Archive for Dave Grohl

Happy Birthday Joe Elliott

Posted in General Tickets There Blog, Music with tags , , , , , on August 1, 2013 by Tickets There

2006+Billboard+Music+Awards+Arrivals+U4wWlFAXKEolJoe Elliott, iconic frontman of Sheffield legends, Def Leppard, turns 54 today. For the past twenty one years, I have looked on Joe Elliott as the perfect example of how to be a rock star (except frequent exceptions for Monsieur Rose) should be.

Joe, you’ve been an inspiration to millions. You are a God on the arena stage and you front one of the greatest bands of all time. You’ve managed to avoid the pretentious rock star life of the 21st century and kept a band running for more than three decades without ever falling to the paparazzi invasion and vicious public spats. You’ve helped Leppard carry on through immense personal tragedy, loss and missed opportunities – but you’ve always come out swinging; bigger and badder than ever. You still drink and eat meat which alone (according to me and Alice Cooper) is top notch and you still make time to hang out with up and coming rock bands, helping them record their albums in your studio and just being a legend. You kicked a guys ass for pushing Ian Hunter (proper order!) and, on top of all that, you’ve earned your title as ‘the nicest guy in rock’ – Dave Grohl can never touch that. I’ve only had the pleasure of one very quick meeting with you but you were totally cool and one day I hope to buy you a pint.

Joe Elliott, I salute you and hope that younger generations will continue to see the magic you and the Leppard lads create. Have a wonderful birthday and please do not worry that I’m on route to your house… I’ve said too much :p

Happy Birthday Joe, hope you have a great one! 

From all at Tickets There



Lemmy Kilmister to release solo Album in 2013

Posted in Music, News with tags , , , , , , , on March 1, 2012 by Tickets There

The legendary Lemmy Kilmister is currently working on a solo album that’ll feature collaborations with legends such as Joan Jett, Skew Siskin, The Damned, Reverend Horton Heat and Dave Grohl.  Speaking to the San Francisco Weekly, Lemmy confirmed he’s already three quarters of the way through the record and hopes to have it out by 2013.

Lemmy reports that the idea for a solo record came from legendary guitarist Jeff Beck who Lemmy is currently trying to nail down for a guest appearance. “..typical of Jeff. He’s always the same. He’d rather be under a car covered in gasoline than playing his guitar.”

We all hail Lemmy, bow to his mercy and wish him well for the record. Guaranteed it’s going to kick ass!

The Foo Fighters – Wasting Light (Album Review)

Posted in Album Review, Music with tags , , , , , , , , , , , , , , , , , , , on April 2, 2011 by Tickets There

It’s hardly surprising that the Foo Fighters have become a band beloved by all. They’ve managed that always difficult task of appealing to fans from every cross section of music and country in the world. They’re so bloody savage that when ever you meet someone who doesn’t like them you’re left with a pity, shame and very obvious feeling of distrust towards the offending comments creator – the non-Foo Fighters fan. Tickets There has never been able to understand this rare breed of human but then again with all the Hitler’s, Gaddafi’s and Pol Pot’s we’ve produced it’s hardly surprising that evil does exist in the world. Fortunately they aren’t numerous enough to matter so the Foo’s love bludgeons on.

First and foremost, the band have produced some of the finest rock songs of the last two decades. How anyone could ever slate anything from The Colour and the Shape, their self-title début, There Is Nothing Left to Lose and One By One is a riddle that will plague philosophers for all the ages to come. Then there’s the videos! How can one band make so many savagely brilliant videos in such a short space of time? When Beavis and Butt-Head return we’re sure the Foo’s will be on regular rotation with respect showed by the little twits. Without going down the Nirvava connection, you have Dave Grohl – easily the most likeable man in the music industry. A man respected and admired by all; peers and fans alike. Not only does the man rule the roost when it comes to drumming but he’s proven himself one hell of an amazing song writer, singer and guitarist spanning everything from grunge to metal to rock to acoustic. He’s done it all and at the end of the day he’s still bowing to the likes of KISS, Motörhead and Kind Diamond. With all this together you can only imagine the excitement when they release a new album and Tickets There has returned just to tell you that they have delivered. Oh and of course let’s not forget to mention that Nirvana producer Butch Vig and former ‘Golden Age’ Foo Fighters guitarist Pat Smear have returned to the fold to help make this a pretty sweet record.

Bridge Burning kicks things off with plenty of riffage, a very restrained chorus but plenty of kick ass catchiness to slap a silly grin all over the puss. Rope, the albums first single falls back to an older Foo’s style that’s been slightly mixed with the In Your Honor grandiose vibe. Excellent song and proof that the Foo’s can pretty much try and accomplish anything they want in life! Dear Rosemary is a decent wee number but White Limo’s follow up has much more to offer. Oozing in screaming vocals, intimidating guitars and snake bite drums, the track is one of the heaviest the Foo Fighters have ever done and could be mistaken from a cut from their first record due to it’s raw, blistering energy. Also Lemmy Kilmister is in the video, can you get any more rock n’ roll than that?

Arlandria is more generic and bloated. There are very rare occasions when Foo Fighter’s choruses edge too close to the world of Nickelback and this is possibly one of them. Nice song that on repeat listens will probably see Tickets There becoming fonder and fonder of it. These Days is similar in structure and not one we’re currently going mad about but nothing offending here. Back & Forth is another momentarily impressive number with moments of excellence but an overall lack of amazo-balls. I’m not 100% sure but I think I hear some Bryan Adams influence in the chorus. C’est la vie. White Limo still rings string in the head so let’s move on.

A Matter of Time again has it’s moments but we’re feeling an overall lag at this point of the album. It’s all too close to what the lads have done before but offering the same quality in song writing and their promise that this is the heaviest album they’ve ever made are looking less and less creditable. Still not awful, still some Foo Fighter gems to make it more than worth your while but not looking like it’ll be remembered with the same esteem as their previous attempts.

Miss The Misery could be the changer though. Bellowing hard rock riffs, their classic dark overtones and a nice feeling to the song. Things are on the up as we reach the second last track, I Should Have Known which features a guest appearance by Dave’s former Nirvana band mate Krist Novoselic on accordion and bass which really kicks through towards the end of the song. Great number mixing different styles of rock and to some extent soul (we’ll explain when we’re sure). Final track Walk is an excellent number. More screaming vocals, belting drums and 100% Foo Fighter heaviness with better hooks than the New York Yankees golden pitchers could amass (saw this documentary about the Yankee’s a while ago…been trying to find out how to use it. Waste not want not).

Well the wait is over, we like it. There’s moment we’ll need to warm up but not too many to ignore completely. The albums strongest moments mostly happen within the first few songs but there are surprises at the end that’ll ensure full plays for a long time. It may not be remembered as their strongest but we’re sure some of these songs will live on happily within the Foo’s live set for a long time to come. If you want to hear for yourself, pop over and listen at the band’s Soundcloud page.

Michael Jackson – Michael (Album Review)

Posted in Album Review, Music with tags , , , , , , , , , , , , , , , , , , , , , , on December 8, 2010 by Tickets There

Michael Jackson, the legendary King of Pop is back with a new album! Anyone who ever doubted the man’s claim to the royal throne surely can’t begrudge Michael now that he’s managed to release his first full length album in nine years despite the small matter of his death just 18 months ago. Tongue in cheek anyone? It’s no secret that the release of Michael has been a controversial choice for Sony with almost everyone in the Jackson camp coming out to bash the idea with some even speculating to the authenticity of the vocals on some of the tracks and artists such as Will.I.Am denouncing the record company’s choice to release a highly respected musician’s unfinished art without his consent. Despite all this, the album is just two days from an official release so it’s time to forget the controversy and find out exactly what the King was up to behind the scenes for his final years.

Things take off slowly with the R&B styled Hold My Hand which features Akon. Not a bad song by any means but given that this is the opening to a deceased legends posthumous album, you’d expect a little bit more of a show. Hollywood Tonight provides the template for a classic slice of Michael pop but doesn’t really deliver the balls to make it a stand out classic and just seems to go with the flow. Maybe it could have worked with more work from the artist but unfortunately he was unavailable to provide his feedback. Keep Your Head Up is another Soulful R&B number in the style of tracks from 2001’s Invincible album. It isn’t until (I Like) The Way You Love Me kicks in that you get a real taste of Michael’s legendary smooth as silk talent.

Monster (featuring 50 Cent) continues the albums ascent towards acceptable with it’s beefed up, glass smashing, ‘Shamone’ style pounding. Amazingly enough 50 Cent’s contribution works well next to Sir Michael with the King’s vocals holding up their share. Maybe a little too broad to become a classic but nice to hear Michael was still prepared to strain the cords when called for. Best of Joy is another bog standard light number with it’s cryptic ‘I Am Forever’ chorus and then we come to the albums most controversial number, Breaking News.

Breaking News is the song several family members have claimed contains vocals from some MJ impersonator and Sony are going well out of their way with experts, analysts and collaborators being brought in to confirm the vocals are those of the King. Personally, Tickets There thinks they sound more like Britney Spears, just like the song itself. As a Michael Jackson song, it sounds a little too obvious in it’s subject matter and far too similar to every other pop act from the mid-2005 era with it’s electro drums, banging noises and layer upon layer of effects to flesh out the sound and convince you that underneath all this hoopla there’s something actually happening. Not a terrible song but only made interesting by the fact that Michael Jackson sings it. If it was anyone else, we wouldn’t care.

(I Can’t Make It) Another Day on the other hand is an excellent Michael Jackson song. Back to guitars, drums and Michael’s powerful voice throwing shapes against some great wind we always in vision him working against. A guest appearance by Lenny Kravitz is very welcome while Dave Grohl’s drumming seems a little understated. Much Too Soon closes things of with a very gentle, no frills ‘Ben’ styled niceness.

It’s not a bad album. In fact it’s a lot better than Invincible but like Invincible, there’s not a lot here to tack onto Michael’s legacy. Some nice moments, a handful of pretty great moments and a lot of rehash Michael styles that were never amazing to begin with (I’m looking at you Heal the World….and most of Dangerous really). The King is gone and this is by no means a slur on his career or an aborted attempt to salvage what ever last shreds of a record he had prepared. It’s solid, it’s finished and it’s 100% Michael. It’s just not the greatest Michael Jackson album of all time and that’s exactly what it needed to be for people to embrace it fully. Saying that, it’s nice hearing him sing again.