The Walls – Stop The Lights (Album Review)

If there’s one thing The Walls can never be accused of, it’s rushing things. It’s been a seven long years since the release of their last album, ‘New Dawn Breaking’, but the brothers haven’t been hanging on their laurels. They’ve toured, both as the Walls and The Stunning, released singles, an EP; all the while working away on their third release. It’s been a long time coming and no easy feat to accomplish, but finally ‘Stop The Lights’ is ready.

People who’ve seen the band live over the past two years will be very familiar with some of the material on Stop The Lights, but it still manages to sound as fresh and enticing on record as it did on stage. ‘Bird In A Cage’ opens the album with it’s wonderful gentle rhetoric and infectious poppy groove. Advance singles ‘Phantom Power’, ‘Carrying the Fire’ and ‘Stop The Lights’ sound reinvigorated and inviting; but the real focus for Tickets is on the more unheard material.

The Great Escape’ and ‘It Goes Without Saying’ are excellent pieces of music. ‘The Great Escape’ is stripped back, lasting and lonely, while ‘It Goes Without Saying’ delivers one of those catchy as a cold choruses the Walls have built their reputation on.  ‘Dead Flowers’ delivers a little rumpus into the room with heavier guitars and keyboards. Not quite ‘Drowning Pool’ but everything you could want. ‘All A Blur’ and ‘Doodlesque’ continue the positive flow before the album reaches its peak with ‘Thanks For The Photographs’ and ‘May The Road Rise’, which are both crowning achievements of the album. Equally they express the passion, honesty and incredible grasp the Wall brothers have for song writing.

Stop The Lights is out officially released on Friday, March 9th from retailers and online stores. It gets its release party in Whelan’s on March 29th before the lads hit the road for shows in Limerick and Galway. Stand by for more dates over the coming weeks.

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