HY-GIY?: Jape – Ritual

Posted in Album Review, Hy-Giy, IRISH NOISE!, Music with tags , , , , , , , , , , on September 7, 2009 by Tickets There

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If you read my blog you should know three things. 1, I have a frightening love for Sheffield’s finest rock band, Def Leppard. 2, I like tearing into terrible bands and ridiculing them to the point where it just inst professional and I make very few apologies to fans or band members for the way I discuss them and three, I consider Jape to be one of Irelands finest talents ever produced and last year, he sealed that claim with his third album, Ritual.

Ritual was without a doubt my favorite Irish album of 2008 and one of best ever to come out of this country as far as I’m concerned. Yes I know Enya has a lot of albums to compete with but let’s leave that aside shall we!. Richie Egan is one of very far artists making experimental music and getting it right pretty much every time.  No matter what style of song, effect or theme Richie deals with, he still manages to back everything up with inarguably good melodies; structure, imagination and a strong musical backbone (take note bands!). Before Ritual he had the poorly received Cosmosphere and the underground smash The Monkeys in the Zoo Have More Fun than Me which spawned the massive cult single Floating. However Ritual brought all of Richie and co’s onstage energy as well as his styles and writing to a peak they hadn’t managed to release on either of the first two albums.  

Opening with the well weathered Christopher and Anthony, the album gets a feverish grip of dance beats, electronic samples and Richies unique lyrical style that fans hoped would play a more dominant role of this record than the previous albums. Despite it having all this, second track I Was A Man bombards in and ups the bar 100%. Previously, Floating was the dance highlight on Japes set and fans but he has worked hard to ensure this is pushed to mid-set and his newer work gets the attention instead in order to prove he isn’t a one hit wonder and I Was a Man proves this no end. All the dancey beats, anthem styled lyrics and changes any human could want from their bands. The overall chaos of the song is best seen live but as studio recordings go, you couldn’t ask anymore from this song.

Replays hops in at third and is again surprisingly upbeat and dance oriented. It’s one of those songs that just simple, cut n grab pop. Not the kind of pop you’ll see on X-factor anytime soon, I mean good f**king pop. Once again it’s impulsively catchy, upbeat and a full on stormer of a dance floor hit. Maybe if RTE felt compelled to play Irish music more often, this song, along with many more from the album might have actually reached the country. Ah well, there only the national broadcaster. Can’t expect them to start endorsing Irish talent when there’s easy ratings to be found with international crap. If you’re reading this and you work for RTE I say to you, Go F**k Yourself you absolute waste of an organization!!

(In a ranty mood today, had to put a Happy Mondays review on hold because I wrote 500 words of complaining). Graveyard follows and gives the album one of its most relaxed moments. Lyrics are interesting and worth reading if you can find them on the net. The song just has an overall sublime melody and flow that’s just so easily enjoyable and mellow. Bringing the quality up even further is the incredibly melodic and well loved, Phil Lynott. Hard to describe why this song is so special but its worth getting this album just to hear it, never mind the other songs and seeing it live is even better.

The dance tone returns with the bouncy Streetwise. Like Replays, this is pure pop and is followed by the albums most prominent reminder of Japes Monkeys style. At the Heart of all this Strangeness is the albums most stripped back piece of music. Acoustic guitar arrangements, mixed with low melodies and Japes quiet vocals striving to stay above the music’s volume. Absolutely fantastic song and one of the few singer/songwriter style arrangements that Tickets There fully endorses. Apple in the Orchard follows with another beat laden, smack your face anthem. This song has one of the catchiest chorus of all the songs on this album and there is some very stiff completion. Another crackin’ anthem, Strike Me Down, follows and gives Richie’s set yet another classic dance fueled hit for his live show. Final song, Nothing Lasts Forever has a real Moby-ish style piano melody and haunting vocals with a great bassy drive. Incredible stuff all round.

That’s all I can really say. I reviewed this album for Drop-D when it came out last year and its quality has been diminished one bit. It’s as strong, original and enjoyable as the day it came out. If you haven’t heard Jape I advice a trip to his MySpace and I’m sure you’ll have the album on your stereo by 6.00pm this evening.

Missing Electric Picnic?

Posted in General Tickets There Blog, IRISH NOISE!, Music with tags , , , , , on September 5, 2009 by Tickets There

Well don’t be upset, there’s much better things you can do with €240, the line-ups crap and lets be honest, it attracts 30,000 of Ireland’s wannabe hippies. The sort of people who love their hemp trousers, their pathetic looking dreadlocks and complaining that socialism is the way our country should go. Even worse is the families which are now being encouraged to go.

Anyways, don’t be upset. Here’s a couple if clips from last years festival to scrape the blues away.

This Just In…!!!

Posted in Music, News with tags , , , , , on September 3, 2009 by Tickets There

I’m still hooked on PAINKILLLLEERRRR!!!!!

If you don’t like that, how about a little Testament \m/

Also, word on the street (Blabbermouth) is METALLICA, MEGADETH, SLAYER and ANTHRAX might be playing together on a full tour!!

Nothings confirmed and how likely is that? but apparently Kerry King heard Lars is talking to folks about getting it together. Oh yes!!

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Tickets There WordPress 101 Posts

Posted in General Tickets There Blog, News with tags , on September 3, 2009 by Tickets There

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I just copped on that I’ve now posted here 101 times (including this one).  The last few months have seen my average monthly hits go from 31 this time last year to over 600 in August. Thanks a lot for reading all and I promise I’ll make more of an effort to discuss new bands going forward.

Cheers,
Tickets There.

Electric Picnic – Recommended / Avoid

Posted in General Tickets There Blog, Music, News with tags , on September 3, 2009 by Tickets There

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I avoid Electric Picnic like the black death in summer time. I have notions about its organizers, attendees and ideals (surprise, surprise – Ed) and I don’t think it’s a festival that will ever sit well with me. I have my reasons (misguided to say the least – Ed) and I’ll go into them another day but since it’s the second biggest festival in the country, I better mention it.

There’s only a handful of acts Tickets There recommends and here they are,

Friday

Recommended

Rodrigo Y Gabriela: Think everyone in the country has seen and enjoyed this lot, so why not do it again?

The Aftermath: House band this year and more than worth checking out. One of Irelands brightest and best new acts.

Orbital: Not really a fan but I’m pulling at strings here folks and they’re better than a lot of the other stuff on.

AVOID!

MGMT: Don’t get sucked into the hype, snooooze fest galore.

Smash Hits: That can’t be good!

Saturday

Recommended

2 many DJ’s: Good dancy stuff and you should be well settled in for it.

Brian Wilson: 1, because he’s the Beach Boy and 2, because he knew Charles Manson.

Jape: Like you’d miss Jape, what the hell else would ya be doing??

Madness: Good tunes and funny. Well worth checking out.

One Day International: Great new band. Did a MySpace review of them and really enjoyed their stuff.

Lisa Hannigan: Tickets There Ain’t a fan, too singer song writer for my tastes but she’s just so lovable. Catchy Davey would be better.

AVOID!

Cap Pas Cap: Saw them before and they’re pretty damn awful!

Mundy: You know why! Someone once described Mundy perfectly to me, he’s not a musician, just a series of hats. Or to quote me good friend Bob, he’s a pig farmer from Offaly. Nice chap, terrible, boring music.

Sunday

Recommended

Bell X1 – Always a decent live show. Haven’t seen them since 05 but I’m sure they’re still a laugh.

Alabama 3: There aren’t many band who play more Irish shows than Aslan, but Alabama 3 are one of them. Great rave/country blitz atmosphere.

Rest is pretty mundane for a large festival. Then again, maybe my tastes aren’t as eclectic as EP’s followers. After all, I prefer music, beer and good times, not boutiques, D4 ponches and carbon emissions. Buts that’s for another time 😉

Enjoy folks,
TT

The Future Kings of Spain Split?

Posted in Music, News with tags , , on September 3, 2009 by Tickets There

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Hi all,

I’ve seen a few comments and searched popping up on websites and my Blog stats of people trying to find out info about a rumor the Future Kings of Spain have split. I’ve checked everywhere I can and can’t see anything official or unofficial to that effect.   The latest word from them is they’re working on a new album and should reappear around the end of 2009.

If I hear anything else I’ll post an update.

Regards,
Tickets There

JUDAS PRIEST – PAINKILLER

Posted in Music with tags , , on September 2, 2009 by Tickets There

I feel the Priest are about to bite back into my MP3 rotation and to celebrate, Tickets There decided a little PAINKILLERRRR!!!!! Is needed. Enjoy!

Tickets There Likes: Metallica – …And Justice for All

Posted in Album Review, Music, Tickets There Likes: with tags , , , , on September 2, 2009 by Tickets There

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Ya know Metallica get a very bad rap these days. It’s as plain as day that they haven’t done themselves many favors over the last few years but people seem to be forgetting they have a stronger back catalogue than most metal acts out there. Very few thrash/heavy or hard rock bands can boast so many highly regarded albums as Metallica and they’re highly impressive and widely diverse selections of song writing make them the bonafide legends they are. Forget the St. Anger disaster and forget the Napster issue and the Some Kind of a Monster fiasco. These are long over with and the Bay Area Thrashers have returned to what they do best.

I remember first hearing Metallica in the early nineties and not being hugely amazed. Then again I was a Def Lepp / GNR kid and the styles didn’t really crossover in my eyes. It was until the late nineties that one of the lads from school started pushing me to listen to them. I remember seeing a picture of Kirk Hammett. wearing Calvin Klein undero’s and thinking ‘wow, how metal is that…puke!’. It looked like Metallica had totally sold out and this didn’t give me any inspiration to check out their stuff. Now I know there’s nothing worse in this world that an uppity metal fan. Every time you talk to one of those Bruxelles chaps they’d nearly put you off the genre entirely. They’re so up their own holes it’s almost sad and they sit there and argue on and on about mundane, unimportant crap about bands who make a living dressing up in makeup and screaming about death. Not sure if you noticed folks, but it’s meant to be a bit of fun, not f**king politics ya tossers. Anyway, enough ranting about those Metalireland.com chaps, they have to pass their sad existence somehow.

So eventually I took a copy of Master of Puppets from yer man and after a few days adjusting I came to love that album and like most of the TT Likes articles, listened to it repeatedly for many, many weeks. Ride the Lightening, Metallica (The Black Album) and Kill Em All only spurred on my excitement for the bands material and overnight, became staunch classics in my books. However it wasn’t until the mighty …And Justice for All came into my possession that I found their best work. I’d been put of getting this one by many people who wouldn’t shut up about the Bass being low and the quality generally lacking compared to the other early albums. I strongly disagree folks, and I think I’m in the majority.

Opening up with the mighty Blackened, Justice is an hour’s worth of melodic / blistering riffage, doomsday lyrics and drums all backed by Hetfields more matured, powerful vocals.  I don’t care how elitist you are, there’s no denying Metallica did it better than anyone else at the top of their game. Tracks like Eye of the Beholder, The Shortest Straw, The Frayed Ends of Sanity and Dyers Eye give the album it’s unyielding power  while better know classics like the title track, One and Harvester of Sorrow give the whole record it’s unstoppable force that band have failed to recreate since, despite a pretty good effort on Death Magnetic. Justice for All’s sound is so dark and inaccessible compared to all of their other work before and after and the band can be seen to vent their frustrations, pain and anger over Cliff Burtons death. It’s true the bass isn’t exactly the stand out instrument here and this is very obviously an attempt to avoid having to admit Cliff had to be replaced. As a final tribute to their friend, Justice has a nine minute instrumental entitled To Live is to Die which the band composed using riffs written by Burton before his death.

Whatever people say about Metallica now is irrelevant. Bunch of stuck up, metal pussy’s who’ve forgotten the whole genre is about taking it easy, have a few beers and a laugh. Not procrastinating and philosophizing about who’s more metal than thou! And let’s all be honest, metal fans are mostly made up of…..should I say it?, maybe not…but you know damn well the kind of people that I mean and don’t deny it! Why the hell these folks feel the need to close turn Metal into a Pink Floyd convention is beyond me. Relax folks!

Tickets There Likes: Def Leppard – Hysteria

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , , , on September 1, 2009 by Tickets There

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OK, ok I have to stop putting this one of and get it out of the way finally. You all knew this was coming and I can’t count how many drafts I’ve written in an attempt to get it done. Def Leppard’s mightiest of mighty accomplishments, the golden goose, the Holy Grail of their collection and one of the highest selling records of all time, Hysteria! It was the second album I ever owned and heard in full and was introduced to me just a few weeks after Adrenalize and made me a solid Leppard fan for life. Like my live review of Springsteen, I find it very difficult to write something about this record that thousands of others haven’t said before.

Let’s start by stating it’s very rare to find an album with so few album tracks like this. Almost every single song is a single or classic with almost no exceptions. On Hysteria, the bands efforts to write perfect pop rock and heavy ballads finally paid off without a hitch. Despite Rick Allen losing his arm, Steve’s continued problems with alcohol and the bands problems in their home country, producers and initial demo’s, Hysteria proved to be a feat very few critics, fans and interested parties thought they could pull off, especially considering the new levels of quality Pyromania set for them. Even 22 years on from its release the quality of the songs and production is infallible. This is the album that artists like Bon Jovi, Van Halen, Skid Row, Europe, Aerosmith and all the other 80’s Hard rock heavyweights wished they could come up with. Although Hard Rock took a different turn when Guns N Roses released Appetite for Destruction, Leppards Hysteria was the peak of the previous sounds perfection.

No song was written or produced on this with anything less than a grand, world changing effort. While some of the song’s lyrics may sound slightly cheesy in hindsight such as Women and Pour Some Sugar on Me, only a total knob end could flaw their energy and perfection. Pop rock rears its head on several of the albums singles  and continue the job Photograph and Foolin’ had started previously. Animal, PSSOM, Armageddon it, Love and Affection and Women set a high bar for any band to reach and deck out the album with its foundations. The easily accessible, fist raising, mass sing along anthems that sealed the deal for Leppard and made them the biggest band on the plant for a couple of years. While more intimate numbers such as Love Bites and Hysteria ensured Leppard secured hordes of young females as lifelong fans.

Not to be overlooked, the guys still got the edge from the likes of Don’t Shoot Shotgun, Gods of War (Leppards one and only foray into the political world), Rocket, the heavier than heavy Run Riot (at least by Leppards standards) and the awesome Excitable. These provided the final master stroke to provide this album with everything it needed to entertain millions of fans around the work for the next two decades. Then again, no matter how serious the songs are, no matter how heavy or light the sound is and no matter what their theme, every song on Hysteria is a catchy rock classic that deserves respect from every rock fan. This is how pop rock is done folks, you won’t find any other album to equal Hysteria’s arsenal.

Nah Sayers will always be nay Sayers and the unfortunate rise of grunge music and its trend setting ideals about fashion, politics, depression, bullying meant bands like Leppard and their back catalogues were severely undermined all throughout the 90’s and early millennium. Fortunately the world is starting its traditional two decade revitalization and The Mighty Lepp are reaping the benefits. A few years ago the band were playing small theatres and state fairs but currently, they’re back in 10,000 + arenas reminding fans why they are a band that should never be forgotten. The years may have been cruel to their legacy but Joe Elliot, Rick Savage, Rick Allen, Phil and Viv are a major force to be reckoned with. They have proven they can take anything and everything the music and personal world can lash on them and still emerge unscathed and ready for the next challenge. From the moment Joe Elliot wrote the band’s name on Sheffield’s town hall’s notice board in the late seventies, the band were destined to become legends and Hysteria is the pinnacle of that legacy.

Here’s a picture of the UK 12″ Vinyl sigles from Hysteria all together.

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Tickets There Likes: Weezer – Weezer (The Blue Album)

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on September 1, 2009 by Tickets There

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When I was younger I was a big fan of Blur and Oasis but it wasn’t until I heard Weezer’sBlue Album’ that I actually became a fan of Indie music. Although my interest has become less and less evident over the last few years, Weezer opened the door to many great acts. I had heard Hash Pipe and Buddy Holly (same as the rest of the English speaking world), but had never listened to one of their albums until I started first year of college and it was passed over from Bob’s (my roommate) magical tube (sounds bad don’t it) of music. He had this plastic case with roughly a hundred burnt CD’s and no matter how many times you went through it, something new always popped up.

He recommended Weezer while he was in the grips of their buzz and I started with their debut. The damn thing was so good I couldn’t stop listening to it for around two/three months. The time it took me to walk to college from home was the exact length of the album (with a few minutes loitering to finish Only In Dreams off). I can’t say anything astonishing about it other than it’s just a great record. All the songs are catchy, fresh and heavy in their own way. Unlike the weird eco-conscious geek culture that’s taken over music at the moment, Weezer did geek rock well.

Rather than sing about the problems in the world, they kept it simple. I’m pretty sure Rivers would have trouble writing about anything other than Love but so what, he does love brilliantly and makes it more realistic. Tracks like The World Has Turned, Undone, Say it Ain’t So and Only In Dreams are classics, pure and simple. No-One Else, Surfwax America and In the Garage are the cream of the bands album tracks while My name is Jonas and Holiday are just damn good fun, don’t read into them.

I should take special time to mention that Say it Ain’t So and Only In My Dreams are two of the bands and the genre’s greatest assets. The Harmonies, melodies, riffs and full on force of those two songs is incredible especially in comparison to the other songs on the record. Rather than churn out standard ballads on an album of heavier material, the band mix the loud guitars, tension and melody so well it makes the songs stand out a mile without decreasing the albums overall quality

I never took as fondly to Pinkerton (although I do love it) and I after a couple of goes I gave up on Green and Maladroit and never bothered with the last two. After Buddy Holly being as close to pop perfection an indie band with loud guitars can get, Beverly Hills just seemed to piss all over their legacy, but who am I to judge? When I release one song in the same league as any of their stuff I can gripe, but until that day I’ll keep it shut.

Tickets There Likes: Iron Maiden – Powerslave

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , , on September 1, 2009 by Tickets There

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I tried writing this review last night and have about three paragraphs done at home but I can’t stand the idea of that Radiohead chaps face at the top of my blog so I’m rushing through this one to replace his fecking hideously boring presence with the mighty Maiden’s Powerslave cover. I hope all of my readers are Iron Maiden fans because people, this is the real stuff right here. Forget the Kings of Leon, Killers and all that other rubbish, if you want to have fun, Maiden are the men (or AC/DC, but what ever).

I suppose being a TT Likes and all, I’d better bore you all with the usual speal of how I discovered the band. It was back in nineteen hundred and ninety three (1993). Roughly a year after the Leppard, Guns N Roses and Meatloaf phase had settled in. I saw a copy of their A Real Live One tape in the new release section of Sligo’s Record Room. I was completely taken with the cover and had to get it. In those days I didn’t buy many record because I had no money and not a lot of access to stores that sold them. I remember loving their sound as soon as I heard it and everything went from there. It’s not a very exciting story and I couldn’t be bothered trying to invent wacky stories and lies to keep yis entertained. I did managed to meet Dave Murray a few years ago but that’s not very exciting either, we were both hammered and nearly went for a drink in his hotel until I realized myself and my girlfriend would be stranded in town if we didn’t catch the night link and I had no other money for taxi’s. Thinking back that was a very, very stupid thing to do but it’s in the past.

I didn’t manage to get my hands of Powerslave until 98 when I picked a copy up in Athlone shopping center. They easily had the best Maiden section any shop can boast outside of Dublin (or at least they did in those days), and it’s remained my favorite Maiden album ever since. First of all you have Aces High , then 2 Minutes to Midnight which basically means it’s the greatest maiden album of all time two songs in. Then you have Losfer Words, a nice metal instrumental before Flash of the Blade which is a grand wee number similar to their earlier material. The Duellists is a savage typical Maiden number with a savage wee chorus as is Back in the Village (except this is probably my least favorite number ion the record) but the best is yet to come. The albums title track is one of the bands finest moments. One of the best riffs the band has ever written and some of their most surreal lyrics. It’s just such a grand and mighty anthem that adds that classic Maiden danger that makes their legacy as strong as it is. The album winds up with the incredible, riff filled Rime of the Ancient Mariner. A lengthy wee track but filled with surprises, changes, harmonies, melodies and everything else Maiden could squeeze in. Seeing this one live is real treat.

Well that’s it, short and sweet but I don’t like to repeat the exact same praises and such in every single review. Also, the album only has eight songs and as I’ve said before, this isn’t exactly an album review series, more of a ‘why I like this’ series 😀

Radiohead play Creep Live at Reading Festival!!

Posted in General Tickets There Blog, Music, Ranting with tags , , , , on September 1, 2009 by Tickets There

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Shock, horror, amazement and astonishment. The blandest band in the world, Radiohead, actually played their biggest hit, Creep on Sunday night. Just saw the report on NME and I was almost bowled over with laughter. What sort of band headlines any huge show like that and ‘surprises’ the audience by playing the song everyone but the hardcore fanatics wants to hear. Like Metallica not playing Enter Sandman or Journey not playing Don’t Stop Believing.

This isn’t really a surprise though, Radiohead are a major part of the ever growing new breed of obnoxious bands that are dominating today’s musical landscape. If they’re not irritating pop/rock hairdressers, then they’re Radiohead wannabe’s or even worse, they’re Coldplay.  I don’t understand how bands can be so arrogant and pompous to play shows of this size and act like they’re doing their fans a favor by playing a song like this. What’s worse is people put up with it.  Why don’t you spend your money and time on bands who are grateful for your dedication and do exactly what you want on stage. I hear lots of Radiohead fans complaining about their newer albums and only the odd fanatic defending them as genius but the band still insist on filling up their set lists with a host of tracks from these records, rather than playing the music the people want to hear.

KISS are starting their world tour this month and you can damn well bet they won’t fill their set up with B-Side Eighties releases and new material. They play what the fans want them to play. Hell, they even let the fans map the tour for them. That’s what you want from a bands live show. Not two hours of ego fulfilling, time wasting nonsense.

What’s that you say, they even brought blue lights and cylinders on stage with them?? Wow, what excitement for those of you who were lucky enough to be there. How could you focus on the two hours of mediocre whining from a man so stuck up his own arse even Bono would have trouble competing when there was all that amazing technical wizardry going on around them…..sarcasm for those of you who didn’t get it. I’m all for letting the music do the talking, heck that’s my argument for Axl Roses current activities and the Chinese Democracy problems but if a band headlines a festival like this, wouldn’t it be nice if they did something special on stage and give people a truly epic show to remember. Not two f**king hours of tired old beer commercial references, cylinders, little snips of technical difficulties and the highlight of highlights, playing a song the whole crowd would know.

When Nirvana headlined |Reading in 1992, they opened with a play on the rumor of Kurt’s ill-health, shocking the audience before Kurt leaped from a wheelchair and burst into Breed. They followed with a 27 song set that included all their hits,. Remember, this was a band with two albums. Radiohead have seven albums and only managed 23 tracks which barley scraped the surface of their hits and had no frills.

Wake up folks and try to understand what a real band does and what posers, fakes and pricks like ‘the head’ do and see which you’d enjoy better.

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TICKETS THERE LIKES: AEROSMITH – AEROSMITH

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on August 31, 2009 by Tickets There

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I’ve always been a part-time fan of the Smith. When I was younger I heard Walk This Way, Dude Looks Like a Lady and all those other hits everyone in the world heard many years ago. Their appearance in Wayne’s World II strengthened their image in my head (much like Alice Coopers in the first). However things took a turn for the worst when they released I Don’t Want to Miss a Thing before I ever got a chance to adopt them as a real favourite in the music books. This lack of Tyler, Perry and the boys continued until I decided to pick up a copy of their Devils Best of a couple of years ago. Listening to Love In an Elevator, Livin’ On The Edge, Sweet Emotion, Falling in Love and all the other hits was a nice little retro visit and the door was opened up again to truly appreciate Americas greatest hard rock band.

The first step of this revitalization was clear, start from the beginning so I picked up a copy of their self-titled debut album and it didn’t take long to get hooked in. Stephen Tyler’s voice was so simple in 1973. He had none of the cliché trademark he emphasise these days and the band’s sound was much more low-key. They could have been compared to the likes of AC/DC rather than Guns N Roses. There is also a distinct lack of ballads that bogged their later eighties, nineties and current career with one exception, Dream On. A powerful ballad styled song with a style all of its own, which stands out miles from the other tracks on this record.

Opening with the stripped back, riff filled Make It. Aerosmith dishes out one classic after another that puts many of their later work into a cold, dark shade. Somebody, One Way Street, Write Me and Movin’ Out provide the back bone of this album while a cover of Rufus ThomasWalkin’ the Dog, Mama Kin and Dream On make it the classic it is. Mama Kin’s opening riff, blues rock piano melody and swagger is pure rock n roll and without a doubt the bands first definitive hard rock track.

If you’ve only ever heard the greatest hits and you want to find out more about Aerosmith, check this album out. Toys in the Attic and Pump can WAIT, trust me.

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Posted in General Tickets There Blog, Music, Ranting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Tickets There

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What happened folks? In the mid 50’s, Mr. Elvis A. Presley walked into Sun Studios in Memphis, Tennessee and became the very first, the best, the symbol, legend, embodiment and icon of rock n roll. Like Sid Vicious to Punk, Frank Sinatra to big band, Johnny Cash to country and western or even Dana to lunatics, Elvis was the total hero, founder and creator of rock n roll. Don’t listen to music nerds, geeks and critics (ahem), Elvis started everything. Forget who influenced him, forget who wrote for him and forget who marketed him, Elvis was it.

Ever since the Kings death, music has flourished through the efforts, talents and hard work, creativity of various people and constant changes in popular culture. From Elvis, Buddy Holly and Jerry Lee Lewis in the fifties, rock expanded and produced the likes of The Beatles, The Rolling Stones, The Kinks and many others throughout the early sixties. Before long Pink Floyd, Bob Dylan, The Yardbirds, Jimi Hendrix, Cream and many more appeared. The Doors came out of the west coast. The Who went rock, Led Zeppelin were formed and Jefferson Airplane stayed touring after Woodstock. Just before things could get civilized, Black Sabbath and Deep Purple came out. Queen, Clapton, The Sex Pistols, The Clash, The Stooges, Alice Cooper, T-Rex, KISS,…the list is endless people. Then came the 80’s, when pop reached a true peak before the ever looming wave of commercialism took it’s firm grip and strangled the genre, until it’s credibility was lower than Gary Glitters. On the other hand you had Iron Maiden, Metallica, Megadeth, Guns N Roses, Def Leppard, Whitesnake, U2, Judas Priest, OZZY, Slayer, Sepultura, before the end of the decade when Nirvana, The Chilli Peppers, Pearl Jam, Alice in Chains, Blur, Oasis, The Stone Roses, The Smashing Pumpkins, The Smiths, The Pixies, Joy Division, The Happy Mondays, New Order (yes the 24 lot), Faith No More, Nine Inch Nails and then (phew this is a long one) onto Marilyn Manson, The Foo Fighters, Weezer, Korn and so on before the late nineties and boom…nothing happened……funnily enough, fuck all has happened since. How in the hell did almost five decades of amazing, astonishing and diverse creation suddenly grind to an almost complete stop?

Things seemed to fall completely off course. Metal bands suddenly merged rapidly with dance music and rap. Korn had dabbled but so did Aersomith and nothing happened to them. Instead of Angus Young and the D belting out solid, hard hitting blues rock anthems you had fat ugly guys in costumes roaring at you about being bullied and still being virgins living in their mothers houses. Metro sexual, stylish geeks whining on about falling and crying about some girl next door that Lemmy would probably kidnap and turn into a hooker on sun-set before the night’s out. These guys in fitted suits, wearing ties with spiky hair, tattoos and dog collars were mixing Kraftwork with the eighties glam rockers like Twisted Sister, Poison and the likes while wearing their hair like girls. And I don’t mean the old style of hairy bikers drooling over a bar counter girly style, I mean a female hairdresser on a night out style. Like they were trying to keep disobeying the nagging disapproval from generations past and pushing things to some ridiculous limit that nearly goes full circle.

As for Pop music, that fell into the hands of TV companies, dance got old and turned into some demented, hindered state of destruction while indie music became overwhelmed by a horde of Eco-Friendly, Voices of poverty, injustice, animal cruelty and environmentally conscious millennium hippies. Voices that turned away from Indies recreational drug use, love and loss, party image and transformed it into a voice for all the issues in the world rock stars shouldn’t give two shits about, at least not on stage. The likes of Tom Yorke, Chris Martin, Bono, Snow Patrol, Kings of Leon, Kasabian and all that other horse shit. Their songs were so impotent, corpses of tax attorneys could laugh at them. Complaining, moaning and whining about the poverty and cruelty in the world they wouldn’t think of donating their profits to. Bands that appeal to societies total dregs. Bored children, housewife’s, grandparents, indie fans, jocks and just about every member of the heard the western world boasts. Droning brought to extremes of the human soul to a point it becomes so bogged down in ego, insincerity and boredom it would fail to shock a timid kitten.

Metal fell even more of the pits as the old genres piled up with hopeless hack impersonators before bursting at the seems into millions of decaying breakaways. Nu-Metal even buckled (not a bad thing, pile of shite aswell) as Emo broke through their last stand along with nu-punk and metal became even more appealing to the ugly, fat rejects of social society and the fashionable, jock culture more than ever before. After Radiohead’s Creep on the jukebox American Idiot and the Killers would follow and all the trendy’s and Goths alike would bop along. Metal was again infiltrated by main stream culture and unlike before the last ‘icons’ weren’t strong enough to tear it right back for the people of society who used the music as it should be used. Not for pusses crying and ugly nerds to find shelter. Metal is the music for the angry soul (sounds gay I know but hey, I am smoking in case you hadn’t noticed), the serious partiers, the ‘dangerous’ people of society.

Rock N roll lost it’s fight much earlier. After the Guns N Roses era came to a close, few rock bands ever managed to reach those heights again. Don’t even bother with the Killers and The Kings of Leon…or The Strokes bitch. I’m talking about real fucking n roll. The kind of rock n roll that made all the bad things bands these days demonize like drinking, sex, destruction, rebellion and a good hearty message of Fuck You to anyone who bothered them, fun!. Elvis shock things up, the Stones defined it, Aerosmith brought it miles higher while AC/DC put the fucking boots on before Guns N Roses perfected it in every single sense of the word.

The world is losing it’s icons. Right now I can’t think of any that have come out since the early nineties. I mean a true icon of rebellion. Pete Doherty, and Amy Winehouse make a mockery of drug addicted musicians which, throughout the history of music, have written some of the most amazing music ever created. The Beatles, Jim Morrison, The Grateful Dead, Hendrix, Keith Richards, Janis Joplin, Kobain etc. Bono, Yorke and Martin take the places of people like Neil Young with his stories, Springsteen and his zest for life and Bowies ever changing persona, image and style only to replace it with gilt tripping, giver of life wannabe humanitarian ideologist façade while they doge taxes and pontificate to fans what they should do, wear, believe in, live and breath. Forget ‘think for yourself’, the message was spelled out in bold impact lettering and strangely enough, a  discontented mass fell for it, hook line and sinker.

That’s pretty much where we are in my eyes. I’ve forgotten many of the previous generation’s true greats but there’s only so much you can write in an hour and keep semi-coherent. I’ve also neglected some of the better talents to emerge on the international scene and some of the worse ones. Arcade Fire and MGMT to name a couple. But that’s how I see things, pretty much that black and white. Most of the old styles got confused, disjointed, lost in translation and overwhelmed in image, style and forced restrictions and beliefs and turned them into uninspired shells of their former selves. I’m not saying charity is bad, I’m not saying there’s no credibility in any of the new bands these days and I’m not saying looking after the environment is wrong, animals should be mistreated, people shouldn’t be nice to each other and drugs are good. I believe the exact opposite of each one and a conscious attitude is essential to the basic fabrication of mankind’s cohabitation together and civilized society. What I’m saying is people should learn this from other sources like parents and a proper education rather than one of mankind’s forms of entertainment. Aren’t we allowed to relax, switch totally off and dream sometimes with the horrors of some societies and the worlds problems being shoved in our face at every fucking turn?

Maybe there was one message spelt out by one of the golden age icons that we should listen to is the words of Jim Morrison.

“When the music’s over, turn out the lights, turn out the lights,”


TICKETS THERE LIKES: WHITESNAKE – WHITESNAKE (1987)

Posted in Album Review, Music, Tickets There Likes: with tags , , , , , on August 30, 2009 by Tickets There

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Ya know, Tickets There were never fans of Whitesnake. Yep, it’s true I’m ashamed to say. We always thought they were cheesy, comical and too poppy, an idea shared by a lot of people it turns out and one thought by Def Leppard haters as well I’m sure. All that came to an abrupt end lat June however when yours truly got to see the mighty Whitesnake five times in the space of three weeks.

It all started in Holland at the Arrow Rock Festival. KISS and Leppard were there and so was Tickets There. Whitesnake were playing just before Motorhead and KISS and I remember being slightly surprised at the strength of pretty much their whole set. Even the classics like Here I Go Again and Is This Love was incredible and Whitesnake officially moved up a notch in my books. A few days later I was in Birmingham where Def Leppard and Whitesnake were on the second night of their co-headlining UK tour. My enthusiasm for the snake had diminished rapidly in a few days as the enthusiasm of seeing Leppard indoors for the first time in five years took hold. Again I was surprised and even found myself recognizing some of the material from Holland. Coverdale’s presence and voice should be more than enough to convince anyone and his tongue in check humour and mannerisms are all part of their really enjoyable show.

After another three nights around the UK, Tickets There returned to the emerald isle as a changed man. The first thing I did was get my hands on a copy of their 1987 self titled LP and the rest is (present) history.

Now I know some of you will find it very difficult to come to terms with a band who wear open shirts and actually move on stage and more than likely you wont be able to take any band that uses the word Love as often as the Snake do in their song titles but trust me, it’s worth it and 1987 is as good a place to start as any. You have everything here like Give me all your Love, Here I Go Again, Children of the Night, Straight from the Heart, Is this Love and my personal favourites from this record, Bad Boys and the mighty, the awesome, the mouth wateringly heavy and incredible Still of the Night.

Don’t turn your nose up at it, don’t dismiss it as cheap, stereotypical joke music. I did that and was very, very wrong. If you’re a fan of rock or metal. Whitesnake have something for you and it’s good!

KISS – Modern Day Delilah

Posted in Music with tags , , , , on August 30, 2009 by Tickets There

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Sorry for being a few weeks late with this but I though you all may like a listen to KISS’s latest single, Modern Day Delilah, which comes from their for coming album, Sonic Boom. Pretty savage song with good strong riff’s, Paul’s voice is on fire and it’s just great. I’d say more but as you can see it’s pretty early and Sunday.

Immortalized in Stone: Rory Gallagher

Posted in Music, News on August 19, 2009 by Tickets There

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Finally another of Ireland’s music legends is going to receive the statue treatment soon as the first sketch for the Rory Gallagher memorial statue has been released. It’s going to be placed in Ballyshannon, Co. Donegal and the man’s place of birth aswell as the site of the annual Rory Gallagher festival.

 Now all Dublin needs to do is erect one for good old Ronnie Drew and we’re golden.

Tickets There HY-GIY?: Turn – Forward

Posted in Album Review, Hy-Giy, Music with tags , , , , , on August 19, 2009 by Tickets There

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Without a doubt, this is Tickets There’s favorite Irish album of all time. Now, when it comes to Turn I will happily admit to being fully biased, as I am with almost everything I write except the majority of the MySpace reviews. As far as I’m concerned, Turn were one of the greatest Irish band ever to emerge from the great Emerald Isle in the last twenty years. Oliver Cole’s vocals, guitar melodies, riffs and songwriting talent, mixed with Gavin Fox’s force, energy and writing skills all backed by Ian Meldays forceful command of all things rhythm makes the Kell’s trio kings in my book. Now, that may seem a little over the top and dramatic but I’ve been watching a lot of ROME recently so forgive me.

I first discovered Turn around 2002, shortly after the released the Another Year Over / Summer Song single and within a few months that opened my eyes to an amazingly impressive Irish scene I knew nothing about before. I hadn’t even heard a whisper of bands like Bell X1, Berkeley, Paddy Casey or many of the other big names around the country at the time. For someone who was as devoted to music I found this a little odd and began a quest to seek out some of this country’s finest talent. After seven years I still haven’t found many bands that compare to the power of Turns records and even fewer that can match their amazing live shows.

When Forward came out in 2003 it was praised as the album everyone who’d been following them from the late nineties knew they had in them. In sharp contrast to their third and last album, Forward’s sound was generally down beat with very few exceptions. It saw them grow from the hard guitars sound of their debut (Antisocial) and move onto more melodic song structures. Opening song, You Got Style really captures the feel of the entire record. A slow bruising  piece that builds and builds as the song evolves. Dumb as it Is follows and adds some light after the darkness of You Got Style. A nice, upbeat with restrained bass lines thumping throughout with a sharp change to guitars for the chorus bursts. This is the second song written by Ian Melady to appear on a Turn record (the first being Queen of my Heart from Antisocial). Third track Harder is one of few heavy guitar tracks on the album and in comparison to the likes of Beretta, Beeswax or Too Much Makeup from the earlier outputs, it comes cross musically light but atmospherically heavy.

Summer Song gives the album a slower, more acoustic based before the bands legendary anthem, In Position comes in and blows everything away. One of the most perfectly composed songs the band have ever written and a solid fan favorite. Without You is more obviously a love song than any of the others on Forward with more harmony based melodies and upbeat guitar and piano’s rather than the down trodden sound that dominates the rest of the album. Another Year Over is another one of the albums upbeat anthems. Not much you can say about this except the fact that it’s fucking amazing and the chorus is so heavy live it’ll make your ears bleed. Ain’t it a Love is possibly the heaviest song on the album and it harks back to their earlier material without copying the same styles the band used before. Very fast, very heavy and very brilliant (Can you say very brilliant? Well I just did).

Can’t keep Waiting is similar in tones to You Got Style and at the same time, sounds nothing like it. It’s a little sadder in its tones and much more simplistic. Really atmospheric and well done. Like Never Needed from the bands Check my Ears EP, Can’t Keep Waiting doesn’t rely on several verses of poetry to carry it though, it’s a one liner folks and it works well. No More (I Close My Eyes) is another of those lovey songs, like most of Turn’s outputs. A lot of vocal stretches and a very low, smooth sound…until you get about half way in and the full guitars and vocal harmonies are released. Even Though is one of the nicest acoustic songs the band have ever written. Very emotionally based again and only listenable sometimes. Definitely not for people in a good mood. And finally we come to the album’s title song, Forward. It’s great as well 😉

Turn have been split up for over three years now though (god, it seems like a hell of a lot longer than that), but their music is still out there with new fans still discovering them. If you didn’t like Humanzi, make Forward the album you send your scouts out for this Christmas.

Tickets There HY-GIY?: Humanzi – Tremors

Posted in Album Review, Hy-Giy, Music with tags , , , , , on August 18, 2009 by Tickets There

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Time for another dive into my MP3 player to pick one of my favorite Irish albums from my limited selection of what Tickets There calls good Irish music. One of the main reasons I’ve picked this album is because the boi’s have a second one coming out sometime in the near future (although I said that last year) and I’m really hoping the Irish don’t let this one get past them.

When Humanzi burst onto the scene a few years ago they were fairly unlikely candidates for the clientele of Whelan’s and the underground scene in general to endorse them. I put this down to the fact that Humanzi are one of very few bands that can play, write good music and put on a fantastic live performance. Unfortunately their success didn’t grow outside of the Dublin scene so they took the sensible option and left the country to tour around Europe and further afield in the hopes of establishing a fan base that might actually grow. I’m not sure how much this has worked but the band don’t seem to have had any bother getting gigs across the continent thus far so I imagine it’s all good.

So back to Tremors. The first time I heard this record, I wasn’t hugely impressed. I thought many of the tracks just seemed to run together and the album had an overall style with any deviation or diversity meaning the tracks all kind of ran together and came across weak. Then I gave it another go and for a couple of months I found it hard to listen to anything else. Diet Pills and Magazines is quite simply a brilliant Punk Rock track. The lyrics are clever and witty, the tone is aggressive and the song is constructed with pop sensibilities. You can ask for any more than that now, can ya? The beating keyboards, the stomping rhythm of the guitars, drums and bass and the Shaun’s vocals are so perfectly fitting it’s uncanny. 6 Gun has a great opening, really dramatic and simple, again classic punk. Like Diet Pill’s.. it has a really full on attack mode chorus and Shaun e..bla, bla, bla. You get the point. Out on a Wire is one of my personal favs’. Great bass line, great guitars and I love the vocals. If you’re sitting down listening to this track it’s hard not to tap your feet along with the drums and when you’re on a dart or bus that looks a little strange. Really, really, really great song. I Want Silence is another of my favorites. Really swash buckling, ship swaying music. You can almost see the stage swaying from side to side with the band on it. You couldn’t stand still to music like this, it’s just too full of beats and melody not too enjoy. The verse is quite stretched but the chorus is just an anthem any band could be proud to have in their collection.

Long Time Coming is another good track. It’s a bit quieter than the others and does change the tone of the album a little. The flow is fantastic and the energy is ever present. Tremors is more like a Nine Inch Nails track than a punk song. Really heavy, really loud and really fucking good. Want to hear the best in the country, stick it on. Industrious, infectious and full of little beats, nooks and crannies that lead the song down different paths from time to time giving all the meag-moshers in the their audience a few moments of peace before it all comes crashing back down again. Song for Understanding is another slowish one. Now when I say slow and Humanzi, don’t go expecting Phil Collins singing In the Air Tonight, think more along the lines of the Sex Pistols covering …the Sex Pistols. Anyways, this one is a little more pop than the others and not a personal fav of Tickets There.

Fix the Cracks is another of the albums singles and a cracking wee tune it is too. Well worth the hype and praise it initially received and a pity it didn’t break the band abroad. Catchy chorus, great riffs and all that guff. Help me in the Morning is more a dance track than the others and shows there is a basic dance foundation ion the groups sound. Maybe that’s why they sound fresher and more original than most Punk Rock acts out there who all just to try and sound like the Clash / The Ramones or Green Day. Get your Shit Together sounds exactly like what you’d expect. Dirty distorted guitars, a mother thumping drum beat and all the attitude four lads from da north side can muster. Great track unless you’re a prat. Mass Hypnosis is last but not least. Heavy, undistinguishable vocals and a lot going on…yet still great.

If you have to get one Irish album this Christmas, make it Humanzi – Tremors.

Hy-Giy – Tickets There Very unsure

Posted in Hy-Giy on August 17, 2009 by Tickets There

Oh… really not sure about this series. Just did a quick draft of the artwork I was thinking of using and I dont get music from it. it seems to be asking a different kind of question. Prize for the funniest answer you can think of 🙂

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