CONCERTO FOR CONSTANTINE / THE AFTERMATH / ANIMAL CHANNEL – RADIO CITY

Posted in Gig Review, Music with tags , , , , , on June 3, 2009 by Tickets There

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Stop the presses; Tickets There is doing a review of Concerto for Constantine and The Aftermath!!! Holy God, I’ll bet no-one say that coming.

OK, so my interest for these two bands may be the worst kept secret in the world but when two of 2009 Tickets There’s Choice Award Winners get together to play a show, I sure as hell aint letting it go without dishing out some praise. It’s been a few months since I did a live review and I have written about these bands so much I’m running out of things to say, so please bear with me.

Radio City is less than packed when I arrive. The first band of the night, Audio have already finished and the fifty or so people in attendance are evenly divided between the smoking area and bar. Good atmosphere in the place and the Guinness aint too bad. Radio City is a nice little venue. Very small, very poky, dark and a lot of little nooks and crannies, all the perfect trademarks of any underground club. It’s also on the north side which makes a nice change from the Wexford street scene.

With pints in hand and Animal Channel all set up, it’s straight to the smoking area I go. Despite the fact that it’s been about three months since I saw an Irish band live, I have no interest in watching one I don’t know tonight. Especially when they sound exactly like every other indie/Franz Ferdinand wannabe out there. I did give them a few go while en-route to the bar but they just didn’t grab me. They sounded great and the songs were tight but just too done before. Thank god the real support of the night are just around the corner.

After last seeing them supporting The Stunning in Tripod, it was great to see The Aftermath back on a small stage. Johnny and the boys never have any trouble filling a big space but they completely own Radio City tonight. With an enthusiastic crowd down the front the band belts out one perfect song after another. Six Days to Saturday, All I Want Is For You To Be Happy, I Wish My Love Would Die, One is Fun and many more I cant remember (blame the booze) thrill the growing crowd. There’s no ego in this band and there’s no experimenting or retro rehashing attempts, just good, solid, catchy, perfect rock songs. How anyone could not love this band is beyond me. Also, how Michael Cronin (Drums) can play a set in a leather jacket is a mystery. Hopefully more people will start paying real attention to The Aftermath soon, because these guys deserve it.

It’s hard to believe it’s been year since Concerto’s first headlining show in Fibber Magee’s. 2008 saw Concerto’s audience grow from former JJ72 die-hards and local hanger on folk, into a real fan base. Mark Greany’s days with the popular trio are well and truly over and it appears he has found his niche with Gavin and Binzer. The sher presence of the lads ooze’s stardom as they command the stage and crowd alike. By now, their fans have become more than familiar with tracks like Gaps, Minsk, Wasps and Killing Fields. While newer tracks like The Last Swim are fast becoming favourites. Sadly, Concerto play a very short set, only consisting of seven or eight songs but the audience laps up every minute of it. There’s even some light moshing up the front for the heavier material.

Despite several notable missing songs such as Silver, Everything and Cats Cradle (I don’t think they played this, beer again), the band did treat the crowd to, two brand new songs. Hard riffs with some serious blues style lead all backed by furious bass and drum beats. With an announcement about an EP coming our way in May, the band jump into The Last Swim before departing the stage without an encore.

It may have been short but it was sweet. Sadly Sinead what’s her names DJ’ing manages to clear the venue out before Tickets There decides to throw in the towel and head home. Looking forward to the next one.

The Aftermath

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Concerto For Constantine

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TURN

Posted in General Tickets There Blog, Music with tags , , , on June 3, 2009 by Tickets There

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When you’re a fan of a genre, it’s generally because you found one band you fell head over heels in love with and you try desperately to find similar bands in order to discover new areas the sound can be brought to. My love for Irish music started with a truly legendary three piece from Kell’s, Co. Meath called, TURN.

The first time I saw Turn was in 2002 while the band were on a promotional tour for their latest single Another Year Over / Summer Song single. They were playing Rag Week with The Australian Nirvana as support. I remember having a week long debate with my friend Bob about who was supporting. How could some crappy little band no one’s ever heard off headline above Nirvana I wondered? Jesus, I was thick back then, hopefully I’ve lost that over the years. Well, it turned out Bob was right, Turn were headlining and I’ll never forget the last sight of the Nirvana tribute singer leaving the stage and three hundred people suddenly disappearing from the venue. What had been an over crowed grunge indulgence fest, turned into an empty, sweat smelling room as the nights headliners started setting up their equipment. Bob filled me in on the few new facts he’d acquired about the band and you could see the excitement build in him. Never one to write something off before I see it for myself, I caught the buzz.

Oliver Cole’s small, thin frame is hardly imposing, even in a suit, but the man’s power as a lead singer is astonishing. Physically, Turn all looked about the same height and weight, leading many first time viewers with a few laughs up their sleeves (you have to remember Lord of the Rings was still everywhere). There’s nothing as frustrating of realizing you’re watching a truly incredible band and not knowing any of their songs, Turns music pulled me in so fast, it was hard to stop it. Songs like Beeswax, Antisocial, Beretta, Too Much Makeup, Queen of My Heart and In Position are greatest songs any Irish band of the last twenty / thirty years. Turn embodied the raw, brute force of rock n roll, while still maintaining a powerful grasp of melody and beauty. Everything flowed so well and around every corner there was a surprise. I instantly became a dedicated fan, very rare for me to latch onto new bands….up until that point anyway.

Turn quickly became the number band of my college years. I stayed with them over four years going to ever show possible, buying every single album, single, ep or vinyl I could get my hands on. I saw them play with Bell X1, Mundy, Paddy Casey, Weezer, The Frank and Waters and .many, many more I saw them play Oxegen, Merion Square, The Village, The Temple Bar Music Centre, McGarrigles Pub, Collera House, Whelan’s, Vicar Street, The Point Depot, The Sligo Rocks Festival, NUI Maynooth and the Left Bank. I think I got to about 20/30+ shows all together, sometimes to going to three a week. I managed to get to two album launches and get to know each member and their tour manager well enough to have a drink with. I watched them lose Gavin and get Alan, only to lose Alan and replace him with Ciaran before Gavin rejoined the group again. I got to see them play some of the best songs I’ve ever heard in my life countless times.

Am I bragging with all that info? Nope, I’m listing all the truly thrilling things I got to do for the last four years of Turn’s existence. My previous favourites included Guns N’ Roses, Def Leppard, Oasis, Nirvana, Blur, Meat Loaf, Megadeth, Slayer, Cradle of Filth, Sepultura and Metallica. Not exactly touchable bands. But here was this amazing band, that were Irish and easy to go and see. Not touring once every ten years or past their prime. More bands fell into my heart after Turn, including The Future Kings of Spain, Bell X1, The Frames, Berkeley, Indigo Fury, Paddy Casey, Wilt and many more. I couldn’t believe that I’d been so unaware of the Irish talent that swarms this country. There were so many unique acts that all formulated their own defining sound. They could make you mosh / pogo / sleep / dance or rock out, all on the same album at times.

2006 marked the end for Turn. The lack of success, internal issues and record company fuck up’s that hounded the band all the way through their career, finally caught up with the members and over-whelmed them. The band simply disappeared after initially hinting at a final tour before the split, something that sadly, never materialized.

Three years on(well, 2 and a bit), and the members have all moved on. Ian moved home to raise a family, Ollie has recorded enough material for over three solo albums which he’s hoping to have out this year while Gavin Fox has gone on to form another exciting band in the heart of its prime, Concerto For Constantine. Things look grim for any hopes of revival in the near future and honestly, there are good things to come from the individual projects that should be heard before they ever consider a reunion.

Tickets There generally doesn’t condone reunions and objects to any legendary band cashing in their legacy’s and artist integrity for a few easy bucks and hamper any chance of a respectful future or musical advancement, but if Turn did reunite for a jaunt, I’d be there.

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TICKETS THERE – DUBLIN RECORD STORE GUIDE

Posted in Music on June 3, 2009 by Tickets There

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MYSPACE REVIEW – ASH (RETURN OF WHITE RABBIT)

Posted in IRISH NOISE!, Music, MySpace Review, Single Review with tags , , , , , on June 3, 2009 by Tickets There

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Not a real MySpace Review but instead a look at Ash’s new single. Have some of their albums but have never had the pleasure of seeing them live.

Well, for anyone thinking the loss of Charlotte Hatherley would hurt Ash you’re about to get a serious wake up call. Return of White Rabbit is basically the promotional single for their novel A-Z Single series which will see the band release 26 singles every two weeks starting this September. The song sees the band return to their perfect pop foundations as they mix unbelievably crunchy bass riffs and samples with one hell of a catchy chorus. If this isn’t a dance floor favourite in the next week then there’s something seriously wrong with people.

I think I may be too hungry to describe this song properly so I’m just going to say this, download it! Download it now and be happy on this sunny Saturday.

MYSPACE REVIEW SPECIAL – BELL X1

Posted in Music, MySpace Review with tags , , , , on June 3, 2009 by Tickets There

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I must start by apologizing for this review being so behind the times. I’ve been meaning to write this for a long time and I’m finally going to force myself through it. The Bellies release their fourth album (Blue Lights on the Runway) in January and three songs have been posted on their MySpace. As a special MySpace Review, Tickets There has decided to sit down and give them a go to see if the boys still have it.

The Great Defector starts things off with a strong beat built from techno/organ sounding keyboards and Paul’s typical strong drumming. Nice changes, typical wacky lyrics that always see to work and the always pleasing harmonies make the song a nice little slice of poppy rock. The guitars have a real sunshine and beaches party feel. This may be coming from the lads recent stints over stateside where they’ve been picking up some great press and even managed to make several TV appearances. Not a massive leap from their traditional style but pleasing all the same.

How Your Heart is Wired sounds like a lot of their previous work. A RnB drum and soft vocals backed by a slight piano melody before little guitar segments kick in. Instead of writing while listening, I decided to sit back after the last sentence and give it my full attention and it’s actually a great song. Lovely sounds that make it both atmospheric and tranquil. The lads have really harnessed their strong points and developed them far beyond Neither Am I and Tickets There’s personal favourite, Music in Mouth. From what I’ve heard so far, I think I’ll pop out shortly to get the album.

A Better Band is the last of the new material on MySpace. Different style once again and more in keeping with older tracks. Good use of a cow bell and soothing guitars while still managing to keep a strong presence. Not a fantastic number but certainly not a bad number either. The chorus is a little empty for my tastes and in comparison to the two previous tracks, this doesn’t hold it’s own as well. Also has a bit of a Grand Theft Auto: Vice City eighties feel to it. Emotion FM here we go. Half way through there’s a nice bridge that starts to turn the flow of the song around and eventually erupts in a start stop guitar burst followed by a slow but thumping drum beat before it all falls together and the lads go at it all guns blazing. No lyrics, just mighty, slow, rockin beats. God was I fooled into thinking this would be the weak song.

Overall, incredible stuff, sounds like the boys certainly do still have what it takes. Not sure who this is going down with their old fans but I’m converted.

Fair play!

MYSPACE REVIEW – HOLY ROMAN ARMY

Posted in IRISH NOISE!, Music, MySpace Review with tags , , on June 3, 2009 by Tickets There

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After an extremely long and underproductive break (our vinyl habit took over again, sorry all), we’re back and ready for action. No long intro, lets jump straight into it.

Todays choice is Holy Roman Army, an Irish band based in Dublin but originally from Carlow (according to their MySpace). I’ve never heard their album or seem them live. I picked them because I studied Classics in Uni and I liked the name 🙂 (yes, I keep switching between We and I. Just pretend I’m/We’re a schizophrenic).

Well, it appears I’ve stumbled on one of Irelands best kept secrets. Imagine this, an Irish band playing piss pour chick electronic music. Who’d have thought with this sea of culturally driven artists currently dominating the countries clubs and venues. Wait, sorry, that’s all bullshit. Irish people’s tastes have gone as bad as their dress sense. I’d forgotten just how bad poncy Irish bastards like their music to be. Elegy opens the short set of three tracks. Can’t really say music. A slow beat, very little hint of melody and sounds like they just played for one minute of the four minutes and thirty six seconds and pressed loop. Sounds a little like the cranberries under water. Next (and yeah, am I looking forward to writing yet another fucking bad review of a band. It’s every critics dream to just find shit every single fucking time they try and promote their nations talent).

Dublin in the Deadlight is so boring (and I’m sure to some listeners inspiring, atmospheric and enchanting…retards, try listening to real music and you might cop on a little). Pretty much the same thing again except the cheesy lyrics are more coherent. “Fractured Lights, I do not know her name, I do not know how to get back home“, Basically the sound of a band trying their hardest to be different while still doing their best to connect with all the spa’s you see around this countries towns and cities with blue tooth headsets and take away coffee’s because their too busy to either sit or hold a phone. God save us from the humiliation we lash on ourselves.

Stagger Gently Home is last and probably least. Broken beats with no hint of anything enjoyable. A total mess of nonsensical gibberish and badly placed instrumentals. Basically, this I the kind of thing Jape can do and make it truly special, while The Holy Roman Army just make it so boring you’d rather stare at the wall than stick on their cd.

Avoid, Avoid, Avoid. Roman armies of the past deserve more respect than this shower.

MYSPACE REVIEW – DARK ROOM NOTES

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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Well, it’s been a few weeks which I regret; people were actually reading things last time I was here so I wouldn’t mind keeping that going. Then again, it’s not too bad to take breaks and reassess what you’re doing. Too easy to get caught up in a cliché ideal and I could have been in danger of just becoming another ranting for the sake of it asshole.

However, today’s MySpace Review wont help matters much as I’ve decided to go ahead with the mundane eighties wanna be’s and current culture trend victims, Dark Room Notes. I had hopes that due to the steadily building fan base their acquiring, they might have something to offer the world but nay. Just another bunch of watered down rip off’s with as much imagination on their song writing as Cliff Richard.

As (almost) normal, I haven’t seen the band live or heard their album. Right, lets get started (once again). Lets Light Fires is first up to bat. Very done before intro, drums beats and synths the beg for New Order to sort out. Cant really make much out until the bridge as lead singer Ronan Gaughan wimpers how he and his group “No I wont back down” although it sounds like a stiff breeze would blow him a mile. Kind of hard to take it seriously when an electronic puppy is crying in the background. Lets Light Fires is weak, mostly because of the lead singers voice. The music does mange to get stronger as the song progresses but the chorus is a little annoying. New singer, new lyrics and redo the chorus, could be a decent tune.

The Same City Awaits Me
is next. Another watered down mellow electronic intro. Kind of song that would have appeared on the beach f a good band got hold of it. Lead singers feeble voice slugs in again leaving a gaping hole of emptiness between good playing and his ‘contribution’. If it wasn’t for the moments of just music, this would be a terrible piece but if they ditched the singer, this band could pass themselves off as a poor mans Le Galaxie.

Elm’s next. God, I’m finding it hard to concentrate with the voice, it’s so useless and badly produced in comparison to the rest of the music. Then again, synths keeping butting in with little annoying moments. Imagine Joe Strummer with a vocal problem fronting Moby! That’s kind of it. Very boring, none of the songs stand out. Usually you can tell the difference between the mundane shitty songs and the flagship shitty songs but not this time. .

Each and Every One of Us finishes this mornings proceedings. Intro’s a little more interesting than the others, while still being done with exactly the same formula. Vocals kick in and sounds like Trent Reznor with problems. Whole thing is a little eighties again. What more can I say? It’s pretty much the same as the others except a little darker. Is possibly the contender for best song here but would need a new singer to be sure. .

Not Tickets There’s kind of thing and not good for what it is. I hate these kind of reviews because I keep tuning out and writing waffle. A reputable site would deem it unsuitable for publication, Tickets There has no such standards. .

AVOID!!…

MYSPACE REVIEW – MASS EXTINCTION

Posted in Music, MySpace Review with tags , , on June 3, 2009 by Tickets There

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Tickets There is sick. Sick of Indie, sick of singer / songwriter, sick of all the heap of shit poncy, waste of space bands out there. Have I done anyone thing to stop these bands getting attention? No!, the four people that read my blog may never have known about some of the bands I detest if I hadn’t written about them. The MySpace review isn’t meant to be dedicated to tearing suspected shit bands apart (or about saying shit four hundred and sixty times in every review). It’s meant to be about finding a good band and a few months ago I did…

Mass Extinction came to my attention when I was in the grips of a Slayer / Megadeth buzz and being the internet nerd I am, I decided to see if Ireland has a thrash metal scene. Turns out it does and some of the acts aren’t half bad. Raging Conflict has a good bit of strength behind them, Gama Bomb have the odd good one but Mass Extinction take the cake. Real thrash aggression, powerfully played by a great band. Fuck Indie and read on.

As usual, I haven’t seen the band live and because I’ve been so dedicated to building up friends, listening to Judas Priest and going drinking, I haven’t had a chance to listen to the EP I bought about a month ago. Don’t believe me? Couldn’t care less, Tickets There doesn’t lie.

Global Assign tumbles along with a great little riff. Hard, fast thrash that assaults through the speakers. Volume has to go up for this one because the drums are the only thing lacking here and I want them pumping. There isn’t anything new in terms of sound or structure. I mean, Thrash metal is Thrash metal. If it sounded different it wouldn’t be Thrash, but these guys know how to fucking rock the boat. The only thing missing is the catch which generally isn’t captured by a band until they have some serious stage time under their belts. The singer isn’t trying to sound like any of the big four which makes a welcoming change and the band are tight as fuck. Wicked, what’s next!

Kill on Command thunders through the speakers now as the metal buzz grows. All the instruments come pounding together and lead singer Tom’s vocals roar through the verse likes there’s no tomorrow (a classic cliché if ever there was one). A common trait among new metal bands is half assed, rip off solos and thankfully, Mass Extinction has neither. Sure they probably sound like someone else’s but that’s just an unfortunate downside to playing music that’s been around for almost thirty years (for Indie fans, think of U2 and the Killers). Something I’ve noticed on these first two tracks is a refusal to explode into a dominating chorus, something that led to bands like Metallica and many others leaving their thrash roots. This makes it clear that ME have no desires on breaking Top of the Pop’s any time soon.

Nuclear Dawn wastes no time getting straight down to business with one of those awe inspiring intro’s of aggressive drums and solo’s. More powerful, darker and in your face than the previous songs. Did I actually complain about the drum sound earlier? Jesus, this thing would have your neck in pieces if you saw it live. The only flaw in this song is you have to wait for almost three minutes before Brian (or Adam’s) lead guitar comes tearing back, looking for vengeance. Obviously these lads were raised on a  diet of Ride the Lightening and Master of Puppets. The influence ooze’s out but here’s where their different from all the Killers / Joy Division / Smiths Indie rip off bands, Mass Extinction can fucking do it well and make it sound fresh rather than sounding like BLATANT FUCKING SHITE!

Bound in Flesh sadly brings the most enjoyable MySpace Review I’ve ever done, to an end. Rather than opening with a tearing guitar solo, the band return to formula as pounding drums and a duel lead riff bounce back and forth before muting down into a brooding background behind Tom’s vocals. More reserved than the previous tracks but just as powerful. The bridge solo around two minutes in  has a touch of Megadeth flat lining about it. Powerful, aggressive and totally fucking downplayed (in a good way). No showing off, no attempt to make the listener feel joy, just a hard, fast assault on the system. Not the strongest song of the bunch but pretty severe. The solo towards the end once again displays the lead guitars talent for perfectly placed solos without going into overkill.

Tickets There says…go and buy their E.P. right (might as well swear one last time) FUCKING now!

MYSPACE REVIEW – WE SHOULD BE DEAD

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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Sunday, very hung over, tired and a little grumpy. Time for a review me thinks! Not in the mood for a big intro so here the basic spiel.

Limerick locals, We Should Be Dead are today’s choice for a MySpace review. I don’t know much about them but I saw their album today in Golden Discs and decided to give them a go. I haven’t seen them live or heard the album.

Forget Romance, Lets Dance is first. Intro’s not bad, good strong drum beat and heavy guitars that are a little eighties-ish (Can people of the 21st century not do something fucking new for a change, STOP RE-HASHING the Fucking past people, move on). But it works well here. Unlike other bands at the moment, WSBD keep it simple and this song doesn’t carry any of the wackiness nonsense others seem to be lapping up at the moment. Not a fantastic song by any means, very plain but strong. Whats next?

I Feel In Love With You pop’s along and wastes no time getting straight into the action. Basic guitars again and designed for sher fun. Sounds like A LOT of other music but I’m so happy there’s no lyrics about Ballet Shoes or Snore Bore Whore’s that I refuse to criticise a band who keep it simple and fun, how else could I justify being a Def Leppard fan? (Although, we’ll get into that another day). I Feel In Love With You in alright, but I find my focus slipping easily.

Playback introduces synths to the bands sound. Sounds a little like a song Weezer threw away. The singers voice lets the sound down a little, she doesn’t really cut loose and seems to concentrate on maintaining her ‘cool’ sound. Personally, I need my music to have a bit more strength behind it but what can you do. The more I listen to this song, I realize I cat tell it apart from the other two and it’s very possible the lead singer is using the exact same lyrics every time. OK, enough of that, next song.

Zero Point Five brings their MySpace selection to a close. So far, only the first one is holding any merits in my book. The songs just sound like average eighties, pop/rock tunes. Not much substance and nothing to distinguish them, leaving them to just kind of limp on and on. Couple of nice changes in the last one but my interest has left the building.

Tickets There’s opinion, not bad, would probably watch them live but wouldn’t pay for the privilege and wouldn’t buy the album.

MYSPACE REVIEW – THE BROTHERS MOVEMENT

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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After reminiscing with A Lazarus Soul earlier, I decided to check out fellow 80’s/early 90’s Madchester / Brit pop sound-alike’s, The Brothers Movement. Like ALS, I saw TBM by accident during the IMRO showcase week. They had only been a band a few months when they played the show but their set was tight and boosted incredible visuals. Not incredible enough to suck Tickets There in but good enough to pop back into my mind from time to time.
I don’t think they have an album and I was drunk when I saw them live.

Opening song Blind is nice. It’s late, it’s Saturday, I’m sitting on my couch chillaxing and this song is perfect. I’ll use one of my ‘imagine’ lines to sum it up. Liam Gallagher singing a song written by Noel and being preformed by The Stone Roses. Vocals are confident, music is perfect, harmonies are lovely. Deadly!

Nothing Means Anything comes along sounding a little like an opening to a Jape song. Before the classic Brit sound comes back with a slicing but slow guitar build. There seems to be a little U2 thrown in, but it’s more stonney than them. The song could be best described as gentle. Not as strong as Blind but okish.

A live recording of Leave Your Body Behind is up next and instantly packs more of a punch than the previous songs. Beating drums and guitars build and build as other instruments start to tap in. The song breaks into a lunging 60’s-esque electric guitar driven jam for over a minute before Neil Paxton’s vocals tear in. Similar to Joy Division’s Digital or Turn’s Never Needed. Excellent song, has my head sinning anyways.

Sometimes brigs an enthralling selection of songs to a close. Hippyish, acoustic bluesy song that doesn’t really do a whole pile, especially after the mad driven rock of Leaving Your Body Behind. Gets stronger as it goes on though and turns into a good candidate for a live favourite…. and I suddenly have an urge to listen to The Doors.

Great band, looking forward to seeing them again soon, but this time on purpose.

Check out their MySpace Below

http://www.myspace.com/thebrothersmovement

MYSPACE REVIEW – A LAZARUS SOUL

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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Dublin locals, A Lazarus Soul are definitely not getting the attention they deserve. I remember thinking that after seeing them by accident last year, when they supported Ham Sandwich in the Village. Made up of lead singer / songwriter Brian Brannigan and drummer Fin O’ Leary and completed by Joey, Bryan and Tony from The Future Kings of Spain. Several months on and I still haven’t heard much from them so I decided it was time to do a MySpace Review and see why people weren’t taking about them.

As usual, I haven’t heard their album but I have seen them live (which is fine by the rules).

Try to imagine Morrissey singing for Joy Division. Now imagine a Dublin band doing it, and doing it pretty well. While the sound of first song Icon may not be the most unique or original, it is good. We’ve seen the horror’s of bands trying to sound retro and ‘push the boundaries’ by mixing old styles together and insisting on recording their (and I use this term loosely) songs. So why not excuse one of the bands that take an old style and make it fresh again? Icon’s dark lyrics and musical styles paint a bleak picture. Musically, the song jumps between quiet and composed beating versus before the trade mark Joey Wilson guitar jumps in to turn the songs direction around. Not a bad start.

The Day Harry Left changes the tone with more of a sombre arrangement. Quiet guitar melodies and a beating bass keep a less imposing track going. Lyrically, the song is harking back to better times before the so called ‘Harry’ left for England, ending up with the narrator finding a new happiness without Harry. Nice, different, what’s next.

Srk starts off a little slowly and brings to mind a lot of previous songs. This time it’s more along the lines of New Order. The bridges and verses follow a similar tone to the previous tracks but don’t carry the same weight. It also moves very slowly and doesn’t boost any majorly interesting characteristics or changes.

Only Say The Word is last, and while it may not be as good as Icon or The Day Harry Left, it does bring an interest back to the group. Quiet and composed as always, the song opens with echoey snths’s before Brian’s vocals and the rest of the band kick in. Once again, the Verse lacks much f a kick but more prominent guitars and drums keep a steady beat going. Lyrically the song is one of the best. A Lazarus Soul may have more high notes thrown in than the previous tracks but its as dark as anything they have here.

I’m sorry for the lack of enthusiasm in today’s review, Tickets There is still pretty hung-over from the last two nights, but I can recommend A Lazarus Soul if your in a quiet, semi-morbid mood. Not sure they have the gist in them to take over the world but they have enough to keep you listening.

Check out their MySpace below,..

–  www.myspace.com/alazarussoul

MYSPACE REVIEW – ONE DAY INTERNATIONAL

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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After the joys of finally being able to write something good about a band in the previous MySpace Review, I’m filled with an actual want to do another. Picking an act is a little more complex that filtering bands and choosing randomly. If you come across a band playing dance when you’ve a headache, your not going to enjoy them and that’s not fair on the band. Fortunately, I’m in the perfect mood for what’s on offer over at One Day International’s MySpace. As usual, I haven’t seen the band live and haven’t heard their album (if they have one). This review is simply based on their MySpace.

I wont pretend to know anything about One Day International. I’d heard of them before writing this review but only their name. Once again, I’m pleasantly surprised by the strength of their songs and feeling behind them.

Little Death starts things off. Nice, un-interfering song that would sit perfectly in any little dark club. Piano’s and a soft drum beat. Singer Matt Lunson (I presume he’s the singer) manages to avoid lyrical cliché’s for such an emotional song that most Irish bands dive head first into. The music changes perfectly compliment each other and the vocal bridge that closes the song resembles Bell X1 at their finest.

Sleeping on Trains is next and doesn’t pull you in as quickly as the first song. More emotional and the lyrics about the trains are a little…ya know. About a minute into the song the music really kicks in with a sad kind of circus feeling around it. Lovely little track that really comes together in the second half.

When Miss Your Mouth comes on, it becomes very clear this band are not here to sing songs like Start Me Up or YMCA. One Day International are all about the heart on sleeve loss of life. Fortunately, the music is so strong, with such awe-lovely changes that you cant help but let it grab you. The quiet, powerful drums, violins and piano’s add real depth and fantasy to the singers deep, soft voice. This is the kind of music Radiohead have to make poncy and pretentious and ruined it for everyone. Miss Your Mouth continues the trend of this band getting better and better and has to have the best sing along chorus yet.

Not over Yet is another beautiful song. The vocals are incredible. I don’t think there’s enough respect for true, simple talent these days. There’s no gimmicks here, no illusions of grandeur. Just simple, perfect music. I’m almost fed up writing this because it’s interfering with one of the nicest songs I’ve heard from an Irish act in a long time.

Is it fair to say Tickets There is a fan? Fuck yeah. Its also fair to say I’ve rushed through writing this review so I can finish and properly appreciate their songs. I just saw their still recording their début and it’s defiantly going to be in Tickets There’s collection when it does come out.

Check out their myspace…NOW!
www.myspace.com/onedayinternational

And (god help us), try and catch them (in the worst possible environment), The Odessa Club on Feb 26th. Great bands on the bill, terrible, terrible place for shows… and only because the poncy ass members who insist on being there.

MYSPACE REVIEW – LE GALAXIE

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

LEGALAXIE

Always a sceptic of favourite Irish acts these day, I’ve decided to pick yet another of Ireland’s hotly tipped underground acts for the fourth Tickets There MySpace Review. Le Galaxie are making quite the name for them selves these days. Their dance beats are finding friends with indie heads, metal heads and pop fanatics, not easy boundaries to break. As usual, I haven’t seen the band live or heard their album, the following review is based on solely on their MySpace tracks.

As I Feel The Fire loads up, I decide to take a sneak peak to get an idea of their style. After a few seconds I had to turn it off. Sunday mornings are not the best times to stick on instrumental dance. I can never understand those guys with dance beats blaring in their cars at nine in the morning. Then again, I can’t understand metal fan drivers who go around with Slayer on during the day either, well, not unless they plan of having some good old fashioned road rage and their driving monster trucks. I went straight to The Script’s MySpace to give them ago and about eight seconds in, I realized the very bad mistake I had just made. I heard they were poppy but sitting through music like that is on par with Nazi torture, except more drawn out and self inflicted.

LeGalxie it is and opening song, I Feel The Fire isn’t too bad, not too bad at all.  It has a kind of THX Sound intro that you hear in cinemas with overdubs of a Resident Evil disaster warning. Good beats, nice synths that build steadily. At the end of the day, it’s a dance song. You cant write too much other than this is a pretty great song. About a minute in and there’s a burst of guitars, drum beats and vocals. Impressed and surprised to say the least. Theirs a true air of grandeur and an appreciation for the bodies connection with the sound. (in non-bullshit/waffle words, this is sweet!)

I have to stop I Feel the Fire on the third listen because it’s Sunday morning and I want to go back to watching the telly. LA Takedown’s up next. Kind of a soppy opening. Not as hard hitting as IFTF but nice. More based around guitars bass ad drums rather than dance beats and synth’s. Song bursts open again and displays some Arcade Fire traits. Eh, not really Tickets Theres thing. Sounds like a lot of indie stuff out there but without the lyrics. Probably nice in the middle of a live set though and has enough going on to keep you interested.

We Bleed the Blood of Androids brings the vibe back on par with the first song…but then doesn’t. I don’t know if it’s the floating, echoey beats or the drifting guitars but this is another brilliant song. Just as I was getting worried they might only have one. Riveting, powerful, uplifting. If I took pills, this would be on my play list for the first time.

The forth and self titled track, Le Galaxie sounds like a U2 remix. Worse then LA Takedown, not as good as the other too. Follows a similar formula to the previous songs but it’s a little more bland. Nice opening, kind of choppy but again, not my cup of tea.

3061 is the final song of the day and for the first time doing on of these review (yeah, like it’s been a million), I’m a little disappointed. Le Galaxie are a very, very good band. I’m not a major dance fan. I like The Prodigy, The Happy Mondays, New Order, Marshall Jefferson and some garage but not a whole lot else and sadly, 3061 is more of a phase out song rather than an actual track. Still after two brilliant songs, one okish one and one that I wont be rushing out to buy, Tickets There is finally happy to say we (as in I) fully recommend Le Galaxie. They may not be the most novel or unique act (Chemical brothers anyone?) but their good at what they do and that’s even becoming rare these days.

Catch them in Whelan’s on February 25th.

And visit them on MySpace: www.myspace.com/lemusicgalaxie

MYSPACE REVIEW – BATS

Posted in Music, MySpace Review with tags , on June 3, 2009 by Tickets There

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Bats are currently building up a nice little fan base around Dublin. They’re listed a favourites on several notable music blogs, E-Zines, stores and magazines. To Tickets There, they sound like a mix of Chop, chop, stop! Indie with a tea spoon of metal. Once again, I haven’t heard their EP or seen them live. This review is based on the tracks they have on their official MySpace.

Opening song, Atom and Eve isn’t really a song. It’s more a mix of several styles, none of them their own, all thrown together into a blender. More than likely they mastered the song by cutting up a load of demo’s tapes and sticking them together randomly. It kind of starts, then the bottom falls out, then they add something to keep it going (like the blatant Metallica, Creeping Death rip of riff that pop’s up occasionally) but then it all stops again. The song never gets a chance to breath and find it’s feet leaving it a boneless little nuisance. The lyrics follow the same geeky, superhero rubbish so many other bands insist on spuing out these days.  If you want to hear a real singer growl, listen to Joey Wilson from the Future Kings of Spain instead.

Next up is These Only Lay Egg’s. The opening bass/guitar n drums intro sounds like the first song you ever wrote when you picked up a guitar. Kind of annoying, like slow punk, without the anger. Once again the song lacks any sort of character and doesn’t pull you in, in the slightest. It’s a real shame that Irish singers feel such a desperate need to sing like all those California bands. That annoying little emo twinge in their voice drives me up the wall. A nice crunchy bass solo brings hope three minutes into the song and the ‘danger’ set’s in…..only to disappear again. The minute they start the build its gone, which would be fine, but they never deliver, not on these tracks anyway. Think they asked Wham to finish the last minute of the track.

Before I get into the third song, I’d love if someone could message me and explain why Geek’s have managed to take over the underground? It’s not just Bats (and believe me, they’re no where near the worst out there. At least Bats can play…just not formulate songs is all). I know Weezer were cool, but that doesn’t mean everyone has to drop their balls and whine all the time. Start thinking for yourselves people! You aint gonna write a good song, that means something to you, when all you do is rip off anything you can from the past. Has anyone ever heard 80’s Hardcore bands? They did all this better and they weren’t geeks about it.

Last song of the review, Death to Kent Hovind, is pretty much what it says, an attack of controversial conspiracy theorist, Kent E. Hovind. Nothing to praise, noting to slag. Possibly their best song on MySpace though, Not as long, or as thought out as the other two but more structured at least. It manages to sound like a real song.

Tickets There says – Try to catch them live, there are a few moments that sound like they’d be mental with a PA behind them. Definitely not a favourite though (I’m sure they care )

JAPE – THE BUTTON FACTORY: May 23rd 2009

Posted in Gig Review with tags , , on May 30, 2009 by Tickets There

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God, its 2:37 am on a Saturday night (Ed. Sunday morning A-Hole) and I’m not only still awake but also sober! It’s not that I wasn’t out or can’t get booze, quite the opposite in fact. Tonight, I broke this years tradition of not leaving Dun Laoghaire for love or money and finally succumbed to the enchanting allure of seeing Jape live for the first time in five months and not only that, but I also managed to get back home by twelve, get food and wine (which hasn’t been drunk) and I know a shop where wine can be purchased twenty four hours a day. So why, you ask, am I sitting at home sober, when I could be in a night club right this very moment, telling some fella in a very loud slurry voice how stupid is hat looks and why Def Leppard ARE much cooler than The Killers?

I suppose it all started with getting into Temple Bar much later than planned. It’s amazing how a day doing basically nothing leaves you tired and unmotivated. Anyways, I managed to get in around 9.15, only to discover the gig was sold out. Since I wasn’t going to do a review (sometimes you just need to enjoy a gig and not nit pick), I could only look on at the million page guest list and struggle to keep my hand away from my phone, least I annoy performers. Luckily the ticket man took pity on the last few stragglers and re-opened the desk. There was enough time to run in, grab a pint from one of the most ignorant bar men in Dublin and squeeze past seven million people to the smoking area where my pouch was instantly drenched by some bastard who knocked beer all over the table. Town eh! Fantastic. What’s the point? It’s just 100,000 people who can’t handle their booze, rude bar staff in almost every place, swarms of people packed into every single quirky, gimmicky pub they can scavenge out and their unexplainably bad dress sense (hats, rainbow stockings, big thick military style glasses, cheesy seventies moustaches and hair do’s..etc are not fucking cool people. Try and get your own fucking image for once).So with all of that out of the way, it’s finally time for the show.

I’ve written about Jape so many times in the last two years that the English language can no longer supply me with words on credit. So instead of writing five hundred words about how fantastic Nothing Lasts Forever, Strike Me Down, I Was A Man and all of Japes other deadly tracks are live, I think I’ll write a little about the changes among Japes audience ever since the release of Ritual.

Over the last couple of years, Japes reputation and popularity has been growing at a rapid pace, despite not yet having a hit single or album. Fans are starting to flock to his shows all across the country and Europe for the matter. His biggest hit Floating managed to attract a lot of attention and his well thought out plan to burry it in his live sets and reserve the prime time slots for newer songs of equal perfection has worked exceptionally well. I was A Man is now the standard finisher for Japes set despite first time spectators urging him to play Floating from the word go. It works so well in fact that Jape doesn’t need to rely on this song anymore either and can pretty much do what he likes and get away with it, mostly down to the fact that every time Richie gets on a stage, he gets better and better at being a front man and is falling into the singer role with ease. Tonight’s set isn’t short of surprises either as Mr. Egan arrives on stage alone to open things up with a few quite numbers. Unfortunately for anyone in the audience who paid for a ticket to actually hear the man sing and play, you were disappointed instead, we’re forced into listening to hordes of retarded poncy prick bastards yelling at each other as loud as possible throughout every note, word and melody. The kind of people who have more love for Twitter updates, phone pictures and ‘wacky stories’, than the actual performance of a live show. Off course this is normal enough at an O2 show but I have to admit being a little astonished to see this at a Jape gig. Normally his fans are beyond respectful and attentive. They’re generally hanging on ever second of Japes quiet songs and act privileged to hear him tone things done to the levels of his first and second albums. Alas, this was to be the mood of the evening.

Cleary taken aback by the crowds refusal to ciúnas during the first two songs, Richie turns to Nothing Lasts Forever to dim out the noise of audience and continued into Strike Me Down, Floating and Graveyard which finally managed to subdue most of those in attendance. After a quick smoke (in Temple Bar terms, 15 minutes including the time to actually get in and out), I arrive back to see a great performance of I Was A Man and another new song before introducing the lovely Lisa Hannigan to perform what I hope will be a song from Richie’s next album (title escapes me).  Unfortunately the crowd’s astonishingly rude behaviour sparks up again and the song is kind of destroyed by people all battling to be the louder than the PA. With that, the band leaves the stage only to return for a quick rendition of new song, Technology, which Richie dedicates to the members of the audience who remained quiet during the more mellow numbers.

Overall, a pretty strange gig. It seems that with success, come the inevitable shower of pricks who’ll always destroy the special aspect of what ever they can before they forget it and move onto the next big thing. On a more positive note, at least Richie is finally starting to get the numbers he deserves. Next stop, Marlay Park!

JUDAS PRIEST / MEGADETH / TESTAMENT – @ The O2 Dublin, LIVE REVIEW

Posted in Gig Review, Music with tags , , , , , on February 14, 2009 by Tickets There


Since we were eight years old, The Point Depot has been our all time favourite venue for a gig. We saw our first four shows there and many, many more over the years. The brick walls, red carpets, yellow trimming and little bars dotted around were so unique in a venue of its size. The little men’s toilet was a war zone at the best of times and the red velvet curtains around the balconies and yellow railings made the place feel more like a massive theatre rather than an arena. To pit it simply, when you went to the point it wasn’t a gig, it was a concert.

We know many of you folks out there hated it. We’re not sure why but many, many people just couldn’t stand the Point. The main complaints were ‘It was too big’ (well duh, it’s a f**king arena for Christ’s sake!, Not everything can be the Lower Deck). The second, and most common hatred, was the sound. Tickets There can honestly say, that after 20+ gigs over a fifteen year period, we never once had any issues with the sound in the Point. It was always perfect. To say the least, we were upset the day it was announced they were remodelling it and last night’s first experience of the new O2 didn’t help in the slightest.

Before TT gets to the gig, we’re gonna bitch, bitch, bitch about the changes. First of all, the Point’s character is gone. Yes they kept a few walls but that’s about it. There are three entrances instead of one which is pretty cool, no more massive queuing all the way around the site but, there’s no grand entrance anymore. You walk through the gates, then through another door and your inside. The arena isn’t secluded at all, which just encourages people to walk around all the time instead of watching the bands. The bars, merch stands and food stalls are all inside the arena and because of this, the place is extremely bright with very little darkness. Something that destroys the buzz of a band like Megadeth. When we walked in the door, we were expecting the old foyer. Instead, we got Testament…maybe we won’t complain this on time.

Testament are a mental band. Savage thrash metal, that explodes inside your ears. Unfortunately, our curiosity got the better of us and we were forced into talking several wanders around the new venue to take in the bright lights, over priced ‘1 part pour’ Guinness and  the venues one saving grace, a massive, massive smoking area. Testament’s sound was perfect. The guitars and vocals added a bellowing background to the massive steel structure ‘progress’ forced on us. The band seem to be in their element on this tour, playing their first show in Ireland in over 22 years (according to lead singer, Chuck Billy, who spent most of the night playing air guitar on his mike stand and lovin it! Hits from Ritual and New Order get blasted out but sadly, Ticket’s There’s personal favourite True Believer wasn’t played. Ah well, next time.

Honestly, we were only here for one band. In 2001, we got to see a show in the SFX that has remained one of the best gigs Tickets There’s ever been to and tonight, Megadeth are back. Dave Mustaine may not be as angry any more after finding Jesus n all, but that doesn’t stop Megadeth tearing through a set of blistering classics. Take No Prisoners, Wake Up Dead and Sleepwalker explode like machine gun bursts through the PA as the band stand their ground, drop kicking the audience with every world ending riff and solo. With the tri-colour firmly placed on the drum kit, the assault continues. Skin O’ My TeethIn My Darkest Hour and the iconic Hanger 18 roar out delivering rapid solo bursts and apocalypse bringing riffs that guarantee sore necks for 12,000 people in the morning. Fortunately Dave doesn’t fill up 40% of their stage time with long stories and assurances that Megadeth ‘loves you’, like certain other Metal giants out there. He also doesn’t attempt to use their hour to sell their latest album or appease hard core fans who would prefer to hear less known tracks. A Tout le Monde and Sweating Bullets are notably missing but you can’t have everything in onehour.

The set winds up with jackboot stompingTornado of Souls, the definitive Megadeth classic Symphony of Destruction and the mind exploding Peace Sell’s. Never a band to disappoint, Dave and co return for an amazing encore of crowd favourite, Holy Wars!. Considering Megadeth are now down to one founding member, tonight’s performance shows it’s business as usual in their camp. With a new album nearly finished, be sure you catch them on their next trip to ..Eire.. and see them in all their headlining glory.

After another trip to the bar, smoking area and bar again, it’s time for some Priest, Judas style metal that is! Theatrics’, leather, spandex and flying V’s galore as Glen Tipton and KK Dowling fly into view, before the shinny caped figure of Rob Halford shoots up to the top of the stage as the band launches into Prophecy from their latest album, Nostradamus. Opening with a new song is always dodgy but Priest jump back with the amazing classic that is Metal Gods from their 1980 album. British Steel. Halford appears decked out on leather and studs as the band make their best effort to remind the audience why their headlining and not Megadeth. Their stage show doesn’t boost anything extra special but then again, compared to Radiohead and Coldplay, it might as well be KISS up there. Devil’s Child, Dissident Aggressor and Death all get an airing before Priest un-leash the fury of their mighty classic, Breaking the Law.

Halford punishes the stage with slow motion movements that only exasperates his status as a god of metal. His imposing figure lurks behind the perfectly practiced hard rock gestures and poses of the Priest. Why did this band ever think it was a good idea to lose Rob? He’s always been the maindriving force behind everything they do and nothings changed. Hell Patrol, Angel, Sinner all round of the set as the roaring sound of Painkiller, easily the greatest metal track of all time end, the band set.

Before long, the sounds of a motorbike revving up booms through the PA as Priest return to the stage for Hell Bent for Leather with Rob riding a Harley Davidson onto the stage. The Green Manalishi and a rapturous performance of You’ve Got Another Thing Coming end the encore as the band hug and depart leaving Dublin with a desperately needed dose of hard hitting, in your face Heavy Metal. The Point may have now become a fond memory but it’s good to know the bands who make the venues special are still going strong.
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GUNS N’ ROSES – CHINESE DEMOCRACY REVIEW

Posted in Album Review, Music with tags , , , , , on January 18, 2009 by Tickets There

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20 years ago, Guns N’ Roses were one of the most exciting bands in the world. Although they originated in the midst of the hair/glam rock scene in L.A., the band seemed to possess a quality that bands like Poison, Motley Crue and RATT..etc just didn’t have. Within three years, Guns had become the biggest band in the world. The massive selling Use Your Illusion albums saw the band grow from clubs and support shows to full blown arena jaunts. For almost three years, they toured the globe, bringing their massive stage show to every corner of the earth. Band members Axl Rose, Slash and Duff became icons, figure heads if every thing rock in roll about the nineties.

Within months, Nirvana, Pearl Jam and the grunge scene had erupted and destroyed the status of Rock stars like Axl and Guns. It suddenly became un-cool to live the infamous hell raising lifestyle set down by the likes of Jimi Hendrix, Zeppelin, the Stones and all the classic ‘TV out a hotel window’ groups. For the remainder of the decade, hard rock bands from the 80’s struggled to keep up with the times. Some of the groups like Metallica, Bon Jovi and AC/DC managed to retain their respect to a certain extent, while others like Def Leppard, Whitesnake and … became the butts of jokes to a new generation, who could no longer connect with the ideals these bands represented. Guns N’ Roses however, managed to fall of the face of the earth, as personal conflicts and legal issues tore the band to pieces. In the mid nineties, five years after the illusions, Slash and Duff Mckagan left the group causing fans to scream out in protest against Axl Rose’s increasing control of the band. For the remainder of the decade, there was little or no communication from the group, even when rumors of an album, entitled Chinese Democracy, that was already four years in the making, started surfacing. It wasn’t until 1999 that Axl finally broke his silence and Guns N’ Roses released their first original song in almost a decade. The track, Oh My God, appeared on the sound track to End of Days. It appeared the album was finally ready.

Despite the commotion in the late 90’s with Oh My God’s release and a handful of comeback shows in early 2001, the band failed to make the comeback fans had been dreaming off and instead, retreated back too the studio to continue working on Axl’s masterpiece. The new millennium saw occasional attempts by the band to comeback, all of which ended disastrously with cancelled tour dates, riots, broken promises and repeated disappointments. Although the band was relatively quiet for most of the decade, they were still a major focus point for the media and fans alike. Rumors about the original band, Axl and Chinese Democracy itself, circulated non-stop with everyone looking to contribute their two cents to the great Guns N’ Roses mystery that the majority of people had started to lampoon and dismiss as an album lost forever in Axl’s madness.

Fast forward to 2008 and Chinese Democracy has finally seen the light of day. After a reported fourteen years in the making, an estimated cost of $15,000,000 (in 2006), a never ending cast of musicians, studio’s and engineer’s used, Axl Rose has done the impossible and released the most highly anticipated album of all time.

The album itself has entered the world in much the same fashion that’s always surrounded it. It’s reported that as soon as Axl handed the album into label bosses at Geffen records, he fell of the radar completely, refusing to answer calls about promoting the album, arranging a tour or any other PR tasks normally undertaken by other bands for the release of the album. As a result, the album failed to achieve the coveted US Billboard 100, Number one spot that so many had seen for it. Although there are talks of promotion in the coming weeks, Chinese Democracy stands to Axl’s credit that Guns N’ Roses stand by everything they did when they formed, despite the lack of any other founding members.

Personally, I find describing the music on Chinese Democracy a challenge. There is enough material, both lyrically and instrumental, to fill an encyclopaedia. Fans that have been waiting since the Use Your Illusions’ for this record will no doubt approach the album looking for answers to fourteen years worth of constant speculation and questions or simply reassurance that, without the original line-up, Guns N’ Roses can still make the music they love. Unfortunately for those unwilling to change with the times, they could be faced with disappointment as many of those familiar traits have vanished, only to be replaced by a more mature, layered sound. Instead of Slash’s trademark blues lead guitar and Duff’s crunching bass, Chinese Democracy offers orchestral arrangements, walled in by polished guitars, all held together by a monumental production job that leaves no stone unturned. It’s very obvious that every second of the album has been planned out to the point of exhaustion and any questions about where all the time has gone, have been answered.

The grandeur and scope of the album are a credit to Axl’s perseverance and determination. Instead of releasing an album of Appetite carbon copies, Axl has completely rejuvenated the Guns style, building new levels of sound onto the original ideals. Epic ballads, such as Street of Dreams, Prostitute, Madagascar, This I Love, Sorry and There Was a Time show the Gun’s at their finest. While heavier tracks like Scraped, Riad and the Bedouins, Shackler’s Revenge, Better and Chinese Democracy are delivered in thundering bursts throughout the record, showing Axl can still deliver inexcusably heavy rock anthems without the aid of his former band mates.

Lyrically, Chinese Democracy is every bit a Guns N’ Roses record. Axl’s trademark defiance and passion is present in every verse, chorus and blood curdling scream. Fans are given an insight into one of the most talked about minds in music history, as your taken on a journey through themes that deal with love, control, anger, resentment and full frontal rock n roll. In contrast to previous work on Appetite, the Illusions and Lies, vocals play a more prominent roll as lead guitar intros are replaced by blunt starts and harmonies. It’s obvious from several of the lyrics on the album that Axl hasn’t been oblivious to the desperation of fans for this record’s release or the media’s increasing speculation about his personal habits. ‘I bet you think I’m doing this all for my health’, (I.R.S.), ‘You don’t know why I won’t give in, To hell with the pressure I’m not caving in’ (Sorry) and ‘I won’t be told anymore, That I’ve been brought back in this storm, And left so far out from the shore, That I can’t find my way back, my way anymore’ (Madagascar) being just a few.

There’s even more surprises in store as If The World, Catcher in the Rye and I.R.S. make a distinct jump from any of the bands previous work. Spanish guitars, RN’B/drum and bass and aggressive pop rock are all incorporated to make these songs a sound of their own. Despite several of the tracks being leaked over the last few years, all of them sound rejuvenated and fresh when heard in their true environment.

It was Axl’s dream for this album to be his masterpiece and despite the initial sales figures, fans continued cries for the original members return and media criticism, he has delivered. Although the albums release may end hopes for other rock stars receiving the same blind faith from their record companies, Axl has given the world a truly epic album that will stand forever as iconic symbol of persistence, hard work, vision and Rock ‘N’ Roll.

TICKETS THERE – BEST LIVE GIGS OF 2008

Posted in Gig Review, Music on January 18, 2009 by Tickets There

Not going to put these in order, just a few pics from the best shows Tickets There attended in 2002008_gigs

Some amazing shows this year, KISS in Holland, Def Leppard and Whitesnake all around the U.K., Jape in Tripod, Whelan’s and The Button Factory, Concerto for Constantine in Fibber’s twice, Whelan’s, The Sugar Club and a few other gigs, The Future Kings of Spain, Bruce Springsteen, Oliver Cole, TKO, Humanzi, The Things, The Dagger Lee’s, Velvet Revolver, Metallica, Ham Sandwich,  The Aftermath, The Stunning, Wired Desire, Leopold, Bravado and a piles of others. Great year and with Megadeth, Judas Priest, Testament, Neosupervital (wow, the change) and Bob Dylan coming up in 09, there’s some competition :D.

Happy New Year everyone!!

….and yes. I took all the pics. I sadly didn’t bring my camera to a few great shows like The Boss, Oliver Cole in Whelan’s and a few others but some shows you just have to enjoy. Also, The Goo Goo Dolls and Velvet Revolver are in there but they were pretty shit gigs.

CONCERTO FOR CONSTANTINE – Whelan’s – April 15th 2008

Posted in Gig Review, Music with tags , , , on April 17, 2008 by Tickets There

Concerto for Constantine returned to Whelan’s for their third appearance in the venue on Tuesday night. Previous shows included the middle band slot on the November 2007 2FM 2MORO 2OUR which introduced them to the country followed by a guest appearance at the recent School of Rock showcase for younger up and coming bands from around the country. Their third appearance marked their biggest headlining show to date. After support slots for ‘The Smashing Pumpkins, The Futureheads’ and ‘The Enemy’ along with a handful of successful shows around the country, Concerto have sharpened their sound, songs and stage presence to perfection and on Tuesday night they showed a packed crowd in Whelan’s what their years of experience and hard work have produced.

Dublin based Funk/Rock group ‘Leopold’ opened the night. Playing a truly impressive set that brought to mind ‘Soundgarden, Rage Against the Machine’ and ‘The Red Hot Chili Peppers’. Leopold have grown steadily in their two and a half years together and even managed to land support slots for late soul legend ‘James Brown’ and Irish rockers ‘Thin Lizzy’. Although it took a few songs for guitarist Stephen McHale and singer Richie Glynn to get comfortable on the stage, this didn’t manage to affect their performance. Songs such as ‘Loser, Lonely World’ and debut single ‘Subliminal Hit’ show great prospects for their forthcoming EP. Along with acts such as ‘Waiting to Explode’ and ‘Simon and the Ghost’ Leopold are adding a nice dose of Funk back into the Irish rock scene.

As the lights dimmed around 9.30, a very excited wave swept over the crowd. With Whelan’s in darkness, Concerto’s intro track came onto the PA and Strobe lights lit up from the back of the stage. Mark, Gavin and Binzer appeared to a rapturous cheer from their new fan base as forthcoming single ‘Minsk’ opened the show. The fact that Concerto have yet to release any material doesn’t seem to matter one bit to their fans collected in Whelan’s tonight. As the band tore their way through ‘WASP’S, Cats Cradle, Stand In My Way, Falling’ and future single ‘Silver’ the crowd followed every second.

Mark’s shredding vocals are a far cry from his days with ‘JJ72’ and show a new maturity and depth lacking on his previous outputs.

The show was not only a means to give fans a chance to hear Concerto live but it also served as way for Concerto to debut a lot of their unheard material in their own surroundings. This was shown even more when Mark commented his indecisiveness about one of the newer tracks. Mark and Gavin’s usual onstage banter also helped make the crowd more relaxed and the night more enjoyable as y worked their way through the remainder of the set.

After just under an hour and a half, Concerto announced their last song. Black confetti stared to fall from the ceiling as the stage lights went darker and the band played ‘Death in Lisbon’, a haunting instrumental track to round the night off. With the confetti still falling in front of the stage covering everyone in the first six rows, Concerto returned to play an encore of ‘Minsk’, “One for the road” as Mark put it.

Fans may have to wait another while before the band can release a single or an EP and Tuesdays show will only feed that hunger for a release but it’s a great sign of things to come from C4C.


CONCERTO FOR CONSTANTINE: A BRIEF HISTORY 2007 – 2008

Posted in Music on April 6, 2008 by Tickets There

Ireland has always had a reputation for great music. It’s been part of tradition and heritage for as long as any one can remember. However, another part of this tradition is many acts getting lost in time and passed over for the sake of another group. Off course this is a common occurrence in the rest of the world and not just an issue within the Irish scene. Unlike other countries though, Irish people embrace American and English music far more than their own. Our country is small to sustain many acts due to most Irish people lack of interest in their local scene and therefore these bands are under pressure to make it in England or America or disappear. With the exception of Aslan, very few bands can survive by touring and releasing albums in Ireland alone.

Therefore, I decided to write up a small piece of my favourite group on the scene at the moment ’Concerto for Constantine’. While the members of the band have all carved out their own place on the Irish scene, they are now working together for something much bigger. National and International acclaim.

The band comprises of Mark Greany (former vocal’s and axe man for JJ72, a very successful Irish group for the late nineties/ early millennium). Mark managed to amount great success in his time with JJ72 as they released two albums, selling nearly a million copies, and toured the world for years. An astonishing feat, especially considering that JJ72 was formed and started recording while all the members were in the middle of their leaving cert. Unfortunately, JJ72 ran into difficulties. Original bass player ’Hilary Woods’ left to peruse a college degree and a family in 2003, leaving remaining members Mark and Fergal Matthews to carry on with her replacement ’Sarah Fox’. The band appeared as if they were on a hiatus for two years while they wrote and recorded their third album. They returned in 2005 with a single ’She’s Gone’ and a tour in support of its release. Later in the year they released a second single entitled ’Coming Home’ and promoted it by doing a tour of small venues across the UK and Ireland culminating in a main stage slot of Donnington’s ’Download’ Festival.
In early 2006, JJ72 split under the frustration of issues with the release of their third album. Mark carried on working on solo material after the split and even went on a UK tour in support of Simple Kid to preview some of the material. While Mark was writing material for his solo debut in New York, he received a call from old friend ’Gavin Fox’ that lead to the formation of Concerto for Constantine.

“Even, Mark at one stage hinted that I might join JJ72 and play guitar on tour with them, but at the time Turn had just formed and were kicking off and JJ72 worked well as a three piece. Eventually the chance came up when I left Vega4. Mark was in New York working on his solo album and I gave him a call and said ’Let’s do this, lets form a rock band now” – Gavin Fox, 2008

Gavin Fox has an equally full experience on the music scene as Mark. Gavin first came to prominence with Irish indie legends ’Turn’. The Kell’s group formed by Ollie Cole, Gavin and Ian Melady in 1998. Gavin spent roughly four years with Turn before leaving to join Idelwild. Like JJ72, Turn experienced many issues from the start of their career with the record industry. Although their first three singles and first EP (Facedown, Beretta, Beeswax and Check My Ears) all came out in quick succession, they were self financed and uncomplicated. It was their debut that marked the start of Turn’s problems. (2000’s Antisocial). The album gained high acclaim from most critics, however, lack of endorsement from their label (Infectious) and no advertising or promotion budget forced the band to leave the label and once again try on their own. In 2001 the ’In Position EP’ was released on their own ’Nurture’ label and once again put the group back in the Irish spotlight. Although once again the band didn’t have the funds to advertise or promote the album outside of touring.

While recording their follow up ’Forward’ in late 2001, Gavin got a call from ’Idlewild’ with an offer to join their group. Frustrated with Turn’s lack of growth, Gavin left to join the Scottish Rockers and remained art of the group for over four years. After Idelwild, Gavin joined ’Vega4’, a London based group which he played in for just under a year. It was after leaving Vega4 he decided to call Mark.

The line up was completed by Paul ’Binzer’ Brennan after an invitation from Gavin to come down and join himself and Mark for a rehearsal. Although Mark had never met ’Binzer’, he was welcomed with open arms to the group on their first meeting. Paul has played with some of Ireland best acts and on many famous recordings, including ’The Frames, Dance the Devil’ and ’Bell X1’s Music in Mouth’ to name but two. He has toured and recorded with other acts such as ’Paddy Casey, Mundy, Gemma Hayes, Halite’ and many more. His experience and talent behind the kit made him the perfect choice for Concerto and completed the lineup.

Concerto started rehearing new material and songs that Mark had been working on for his sole release were shelved as the band decided to turn back to their roots and starting writing music based on their influences (Early 90’s alt/rock such as ’Nirvana’, The Pixies ad The Smashing Pumpkins) while also giving the songs a more modern touch. Rehearsals started in late August 2007 and the band started writing and recording demos’ instantly. In September, they were invited to perform on the 2FM 2MORO 2OUR. A nation wide showcase held twice a year in order to give new groups a platform to play their music in front of live audiences and promote themselves. It was this invite that promoted the band to consider a name for their new group that properly reflected their new sound.

“We were confirming the details and they asked ’what’s the name of the band’ because they were doing up posters for the tour, so I said yeah it’s ready…I’ll call ya back in a couple of Hours” – Mark Greany 2008

The name was completed by using ’Concerto for’ which Gavin had seen on ITunes while scrolling through song names and completed by ’Constantine’. A name the Synonymous with a recurring dream Mark’s mother had been having for years about a young boy walking a lobster (on a leash) on a beach at night while a voice calls the name ’Constantine’ from beyond the sand dunes. Marks mother had told him only the week before the 2FM call that she had the dream again and Mark felt it was a sign.

Concerto for Constantine continued rehearsing and on the 28th September, made their radio debut on the Jenny Huston show on 2FM. The band played two tracks acoustically which were recorded live on air.

On the 15th November 2007, the group played their first live show at the Sky venue, Portlaois. The band later claimed this to be the worst show of the tour. They played a further 10 dates on the tour in venues across Ireland. By the end they had established a basic fan base.
The group spent a further two months rehearsing and recording before returning to the stage. The future single ’Minsk’ was recorded between December and February’. An early version was posted on their Myspace along with four other songs ’Gaps, Killing Fields, WASP’s and Cat’s Cradle’. However, this version was replaced by newer recording featuring a much raunchier bass line. In late January, the band announced that they were invited to support ’The Smashing Pumpkins’ at their Irish dates in Dublin and Belfast (9th and 10th February 2008 respectively). They were also invited to support ’The Futureheads’ for a one off show in Sligo’s newest venue ’The Clarence’. The Smashing Pumpkins support slot fulfilled a life long dream for Mark who had come close to supporting Billy Corgan on to previous occasions while he was with JJ72. The band even managed to find three stage props for the occasion. Three box’s made to look like Amp heads with each word of the bands name in ’Georgia’ font, that lit up.

During the Pumpkins support slot, the band announced their first headlining show at Dublin infamous rock bar ’Fibber Magee’s’, an event organized by ’Muzzle Music’. On February 22nd the group took to the stage playing nine songs, the five that had been previewed on their MySpace and four un heard tracks, “Silver, Falling, Everything and Knife”. The show was sold out and promotion for the night included everything from posters and flyer’s to stickers. It was considered a triumph and the band wasted no time announcing another headlining show in the same venue on the 17th March 2008, this time for ’Secondlife.com’ who were webcasting the show. They were also confirmed as special guests for 2FM’s ’School of Rock’ showcase. A competition for younger groups to play in a large venue and win prizes such as vouchers for musical equipment and recording time. Concerto played the event on the 9th March making it their second appearance in Whelan’s and also their second day time show (the first being the Village on the 25th November as the last date of the 2FM 2MORO 2OUR).

Unfortunately, the second headlining show in Fibber’s didn’t capture the magic from the first. The promoters for the event hadn’t advertised the show anywhere and there wasn’t so much as a poster put up about the performance. There was also an issue with stage times as the band were originally scheduled to appear at 8:00pm. However, the pub was next to empty (being St. Patrick’s day and a Monday, most people had finished drinking at 6:00 in order to be able to work the following morning, They instead went onstage at 10:30 and played for just under an hour. Their performance was further hindered by problems with Gavin’s Bass head and the lack of a crowd.

The following day, Concerto embarked for London to play two shows, the first at The Dublin Castle (March 18th), a legendary underground venue for Indie and rock talent. The second was at Club 229 (19th). Both shows were described as a massive success.

On March 11th the band announced their first headlining show in Whelan’s on April 15th. The event, which is being promoted by MCD and Phantom FM is the set to be the biggest show the band have played to date. The are also set to play the IMRO showcase on the 11th of April in The Sugar Club. They also announced on the 8th April that they have been asked to support ’The Enemy’ at their show on the 9th in Dublin’s Ambassador.

After only eight moths together the band have already achieved more than most bands with records and more dates under their belt could dream of in their first two years. Some critics of the band base this on each members already established reputations on the scene. Although this has made thing go a little smoother for the group, it would be very wrong to deny that their music isn’t up to scratch for the offers and acclaim they are receiving.
Fans of the band are hoping to see some material released in 2008 such as an EP or even a full debut album. In the mean time, the band are content with promoting themselves through their incredible live performances which show the work they have been putting in during breaks between shows. They have also amassed an albums worth of material which can only be added to over the year.

08-04-2008 Update:

Concerto for Constantine have gotten ’Minsk’ remixed by classic JJ72 and Turn producer ’Marc Carolan’. The original recording and mix of ’Minsk’ was done by ’Neil Mitchell’

16-04-2008 Update:

Concerto played their first full headlining show in Whelan’s last night and blew the place away. The venue was packed and the upstairs section had to be opened to deal with the amount of people who turned up. They played 12 songs with ‘Minsk’ opening and closing the show (I assume they played Minsk twice as a result of running out of songs and also to ensure the audience got to hear songs they knew as they still have no Single, EP or album for sale)

They truly pulled out all the stops for what I can only describe as their best performance yet. Review to follow,

 

Whelan’s – April 15th Set list:

  • Minsk
  • WASP’s
  • Cats Cradle
  • Stand in my Way
  • Falling
  • New Song (Possibly Knife)
  • New Song (Unheard)
  • Silver
  • Gaps
  • Killing Fields (With a drum solo intro)
  • New Song (Instrumental preformed on acoustic guitar by Gav and Blue Electric by Mark)
  • Minsk (“One for the Road”)

 

Concerto Gig History:

2007

Nov 15 – Sky Venue, Portlaoise
Nov 16 – Electric Avenue, Watherford
Nov 17 – Cyprus Avenue, Cork (All Ages Show + Evening Show)
Nov 18 – Trinity Rooms, Limerick
Nov 19 – Roisin Dubh, Galway
Nov 21 – Left Bank Sligo
Nov 22 – Spirit Store, Dundalk
Nov 23 – The Stables, Mullingar
Nov 24 – Whelan’s, Dublin
Nov 25 – The Village, Dublin

2008

January

Jan 31 – The Clarence, Sligo (Heineken Green Sphere’s supporting The Futureheads)

February

Feb 09 – The R.D.S., Dublin (Supporting the Smashing Pumpkins)
Feb 10 – The King’s Hall, Belfast (Supporting The Smashing Pumpkins)
Feb 22 – Fibber Magee’s, Dublin (First Headlining Show)

March

Mar 09 – Whelan’s, Dublin (2FM School of Rock show)
Mar 17 – Fibber Magee’s, Dublin (St. Patrick’s Day Show)
Mar 18 – Dublin Castle, London
Mar 19 – Club 229, London

April

Apr 09 – The Ambassador, Dublin (Supporting The Enemy)
Apr 11 – The Sugar Club, Dublin (IMRO Showcase)
Apr 15 – Whelan’s, Dublin (First Headlining show in Whelan’s)

Recording’s

Four songs were recorded for a 2FM Live Session in September 2007. ’Gap’s’, WASP’s, Killing Field’s and Cats Cradle’. All current recordings are considered Demo’s and will be rerecorded for any official release.

’Minsk’ was recorded between January and February 2008 and produced by Neil Mitchell. Two versions were mixed and previewed on MySpace. On the 7th April 2008 a new mix of the song was posted to MySpace. Mark confirmed this version had been mixed by long time JJ72 and Turn producer ’Marc Carolan’ who now mixes songs for ’The Cure’ and ’Muse’

There has never been any official word of demos for “Silver, Falling, Everything or Knife” although it’s more than likely that all four songs have been recorded for demo’s along with other unheard tracks especially considering Binzer’s comments about the support slot for ’The Enemy’

“We figure it’d be a good opportunity to road test some new tunes for our Whelan’s gig on the 15th” – Binzer April 8th 2008