Archive for Metallica

Tickets There: Top 50 Albums (2000 – 2009)

Posted in General Tickets There Blog, Music, News with tags , , , , , , , , , , , , , , , , , , , on December 9, 2009 by Tickets There

So, it’s decade ending time. All the music publications, webzines, blogs, fans everyone with a computer and the ability to type has a list of their top 5, 10, 20, 50, 1,000, 1,000,000 albums of the last ten years and the great, thoughtful, original minds that drive, create, nurture and bring you Tickets There have finally decided we’ll do one to. Sher if everyone else is, why wouldn’t we? Tickets There never claimed (in the last 30 minutes) to be original or independent so we’ll follow the herd with the list thing. Not really sure what’s the point since we probably only bought 20 albums in the last ten years that were actually released in that time.

Instead of doing the 1 – 50 order, we’re putting them in chronologically.  This is a basic, hastily put together history of what shaped the amazing, the incredible, the mind-bendingly stunning tastes held by all at Tickets There HQ.

(Please don’t give me hell for Testament, but that album deserves to be on this list, even though it wasn’t released in the time frame. Damn calendar counter counters!!)

Artist Album Title Year
Testament The Gathering 1999
Turn Antisocial 2000
The Avalanches Since I left you 2000
At The Drive In Relationship of Command 2000
The Dandy Warhols Thirteen Tales from Urban Bohemia 2000
Smashing Pumpkins MACHINA/The Machines of God 2000
Iron Maiden Brave New World 2000
White Stripes White Blood Cells 2001
The Foo Fighters One By One 2001
Ash Free All Angles 2001
Berkeley Hope Prayers and Bubblegum 2001
Muse Origin of Symmetry 2001
The Strokes Is This it 2001
Weezer The Green Album 2001
Idlewild 100 Broken Windows 2001
Rammstein Mutter 2001
Ben Kweller Sha, Sha 2002
The Frames Set list 2002
Johnny Cash American IV: The Man Comes Around 2002
Turn Forward 2003
Future Kings of Spain Future Kings of Spain 2003
Bell X1 Music in Mouth 2003
Queens of the Stone Age Songs for the Deaf 2003
Blur Think Tank 2003
Iron Maiden Dance of Death 2003
The Darkness Permission to land 2003
Motorhead Inferno 2004
Arcade Fire Funeral 2004
Jape The Monkeys At The Zoo 2004
The White Stripes Elephant
2004
Turn Turn 2005
Humanzi Tremors 2006
White Stripes Icky Thumb 2007
Marilyn Manson Eat Me, Drink me 2007
Happy Mondays Uncle Dysfunctional 2007
Siouxsie Sioux MantaRay 2007
Bruce Springsteen Magic 2007
Guns N Roses Chinese Democracy 2008
Metallica Death Magnetic 2008
Def Leppard Songs from the Sparkle Lounge 2008
Future Kings of Spain Nervousystem 2007
The Aftermath Friendlier Up Here 2008
Jape Ritual 2008
Whitesnake Good to be Bad 2008
Wired Desire Barley legal (EP, Honorable mention) 2008
Lady GaGa The Fame 2008
KISS Sonic Boom 2009
Megadeth EndGame 2009
Bell X1 Blue Lights on The Runway 2009
Them Crooked Vultures Them Crooked Vultures 2009

Metallica: 2nd Belfast Show Announced

Posted in Music, News with tags , , on December 3, 2009 by Tickets There

After selling out their first Odyssey Arena show in just under two hours, Metallica have announced they’ll be playing a second night in Belfast on May 12th. Tickets on sale now.

Click Here for Tickets.

Click Here to see MCD’s Update.

This second Belfast’s show more than likely dashes any hopes of Metal’s most enduring monsters announcing a Dublin show this year. Ah well, so long O2.

Metallica: Belfast Show Announced.

Posted in Music, News with tags , , on November 30, 2009 by Tickets There

Well, Tickets There wasn’t going to bother but since all the other sites have reported this story, we didn’t want to be left out.

Metallica are returning to the Irish shores on May 11th for their first headlining show in Belfast in twenty years apparently. Tickets on sale Thursday, December 3rd for £49.50 each. (Odyssey Arena in case you’re wondering).

Read More Here: METALLICA

No official word has been released about a Dublin show but if they do play the Republic, Tickets There has our money on the O2 being named as the venue.

Saturday Night METAL!!!!

Posted in Music, News with tags , , , , , on October 18, 2009 by Tickets There

More late night, weekend metal from Tickets There!!

This Just In…!!!

Posted in Music, News with tags , , , , , on September 3, 2009 by Tickets There

I’m still hooked on PAINKILLLLEERRRR!!!!!

If you don’t like that, how about a little Testament \m/

Also, word on the street (Blabbermouth) is METALLICA, MEGADETH, SLAYER and ANTHRAX might be playing together on a full tour!!

Nothings confirmed and how likely is that? but apparently Kerry King heard Lars is talking to folks about getting it together. Oh yes!!

mettour

Tickets There Likes: Metallica – …And Justice for All

Posted in Album Review, Music, Tickets There Likes: with tags , , , , on September 2, 2009 by Tickets There

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Ya know Metallica get a very bad rap these days. It’s as plain as day that they haven’t done themselves many favors over the last few years but people seem to be forgetting they have a stronger back catalogue than most metal acts out there. Very few thrash/heavy or hard rock bands can boast so many highly regarded albums as Metallica and they’re highly impressive and widely diverse selections of song writing make them the bonafide legends they are. Forget the St. Anger disaster and forget the Napster issue and the Some Kind of a Monster fiasco. These are long over with and the Bay Area Thrashers have returned to what they do best.

I remember first hearing Metallica in the early nineties and not being hugely amazed. Then again I was a Def Lepp / GNR kid and the styles didn’t really crossover in my eyes. It was until the late nineties that one of the lads from school started pushing me to listen to them. I remember seeing a picture of Kirk Hammett. wearing Calvin Klein undero’s and thinking ‘wow, how metal is that…puke!’. It looked like Metallica had totally sold out and this didn’t give me any inspiration to check out their stuff. Now I know there’s nothing worse in this world that an uppity metal fan. Every time you talk to one of those Bruxelles chaps they’d nearly put you off the genre entirely. They’re so up their own holes it’s almost sad and they sit there and argue on and on about mundane, unimportant crap about bands who make a living dressing up in makeup and screaming about death. Not sure if you noticed folks, but it’s meant to be a bit of fun, not f**king politics ya tossers. Anyway, enough ranting about those Metalireland.com chaps, they have to pass their sad existence somehow.

So eventually I took a copy of Master of Puppets from yer man and after a few days adjusting I came to love that album and like most of the TT Likes articles, listened to it repeatedly for many, many weeks. Ride the Lightening, Metallica (The Black Album) and Kill Em All only spurred on my excitement for the bands material and overnight, became staunch classics in my books. However it wasn’t until the mighty …And Justice for All came into my possession that I found their best work. I’d been put of getting this one by many people who wouldn’t shut up about the Bass being low and the quality generally lacking compared to the other early albums. I strongly disagree folks, and I think I’m in the majority.

Opening up with the mighty Blackened, Justice is an hour’s worth of melodic / blistering riffage, doomsday lyrics and drums all backed by Hetfields more matured, powerful vocals.  I don’t care how elitist you are, there’s no denying Metallica did it better than anyone else at the top of their game. Tracks like Eye of the Beholder, The Shortest Straw, The Frayed Ends of Sanity and Dyers Eye give the album it’s unyielding power  while better know classics like the title track, One and Harvester of Sorrow give the whole record it’s unstoppable force that band have failed to recreate since, despite a pretty good effort on Death Magnetic. Justice for All’s sound is so dark and inaccessible compared to all of their other work before and after and the band can be seen to vent their frustrations, pain and anger over Cliff Burtons death. It’s true the bass isn’t exactly the stand out instrument here and this is very obviously an attempt to avoid having to admit Cliff had to be replaced. As a final tribute to their friend, Justice has a nine minute instrumental entitled To Live is to Die which the band composed using riffs written by Burton before his death.

Whatever people say about Metallica now is irrelevant. Bunch of stuck up, metal pussy’s who’ve forgotten the whole genre is about taking it easy, have a few beers and a laugh. Not procrastinating and philosophizing about who’s more metal than thou! And let’s all be honest, metal fans are mostly made up of…..should I say it?, maybe not…but you know damn well the kind of people that I mean and don’t deny it! Why the hell these folks feel the need to close turn Metal into a Pink Floyd convention is beyond me. Relax folks!

ICONS

Posted in General Tickets There Blog, Music, Ranting with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on August 31, 2009 by Tickets There

icons

What happened folks? In the mid 50’s, Mr. Elvis A. Presley walked into Sun Studios in Memphis, Tennessee and became the very first, the best, the symbol, legend, embodiment and icon of rock n roll. Like Sid Vicious to Punk, Frank Sinatra to big band, Johnny Cash to country and western or even Dana to lunatics, Elvis was the total hero, founder and creator of rock n roll. Don’t listen to music nerds, geeks and critics (ahem), Elvis started everything. Forget who influenced him, forget who wrote for him and forget who marketed him, Elvis was it.

Ever since the Kings death, music has flourished through the efforts, talents and hard work, creativity of various people and constant changes in popular culture. From Elvis, Buddy Holly and Jerry Lee Lewis in the fifties, rock expanded and produced the likes of The Beatles, The Rolling Stones, The Kinks and many others throughout the early sixties. Before long Pink Floyd, Bob Dylan, The Yardbirds, Jimi Hendrix, Cream and many more appeared. The Doors came out of the west coast. The Who went rock, Led Zeppelin were formed and Jefferson Airplane stayed touring after Woodstock. Just before things could get civilized, Black Sabbath and Deep Purple came out. Queen, Clapton, The Sex Pistols, The Clash, The Stooges, Alice Cooper, T-Rex, KISS,…the list is endless people. Then came the 80’s, when pop reached a true peak before the ever looming wave of commercialism took it’s firm grip and strangled the genre, until it’s credibility was lower than Gary Glitters. On the other hand you had Iron Maiden, Metallica, Megadeth, Guns N Roses, Def Leppard, Whitesnake, U2, Judas Priest, OZZY, Slayer, Sepultura, before the end of the decade when Nirvana, The Chilli Peppers, Pearl Jam, Alice in Chains, Blur, Oasis, The Stone Roses, The Smashing Pumpkins, The Smiths, The Pixies, Joy Division, The Happy Mondays, New Order (yes the 24 lot), Faith No More, Nine Inch Nails and then (phew this is a long one) onto Marilyn Manson, The Foo Fighters, Weezer, Korn and so on before the late nineties and boom…nothing happened……funnily enough, fuck all has happened since. How in the hell did almost five decades of amazing, astonishing and diverse creation suddenly grind to an almost complete stop?

Things seemed to fall completely off course. Metal bands suddenly merged rapidly with dance music and rap. Korn had dabbled but so did Aersomith and nothing happened to them. Instead of Angus Young and the D belting out solid, hard hitting blues rock anthems you had fat ugly guys in costumes roaring at you about being bullied and still being virgins living in their mothers houses. Metro sexual, stylish geeks whining on about falling and crying about some girl next door that Lemmy would probably kidnap and turn into a hooker on sun-set before the night’s out. These guys in fitted suits, wearing ties with spiky hair, tattoos and dog collars were mixing Kraftwork with the eighties glam rockers like Twisted Sister, Poison and the likes while wearing their hair like girls. And I don’t mean the old style of hairy bikers drooling over a bar counter girly style, I mean a female hairdresser on a night out style. Like they were trying to keep disobeying the nagging disapproval from generations past and pushing things to some ridiculous limit that nearly goes full circle.

As for Pop music, that fell into the hands of TV companies, dance got old and turned into some demented, hindered state of destruction while indie music became overwhelmed by a horde of Eco-Friendly, Voices of poverty, injustice, animal cruelty and environmentally conscious millennium hippies. Voices that turned away from Indies recreational drug use, love and loss, party image and transformed it into a voice for all the issues in the world rock stars shouldn’t give two shits about, at least not on stage. The likes of Tom Yorke, Chris Martin, Bono, Snow Patrol, Kings of Leon, Kasabian and all that other horse shit. Their songs were so impotent, corpses of tax attorneys could laugh at them. Complaining, moaning and whining about the poverty and cruelty in the world they wouldn’t think of donating their profits to. Bands that appeal to societies total dregs. Bored children, housewife’s, grandparents, indie fans, jocks and just about every member of the heard the western world boasts. Droning brought to extremes of the human soul to a point it becomes so bogged down in ego, insincerity and boredom it would fail to shock a timid kitten.

Metal fell even more of the pits as the old genres piled up with hopeless hack impersonators before bursting at the seems into millions of decaying breakaways. Nu-Metal even buckled (not a bad thing, pile of shite aswell) as Emo broke through their last stand along with nu-punk and metal became even more appealing to the ugly, fat rejects of social society and the fashionable, jock culture more than ever before. After Radiohead’s Creep on the jukebox American Idiot and the Killers would follow and all the trendy’s and Goths alike would bop along. Metal was again infiltrated by main stream culture and unlike before the last ‘icons’ weren’t strong enough to tear it right back for the people of society who used the music as it should be used. Not for pusses crying and ugly nerds to find shelter. Metal is the music for the angry soul (sounds gay I know but hey, I am smoking in case you hadn’t noticed), the serious partiers, the ‘dangerous’ people of society.

Rock N roll lost it’s fight much earlier. After the Guns N Roses era came to a close, few rock bands ever managed to reach those heights again. Don’t even bother with the Killers and The Kings of Leon…or The Strokes bitch. I’m talking about real fucking n roll. The kind of rock n roll that made all the bad things bands these days demonize like drinking, sex, destruction, rebellion and a good hearty message of Fuck You to anyone who bothered them, fun!. Elvis shock things up, the Stones defined it, Aerosmith brought it miles higher while AC/DC put the fucking boots on before Guns N Roses perfected it in every single sense of the word.

The world is losing it’s icons. Right now I can’t think of any that have come out since the early nineties. I mean a true icon of rebellion. Pete Doherty, and Amy Winehouse make a mockery of drug addicted musicians which, throughout the history of music, have written some of the most amazing music ever created. The Beatles, Jim Morrison, The Grateful Dead, Hendrix, Keith Richards, Janis Joplin, Kobain etc. Bono, Yorke and Martin take the places of people like Neil Young with his stories, Springsteen and his zest for life and Bowies ever changing persona, image and style only to replace it with gilt tripping, giver of life wannabe humanitarian ideologist façade while they doge taxes and pontificate to fans what they should do, wear, believe in, live and breath. Forget ‘think for yourself’, the message was spelled out in bold impact lettering and strangely enough, a  discontented mass fell for it, hook line and sinker.

That’s pretty much where we are in my eyes. I’ve forgotten many of the previous generation’s true greats but there’s only so much you can write in an hour and keep semi-coherent. I’ve also neglected some of the better talents to emerge on the international scene and some of the worse ones. Arcade Fire and MGMT to name a couple. But that’s how I see things, pretty much that black and white. Most of the old styles got confused, disjointed, lost in translation and overwhelmed in image, style and forced restrictions and beliefs and turned them into uninspired shells of their former selves. I’m not saying charity is bad, I’m not saying there’s no credibility in any of the new bands these days and I’m not saying looking after the environment is wrong, animals should be mistreated, people shouldn’t be nice to each other and drugs are good. I believe the exact opposite of each one and a conscious attitude is essential to the basic fabrication of mankind’s cohabitation together and civilized society. What I’m saying is people should learn this from other sources like parents and a proper education rather than one of mankind’s forms of entertainment. Aren’t we allowed to relax, switch totally off and dream sometimes with the horrors of some societies and the worlds problems being shoved in our face at every fucking turn?

Maybe there was one message spelt out by one of the golden age icons that we should listen to is the words of Jim Morrison.

“When the music’s over, turn out the lights, turn out the lights,”