Archive for Slash

Review: Slash (Featuring Myles Kennedy and The Conspirators) – Live @ The Olympia (March 4th 2013)

Posted in Gig Review, Music with tags , , , , , , , , , , , on March 5, 2013 by Tickets There

6430444c859e11e2a52022000a1f9e5e_7Everyone’s favourite top hat supporting, bad ass guitarist is in Dublin! No matter how many times Slash visits this country, the excitement of knowing he’s here never seems to wane and he isn’t shy about turning up. Ireland has been fortunate to receive him with Guns N’ Roses, Velvet Revolver and now with his solo project, Slash (featuring Myles Kennedy and The Conspirators). Ireland loves Slash and by a happy coincidence, Slash seems to love us too. The fact that he gets on stage every time he pops over and plays a mean set of mother f**king rock ‘n’ roll is just a bonus. Tonight’s crowd in the Olympia are a resounding endorsement of that love.

d7d7b368859d11e2844022000a1f9adf_7No matter what style of music you favour, job you have, hipster trend you follow or back alley you like to sleep through your hangover in, you’re represented here (I will volunteer to speak for the latter). The venue is rammed very soon after opening time and everyone is gasping with excitement and anticipation. Opening band, The Treatment, leap on stage and blow the crowd away with some good old fashioned 80’s sleaze cock rock. The whole band throw themselves into the performance and explode with heavy riffs, sing-along, hair metal boldness and alluring choruses. Supporting someone like Slash is a daunting task and it’s easy to ignore the support but The Treatment manage to get everyone on board tonight. Closing with ‘Shake the Mountain’, the band depart conquering heroes and for a moment you could almost forget the night is only starting.

Well, Charlie Sheen isn’t here – but we got those losers from Sunday night beat. In attendance tonight we have the legendary Martin ‘Eddie Durkan’ Maloney of Hardy Bucks fame in the house. Many pics were taken, many a scene played out. No warm Castletown intro for headliners unfortunately, but you can’t have it all. All of a sudden the houselights go dark, the PA kicks in and it’s time for the main event.

818a5154859e11e2844022000a1f9adf_7Slash arrives on stage to the throng of 1,600 voices screaming. The sight of the legendary axe man sends the Olympia into hysterics with people clamouring to squeeze as close to the barrier as possible as the band kicks off with ‘Halo’, from last year’s Apocalyptic Love album. The band sound great and considering this is the final date of a very long tour European tour, they’re still bursting with energy and charisma. Like or loath Myles Kennedy, the man knows how to get a crowd going and tonight he’s working overtime. Every note from Slash’s guitar rings loud above everything else as they blister through ‘Nightrain’, ‘Ghost’ and ‘Back From Cali’, the second single from his self-titled debut. Everything is getting an airing tonight from GN’R, Slash’s Snakepit to Velvet Revolver and his solo material and they’re in no rush to wrap things up quickly. ‘By The Sword’ sees the energy continue to grow in the band and crowd alike before bassist, Todd Kerns takes over vocals for ‘Dr. Alibi’ and Guns classic, ‘You’re Crazy’. I don’t know if Alter Bridge fans will forgive me, but Todd sort of blows Myles Kennedy off stage as his voice lacks the clean safety that Myles has and instead delivers a grittier, harder take on the tracks.

b73a967a859d11e2b56022000a9f1354_7Not speaking much, Slash let’s his guitar do the talking but does take enough time to thank the crowd and speak about the tour wrapping up. The epic ‘Civil War’ solidifies the crowd’s devotion before an extended jam laden rendition of ‘Rocket Queen’ blows the place apart, helped by a good five+ minute solo from Slash. It’s here that Myles can genuinely deliver a Guns song as he perfectly hits every note with perfection. Returning to his two solo albums, Slash knocks out ‘No More Heroes’, ‘Starlight’, ‘Anastasia’ and ‘You’re A Lie’ before closing the main set with fan favourites; ‘Sweet Child O’Mine’ and Velvet Revolver’s ‘Slither’. Over an hour and a half and we’re still hungry for more. They return to finish us off with ‘Welcome to the Jungle’ (again featuring Todd on vocals) and ‘Paradise City’, complete with exploding confetti and all. This part of the night gets blurry for yours truly. A lethal concoction of Guinness, Jack N’ Cokes and Slash left me hell for leather in the midst of sweat, booze, head banging and sing along pit behaviour.

Two hours of classics, icons and good vibes. There’s not a lot €40 buys you in Ireland these days, but Slash knows how to deliver value for money and you couldn’t have asked for better value tonight. Come back soon Slash, you’re welcome anytime.

Review: Adler – Back From The Dead

Posted in Album Review, Music with tags , , , , , , , , , , , , , on February 18, 2013 by Tickets There

adlerbackdeadWe promised you’d hear more about these guys and it’s time to deliver. Since we last checked in on them, Adler have gone and released this perfectly excellent debut album – how dare they?. For those of you who aren’t up to speed (like us insanely super sexy glam rock fanatics), Adler is made up of former Guns N’ Roses/Adler’s Appetite sticksman, Steven Adler, Jacob Bunton (x- Mars Electric – lead vocals), Lonny Paul (x- Lynam guitar/vocals) and Johnny Martin (Bass/vocals). Anyone with any pre-notions about this album should get ready to leave them at the door.

Back From The Dead is one of the best glam rock records we’ve heard in years. Steven hasn’t tried to steer the band towards Appetite for Destruction Island in search of some remaining buried treasure they can capitalize on. Instead, Jackob Bunton and Lonny Paul have written a very impressive collection of punchy hits that deliver the perfect mix of heaviness, attitude, punk rock and hair sprayed appeal. There’s scarcely a moment to breathe on Back from the Dead as you’re pounded with one guitar driven assault after another.

ADlerGroupOpening with the title track, you’re immediately cast into seedy California as the song attempts to convey a message Steven wants to make very clear – he is back. ‘Own Worst Enemy’ and ‘Another Version of the Truth’ continue with the ass kicking style. The album’s first single, ‘The One That You Hated’ still sounds as fresh and exhilarating as it did last year and all fears are gone when it isn’t the only stand out moment on this release. Former Marilyn Manson / current Rob Zombie guitarist John 5 adds his unique touch on ‘Good to be Bad’ (and someone adds an excellent ‘should have been Axl’ backing to the chorus). While former Guns N’ Roses guitarist Slash lends a hand on ‘Just Don’t Ask’ (we’re assuming the wonderful Spanish guitar intro and of course his signature style solo).

‘Blown Away’ brings us well into the second half with another ballsy hard rock anthem before Adler attempt ballad territory with ‘Waterfall’. I’ll leave you to make your own minds up on that one, it will not be mentioned again here. ‘Habit’ sends us rocketing back on course followed swiftly by another ballad attempt, ‘Your Diamonds’ which is a drastic improvement on the previously mentioned effort. Finally we come to ‘Dead Wrong’, an all out warrior of wall shaking bass lines and ravenous guitar riffs and solos. An excellent closer for Back from the Dead, so good in fact you’ll just want to start all over again.

Whatever about the last twenty off years of Steven’s life, there’s no denying he has something real to hold onto here. Adler could probably have chosen another name if they wanted to be completely removed from their most famous member’s previous associations, but the name be damned. There are almost no traces of GN’R on this record. Instead you have a new band with experience behind them and an albums worth of absolute mind blowers for you. Go to Spotify, find it, listen and enjoy.

Axl Rose Sues Activision over Guitar Hero III

Posted in Music, News with tags , , , , , , on November 25, 2010 by Tickets There

Well, we weren’t going to mention this but we decided not to take the Perez Hilton approach and only report the good but our benefactor (speaking of which, where’s the check Mr. Rose?) has decided it’s finally time to sue Guitar Hero III. Well, he’s suing the makers of the game Activision for $20 Million (Yikes)..

Legal Mumbo-jumbo from Skip Miller, Rose’s attorney- “This lawsuit is about protecting Guns N’ Roses and ‘Welcome to the Jungle,’ and is about holding Activision accountable for its misuse of these incredibly valuable assets.” He further adds, “The relief we are seeking is disgorgement of profits and compensatory and punitive damages.”

They’ve also got some other stuff in there about Sweet Child O’Mine being used in Guitar Hero II and something along the lines of Slash’s character not being allowed to associate himself with Guns N’ Roses..I don’t know, who cares? It’s good old uncle Axl doing what he does best, pissing people off.

Personally, we at Tickets There think this is a message to anyone who thought the Duff McKagan reunion in London may become more widespread. If we hear anymore, we’ll let ye know (expect a Wikipedia update in 5 years that the case was settled out of court and a comment from Slash either saying ‘I don’t know what Axl’s doing’ or ‘I Can’t comment on that’)

Axl Rose – Asshole or Hero? NME Ask The Question!

Posted in General Tickets There Blog, Music, News with tags , , , , , , , , , , , , , , on August 29, 2010 by Tickets There


**Before Reading This Article – Be Fair and Head over to NME and Read the original post by clicking this sentence**

Tim Chester over at the English music scenes answer to a cheap gossip rag, New Musical Express has posted a question based piece entitled, ‘Axl Rose – Asshole or Hero?’. Now normally the NME isn’t worth reading, replying to or taking any notice of at all, well not unless you want to know which shop Pete Doherty just walked out of or what brand of cigarettes Amy Winehouse smokes (Thanks Daily Gossip!). But this time Tickets There is taking the liberty of branding the author, the magazine and their staff a bunch of over the hill, raised on camp indie bullshit-artists, with as much right to write about Rock N’ Roll as a Nazi has to a fair hearing.

The Facts: Reading 2010

Guns N’ Roses played Reading on Friday night. In the week leading up to the event, NME spearheaded reporting a speech from Reading /Leeds organizer Melvin Been that the Guns had been issued a warning that their stage times must be adhered to after local councils and police made a similar warning to Melvin a co.

The band were scheduled to arrive on stage at 09:30pm, eventually arriving at 10:30 -an hour late. Their original cut off time was 11:30pm and they managed to play on until 12:00. When the band tried to return for an encore, their sound was cut so the band staged a sit in protest after leading the crowd through an ‘acoustic’ rendition of Paradise City, which saw nearly 90,000 fans singing along and chanting ‘Let Them Play‘ and ‘Fuck You Reading‘(Not a secret, watch the videos). They eventually left the stage after Axl made a comment the band would not play Leeds after the treatment they received at Reading by ‘those responsible’

Coming on Late Ain’t right is it?

For the past twenty years, Guns N’ Roses have had a very obvious, very public, well documented and very much lampooned and hated reputation for showing up late by heritage fans and the music press. In fact, the writer shows a knowledge for this by highlighting (as usual) the low points and incidents of previous GN’R tours, in no great detail or context off course as that might involve some real journalism on their behalf – God forbid. For anyone to act surprised or angry at the group for turning up late has a vendetta because Axl Rose and the band have never done anything to make you think they’ve changed.

Do these people still act surprised when they get wet in the shower? Because they seem to have no comprehension for the flippin’ obvious.

Our Response – Axl Rose – Asshole or Hero?

Rock music has lost it’s way – Rock is now dead. Rock N Roll hall of fame, award shows – heritage bands reuniting, greatest hits set-lists, staying together for the ‘career’, money, album after album of repeated glory day styles, follow the rules, adapt to the industry’s expectations, the fans expectations, pander to the press, bad mouth your band mates and still stick together because there’s no-where else to go. Bands are old, rock is old and it’s fans, it’s bands and the industry built around them to exploit and drain what ever profits it can has finally destroyed what was once a perfect machine for encouraging rebellion. A style designed to give kids a voice to express their views, their difference of opinion and the things the mean the most to them.

Rock N’ Roll, Punk, Rap, Heavy Metal all evolved in each generation to suit new fans, new young people and their lives but the spirit of rock n roll has always been carried over and that message is simple – Don’t Follow The Rules and fuck society, fuck the industry, the government and fuck you, I’ll do what I want.

That message has become a cliché, a punch line for the marketing and advertising industry every time a twenty two year old college grad is given the new Motorhead album to push. The people running things, the bands involved and the new breed of fans, raised on ageing fogies playing greatest hits tours every year while struggling younger bands repeatedly get passed up so rich musicians can make more money. These days bands have to sound like Coldplay or Arcade Fire to get ahead, music that your gran, neighbours and teachers can sit back with, sip wine to and discuss the banking crisis. Very rock n’ roll eh.

Then you take Guns N’ Roses. Old Guns N’ Roses. Slash, Duff, Axl, Izzy and Steven and Appetite for Destruction. Sweet Child O Mine, Welcome to The Jungle and Paradise City. massive. Then Later with Don’t Cry, November Rain, Live and Let Die, You Could be Mine…just as massive. They had it all and could still be out there today, like every single other heritage rock band making money, touring Appetite for Destruction and a choice selection from what ever Appetite rip off they released that year and pandering to the fans every whim and wish. The so called ‘Most Dangerous Band‘ could be there in the O2, top hat, American flag shorts and all, like nothing ever changed in the past twenty years.

Wake the fuck up, things change and people move on.

Slash is gone, playing American anthems to stadiums, selling guitars for Gibson, living up in every respect to the stereotype cast on him. Discussing reunions and his love for Axl. Duff is around, playing in second rate punk bands, writing for Playboy (he’s a journalist now don’t ya know) and still playing with Slash and Matt Sorum in Guns N’….sorry, I mean Velvet Revolver. He likes to discuss reunions occasionally aswell. Steven, poor Steven plays in Adler’s Appetite, a band that until recently exclusively played Appetite For Destruction at every show. Again, he mentions the idea of a re-union at every given opportunity.

Axl does not discuss reunions, he does not give interviews, he does not play national anthems to baseball stadiums full of 40/50 year old Americans who point and remember he was the guy who sang Sweet Child O’ Mine. He keeps the band fresh. He works on his music in his own time, he tours and plays shows ranging from 2.5-3.5 hours with a new band of incredibly tight musicians playing half hits and half new material. He goes on stage when he’s ready, he releases his music when he’s ready and he does what he likes, when he wants to do it. Not when people tell him he should do it.

He makes no secret of this and anyone that tries to argue that is an opinionated, but faceless moron following the sheep and the lead taken by people set out against Axl for personal grudges. Ya see, musicians who don’t pander to the press become enemies. People who won’t do what they’re told become a nuisance. and people who tell you to fuck off after you’ve devoted yourself to them for years on end get pissed off.

Axl Rose does what he likes when he likes. He doesn’t set out to piss off fans or anyone else but anyone turning up at a Guns show expecting to see the band on time is a straight up retard and fuck knows where they’d get the idea that was going to happen. It might, it’s not like they never turn up on time but you only hear of the occasions when they don’t. It’s not like every other band in the world always turn up on time, but then again – they don’t make as interesting reading as Axl.

He doesn’t pander to press, to fans, to x-band mates, to record companies or to anyone who else who tells him what he should be dong. He’s nearly 50 years old and he knows very well what he’s doing and how he wants it done. he knows when he’s ready to walk on stage to give the best performance he can and he knows when his musics ready. The Press, managers, fans and no-one else knows this because they all suck off the ‘product’ he’s giving the world. if you don’t like it – fuck off, if you question it – fuck off and if you have a problems guess what – Fuck Off!

Rock N’ Roll is rebellion and Axl Rose rebels against pretty much every rule in the book, whether it’s the industry making them, Society making them, the fans making them or his band making them. He will give you a fantastic show as long as you don’t throw shit at him (by the way, how many of you would remain in your chairs at work if customers came along throwing bottles and coins at you with a spot light in your face blocking your view?? Ya, fuck off!).

Axl Rose is the last true hero of rock n roll because he’s the only one famous enough still telling pressure and rules to go fuck themselves and anyone that can’t see that has no business being a fan of rock in the first place. Fuck off and listen to Radiohead and leave Rock N Roll alone for people with some balls.

Moving On:

Guns N’ Roses play Belfast on Tuesday, Dublin on Wednesday. Don’t go if you want Slash, don’t go if you have somewhere to be after. Go if you want to see the last true icon of a rotting genre, that once gave people alot of hope before it’s originators, it’s fans and it’s spokespeople were absorbed back into the system the movement set out to defy in the first place. He might also play a few cracking tunes while you’re there.

NME – Stick to reviewing The Kings of Leon, The Libertines and The Klaxons. That seems to be as much danger as ye can handle. I hear there’s a fat, squirrel eating lesbian naked somewhere – go quick, there’s a cover due!

Slash – Solo Album Artwork, Track list and Release Date Announced

Posted in Music, News with tags , , , , , , , , on February 3, 2010 by Tickets There

Ex-Guns N’ Roses and current (apparent) Velvet Revolver axe legend Slash is nearly ready to release his much anticipated debut solo album. The record, entitled Slash, is coming to all good music shops and, strangely enough, newsagents on May 10th in the UK (April in the States).

As well as a standard record release, Slash, Roadrunner Records and Classic Rock magazine have teamed up to release a special feature magazine dedicated to Slash’s career that will come with an bonus version of the album.

Slash has been recording the album over the last year and he’s recruited half the recording industry to make it happen. Each track features a different guest vocalist and Slash is confident it’s the best project he’s ever been involved in.

While Tickets There would like to remain confident, his recent work, namely Velvet Revolver and his first solo single, Sahara (not featured on the album thank Christ!) leave little to be desired. Hopefully this album will produce the miraculous turnaround all his fans want to see him make and restore him to his former credibility.

Tracklist

01. Ghost (Ian Astbury, feat. Izzy Stradlin) (3:34)
02. Crucify The Dead (Ozzy Osbourne) (4:04)
03. Beautiful Dangerous (Fergie) (4:35)
04. Promise (Chris Cornell) (4:41)
05. By The Sword (Andrew Stockdale) (4:50)
06. Gotten (Adam Levine) (5:05)
07. Doctor Alibi (Lemmy) (3:07)
08. Watch This Dave (Dave Grohl, Duff McKagan) (3:46)
09. I Hold On (Kid Rock) (4:10)
10. Nothing To Say (M. Shadows) (5:27)
11. Starlight (Myles Kennedy) (5:35)
12. Saint Is A Sinner Too (Rocco De Luca) (3:28)
13. We’re All Gonna Die (Iggy Pop) (4:30)

Bonus tracks:

14. Baby Can’t Drive (Alice Cooper, Nicole Scherzinger)
15. Paradise City (Fergie, Cypress Hill)

Slash – Sahara / Paradise City (Single Review)

Posted in Music, News, Single Review with tags , , , , , , on November 11, 2009 by Tickets There

musica-slash-trabalho-solo

Tickets There knows full well we should not be reviewing this, so we’ll keep it brief. Let us tell you right now, we hate both of these songs (yes, even Paradise City. It’s not a classic anymore. Instead it’s become…well, let’s save that for a little further down).

Sahara, featuring Koshi Inaba from Japanese hard rock outfit, B’Z (who’ve actually had something like forty odd consecutive number one singles and sold 78 million albums in Japan alone!!) Is one of the worst songs Slash has ever been associated with. We say one of the worst but honestly, we can’t think of anything else as bad, as boring, as shit as this track that Slash has worked on. It’s sooo boring, it doesn’t have any trace of rock n roll about it and the whole thing just reeks of ‘Gimmie Mo Money bitches!!’. With this single, Slash has sold out almost every ounce of credibility the famous living room guitarist had left. There isn’t even that many guitar moments in the bloody song so what’s the fucking point!!

As for the B-Side!. For a man complaining and whining about being asked about Guns N Roses all the time, it’s a wonder he didn’t stop and think that a cover of Guns N Roses classic, Paradise City would stir a few more GNR relaxed questions and conversations into the mix. Then again, let’s be honest. Slash was a great guitar player in Guns N Roses when he had Izzy, Axl and Duff helping out with the song writing, the singing, the composing, the attitude, the balls to pull it off and the chemistry to make it all work. On his own, with this album and it’s 1,000 page list of ‘guest musicians’, he’s just lost the plot.

Actually, I take that back. The plot for this album all along has been ‘Cash In!’ and that’ll probably work. Unfortunately it might just push Slash out of the musical limelight only die-hards and X-Factor viewers hold him I now.

Tickets There says shite but doubtless enough there’ll be some twat complaining about how unique, special, warm hearted, diverse and spiritual these mockeries are. Let me tell you right now, Tickets There doesn’t want to hear it.

Oh and Koshi, Hard Rock singers aren’t meant to sound like a guy who just got kicked in the balls with steel toe boots. They’re meant to sound like the guy that kicked him. Ask Lemmy!

Tickets There – Saturday Music Quiz

Posted in Music, News with tags , , , , , , on October 17, 2009 by Tickets There

Due to phenomenal demand, I’ve decided to create a much easier quiz as a follow up to yesterdays that you all loved so well. However, heed my warning. This quiz isn’t all fun and games, oh no! It’s a mind bendingly difficult little slice of musical penetration. Possibly the second hardest quiz in the world…after my first one.

Only Eyes: Can you name this rock star using only this small, hard to see image of their eyes?

alicecooper

Hats off!: Name the owner of this destructive and ‘illusioned’ and Velvet hat (if you please)?

slash

Oh yes, Tickets There fooled you all. This quiz is much, much harder than my previous one. Once again Tickets There claims victory!!

The man on the left is former U.S. president, Richard Nixon. Who is the man on the right?

elvis

Mask Attack: Name this famous King of Pop who is cleverly disguised?

michaeljackson

Irish Bonus Round: Name all four singers from this Eyebrowy sketch?

eyebrowy-electric_picnic

Well, Well, Well. Once again Tickets There got ya. Spent the evening watching Vince Vaughn’s latest movie (with an introduction from the man himself in Dublin’s Savoy) so please forgive the complete lack of humour.

R.I.P. Les Paul (1915 – 2009)

Posted in General Tickets There Blog, Music with tags , , , , , , on August 13, 2009 by Tickets There

les_Paul

The legend behind the iconic Gibson Les Paul has just passed away and Tickets There wanted to commemorate his passing by showing a handful of our favourite guitarists that have used his guitar. I never knew a whole pile about Mr. Paul but I’ve loved his guitar since I fist saw a picture of Slash from a live show many, many years ago. In fact, I think the reason I started playing guitar in the first place was so one day I’d be worthy of purchasing and owing a Studio Classic model (that day hasn’t come yet but I did buy a lovely Epiphone LP).

Anyway, R.I.P. Les, you gave rock N roll one of it’s finest assets.

Tickets There Likes: Guns N Roses – Use Your Illusion I

Posted in Album Review, Music, Ranting, Tickets There Likes: with tags , , , , on August 8, 2009 by Tickets There

GnR--UseYourIllusion1

There is one band in the world that has always come close to beating Def Leppard to the top spot in my all time favorites.  A band that I consider to be the greatest hard rock band of all time. I first discovered Guns N Roses in 1992, just a couple of months after Def Leppard when an older brother of one of my friends leant me the Use Your Illusion 1I& II albums in boarding school. Knowing that I was a Leppard and Meatloaf fan, I think he wanted someone else to share the mighty Guns with since everyone else had never heard of any rock bands. I remember trying Use Your Illusion I first because I preferred the cover and was instantly blown away by the sher force of the Axl’s voice and the guitars. I’d never heard anything like this and all of a sudden Leppard didn’t hold the holier than though pedestal I’d placed them on. Shortly after I managed to get copies of the alums from a traveller outside Mullingar at a wee market at some roadside restaurant like the covert and Guns were firmly brought into my life.

Aside from Adrenalize, I don’t think I’ve ever listened to an album so much in my life. Use Your Illusion I oozes sleazy Rock N Roll and as I got older, I understood more and more of the ands lyrics an hidden connotations. It was like an album that grew more and more mature with age and that’s the prime reason it never got left on the shelf when new bands came into my life. Despite being as big of a fan as I was, I’d never even heard about Appetite for Destruction or Lies and wouldn’t discover them for another  eight or nine years. Even when Appetite did come along, it’s never managed to replace Illusion 1 as my favorites; even now I can listen to that album and enjoy it as much as I ever did.

Before getting into the songs (and honestly, I don’t write these to try and review the greatest songs in my life. If you don’t know them there isn’t much point in you reading these), I should say that to appreciate the Guns, you really need to look at their career rather than just their music. Think of them like The Sex Pistols and you will understand Rock N Roll like the Pistols make you understand the true meaning of punk. Rock n Roll is meant to be an attitude more than the music. It’s that attitude that defines real rock n roll rebellion. It’s not anarchy, it’s lazy. It’s about doing what ever you like and not letting anyone tell you otherwise. Yeah it sounds cliché but that’s what it’s all about and if there is one man in rock who lives up to every single word of that, it’s W. Axl Rose.

Axl has never and will never do what record companies, fans, and mates, family or the press expect, pressure or beg him to do. Yes I’m sure there are all these underground guys who do the same but I’m sorry, Axl is the one with the millions under his belt and he still does what he likes and makes it work at his level. He didn’t give up after the Illusion and release one watered down alum after another for the following twenty years. He also didn’t go out of his way to keep the classic line-up happy and he continued Guns N Roses in his own way with the whole world laughing at him. Even the rock press and diehard fans failed to see the brilliance behind his methods and still today the fans that claimed to stand behind him still bitch log and beg for tours, special edition albums and music videos all the while their forgetting that none of these things will make the bands latest album Chinese Democracy any better. Axl is a musician who’s quite happy to let the music speak for its’ self. If anyone else did it and said that’s what they were doing, the world would cherish them and praise their musical integrity but unfortunately for Axl, they lampoon him.

Well I hope you will read this and look on Axl more favorably. He is not a front man interested in keeping old fans happy by travelling the world selling a decaying shell of a once great line-up, who’s former members have gone on to destroy their legacy’s and tarnished their images as the rocks leading hell raisers (except Izzy). He’s doing what he wants, how he wants to do it and any fan of rock n roll out there who criticizes, laughs or attacks him for this hasn’t got  fucking clue what rock n roll is all about. You’d be better of buying your Motorhead t-shirts in Top Shop and singing along with Summer of 69 when it’s one and leave it at that because Rock has enough posers already.

Anyways, Use Your Illusion I eh, great album. What else can I say?

Velvet Revolver – The Ambassador Theatre – March 12th 2008

Posted in Gig Review, Music with tags , , , , , , on March 14, 2008 by Tickets There

Velvet Revolver landed in Ireland this month to play two sold out nights at the Ambassador Theatre in Dublin and Tickets There decided that Slash’s presence in Ireland deserved a mention (personal favourite ya see).

We wouldn’t really call ourselves Velvet Revolver fans. Their first album was half decent and we remember being pretty excited buying it just before heading to Alice Cooper in the Olympia a few years ago. The first full length collaboration with Slash, Duff Makagan and Matt Sorum, since the last Guns N’ Roses album (The Spaghetti Incident). The excitement managed to cover up the obvious flaws in the album for a few months. By the time their second album came out we’d had lost much of the original interest. We’d spent months following the silent goings on in the Guns N’ Roses world and the new Velvet Revolver album was the enemy, another barrier between the new Guns N Roses and the former band mates.

Liberty turned out to be one of the most over hyped pieces of rubbish we have ever had the displeasure of buying. Every song was a repetition of the track listing from the first album. Big Machine became She Builds Quick Machines while Fall to Pieces became Gravedancer’. It was so bad, it promoted us to write one of our first pieces, a short but scathing attack……and here we go again (thankyou Mr. Coverdale)

The gig was sold out, but there was no atmosphere. The crowd was at least 70% male and made up of ageing Guns N Roses rockers, extreme studiers (you know what we mean, the kind of guys who paid E175 to meet the band pre-show and get every album cover signed), Emo’s (four really annoying ones in particular) and kids…lots of kids.

Support was provided by Year long Disaster. At first they seemed like…well we don’t know what, just another post millennium metal band. Slow, meaningful lyrics, backed up hard, slow and BORING riffs. However, halfway through their set they really kicked things off, spiralling into classic Les Paul jams and spur off’s. ‘Y.L.D. proved to be pretty good considering…..considering they leave the nonsense metal out of it. Slayer did it as well as it can be done already so what’s the point?

VR came on stage about 9.30 hammering straight into Let it Roll, the first track from the last album. Let It Roll had all the trademarks of an incredible fast paced, slap in the face, rock anthem except it fails to deliver, much like the rest of the their catalogue.

I wouldn’t even bother describing the rest of the set song by song as it was all the same. Slash managed to get the loudest cheers every time he’d come to the front of the stage, Duff a close second, Then Scott. Rhythm guitarist Dave Kushner was seen occasionally hanging around while Matt tried desperately to perform strong enough so Slash and Duff wouldn’t wake up and realize their not in Guns N Roses anymore. Each song was delivered exactly the same except a quiet moment or two for the acoustics to be brought out. Even renditions of Guns N’ Roses classics It’s so Easy, Mr Brownstone and Patience didn’t manage to impress (us anyway, lots of other people were having a great time). We felt more disgusted that Slash and Duff would let Scott sing three of their greatest works.

There were a few highlights of the night. Firstly the presence of Slash and Duff McKagan (have I mentioned them yet?), Slash playing a double neck guitar during patience, The Ambassador’s smoking area and …..well, I’m sure there was any more.

Even the final song of the night Slither, their classic first single, was too far into the set to save the night. We’d already visited the cloak room before they had left the stage.

 Set List: Velvet Revolver, Dublin, March 12th/2008,

  • Let It Roll
  • She Mine
  • Sucker Train Blues
  • Do It For the Kids
  • Just Sixteen
  • Big Machine
  • American Man
  • Vasoline
  • The Last Fight
  • Interstate Love Song
  • Patience
  • She Builds Quick Machines
  • Get Out The Door
  • Fall To Pieces
  • It’s So Easy
  • Set Me Free

Encore:

  • Mr. Brownstone
  • Sex Type Thing
  • Slither

 

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