Archive for the General Tickets There Blog Category

Top 10 Halloween Songs: Tickets There Vs Billboard.com

Posted in General Tickets There Blog, Music, Music Video with tags , , , , , , , , , , , , , , , , , , , on October 31, 2012 by Tickets There

Billboard.com have a list of their Top 10 Halloween songs and we’re after tripping across it (through tireless searching on Google of course…..ok, so I typed Halloween Songs and it was result number 1 or 2 or something. Well, I didn’t see you clicking it!). The list isn’t bad, has the videos etc. Included, but they’re not very terrifying are they? I mean, no-body gets scared when they hear ‘Don’t Fear the Reaper’ by Blue Oyster Cult or ‘Highway To Hell’by AC/DC. No, they rock out and we feel a Halloween hits list has got to scare the living sh*t out of you. So nappies in hand, let’s see if old Tickets There (with our charming manners, sexy good looks and desperate need for nicotine) can do better.

10: Halloween Theme Song’ John CarpenterWell where else would you start? The soundtrack to 1978’s Halloween still remains on the of the atmospheric and intimidating ever released. The opening notes immediately remind you of good old Michal Myers and his personal demons and family issues. Of course, there was no Frasier Crane in 1978, these days everything would be worked out on the couch.

9:  ‘I Love The Dead’Alice Cooper – Alice Cooper is Halloween for music. The original shock rocker spooked more minds than …. SATAN! Alice is your nightmare and all the things that are dark, eerie and sinister. He is the bogey man so trick or treaters be good or  Alice is stealing all your candy.

8: ‘Feed My Frankenstein’  Alice Cooper – You didn’t think there’d only be one Alice in my list? did you? Didn’t I just get through saying that Alice is all things sinister and evil…etc,etc? Well anyway – TT has decided to pass up Talking Heads ‘Psycho Killer’ and the theme songs from Exorcist and Psycho to include this so you best listen and listen good.

7: ‘I Put A Spell on You’ Screamin Jay Hawkins – Need a good witchy number for Halloween – look no further. Except, we’re not including Screamin’ Jay (no offense), but we find Bette Midler’s version from Hocus Pocus much more appropriate.

6: ‘Bark At The Moon’ OzzY – A little panic, a little thrill – Bark At The Moon is a savage Ozzy tune from a mediocre album. Diary of a Madman and Blizzard of Ozz really cemented the mans reputation, but no-one can take away from this tune. Creeeeeeppppyyy.

5: ‘Ghostbusters’ Ray Parker Jr. We’ll admit, Billboard had this one right. No Halloween would be complete without an airing of Ray parker’s iconic Ghostbusters tune. Along with Bull Murray’s comedy, Dan Aykroyd’s stumbling, loveable silliness, Harold Ramis’ staunch strictness and Ernie Hudson’s total disbelief at the crap he landed himself in – Ray’s song turned Ghostbusters into the most loveable ghost film of all time. On that note, Ghostbusters 1 & II have just been added to this week’s viewing list.

4: ‘This Is Halloween’ Marilyn Manson – Manson is in by the skin of his good graces. While the original is far more fitting as it embraces silliness and fun, creepiness and ghoulishness – it must be said that Manson did a good job, so why not try something new…ish?

3: ‘Black Sabbath’ Black Sabbath Slayer’s ‘Reign In Blood’ was just replaced by this choice. Easily the most terrifying, dark heavy metal song ever recorded by man. All hail the mighty Sabbath and keep an eye on the blog over the next few minutes for something else Sabbath related.

2: ‘Thriller’ Michael Jackson – Obvious? Maybe, but it just has to be there – and it’s still amazing.

1: ‘The Monster Mash’ Bobby Boris Pickett – The greatest Halloween song of all time. What more can be said?

Think we missed anything? Leave your feedback and discuss. In the mean time, I have a scary halloween everyone…….

The Riptide Movement – Still Keepin’ On

Posted in General Tickets There Blog, Gig Listing, IRISH NOISE!, Music, Music Video, New Music, News with tags , , , , , , , , , on October 22, 2012 by Tickets There

Dear bands everywhere – this is how it’s done!

The Riptide Movement are a band familiar to us all and well they should be. Along with a limited number of names (not starting any wars here), TRM are the epitome of hard work, performance and energy. They are a credit to the Irish music scene and spend every second they can promoting their band, making themselves sharper, song writing, rehearing, exploring new avenues of self-promotion, making videos and constantly pushing themselves higher and higher up the chain. When they do a tour, it’s not two shows, its thirty.  If they don’t have a gig – they busk. When they’re not busking they’re working behind the scenes – constantly and that work is now paying off.

The band are currently in India representing Ireland at the Rendezvous festival in New Delhi, which they’re capturing for Hot Press as their 2012 ‘Most Unusual Gig of the Year’ spot. When they get back, they start the task of promoting new single, ‘Without You’ from their second album, Keep On Keepin’ On that came out earlier this year. The promotion tour will take them around Ireland (including headlining shows at The Olympia, Roisin Dubh, The Forum and Dolan’s Warehouse) before they jet off to Berlin, Munich, Hamburg, Prague, Vienna and Amsterdam.  Irish dates can be found below and you can expect to see a review of their new single…..very soon.

Oct. 27th – The Slate, Cork.

Nov. 2nd – The Roisin Dubh, Galway

Nov. 10th – The Olympia, Dublin *Almost Sold-Out

Nov. 17th – The Forum, Waterford

Nov. 24th – Dolans Warehouse, Limerick

Nov. 30th – The Palace, Navan

Congrats to the Riptide and please – Keep on setting the bar for others. If all bands worked as hard as you, there’d be a lot less X-Factor in the world.

A Massive Apology to Cheap Freaks, Sweet Jane and all acts that took place on Saturday @ Prussia Street Community Arts, Dublin.

Posted in General Tickets There Blog, Music with tags , on October 22, 2012 by Tickets There

Tickets There is extremely sorry for not mentioning Saturday’s Cheap Freaks show on the blog. We had a mail and simply misread the date and assumed it was weeks away. I am a big fan of Cheap Freaks and Sweet Jane so apologies to both of you and also to the other bands playing on the day – The #1s, September Girls, Nibiru, Death In The Sickroom and The Dead Beat.

Hope the show went well!

METALLICA: Damaged Justice 88/89 Tour – Lady Justice (Doris) Stage Prop Model

Posted in General Tickets There Blog with tags , , , , , , , , , on October 21, 2012 by Tickets There

Decided to make this yesterday for the craic. It’s Lady Justice (Doris) from Metallica’s Damaged Justice 88/89 tour. …and Justice For All remains Tickets There’s all time favourite Metallica album.
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Congratulations SLIGO ROVERS!

Posted in General Tickets There Blog with tags , , , , , , , , , , , , , , , , on October 15, 2012 by Tickets There

Tickets There would like to send our congratulations to the Sligo Rovers Airtricity League Champion squad of 2012. The first league win for Sligo in 35 years and one they very much deserved. They came third in 2010, second in 2011 and now they’ve made it to the top!

The league was clinched in a nail biting match on Saturday against St. Patrick’s Athletic  at the Showgrounds in front of almost 5,700 spectators.  Two goals courtesy of Raff Cretaro in the first half put Sligo on the home stretch with victory close at hand. However a second half comeback from St. pats left the score 2-2 with 30 minutes still to play. A few close shots from St. Pats nearly put Sligo back on the long stretch to clinch victory but a last minute penalty allowed Mark Quigley to sink one in the net and Sligo to pull back on defence for the last four minutes of extra time. Deal done – the League belongs to SRFC – Sligo Rovers!

The 2012 Airtricty League Champion Squad – Gary Rogers; Jeff Henderson, Gavin Peers, Jason McGuinness, Ross Gaynor; Lee Lynch, Danny Ventre, Joseph Ndo; Pascal Millien, Mark Quigley, Raffaele Cretaro, David Cawley (SUB). (Danny North & Alan Keane injured) and the man who brought it home, Mr. Manager – Ian Baraclough!

…and f*uck Aerosmith!

Posted in General Tickets There Blog, Music with tags , , , , , , on October 11, 2012 by Tickets There

I would consider myself a fan of Aerosmith, but they’re constant bitching over the past couple of years; not to mention American Idols and complete lack of real activity have become a little tiresome. Now they’re trying to pull the finger out of their asses and get back to business and how do they go about that? By trying to undermine KISS.

In a typical Steven Tyler rant he spouts some shite about how KISS are a comic band, dismissed their back catalogue (“They’ve got a couple of hits, but they’re more, they’re comic book“) and even had the balls to suggest Joe Perry’s ‘licks’ were more credible than KISS’ (“A KISS lick and a Joe Perry lick — two different worlds“).

Mr. Tyler, I’m not saying that the time has come for you to kick that imfamous drug habbit of yours, but they are clearly affecting your judgement and perception of reality. While yourself and Mr. Perry purchased ladders that could reach the deepest creveses of your arse holes, KISS have been banging on, touring like crazy, entertaining fans and releasing awesome music. How’s that covers album fairing out for ye? I’d consider myself a half fan now but try to send your nasty over the hill vibes anywhere near the nicest rock band in the world and y’all can just go f**k yourselves. Maybe try and appeal to people with credible new music, rather than pointless insults … (basically, instead of doing what you do, try and act more like KISS :))

Tickets There out. (Check out the new KISS single, ‘Hell or Hallelujah

Arthur’s Day – The ‘Hot’ Stuff?

Posted in General Tickets There Blog, INTO-NOISE!, IRISH NOISE!, Music with tags , , , , , , , , , , , , , , , on October 9, 2012 by Tickets There

Now that things have calmed down, Tickets There would like to further explore the Arthur’s Day controversy the erupted within certain circles of the Irish music scene last month when Walls / Stunning front man, Steve Wall, attacked the day for promoting English artists ahead of Irish talent, given that the spirit of day is a celebration of Ireland’s most famous export – Guinness.

Steve is quoted in the Irish Times as describing this year’s Arthur’s Day celebrations as a “cynical act in pulling the wool over Paddy’s eyes”. A great number of people have supported Steve’s comments while many others (including The Minutes & Thomas Walsh of Pugwash) don’t see what all the fuss is about. From a bog standard point of view, it should be simple, an Irish festival for Irish bands – but that’s just not the way it is unfortunately. This article is not directed at Steve Wall, but rather the points he raised that a lot of other people / musicians agree with.

Diageo PLC, owners of the Guinness Brand and many others, are a British company that decided to celebrate the 250th anniversary of the Guinness Brewing Company in 2009 with an international tribute to Arthur Guinness, the man who started it all. They landed in Ireland on September 24th and spearheaded a massive celebration using international music acts with a massive Proud to be Irish / Guinness drinker theme running through it. Great success, made a bit of dosh for Diageo– everyone happy. However, when it returned a year later people got the message that this was not a once off thing. Obviously the chance to generate a guaranteed annual increase in revenue was a little too lucrative for Diageo to just ignore. Fair enough, this is a recession after all and more revenue equals more money for the country and St. Jame’s Gate employees getting to stay in the job. All good, no?

So the money-making side isn’t what’s annoying Steve and supporters of his comments. It all comes down to the entertainment being used to promote this supposed Irish / Guinness festival. While Diageo promoted that fact that over 500 Irish bands were taking part in this year’s Arthur’s Day celebrations, none of those names were headline artists. Indeed, no Irish act of any sort was chosen to be a headliner at a festival that used Ireland and Irish-ness as its foundation and platform worldwide. Very unfortunate and a little disrespectful to a country long renowned for its powerful traditional music and its massive contribution to the world of internaltional music over the years….not to mention all the pints of the black stuff us good auld Irish have purchased over the years. While Arthur’s Day could have been a chance to allow home-grown talent like Le Galaxie, Jape, Ham Sandwich, Cast of Cheers, (Shudder) Fight Like Apes..etc, etc to shine on an international setting, on a day when the whole world wanted to embrace Ireland and it’s culture. A very fair point, but Tickets There can’t unanimously agree we’re afraid and it’s for one simple reason. Arthur’s Day is a celebration for a man who endorsed the idea of British rule over Ireland and proclaimed himself an Irish Unionist. Therefore, isn’t it more fitting we get British acts in to represent Arthur’s Day rather than Irish ones?

To be fair, that’s not our real reason. Unlike St. Patrick’s day (incidentally, another plastic paddy festival for a man who was 1, ENGLISH and 2, brought Christianity to Ireland – something a lot of people these days would rather hadn’t happened), Arthur’s Day is an event invented by and run by a company, not a country. Sure pubs chip in and do their part, but they aren’t answerable to Ireland or its people. It’s all for a drink and the man that invented it and it just so happens they came from Ireland. We are fortunate a company has taken a lead at drumming up some good cheer and extra business for our streets, pubs and restaurants during these bleak recession hunkered days, rather than do nothing at all like most of our national companies. None of the Irish bands mentioned in any of this are tearing up the international charts so why would they be booked as major headliners just because of where they’re from? That folks is bias, discrimination and wouldn’t be tolerated in any other form.

We must all be getting sick of Irish people attacking anything and everything in sight. Why don’t we all just attack Oxegen and Electric Picnic for not exclusively booking Irish talent as their key headliners? Or fine MCD and Aiken for not ensuring that 50% of their events are Irish based? If Irish bands want to make it in this life they’ll have to do what every other band has to do, appeal to people, sell albums and make it. They’re not being discriminated against, they’re not be cast away or anything else. This is not 1960’s London, we are no longer below the dogs. We are a respectable country with a proud musical heritage and should be able to make our way in the 21st century without Bono or hand-outs. If people higher up in the Irish entertainment world have a problem, why don’t they arrange their own festival to celebrate our music? If our bands are as big a draw as they say then certain people will make a fortune and the bands will get a larger platform.

The Irish need to stop blaming their problems on everyone else and take some responsibility for themselves. How can we ever hope to restore our pride and dignity if we keep running back to internationals, pulling on their trousers asking for more? Ireland needs to re-carve its own identity and make other countries look to us with awe and excitement, rather than berate, guilt and sulk our foot through the door.

Incidentally, Steve Wall is a man I have a lot of respect for. He’s one of the greatest song writers Ireland has ever produced and founder / driver of two bands Tickets There (and myself, Robert O’ Connor) greatly admire and enjoy. This is not an attack on him, but a criticism of any Irish band that sits around waiting for ill-gotten hand-outs. It’s tough out there but that is life as a musician (and everyone else for that matter). Stop sitting around waiting for others to open doors and do it yourselves with your music. If Ireland doesn’t suit, re-locate or get a new job. If things are made too easy, everyone will be in a band and the whole scene will water down even further. Steve fairs better than most and works exceptionally hard to keep his bands going, but it’s time Ireland stopped blaming all of its problems on the English and got up and did something about it for ourselves. Let’s just leave Arthur’s Day for what it is, celebrating the black stuff!

18 Reasons Why Axl Rose Is The Biggest Legend In Rock

Posted in General Tickets There Blog, Music, News with tags , , , , , , on May 10, 2012 by Tickets There

Guns N’ Roses 2012 European Tour kicks off tomorrow night in Moscow and one week from today, they’ll take the stage at Dublin’s O2 Arena with Thin Lizzy and Vengeance & the Panther Queen as special guests. It’s been two long years since their last Irish shows and this writer for one is dying to welcome them back to the Emerald isle. Home of Paradise City, Guinness and a welcoming crowd.

Old Tickets There decided to celebrate and have a bit of fun with NME’s recent ’18 Reasons why Axl Rose is a….’ can’t actually remember what they were aiming at. Either way, let’s see why Axl Rose is as big a legend as he is.

18: His Attitude

Nuff said really – Axl’s attitude is second to none. He doesn’t let people push him around or tell him what to do, something the population of the Ireland (and indeed the world) could do with a little bit more if we’re ever to convince the courts to hang / castrate the remaining members of Finna Fail, the ‘bankers’ and Dana.

17: Tommy Hilfiger-gate

Axl Rose got into a fight with Tommy Hilfiger, do you care? It lasted all of two seconds in a pub. Imagine that, a small scuffle in a pub. Tisk, Tisk, Tisk!

16: He’s not a one-woman man

Axl Rose in proper rock star fashion sleeps with a lot of women. If you were single, had lots of money and were the front man of Guns N’ Roses, you’d do the same. If not, you’d still try your darndest!  Not NME though, they have a very strict Morrissey A-Sexual policy. Keep on keepin’  down the big fella lads, he’ll only land ye in trouble with mommy.

15: Bob Guccione Jr-gate

Axl Rose got into a fight with Bob Guccione Jr. Do you care? Yes you do because that fight got taken into the awesome ’Get In The Right’. Weighting in at 850 lbs, Guns N’ Roses’. How many of you have had fights turned in to savage songs?

14: Scared of seaweed? WTF?

Apparently Axl doesn’t like seaweed….do you care? Suppose, it’s horrible slimy sh*t. Some people like to bath in it, other people like to whip themselves in worship to God or the Gods of Berlin’s nightlife. Let the man have his pet-fear. Mine is rats, some people keep those as pets. Basic message, people like / hate random sh*t – except at NME where they favor A-sexual men and a confrontation free environment….except of course when they write hate blogs J

13: His non-existent sense of humor?

He told me this joke one time, you would have sh*t yourself. Prove me wrong!

12: He’s got no Patience

Miss-heading heading here, I believe it’s Slash’s fans that have no patience. Axl will distill his talent until it’s perfect.

11: Metallica-gate

Axl Rose and Metallica do not get along so well. Guess it just p*ssed off Metallica that they had to open for Guns way back in 1992. People think it’s because of Montreal, but Metallica’s ‘A Year and a Half In the Life of’ video will show otherwise.

10: He hates poodles

Cannot blame the man, what a waste of life. Silly looking dogs for Beverly Hill wannabes.

9: Not a fan of ‘fans’ …. getting this shit kicked out of them.

A few years back, Axl stopped a show to kick out three security guards after witnessing them getting extremely rough with fans in the front row. Axl stopped the show, pointed to the three men and demanded they be removed. Once they left, Guns carried on. Uncle Axl has your back! Watch the video below if you like (you won’t find this one on NME)

8: Velvet Revolver-gate

Band members fall out. One crowd starts a new band – they have a cyber-spat. Six trolls all doing their best.

Also, Scott Weiland did make that whole comment about being remorseful towards Axl once he learned firsthand what it was like to be in a band with certain old Guns…. Ahem (link – http://gnrdaily.com/news_detail.asp?id=1984  )

7: It’s hard enough remembering lyrics…

A lot of artists use monitors for lyrics. Legendary bands and those that can afford them of course. When you write songs and make a successful career out of that art it doesn’t suddenly mean you’re memory is gifted with the space of terabyte memory stick. When Axl sits in front of one with glasses on and reads them off, then we’ll worry.

6Nirvana-gate

Nirvana is a harsh word. Basically Axl Rose told Kurt Cobain to shut Courtney Love up. Now honestly, wouldn’t we all have loved if it had worked? Maybe Kurt wouldn’t … well, you know, and maybe Courtney Love would actually have shut the f**k up. If you’re listening love, do us all a favor and shut the f**k up you twisted, dried up *insert words commonly used aside ‘epidemic of the late 1980’s* *insert word often associated with degenerate scum who ((should resort to)) sell(ing) their body for sex and almost always follows the first expletive word*

5: White dreads

Axl is so cool he braved the media and put his head in dreads! Didn’t last long, but fair play for trying something new!

4: Terrible dress sense

Terrible, sorry that’s an NME typo. Awesome was the word we were going for there. Axl’s dress sense on tour has always been something that gave Guns some of their character. Mixing and matching everything from SWAT gear, to kilts, to union jack jackets and bandanas. Axl has been at the forefront of everything that was cool about the late 80’s and 90’s and now he’s doing it for the new millennium. The infamous yellow jacket was worn at a very wet show and doesn’t make regular appearances so don’t judge an Axl by an NME.

3: ‘Chinese Democracy’

First they released the (arguably) biggest rock album in history, follow that with a massively successful EP and then two massive double albums that spawned numerous successful singles and were chock full of fan favorites. Then there was the covers album, live album, greatest hits and eventually, the most anticipated album in music history. Impressive?

During its conception, announcement and eventual release, Chinese Democracy amassed more stories than the folklore of a small European country, provided music analysts with world breaking stats (most expensive album in history..yaday..etc) and countless comparison arguments (Beatles entire recording career was completed in half the time of the recording of Chinese Democracy… Remember that?). Ex-members, managers, session players, friends and family of the band were inundated for a decade+ about the album. It’s been toured since 2002 and finally saw release in late 2008. Upon the album’s release, there were rumors that the record company had simply snapped the mix from Axl’s hand and gone ahead with the release he did not endorse. In response, Axl snubbed all partnerships and release hysteria and basically dropped off the face of the planet for several weeks before finally re-emerging to answer fans questions…directly. No middle man, nio pushy agenda ridden media drone – Axl went online directly to Guns N’ Roses fan forums and spent several hours a night for over a week talking to fans, answering their questions and giving his version of events for the first time in roughly two decades.

The album could have been the biggest seller of 2008, but due to Axl’s refusal to acknowledge its release, it managed the number 3 on the US Billboard Top 200 and debuted in the top 5 position of 26 different sales charts. In the four years since it’s release, Chinese Democracy has started to win original naysayers over with some critics begin to voice the opinion that it stands the test of time extremely well and the more you distance yourselves from the line-up controversy, the album stands out as the gem it truly is.

2: Cornrows

After trying the dreads, Axl went for cornrows and they actually looks pretty savage.

1: Guns N Roses

Love him, hate him – Axl is the spirit of Guns N’ Roses. After Izzy, Slash and Duff all quit, Axl was left without the core lineup that helped write those magic songs and make them famous. Fortunately, he was able to replace them all with extremely talented, sh*t coll musicians including Tommy Stinson from The Replacements. DJ Ashba from Sixx:AM and Beautiful Creatures. Guitar virtuoso, song writer, producer and all round legend – Ron Thal. The incredible Richard Fortus who doubles as lead and rhythm in Guns three guitar attack lineup. Richard has played The Psychedelic Furs and Thin Lizzy as well as Guns. Live drummer Frank Ferrer has been with the band since 2006 when he had to jump in to fill the gap left by Brian Mantia who left the tour after he became a father. Frank has since become the backbone to their powerful live sound and has extensive touring / recording experience. Dizzy Reed (Rock N’ Roll inductee and twenty two year Guns N’ Roses veteran) is still there providing backing vocals and keyboards with a little help from Chris Pitman who plays keyboards, bass, 12 string guitar and mellotron (sher why not?). Chris has also been involved in writing some of the highest profile tracks on Chinese Democracy as well as playing on them all.

Together they make up a band of younger, aggressive musicians who aren’t afraid to explore new sounds and shake up the confines that some fans wish to banish Guns to. Life changes, if you don’t change with it you gain two things – moss and guided tours. Guns N’ Roses are still fresh, still fighting fit and sounding better than ever. The man who wrote / co-wrote 46 of Guns N’ Roses 64 studio tracks still stands tall as leader of this great band and one of rock n’ roll’s greatest legends.

GUNS N’ ROSES: LIVE @ THE O2 DUBLIN – MAY 17th. TICKETS ON SALE NOW

Jägermeister – Love It!

Posted in General Tickets There Blog with tags , , on February 11, 2012 by Tickets There

It’s Saturday so have a Jägermeister and all will be well (:{)
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Dear ‘Entombed’ – What the Hell?

Posted in General Tickets There Blog, Music with tags , , on February 10, 2012 by Tickets There

Last night myself and the mad Brazilian were finishing up our third pints and couldn’t decide if we’d go for another. Being broke, Thursday, drinking weekend ahead of us..etc, we weren’t sure it was the best idea, as 4 generally leads to 8 and 8 leads to vodka and Jag back at the house. The taste was there though and we decided to pick a random track from Entombed (one of the heaviest bands on the planet) and agreed that if the accompanying video ( I For An Eye) was in anyway brutal, we would get another. Well ,….FFS, did we pick the worst metal video of all time? I believe we came close. No brutality, no nothing that in any way helped us convince each other than fate has said ‘YES LADS, get yourselves another pint of that lovely Czech stuff you’re drinking’.

Entombed, by the name alone that video should have had something brutal in it, as should all your videos. Next time ye have kids flying around on bikes, try to gore it up a little and pay some heed to your thirsty fans and well-wishers who want nothing more than to say, ‘Thank-you Entombed for helping me get drunk’. Next time I’m asking Motörhead.


 

ABBA: Shocking 2012 Announcement…

Posted in General Tickets There Blog, Music with tags , , on February 9, 2012 by Tickets There

…they’re twats – Listen to SLAYER

Tickets There: Song Of The Year: BOO YEAH!

Posted in General Tickets There Blog, Music, Single Review, Special Features with tags , , , , , , on December 31, 2011 by Tickets There

I think it’s fair to say that Tickets There has not been the most prolific writer of 2011! Well 2012 will see a change to that and *gob smacked horror* we’re gonna start writing again AND! It’ll be the best of metal / rock and the odd other from about this fine green land of ours (Holland!)……ok, sorry (*real brackets commence*)(EIREbaby!). Before all that, we’re going to take one final attempt at basking in what feel is easily the most impressive, memorable, kick ass, slow bruiser of a 2011 tune. If we’d put the title in the subject line you’d be home by now! Don’t be afraid to try new things, variety is the problem child of life –some things you just can’t reach…a love for, Reckless Love is not one of those things.

Song of 2011, sad to say we haven’t listened to a lot of new stuff this year, but we couldn’t escape Reckless Love ‘Animal Attraction’! When we first heard it, Tickets There was not happy. Copious amounts of coffee, staff meetings, dialogs, ‘Live Reviews – this is an active link….to the post below’ back and forth, firings, hiring’s, dialog, ass holes, bleach, Guinness, Amber Leaf, the lovelies, Jägermeister redbull, vodka, coke-a, Jack Daniels (ish), Def Leppard, Alice, Cooper, Steel Panther, ASH, Thin Lizzy. Motley Crue and mother-f**king love for all things rock ‘n’ roll – Reckless have won out. TLC b*tch of a song. Merry Christmas, Santa came early. Reckless Love, Animal Attraction is the tune, stones engraved, sermon delivered; now rock the hell out and get down with this bad son of a loving she devil!

Guns N’ Roses – Live ?!*@ Like A Suicide: Vinyl & Cassette Buyers Guide

Posted in General Tickets There Blog, INTO-NOISE!, Music with tags , , , , , , , , , , , , , , , , , , on November 13, 2011 by Tickets There


This page is the accumulation of several years’ research, hard work, frantic panic, image comparing, fact re-re-re checking and the near collapse of my better half’s admirable patience. If you’re in the market for a copy of this record or you’re close to someone who’s searched for it, you’ll understand.

So you know who Guns N’ Roses are and more than likely you know what Live Like A Suicide is. If you didn’t you most likely wouldn’t have found this page. Live ?!*@ Like A Suicide is a mini-album released by Guns N’ Roses back in 1986. It’s a fake live record and was recorded in a studio with audience sounds added after. It contains four tracks, Reckless Life, Nice Boys (Rose Tattoo song), Move To The City and Mama Kin (Aerosmith cover). It was released by the band on their own Uzi Suicide label under the guidance of Geffen Records who were worried about the band’s instability and they wanted to test the market before pushing a full studio album. Reportedly 25,000 copies were pressed but only 10,000 copies were sold. It never appeared on CD so legit formats only include 12” vinyl and the rarer cassette; but we’ll talk about that later on. Originally I was going to write a handy point by point piece, but feck it. If you’re in the market and have the cash, then take the time to properly research your future purchase and avoid getting ripped off.

(DISCLAIMER: The information contained within this guide is based on my own research and may not be 100% factual. Tickets There does not guarantee everything in this guide is true and the only reason we’re saying that is because psycho-bitches sue everything in sight.

Due to the rarity of this release and also the fact it’s an official album release in the bands discography, Live Like A Suicide is a must have for all Guns N’ Roses collectors. Normally this would be handy enough, fork out a couple of hundred dollars and bob’s your uncle, but like everything else GN’R related, there’s a complication. If you like seedy Russian tricksters, deceit, worry, exploitation and more worry; then read on.

The Myth

Live ?!*@ Like A Suicide is not a highly difficult record to find, despite some collectors insistence that it is. At almost every minute of everyday a copy is being sold on Ebay. As for the records high price tag, this is entirely dependent on how much a fan is willing to pay. Factory sealed, undamaged copies have been valued by long time reference guide Ladydairhean @ $300. However it’s rare you’ll find a factory sealed copy for less than $400, especially on Ebay, Eil.com, Discogs..etc Again, the value will only go up and if you have the cash, Tickets There says ‘go for it!’. Unless of course it’s a fake which brings is to the real point of this page.

I started looking for an original printing of this EP about three years ago. Like everyone else who does a little research, I was introduced to ‘the myth’ which scares 100% of all LLAS buyers away from immediately parting with cash for a copy. The myth goes as follows; in the early nineties, some chap in Russia bought a vinyl cutting press and reproduced several hundred / thousand copies of Live Like A Suicide in an attempt to cash in on Guns ‘Use Your Illusion’ success. Whether or not this is still going on is unknown. If it ever happened like that at all is also unknown. One thing that is guaranteed, not every copy of Live Like A Suicide sold is an original and there are some very obvious, some very difficult and some un-guaranteed methods of checking if the copy you’re buying is an original or not.

‘LIES’

LIES is the second album release by Guns N’ Roses. It came out in 1988 and as well as featuring the classic Patience, the notorious One In A Million and the savage Used To Love Her, it also includes the four Live Like A Suicide tracks. Technically the album is an E.P., but what can you do. The front cover was a take on all the bad press the band were generating with their off stage antics, the back cover was a re-print of the original Live Like A Suicide art work and that’s were the trouble begins.

People looking to buy LLAS will generally run into the LIES problem first. This is when a seller posts an image of the back cover of LIES and advertise it as LLAS. Most sellers will generally slip a note in somewhere saying it’s actually LIES you’re buying, but some miserable bastards won’t. Fortunately you’ve found this guide and we can help.

LIES Front & Back Covers: Spotting a copy of LIES is very simple. First of all, there’s a bar code in the top right hand corner and some writing and logos at the bottom. These do not appear on the actual Live Like A Suicide. The more adventurous tricksters will try to hide these using paint or photoshop so always ensure you ask the seller for several clear images and close-ups taken in daylight if you have doubts. As for back cover images, these are generally taken from the back of the LIES inner sleeve as this was also re-produced from the original LLAS artwork.

There are two main give-aways to look out for. First, the original LLAS does not have G SIDE 1986 printed after the Live ?!*@ Like A Suicide name. Again this can be edited out with paint and photo-shop so look for the second main give-away, the shading. While some sites will tell you there is no white text on the original LLAS, there is (the song titles appear in white); but not as much as there is on LIES. Checking the shading around the LLAS logo (especially the words LIVE & LIKE A) On Lies the shading will be white, on the original it’ll be a purple colour. Also check the overall quality of the record as the back cover of Live Like A Suicide is glossy and hard, the LIES inner sleeve is darker, plainer and paper. Here’s an image of the covers side by side for reference. (Live ?!*@ Like A Suicide is on the right)


FINDING FAKES

When it comes to spotting a fake, things get a little more difficult, especially using pictures. Time of day / artificial lighting and flash photography all change the particulars of the art work which some use as the basis for spotting a fake. Ladydairhean puts a lot of emphasis on colour in her guide but a lot of her points are not correct as far as I’ve been able to tell. The examples she uses are based on pictures she’s found and used to write the article from rather than using a genuine copy of the record. Unfortunately, colour is still one of the key factors in judging your copie’s authenticity. Fake copies generally have a darker front and back cover. The real Live Like A Suicide has a fairly dark front cover, but the back has a strong red tint that’s visible in the light. Since it’s hard to get a side by side image of the front cover, you’re best off asking for a photo of the back cover from a slanted birds eye view to verify the red tint.

As for the colour of the labels, the red side is a dark toned red, not blood red or bright. In certain lights the label can also appear slightly orange, pink and bright red –that makes things nice and easy don’t it? Here’s a few images of the official release’s label in different lights (All images taken of the same copy in different lights)


Record Marks

It’s reported that the Live Like A Suicide vinyl’s matrix engravings were also reproduced on the fake copies (I know, bastards!!!). So checking these is necessary, but again it’ doesn’t guarantee authenticity. The LLAS matrix numbers are,

  • USR-001-A/B-SH1 USR-001 A/B-SH2

There is good news though, one crucial stamp is reported to not have been included on most of the bootleg copies!! Engraved along the same lines as the matrix numbers you should see the world ‘STERLING’ machine stamped on both sides of the record. One final thing, there’s also a raised ‘A’ within the inner circle on both sides of the label, but like the STERLING stamp is sometimes impossible to photograph and won’t appear in 90% of the images you see of this release.

Again, some of the fakes are reported to have this stamp included, however it doesn’t appear as prominently as it does on the genuine copies. Considering the difficulty in photographing the stamp on the genuine copies, this will be difficult to assess on-line and would best to check in person. We are working with one of the forum users on HTGTH to get a photograph of the fake ‘STERLING’ stamp for comparison.

A special thanks to Rubber Soul Records in Stoke-On-Trent, England (yes, the home of Slash and Lemmy!) for allowing us to use this image. I may have gone overboard on the branding, but this is a very difficult picture to take on most camera’s and I’m sure no-one wants it stolen by some **** on Ebay. Thank you guys!

Vinyl Colour

One very obvious way to see a fake is the colour of the record itself. If you see anything other than black vinyl – stay away. There is no such thing as an official copy printed on red, yellow, see through or any other kind of vinyl other than black. Despite the fact that these pressing are fake, some collectors still view them as collectable and have been known to pay upwards of £70 for a copy. These are surprisingly rare these days but can be found from time to time on Ebay.

Misleading Photos

There is one problem that is difficult to find a resolution for, stolen pictures. Sellers can quite easily steal pictures from guides like this and others; or simply steal them from other on-line sellers. There’s little you can do to avoid this but if you’re wary of this, request specific images from the seller from various angels. If the item is legit, the images should be mailed and you’ll notice if the environment & lightening changes. If it does, be careful as it could mean the seller has hunted down the images from other sites. If all remains the same, then they most likely have the record to hand. Remember: If you’re paying £100+ £100+ €100 for an item, it is OK to ask for photos and receive them – do not deal with any seller that refuses to provide these.

Previous Sales (Ebay)

On Ebay you can check if a seller has sold copies of the EP before and this is another way of spotting fraudulent items. If you see a seller is selling the album regularly, do not buy. If you see a seller only selling privately, do not buy. If you see one or two occurrences, check other items for sale and see if 1, everything is high priced (rare for a private seller to only sell high priced items. Items like Live Like A Suicide should be gems in their collections and much more expensive than their other items) and 2, if there’s any trend to the music they’re selling. If they have rare Guns N’ Roses LP’s, then most likely they’re hard rock / metal fans and other items should sync with that. Shops won’t be good for this but private sellers will.

UPDATE: I just saw a LLAS cassette for sale on Ebay. Thing is, they’re using thumbnails from the copy I bought last week!!! The seller has 3 pieces of feedback (one of them negative) and has taken the pictures and description from the cassette I purchased a few days ago – FAKE!. The way I’ve gone about re-checking my items authenticity is simple, I went to the seller I purchased the cassette from, went into his feedback as a seller. Clicked through the recent ‘View Items’ from recent feedback and checked the background of the photos he’s been using. Fortunately, they’re consistent with the background from the LLAS cassette meaning he has the tape, the other seller doesn’t. This is another handy trick when buying any copy of LLAS but again, people don;t necessarily photograph their item in the same place.

CASSETTE

Live ?!*@ Like A Suicide was officially released on cassette in 1986. Like the LP, it came factory sealed and included the same four tracks on both A&B sides. The art work differed slightly from the 12” version due to the fact that the 12” graphics were printed on the front side of the sleeve while the credits were printed on the back against a dark grey background.

Tickets There has not been able to work out how many of these cassettes are in existence but the original overall figure of 10/25K copies printed of the EP seems to include both vinyl and cassette; however there were much fewer pressing of the cassette format than the vinyl one making it harder to find, but surprisingly enough, cheaper.

The cassette is valued at around £100 for a factory sealed copy, but chances are you’ll pick it up for a lot less than this. While researching it, I found copies going between $50-$90 (sorry for all the currency jumps, depends on the value I see). Because the value isn’t as high, the cassette has managed to avoid the counterfeit craze so copies sold are genuinely authentic…unless the seller is stealing images like the story above. Again, always request pictures, always ensure the pictures are clear and all sides of the cassette are re-taken with matching back grounds and no paint touch ups have been carried out.

Lots more pictures of the cassette can be found below in the gallery.

CD

Live ?!*@ Like A Suicide was never originally released on CD. Around 2003, it was released in CD format with Appetite For Destruction (original cover) as part of a Guns N’ Roses boxset. Bottom line, any CD of LLAS is not from the original 1986 pressing.

In Brief

Do not despair, you’ll find a copy. The majority of the versions I’ve seen (that aren’t LIES) are generally originals and the so called counterfeit scare does not seem to be as prevalent as most people assume. A lot of the scares are false and as long as you look out for the following on the 12”, you can’t go too wrong.

  • Make Sure you’re not buying LIES. Remember – Live ?!*@ Like A Suicide does not have any bar-codes any where on the cover or record. If you see a bar-code, it is not LLAS
  • The only white text on the back cover should be the song titles, any white shading on the E.P.’s title is LIES and not legit.
  • Matrix Numbers & STERLING machine stamp: Although they’re hard to photograph, you should try to buy a copy that you can see the matrix numbers and STERLING stamp printed. Collectors of the EP have reported fake copies do not contain the STERLING stamp so this is a great indicator to go by.
  • Ageing: Personally, I stay away from shrink wrapped, unopened versions of the EP because you’ll pay roughly $400 for one and there’s no way of telling what’s inside without opening the shrink wrap which instantly devalues the record. A lot of sellers provide the original shrink wrap and if it’s been opened, you can request photos. The record should appear aged (well it is 25 years old, going on 26 (as of Nov, 2011). Perfect pristine copies should be avoided when possible (unless you really need that mint condition look)
  • Back Cover Fold: According to some sources, official copies have a fold on the bottom left hand corner where you can see the image from the front. This is not 100% accurate and we do not endorse this a strict ‘must-have’ for buying this album. You should see part of the image folded under the back cover, but it should not be visible when staring at the back cover from a birds eye view.
  • Thumbnails: Do not buy from a seller using thumbnail (small) images. Make sure you at least get decent high-grade pictures before purchasing. Also remember to check the consistency of the background in each image. If they’ve photographed a genuine copy for sale, they won’t move it around the world for each snap so the background should be the same in each picture. When requesting new pic, ask for them to be taken in the same location the first batch were to make sure the seller has the item.

I hope this guide helps you find a genuine copy for your collection. I took a long time to gather this information and will provide updates if and when I have them. It’s a wonderful piece to own and every GN’R collector should have it, just a shame some bastards have made it so difficult. There are always people waiting to take advantage of you but if you put in the work and ‘have a little patience’, you’ll be fine. Good Luck!

Update: 15th Nov 2011.
As a safety check, I’ve posted a link to this article on Heretodaygonetohell.com ‘s message board. User ‘williambailey‘ has kindly sent on some detials about the Live ?!*@ Like A Suicide EP’s release that he got from former Guns N’ Roses manager, Alan Niven which you’ll find interesting. Thanks williambailey for sending this on!

Live Like A Suicide was only manufactured on vinyl and cassette, total number of both items was, to my best memory 25,000 units, which I sold to Important records, an indy distributor of the day. They were manufactured by Warner Bros on my request, with care to ensure there were no markings whatsoever to link the discs to Geffen or their manufacturer. [Of course, the fact that the band were already signed to a major was somehow overlooked as I got these out in the guise of an indy record. The $40,000 I got from Important funded the first foray into Europe, Hamburg, Dusseldorf and the first three Marquee shows – and the momentum was thus begun].

Tickets There’s: 10 Most Evil TV/FILM Characters

Posted in General Tickets There Blog with tags , , , , , , , , , , on October 31, 2011 by Tickets There

10: Kurt Dussander & Todd Bowden (Apt. Pupil)

Perhaps overlooked in favour for fellow film Nazi bastard – Amon Goeth, Kurt and Todd from Apt Pupil are more than worthy of making the list. Despite his age and the decades that have passed since the war, Kurt still poses the evilness imposed upon him during his time as a Nazi officer. So much so that he managed to pass it onto the younger Todd Bowden, a curiously disturbed young character.  

09: Brother Justin Crowe (Carnivale)

Brother Justin is one Tickets There insists on putting in the list. On the surface he’s a man of God and to many millions, a saviour in one of the darkest periods of American economics. In reality he’s a demon, enslaving an army of followers through his violent words, evil ideology and god like powers.

08: Emperor Palpatine

Emperor Palpatine always makes an appearance on these lists and rightly so. Aside from mind controlling and manipulating the leaders of the galaxy, ordering the complete genocide of the Jedi and enslaving every planet in the republic, Emperor Palpatine is responsible for murder, betrayal and forcing a father and son to fight to the death in order to seek out the strongest to rule by his side. Lovely chap.

07: Michael Myers

Over the course of the Halloween series, we find out Michael’s soul is kept alive by an evil cult. He is forever cursed to wander the earth and seek out his dispersed extended family and murder all those who get in his path. Current body count: 100+

06: Dr. Satan & The Cult of..

A life dedicated to warped extermination and death, Dr. Satan is one of the most outrageously disgusting characters to make the list but his core evilness and influence on his followers and their actions make him one of the most dangerous, unfeeling characters ever created.

05: Pennywise (IT)

Pennywise is the clown we all feared in our younger days…and not much has changed. A ancient demon that casts a dark shadow on the small town of Derry, Maine. He keeps the townspeople in a permanent state of delusion hypnotism and awakes every few decades to kill and feed on both adults and the young. Almost unstoppable, IT will forever be one of our worst nightmares.

04: Vigo

Underrated as far as Tickets There is concerned. Vigo’s soul is immortalized in the form of a painting, waiting for a human child to be offered up to give him rebirth so he can once again cover the world in darkness and sit upon a throne of blood as our ruler. He may not have committed the on screen acts of the 10-5 characters here, but the throne of blood thing is pretty bad so all hail Vigo!

03: The Cenobites

In reality they Cenobites are possibly the most evil of all characters, but they don’t seek those who don’t seek them first. Former humans now mutilated and deformed after centuries serving in hell, bringing pain and ‘glorious suffering’ to all those who ask. Twisted S&M fantasy and depression will probably bring you into their path, be careful what you wish for. 

02: The Evil Dead
All in the name really. Read from the Necronomicon and awake the Evil Dead, tortured sprits from another dimension whose blood lust and thirst for evil is unquenchable.

01: Eric Cartman

Persecution of the Jews, Infecting others with HIV, dismembering and cooking corpses, impersonating the mentally ill to falsely enter the Special Olympics, belittling those with physical differences, caused one classmate to commit suicide and another to attempt it through bullying, tricked schoolmate into eating his parents cooked bodies over $14, introduced the woodland critters to our imagination, kidnapped one friend and hid him in the wild for a week in order to take his place at a birthday party, faked tourettes….words cannot describe the total evilness of Eric Cartman. South Park’s answer to the anti-Christ. Eric is a warped, demented, selfish, twisted little boy capable of the most violent deeds on earth.

Happy Halloween from Tickets There! (Axl Rose Pumpkin)

Posted in General Tickets There Blog, Music with tags , , , , , , , , , on October 31, 2011 by Tickets There

Happy Halloween all!

May your wine turn to blood, jelly to brains and rice into maggots and enjoy scaring yourself shitless with horror movie bonanzas!

As per tradition; I hope you’ll all enjoy this year’s Tickets There pumpkin. You’ve seen the KISSkins, King Diamond Pumpkin, and Vic ‘Megadeth’ Rattlehead. Now it’s time for Appetite Axl Rose / Guns N’ Roses Pumpkin. The pumpkin with many faces…well two. Happy Halloween everyone, enjoy yourselves!

Congratulations to our new President, Michael D. Higgins

Posted in General Tickets There Blog with tags , on October 30, 2011 by Tickets There

Normally political things are avoided on Tickets There (aside from our irate Twitter account) but all of us here would like to congratulate Michael D. Higgins on winning last week’s election. Mr. Higgins will be Ireland’s 9th President since the formation of the office in 1938. The first person to hold the position was Douglas Hyde, followed by Sean T. O’Kelly, Eamon De Valera, Erskine Childers, Cearbhall Ó Dálaigh, Patrick Hillery, Mary Robinson and Mary McAleese. The President elect will be formally inaugurated on November 11th.

Michael conducted an extremely mature, admirable and dignified campaign. He spoke well, made light of the constant references to his age and height, debated miles ahead of the other candidates and won the support and love of Ireland in the past few weeks and months. He is loved and admired by his home constituency in Galway and has been involved in music / film and political movements that have changed the face of this country.

Tickets There will always be open and admit Michael did not have our Number 1 for most of this campaign. Like many others, we learnt a sad truth just a couple of days before the election and Michael’s continued charisma picked up the pieces, securing our vote and support. Tickets There wishes Michael a fruitful term as President and we have no doubts that if anyone can inspire hope and confidence in the Irish people, it’s him.

Adh mór ort!

Review: Le Galaxie – Live @ The Workman’s Club, Dublin (June 17th, 2011)

Posted in General Tickets There Blog, Gig Review, Music with tags , , on June 19, 2011 by goodgutterpress

 

The stage appears small with the array of wires, lights and electronic music equipment that Le Galaxie have brought to the Workman’s Club tonight for the launch of their first album Laserdisc Nights 2. Roars go up as a hooded luminous face painted quartet takes to the stage. From the word go, it’s clear the cinematic element of the album has been slightly sidelined for a heavy indie/dance sound. Not that it’s a bad thing! There’s also a touch of nostalgia in the air as a handful of glowsticks are thrown into the crowd. It feels like acid house all over again and so dance numbers Beyond Transworld and Earth are quite befitting.

 Rarely addressing the crowd Le Galaxie plough through their set. By the time they reach Powers of Miami and Solarbabies things really start to heat up. Both numbers are loaded with euphoric synth sounds just perfect for busting some dance moves. How could you not possible move to this music?!

More glowsticks are tossed from the stage to guide our way. When writing gig reviews I often find myself jotting notes blindly in the dark but not tonight. I stick a few into the frames of my glasses and away I go. It’s nice when bands have a kind thought for the reviewers!

What’s so great about this act is their ability to mix things up. During numbers like Police Department and This is Reality Diane I’m bouncing around at a dance gig with pulsating synths and a laser light show. The next moment our sonic electro heads pick up guitars and things go all hard indie and heavy as drums pound and guitars distort. But they also know how to ease off the accelerator a bit with numbers like Orion and Victory.  

You could tell this was an album launch. To make it a memorable night they take the last song to the crowd. Vocalist Le Michael Galaxie as he’s called on the band’s Facebook page; jumps from the stage armed with a synth and a cowbell. It’s a nice moment as everyone crowds around and joins in.

I can’t remember the last time I witnessed such a solid performance and I also can’t think of a better way to spend a Friday night. If you have not yet had the pleasure of catching Le Galaxie, treat yourself! 

 

Review: Bipolar Empire Live @ Monroe’s, Galway (June 2nd, 2011)

Posted in General Tickets There Blog, Gig Review, Music with tags , , , , , , , , , , , , , on June 9, 2011 by goodgutterpress

The weather hasn’t stopped people from coming out tonight to see Bipolar Empire in Monroe’s in Galway. The Dublin four piece have been busy over the last year what with recording in LA with the legendary producer Pat McCarthy who’s  worked with REM and U2 and Lance Hogan who put the finishing touches to their first album Feel That You Own It.

It’s clear from the start that this is a band that believes in the sanctity of the three minute pop song. They kick off with aptly titled Start the Show. It’s short and snappy in the rhythm section and is gently flushed with harmonies that  are similar to Teenage Fanclub.

Many will be familiar with Tempomanic from a RTE promo reel. The band recently jammed with a member  of Muse in Dublin. Comparisons have been made and they’re particular true of this number. With it rumbling drums and buzz-saw guitar it’s easy to see why it’s getting so much attention. Live it comes across heavier and more intense than on the album.

Bringing some Red Hot Chilli Peppers funk to proceedings is Playing With Fire. Lead singer Shane O’Reilly’s vocals have a soaring quality to them that are only brought back to earth when lead guitarist Mark Maguire, with ease and confidence, throws in a few slick guitars licks.

Their time in the presence of Pat McCarthy is evident in numbers like Trip Around the World and From the son as the harmonies sound like the best of early REM.

With no time to waste they move on to Open our Mind. It’s a pop rock anthemic with jangling guitar and a bouncing rhythm section. They’re pumped up and really enjoying themselves now. Not to over do things they take it all down a notch with the slow acoustic number; Why So Sad? which embodies their best trademark, the three piece harmony.

Their time in LA has infused things with a soft American vibe especially on Human Race. O’Reilly’s voice has a powerful but tender quality that could be mistaken for Jeff Buckley. As he moves through number like Smoking Joe and It’s Only Darkness he appears to grow with an unbridled confidence.

A surprise cover of I Want to be Adored by the Stone Roses brings a great reaction from the crowd who have now taken to the dance floor. At this point the place is heaving and a sweaty crowd are begging for more.

Saving the best for last is Feel That You Own It. Drummer Callum McAdam does a great job of nailing a solid beat and with O’Reilly’s vocals coupled with sublime harmonies this sounds like pre Joshua Tree era U2.

Tonight’s performance was certainly an ostentatious showcase of young Irish talent. Things can only get better for the boys from Tallaght. Watch this space!

Le Galaxie – Laserdisc Nights 2 (Album Review)

Posted in Album Review, General Tickets There Blog, Music with tags , , , , , on June 9, 2011 by goodgutterpress

One of the problems of living during a recession is that you are bombarded with negativity on a daily basis and so reality is hard to take at times. The news may leave you feeling somewhat empty and apathetic. I find a little dose of pure escapism is just what the doctor ordered. Le Galaxies’s new album Laserdisc Nights 2 might just be the ticket. Building on the success of their Transworld EP and scooping an IMTV Best Dance Music Video Award in 2009 for You Feel The Fire!; the Dublin quartet has done itself proud. Their latest offering is an audacious electro pop rock trip that makes regular influential stops at Blade Runner, 2001: A Space Odyssey, Tron and all things science fiction.

Opener Earth and Beyond Transworld is where it all begins. Starting with simple synths and drum beats, they evolve into straight up dance floor epics.

What is so striking about these songs is that they time travel like a Back to the Future DeLorean car. They’re duly weighted in Kraftwerk, 1980s and 1900s dance and techno influences, but shot through with futurist tones and themes.

The first single to be released Midnight Midnight sounds like Gary Numan in robotic vocal mode. The machines have taken to the streets and are seeking vengeance in the form of simmering synths and signature keyboards. Like many of the songs it’s all held together with pounding drums and a chorus that might lead you to run amok on the nearest dance floor.

Without a doubt one of the strongest tracks on the album, Powers of Miami hears the human race ask ‘how much time has it got left?’ It starts out with tightly packed little beats, but things change gears with euphoric melodies and strong guitar work.

Dividing the album and slowing things for a moment is the floating in space dreamscape, Blood Beach. It is easy to imagine this accompanying those fascinating dystopian skyline images in the 1982 film Blade Runner.

The journey continues with Orion which strips away the dance grooves and turns up the guitar amps to give a more rounded electro pop sound. As it grows into a rock-out jam you might forget you’re listening to Le Galaxie. But not to worry – nobody does anything on this record unless a computer says so first. Computerised vocals are always there to keep things in check.       

Similarly Police Department starts with a computerized voice reminiscent of the out of control computer HAL from the aforementioned 2001: A Space Odyssey film. However the results are less eerie as it’s a posh English gentleman computer pleading for clemency from its master. Personally I never thought I’d feel sorry for a computer, but I do! A simple drum beat drowned in a manic frenzy of pulsating synths are what it’s all about.

Victory and Paradising help to bring the magical mystery tour to an end. The former starts slow but ascends in typical Le Galaxie fashion with supernova style choruses and chunky bass lines. Things slow and drift into Paradising which provides the calm after the storm.

Providing good value for money Laserdisc Nights 2 is an album that will make you get off your seat and dance but it may also take you to far off distant places. It should also take Le Galaxie places too as it very well might be one of the best Irish electronica albums of 2011.

Video: Zombie Cops “You Do”

Posted in General Tickets There Blog, IRISH NOISE!, Music, Music Video, New Music, News with tags , , on June 7, 2011 by ticketssteve

Dublin rockers Zombie Cops; one of Ireland’s finest live acts, have released a promotional video for their forthcoming third single “You Do” A twisted lament with splashes of Placebo and Jimmy Eat World. The video was made by Eoin Heaney of Highly Stimulating Productions and continues the eerie feel of previous single “Taking Lives”

Check out the link below for live dates and free music.

zombiecopswilleatyourbabies.com