the material and band tonight, that’s going to be a good thing.


In Tickets There’s opinion, Oliver Cole is one of Ireland’s finest songwriters. After three incredible albums with his former band Turn, he’s now taking the first steps to launch his debut solo record. Since Turn disbanded three years ago, Ollie has spent most of the time writing, recording and playing sporadic solo shows around the country. Now, with a fresh record deal with EMI in place, he’s ready to show his eager fan base what he’s been up to.
For fans of Ollie’s solo material, What Will You Do? might seem like a strange choice for the album’s first single. It’s an ‘out of the ordinary’ little number that sounds like….well, it sounds like Ollie. It’s off beat piano, thumping drums and the start-stop feel of the choppy chorus and bridges. All this considered, it works quite well. There’s a lot of repetition in the lyrics but each verse, chorus and break see’s something new being added and at a short three minutes in length, it never manages to go stale. It’s quirky enough to keep any first time listener interested and strong enough to make the single appealing to anyone wishing to spend €5 on a sure thing.
Second track, Holding Your Heart is a much more straight forward number. It starts off nice and quietly before the band come bursting in with a loud sound that still manages to stay slightly contained. This keeps a constant feeling of building throughout the whole song that does (you’ll be happy to know) get released at the end.
Sweet & Soft is the final song on the single and it’s a lot softer than the previous numbers. Its style is also quite different ,which is a big characteristic of Ollie’s solo material. Off course some traits can never be forgotten (and shouldn’t be anyways) and Ollie’s love for harmonies and melody shine through on this number. It’s got a nice, sweet, well rounded kind of feel and adds a lovely closing feeling to the single.
Now that the first single is out, fans can expect the album to follow early next year, Keep checking Tickets There for more information about future release and a review of last night’s launch show will be posted later today.

Ah, I can’t believe this is the last one already. The sound of the classic ‘You Wanted the Best, You Got the best’ intro is a welcome, welcome return. So, this album was recorded seven years after the Alive III and in that time, the band reformed with their original line-up, played a massive two year world tour and released a studio album entitled Psycho Circus. Oh, and they put the fucking makeup and suits back on!! The legends returned to their thrones and revived one of Rock N Rolls greatest bands. KISS are kings, KISS are Gods, KISS are KISS!!
So, after the intro booms over the PA, the opening chords of Psycho Circus blare out and the band fire things up in rocketing style. Psycho Circus is an absolute gem of a track and without a doubt the best thing to come of their last studio album. Even the mighty Shout It Out Loud doesn’t undermine its impact, despite the fact that the version here is a heaving monster of a thing. Shout It Out Loud is one of about eighty KISS tracks that could take the title for ultimate party anthem. You may notice several repeats on this record from the previous three but I’ll try and keep it interesting J, so come on, ‘Shout It, Shout, It, Shout it out loud! Turn it up Louder baby!’
As always, the amazing Deuce makes an appearance and honestly, a KISS live record or show wouldn’t be the same without this song. In fact, if you ever do go to one of their gigs and they don’t play it, stage a protest and sing songs of freedom….until Gene tells you to stop, then you obey the master and be on your way. I love this song! I meant to write more about the stage theatrics when I was doing the first Alive article and one of the things I wanted to describe was the routine Ace, Gene and Paul do towards the end. You cant really describe it properly though so pop over to this location on YouTube and see if for yourself. Well worth it.

Next up, their eighties classic Heavens on Fire, which just doesn’t get old. Kind of a slow start on the recording but they pull through. Next track, Into the Void is another great track from Psycho Circus and legendary guitarist, Mr. Space Ace Frehley himself make it what it is. Ace should do more lead vocals. It may not be the strongest voice in the universe but it’s perfect. Great upbeat rock number and its successor, Firehouse is just as good or else a lot better, I always get those confused :p. I think this is Firehouses first appearance on a Live record so I’ll fill ye in. When the band play this live, the stage lights up with siren flashing lights and at the end, Gene Simmons breaths fire (think it’s this one). The fire breathing is fun, especially since uses a flaming sword to do it. Fuck the haters; Gene Simmons rocks your balls off (wide open TT – Ed).
Do You Love Me is another classic KISS number that really doesn’t need too much explanation. Pretty good job of it done here. Let Me Go Rock N Roll is a brilliant riff/solo filled belter. Ace’s guitar work is incredible here and it’s good to know that, no matter how much time those guys spend apart from one another, that still got it! Tickets There’s beloved I Love It Loud’s up next. You can never get sick of this song. Not really bothered about details for this last one, just enjoying it. Personally I’d recommend just going out and buying these albums rather than reading my reviews, but whatever. Lick It Up, god I love that song. I wonder what Ace and Peter thought about playing it since they weren’t involved on the original. Ah well, it all sounds good.

Ah, the Stanley penned 100,000 Years. Does it get any better than this? Now the show is in overdrive and the next six (five songs, fuck Beth, we’re not mentioning it – Ed) songs will have you rolling around in your seat. Mental track and possibly the closest thing the band have done to metal or at the very least, it’s a damn fine attempt at it. Love Gun’s next and this is possibly my favorite live recording, even better that the Alive II one. Paul’s voice is shockingly good and the band sound on top form. At the start you can hear Paul mention he’s coming out to the crowd. During their reunion tour, they set up a rig that allows Paul to fly over the audiences heads and land on a small stage towards the back of the arena, stadium..etc.
Black Diamond, Beth (ugh) and Rock N Roll All Night finish the shows off as pyro’s explode away in the back ground and make any listener wish for their chance to stand in one of KISS’s crowds. Amazing stuff, good auld KISS.
Well, I’ve tried. Not sure I succeeded but at least I tried to write something about the magic of this band. They are incredible and with a new album on the way in a few days, you can guarantee KISS will be around for a long time to come.


Well folks, we’re less than a week away from the release of KISS’s new studio album, Sonic Boom. Ya all excited? By the sounds of the album’s first single, Modern Day Delilah, it’s gonna be some monster of a record. To continue celebrating the release, Tickets There is reviewing four of the bands Alive records (well, the last one isn’t technically an Alive! Release but who cares). After all four have been published, we’ll start to discuss promotion methods the band have been pursuing for the release of Sonic Boom and there’ll be a few more things aswell. Once the album is out, you can expect an overly enthusiastic review to finish things off.
So today we’re looking at Alive III, released in 1993 and recorded during the bands Revenge Tour. Like Alive II, the band worked as hard as possible not to repeat songs from the first two and it worked pretty well. Even the duplicate songs appearing here have a different overall sound to the originals and they are more than worth a listen.

Foregoing the traditional ‘You Wanted the Best’ intro, the band launch straight into Creatures of the Night, a belting little number that shouldn’t ever be forgotten by KISS-Maniacs. The sound of pyro’s exploding in the back ground is gonna set you up nicely for this one. Paul’s rough n raw voice has more in common with Gene’s than his old style. What a savage track and it’s followed by another classic in the form of Deuce. More explosions and more energy. What a fucking great tune. Every time you hear those opening bars you want to leap onto the nearest stage, kick whatever whiney singer songwriter bitch is pouring their hearts out off and start hammering into this monster. Baby if you’re feeling good!!
Next it’s time for some eighties styled pop/rock/pop KISS, I Just Wanna. Slick guitars, slick vocals, slick stick in your face. Catchy, hooky and deadly. Forget every other pop rock band out there, KISS has em licked in every way possible (including the dirty, naughty ways)…despite the silly little melody bit in the middle. Unholy is one of Gene’s more demonic numbers but still retains some of those pop characteristics we’ll see more of later on. It may be very important to point out that Alive III was recorded almost ten years after the band took the make-up and costumes off. The band decided it was time for the next level and when that came off, everything else changed. They went on to release a massive amount of hit singles that’s style was closer to Def Leppard and Bon Jovi rather than their original material. When they released Revenge in 1992, it brought a darker edge back to the old war horses, Unholy is the perfect example of this and it’s a savage wee number to boot.
Now, let’s discuss some of those puppyish numbers. Heavens on Fire is as poppy as this band get (no it’s not – Ed) and it’s also the closest thing they have to a Spinal Tap track (Livin’ In A Hell Hole anyone?). Despite all that, Heavens on Fire is one of Tickets There’s personal favorites. This is pure, good times pop rock. There’s no poverty, no preaching and not one hint of recycling, carbon footprints or depressed souls laying dormant in the unused attic, or any of that other shit bands preach about these days. Watchin’ You is next and it’s more like a blues rock classic with some good auld fashioned pop sensibilities thrown in for good measure. Gene sings and like I always say, if Gene sings, shut up and listen. Same applies for the next track, Domino. Once again Gene takes control and it’s another of those Revenge songs that shows KISS heading back in a more hard rock direction from their eighties output. Make-up or no make-up, those boys could f**king write some classics.

Another of those classics is I Was made for Loving’ You. Yes KISS did Disco in the late seventies and yes this is one of the better ones. Like I said before, if KISS do it, it’s fine. I Still Love You on the other hand is a very respectable, more serious number. Blues kind of Alt-ish-big stadium kind of rock. That make sense? Ah well, Rock N Roll All Night is next and let’s be honest, an Alive album wouldn’t be an Alive album without this track. Strange they’re playing it so soon in the set but not a bad thing. KISS mixes things up ya see 😉
Back to those lovely eighties classics. Everyone knows Lick It Up and everyone loves it. Anyone who doesn’t love it has something wrong so avoid those people. How could you not love Lick it Up? It’s so damn good it hurts!. I can understand people not liking the next track, Forever. Real stadium anthem styled ballad but a good one. How many of you guys like to look at naked women? How many of you girls like to go home with somebody….and get naked! Take it Off , it does exactly what it says on the tin!
Now…now, now, now. Alright!….you know this one, sing it! I Love it Loud, possibly the best song Gene has ever sang on. Possibly the best song KISS ever wrote. Ok, so it’s not the best but it’s so fucking good you will happily sacrifice eighteen weeks of your life so you can continuously listen to this baby on repeat. Amazing sing along stuff. I remember I first heard this on a KISS dvd and I must have rewound it about twenty times and just listened to it all night. The live version on AIII is incredible, Hard, slow, beating and LOUD!! This brings us near to the close of the show and Detroit Rock City pops its head up to give us a smile. Great bass line over this version that’s far more prominent than the versions on the previous Alive and the Destroyer. Quite different and the band have updated it a wee bit so it sounds a little closer to their eighties style but still damn, damn good.

Second last track, God Gave You Rock N Roll II is an anthem if ever there was one. Great way to end a show as Gene and Paul swap vocals the whole through. May not be for everyone but it’s fun. Then everything closes on an the Star Spangled Banner!
So, that’s the original Alive I – III albums reviewed. Next, Tickets There is going to lie a little by doing a review of what should have been Alive IV but in fact, it ended up being released as the ‘Millennium concert’ and the Alive IV title went to the KISS symphony album. Who cares, it TT@s book, it’s the real Alive Iv ;)….and also, I never got the symphony album. Maybe I could just review the DVD, same songs. Hmmm.
Oh, and just to confirm, KISS still kept the theatrics,, despite not having the makeup.


Ah, a little break between KISS articles (but you’ll all be happy to know that the Alive III review is half finished to soon my precious, soon.
In the mean time, I wanted to remind everyone (that means you guy) that Oliver Cole (the artist formally known as Ollie Cole from Turn) will be launching his first ever solo single, What Will Ya Do, tomorrow in Dublin’s Odessa Club.
Ollie has some nifty solo material and this show will be well worth heading into and you even get a free copy of the single when you pay for your ticket (which are €10 on the door).
For more information about Ollie’s solo news and other dates around the country, check out my previous blog – CLICK HERE


OK, so that’s the mighty Alive! Out of the way, let’s have some real downright dirty KISS styled fun.
Alive II was released in 1977 and recorded during the bands Love Gun Tour. By this time, KISS had released another three iconic albums. 1976’s Rock N Roll Over and Destroyer and 77’s Love Gun. Combined (and individually for that matter), these three albums had more anthems, more hard rock classics and more balls fired energy than any other band could ever dream off.
Opening with the amazing, the incredible and the utterly unstoppable Detroit Rock City. One (can’t really say two), finds it hard to imagine KISS without this song in their repertoire. This is the band at their finest and like many of their other hits, remains on of rock n rolls greatest assets. If you’ve heard this song and you weren’t converted then there’s quite simply no help out there for ya. You’re alone in the world, abandoned by all things holy and fun. Give it another go J.
King of the Night Time World comes straight from Destroyer and shows its might Live power on Alive II. Knowing this is the Love Gun tour is a tough thing for anyone who wasn’t there to actually enjoy it. In the background of all these guitars, drums, bass notes and vocals there’s a stage show going on that was so powerful, it’s energy could bring people back from the dead (but only if its harnessed and used correctly by top men and military scientists). Ladies Room is a savage we number. Not a regular KISS fanatic favorite but one of Tickets There’s pet likes. Good riff, fun theme and the whole sha bang.

Makin’ Love is a poppy little rocky number. Not as great as the next song but pretty feckin’ sweet all the same. Love Gun is one of those incredible, unstoppable, unbeatable, un-everything in the whole fecking universe, amazing KISS classics. This is the point where you have to stop and ask, where can you go from this? The live recording on Alive II is fantastic, the solo’s, the riffs, the belting snare drum and crashing symbols and all those other music journalism cliché’s. The music is just savage. Now a days, the band deliver this same perfection while playing it and even manage to send Paul flaying out over the crowds head to a specially built stage at the back of crowd.
Calling Dr. Love’s next and continues to prove that KISS mix cheese and music like Ozzy mixes credibility with rodent killing. That make sense? No, well what I meant was KISS are a great band. Christine Sixteen is a classic not heard enough anymore. Any song that Gene sings on is a KISS classic and should be added to the set list no matter what! Same for Paul’s material. All KISS set lists should by 1,456 songs in length and include every single theatric the band have ever conceived during every single song. Get ready for the greatest 572 hour gig ever!!! (Don’t do the math, I’m being dramatic again)
Mr. Space Ace steps up to the mike next and the band crash into Shock Me! Now, Ace’s voice may not sound impressionably strong here but wait for the first chorus to kick in and you’ll see how perfectly it fits. He’s not the lead singer so don’t expect Paul and Gene quality but it’s still KISS (and they still sing backing vocals ;)) After Ace shows his stuff, Peter gets his turn and performs the classic Hard Luck Woman, one of KISS’s best acoustic tracks that started life as a Stanley written, Rod Stewart rejection. There’s hope for us all. Tomorrow and Tonight and the amazing Stole Your Love come along next and beat the shit out of you. That simple. Stole Your Love is the best choice of song to play for anyone asking, what’s KISS?

Beth is being skipped for personal bias and reasons. One of their biggest hits but truly loathed by Tickets There. So moving swiftly along to…God of Thunder. Oh god yes!!. Another one of Gene’s (wow, he actually has a lot). This is yet another classic from their iconic Destroyer album. A great recording and it’s sped up a wee bit which works well. During the bands lives shows, Gene flies up to the top of the stage to play this after he’s done his bass solo with blood spitting. I Want You’s next and it’s a little quieter than most KISS material….until everything comes crashing together at the one time. There’s riffs, there’s solo’ there’s even some pings thrown in for good measure. Also, for a laugh, sing along with Paul when he asks you at the end. Or else you can Shout it Out Loud!!
All American Man wouldn’t be one of my favorites but fellow patriotic stomper, Rockin’ In The U.S.A.is a great poppy rock number. Not one of KISS’s best but pretty sweet. Larger than Life is, I’m afraid, a great song. Perfect one to understand Gene’s character. Rocket Rides grand but not their best and Any Way You Want It…well that’s not great either but you trying releasing two live albums in two years without repeating more than one song and see how you like it!.
Thankfully the band finishes on a high note with Rock N Roll All Night. Two years later and it’s still the ultimate party song. Next up in the KISS series is Alive III, released after the band had stopped wearing the make-up. Till tomorrow then, have a good evening.


Ok, Tickets There is continuing it’s celebrations in preparation for the release of KISS’s new album, Sonic Boom on October 6th. First we had the KISS-LECTION and now it’s time to take a good, hard look at KISS’s four Live albums, Alive! I – IV.
Before we get into it, I should point out that none of the albums come close to capturing KISS’s impossibly amazing live shows. Tickets There has been fortunate enough to be in one of their crowds and let me tell you one thing, no album could ever capture exactly how amazing they are in real life….but these albums do a damn fine job of trying.
So let’s start at the beginning with 1975’s Alive!, recorded between March and June 1975 on KISS’s Dressed to Kill tour. Upon it’s release, KISS were suddenly lunged from almost broke, make-up wearing guys in a rock n roll band to world famous, gigantic megastars. This is the album that really broke KISS into the main, main, main stream and it ended up becoming one of rock n roll’s most legendary live albums. None of the bands proceeding live records match its unbelievable raw energy, power and force and that’s saying something considering how good II, III and IV are.
“You Wanted the Best, you got the best, The hottest band in the world, KISS!”.
When you buy tickets to a KISS concert, you spend the next few days, weeks and months just waiting to hear those infamous words. The intro to the best concert you will ever see in your life. Those words are unbelievably exciting at one of their shows and when that curtain drops and the four massive figures sprawl out across the stage to entertain you with two hours of hard hitting, riff driven, theatrical rock n roll with a stage show that could match the Olympics, you’ll swear you died and this is your reward for all the good things you’ve done in your life.

The only thing that tops those words is the first bars of the very first song the band play. On Alive, that song was Deuce. Deuce as an opening song couldn’t be any more perfect. They’re currently playing it as the opener on the current tour and really you can’t go wrong. Starts off with a little guitars riff before the drums crash into action, the curtain drops and four heaving monsters start their quest of ensuring you have the greatest night in the history of the world. That magic is well captured on Alive and its set the perfect tone for the rest of the record. Strutter follows and the pace is kept up. Filled with all the swank, swagger and traits of any hard rock n fucking roll classic. Except it’s sung by monsters. People, this band have some of hard rock’s greatest hits under their belt and they dress up like demons, space men, cats and superstars. How can you not love that?? Got to Choose follows and admittedly this wouldn’t be one of Tickets There’s favorite KISS tunes…but damn it that doesn’t mean much when everything thing they touch turns to gold. KISS are gods, learn that fact now because they don’t teach it in school.
Hotter than Hell is a truly deserved, bonafide KISS anthem classic (yep, anthem classic. It makes sense in our word baby). The version on Alive is as good as this song gets….until you see it live and it rules all!! Nothing to Lose follows and surprise, surprise…..It’s another fucking savage track. Gene sings on this one and when Gene sings, you don’t want to miss it. It brings a totally different flow to the bands tracks. C’mon and Love Me is yet another riff filled, exploited teen of a song. Paul takes the mike back and drives this baby into your ears like a doctor during an invasive medical exam with some sort of blunt yet thick object….with spikes. But before we go using all our unfunny witticisms, we have to discuss Parasite. Why the pause and dramatics? Because Parasite is one of those tracks God wrote and handed to mortals as a gift. Unfortunately for that mortal, KISS stole it and recorded it themselves. God was pleased by this, Led Zeppelin would have only fucked it up anyways. This is a savage, mentalist of a track that only improves with a live setting. Mental, mental, mental stuff folks.
She is another one of those iconic riffs and beat dependant tracks, not a bad way to spend your five minutes before the very seventies trait laden Watchin’ You pop’s along. Unfortunately this one ain’t included much anymore but it’s 100% KISS-TASTIC. Yes you can say things like that when you discuss KISS, they’re fun people. Enjoy it.
Oh, oh hang on. Gene’s bass, crowd’s cheering. Silence. Hands clapping, Gene’s bass again, the drums and finally everything else. 100,000 Years is easily KISS at their top level finest. Paul’s voice screams in over the audience as the band burst through one of their greatest recorded moments and one of the finest tracks ever written by a hard rock band. What makes this song look poor?(well, it doesn’t really. 100,000 Years is one of the finest songs known to humanity. I’m just saying that for dramatic purposes) Black Diamond, an ever bigger monster of a rock classic and the acoustic intro ion Alive really highlights this. Black Diamond is top ten KISS material. The kind of song that you play in a tank when you’re driving into one of those Vietnamese towns. The kind of song you play when you discover the true powers as a mutant. The kind of song KISS plays to remind the rest of us we aren’t Knights in Satan’s Service (K.I.S.S., for those of you that didn’t know).

Rock Bottom and Black Diamonds main rival, Cold Gin is up next as the album and show start to come to a close. How many people here like the taste of alcohol? I know it’s getting so hot outside you need something to cool off. I know some of you out there like to drink tequila. When you’re down in the dumps and you need something to bring you up. There’s only one thing that’s going to do it for you…COLD GIN!!!! What a classic, what a live record, what a fucking sweet, amazing, incredible deadly awesome band.
Rock N Roll All Night (The ultimate party song) and Let Me Go, Rock N Roll finish of the bands first, their finest and one of the world’s greatest rock live albums. If you don’t feel the party after this record then there’s something not quite right with you but Tickets There will still be your friend. We love a challenge. Later on we’ll discuss Alive II and see what the band got up to during 76 and 77. Be sure to pop back and remember….,
Keep it KISS’d!!!

Maybe try and start this as a new feature, a weekly playlist of irish tracks Tickets There is currently listening to.
We all know Ash. Most of us love Ash. They just seem to get better and better with time but this week it’s Uncle Pat Time. What a fecking classic riff. Tim’s voice is one of those you either love or hate and Tickets There loves it. The guitars are so strong, the voice is so light and it works.
Mourning the loss of Tickets There’s prime choice for Irelands leading underground band, The Future Kings of Spain with the excellent You Dream in Solid Gold. Just one of many amazing tracks for their second album Nervousystem which I still advise everyone to go out and buy. Teach you what you’re missing when you ignore Irish acts.
I know it’s not ‘cool’ to have the same band appear twice on the same list but |I| couldn’t care less, this is what Tickets There is listening to. Maybe I should explain something, when we find good music, we listen to it. We know there’s a lot of music out there and a lot of people are in a panic to hear absolutely every single note ever played but TT doesn’t go in for that. We don’t like jumping from one band to another every forty seconds. Instead, we find bands of quality, substance and talent and stick with them until they lose it.
Future Kings Disappear is a fantastic song. Atmospheric and classic. Great choice for anyone in mourning.
Was doing a review of the Bellies Music in Mouth album earlier and I’ve had this song on repeat ever since. Great track, always nice to revisit this classic album.
This band caught me by surprise. I can’t believe how good they are and they only improve with age. Honestly I have their MySpace page open 24 hours a day listening to them. Cant wait to pick this album up tomorrow.
Did a review of this track several months ago and I still enjoy it, great wee song. Haven’t been tempted to see them live yet as I like a little more meat in my music for a gig but maybe one day.
Not normally a fan of this type of music but I think the Flaws do a fairly decent job with this track. II suppose this would be considered an old one at this stage but Tickets There is in no way cutting edge I’m afraid.
I’m pretty sure that every single time I try and write a ‘What I’m listening to now’ blog, I include this song every single time. Well worth a go if you haven’t heard them before. For fans of hardcore J
Come on lads, get the bloody album out!
One of the best dance / pop songs ever written by an irish act and a great tune to set you in a good mood. Expect many a blog today about the simple joys of listening to Neosupervital.

Anyone else in the pub last night at 17:59 for a toast to Arthur Guinness? Tickets There was but regrettably, there wasn’t a huge crew out. Ah well, quiet nights happen and when there’s free Guinness going around, a small crowd wont complain about having to fill the void 😉
What the hell was with the TV celebrations though? Every time I looked at what was going on it couldn’t have looked any dryer! All I saw was English and Welsh people over here playing to crowds who couldn’t have looked less enthusiastic. The Blizzards (in Vicar Street I Think) were so fucking terrible I could get over it. I suddenly felt an urge to rip up that post about no doing any more negative MySpace Reviews. Although, compared to Jamie Cullen, David Gray, The Enemy, that fucking presenter in Whelan’s asking every fucking band about “seeing the Whites in peoples eyes”, that knob end Ronan Keating looking like a …I don’t know what, some sort of beautified Emo. I’m pretty sure Tom Jones and Cat Deeley’s legs were the only saving grace of the whole evening.
Now I know this blog has a name for being negative but my thoughts about the coverage were shared by every single other person in the pub. As the Blizzards played I told one of the lads about the review I gave them and his comment was “Why were you so nice”. So fuck this. Those shitty, arse hole bands aren’t music. This country and primarily Dublin (because there’s enough students and scene queens around) is doing it’s best to create a vibrant music scene and cultural paradise when there’s fuck all substance to back it up.
The singer / song writer scene is dead, the emo/rockish/pop/punk music that most of the bands play is terrible. Half these aren’t musicians and a lot of them don’t have any talent. They’re sucking people in because they look the part, but they don’t fucking sound it. I have zero respect or appreciation for the music scene in Dublin. It’s swamped by a never ending parade of kids with no talent and so called bands with absolutely no musical talent, originality or character and they pawn of half written disasters with quirky noises and philosophical story lines (involing when they used to love transformers on a Saturday and the simple joys of a grilled Mars bar) under the guise of music. Its all explained off course by artist license and let’s all get along and enjoy it. Well that would be fine off course expect now there seems to be more of them than ever and I’m not sure if anyone’s noticed, but anytime they play an actual venue, the crowd is half full at fucking best! Anyone wonder why that is huh?
I remember last year heading along to Ham Sandwich who were one of the biggest underground bands on the go and the Village was a third full. Same thing when I say Director and they were the biggest crowd….for those bands. Interest in these groups seems to last as long as their songs. Anyone know why groups like The Beatles, U2, The Rolling Stones, Guns N Roses, Abba and every other major band still pack a crowd and get played in every pub almost every night while these newer groups (some of which have been in the go for up to ten years) still cant crack the mainstream, play a sold out show in the own country (in a venue that holds more than thirty people) or even get on a real radio station for more than one single??? It’s because they’re crap. They’re not music, they’re just shit. The songs aren’t songs, they’re college kids/unemployed talentless people doing their very best to destroy any chance for real bands and really talented people to ever make it through to the main stream. If they can’t learn a guitar, they all of sudden become a photographer or a DJ (or a music writer – Ed). Anyone else ever notice how many photographers there are in Dublin these days? And they all photograph the same fucking things over and over and over again, always trying to make it more deep by doing it in black and white. Or this visuals lot haha, oh sweet lord!
Hopefully one day kids will cop on and if they really love music the way they bullshit then hopefully they’ll stop endorsing groups like ‘The Blizzards’ and give their time to a real band. And stop fucking downloading, these groups do actually need money to survive and continue to make records.
Anyways, that’s enough of a Friday morning rant. Arthur’s day celebrations were shit but the Guinness, the Guinness is still king!

Hi folks,
Ok, Ever since the Best / Worst list went up there’s been more debate than Tickets There has ever seen before on our blog. I’ve had a think about how things came down to this and I’ve decided to jump ship. I started this blog to highlight bands around the country and talk about Irish music, not tear bands to pieces, which seemed to take over for awhile.
So, the decision is final. After having a chat with Brian from So Cow (who seems to be one of the most down to earth guys I’ve ever talked to on MySpace), I’ve decided not to do any more negative MySpace reviews and only post positive ones. Luckily enough some of the bands did find these funny rather than offensive and that’s pretty much what they’re meant to be.
I won’t remove the ones that are already there but I am deleting the worst 10 bands list (well, bringing it down to three bands instead of 10 and also removing that other ‘Avoid’ suggestions). Going forward, Tickets There is getting back to brining you new Irish bands and celebrating our music.
Our opinion hasn’t change about the groups, but life’s too short to tear others down.
All the best,
TT

Hi all,
This is a pretty sad day. It seems Tickets There’s personal choice for this countries leading band have decided to call it a day (either that or they’re taking a dig at my History post).
This follows weeks of rumours that the band had called it quits (I see your Google searches ;)) and unfortunately it really seems to be true. I’m pretty sure this is the saddest news I’ve had to write about yet.
Go to their MySpace Now to Read the bands blog.CLICK HERE
The reasons for the spilt might be pretty clear but that’s all for another time, have a look at the bands excellent video for Syndicate from their second album, Nervousystem.



That’s right, the reality TV star and former prince of darkness Ozzy Osbourne is coming to Dublin to sign copies of his new Autobiography, I Am Ozzy.
Ozzy will do two sessions at Eason’s on O’Connell street on October 10th (11:00AM – 13:00PM) and then it’s over to Hughes & Hughes in the Stephen’s green shopping center (15:00 – 17:00 GMT)
No details have been released yet if wrist bands will be needed but Tickets There will keep you updated as I find out.
Forget Sharon, the Osborne’s and all that crap. Ozzy is a living legend and you’ll kick yourself in years to come if you pass up a chance to shake hands with the man (or at least get a Hello out of him :))
Find Out more Here